“when we choose to be parents, we accept another human being as part of ourselves, and a large part of our emotional selves will stay with that person as long as we live. from that time on there will be another person on this earth whose orbit around us will affect us as surely as the moon affects the tides, and affect us in some ways more deeply than anyone else can. our children are extensions of ourselves.” (mr. fred rogers)
i simply cannot think of a more succinct way to say this but for the words of mr. rogers.
forever changed, i am sensitive to every little thing my even-as-grown-ups-children are experiencing, celebrating, enduring, adventuring, loving, suffering, yearning for, achieving. i feel their joy as my joy, their sadness as my sadness.
parenthood, a profound honor, in all its diamond-facets is no small feat. the vexing complexities, the moments of sheer joy, the heart-wrenching worry, the holding-on-letting-go-ness, the unconditional love. all of it.
like the moon, their tide surely affects my tide. and i would have it no other way.
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dogdog and babycat have an interesting relationship. seemingly-by-dog/cat-definition partisan, they cross the aisle everyday to beg together when they are looking for a morsel from our breakfast, stand together when looking for dinner, lay together on the rug when conked out at the end of the day. they have figured it out and i know that they love each other, despite their differences and the personalities they have as well as the traits we have assigned them by speaking for them judging by the looks on their faces.
dogga stares out the front door window and wonders. the cat not so much; he stares but doesn’t seem to really wonder. but they share the front-door-rug and we provide the conversation and thoughts. we have many one panel cartoons of the two of them at the door.
the thing i would point to, in all of the cartoons we have drawn about these two supposed-foes, is that they get along. they respect each other’s toys, food bowls, spaces on the bed. they may think a rude thought here or there, but they don’t voice it aloud. they don’t name-call or lie to each other. with the exception of babycat’s black chair, they don’t destroy things, they don’t shred the garbage, spewing that which is trash all about. they take turns at their shared water bowl. they are empathic creatures, loving and tuned in to things around them and the real state of affairs in the house. they are quietly candid and honest, albeit b-cat a tad bit sarcastic. they are loyal to the bigger picture, their home. they accept each other. without exception, without pretense, without anger or contentiousness. they embrace living together, right here, right now.
“one minute you’re a snowflake with possibilities and the next you’re wearing a scarf and goofy hat.” that sounds like a statement of judgement. a measurement of sorts. and i suppose it is. possibilities of profound impact on the world, on science or art, in music or film, medicine or education. we measure ourselves in this society by our success; our merit based on what we reap financially, what we individually or collaboratively have contributed to the furthering of humankind, this good earth, the animal kingdom, worlds unknown.
but pay attention to the next snowman you see. does his sweet nose make you smile? does his crooked grin make you stop? does his hat make you think of your dad, your brother, your best friend? does the snowman make you happy – and do you carry that happiness with you after you pass him by? of what value is that?
never underestimate the power of who you are. your impact on the world will spread in concentric circles rippling outward. whether nobel-prize-worthy or under-the-refrigerator-magnet-fame, your scarf-and-goofy-hat-ness counts. your kindness is contagious. your good intentions affect the one closest and, in turn, and with a sureness of the way things truly do work in this world despite all efforts for the opposite, they will land in the heart of someone you may never meet but who will have been impacted by you, from way back in the middle of the concentric circles. right in the possibility-filled-snowflake-heart of the snowman.
an underpainting is raw. an authentic beginning, an authentic step in heading to a “finished” product. often i am the one who asks david to stop…stop here. there is something that speaks to me from the canvas of underpaintings. something that says, “look. i am here. i am not perfect. i am not done. but i exist.”
maybe it’s the connection to real life, to humanness – the not-done-ness, the not-perfect-ness, the here-existence – that appeals to me.
it is a suggestion of completeness, but not yet really measurable or judgeable. it is a tendency toward finished, but not contrived or overly-intended. it is a step in the direction of a painting that an artist deems done, but a step, a ‘done’, we each see through our own eyes.
it is a parallel of life. a start. a blank canvas. raw color. authentic steps. imperfect. not done. but here.
if there is an icon image for us, this would be it. the full image of david’s daisy painting includes language: you said, “i’ll be the one.” yes. you are.
i was the one holding the daisy. way back when now, in baggage claim, thinking he would have no idea who i was, i texted him i would be the one holding the daisy. we hadn’t ever met yet, but our backandforthandbackandforth email letters had been going on for about six months and it was time to see the face of the other half of the backandforth.
i was nervous in the airport waiting. i got there early, which, in and of itself, is a feat because i am not a way-too-early-to-the-airport person. i visited the mirror in the ladies room a number of times, checking my outfit, my hair, making sure i had no food in my teeth (linda can tell you bill t. had made me paranoid about this). the evening before, i agonized over what to wear. a nice outfit? a dress? leggings and a tunic? i ended up with my favorite old jeans, my boots and a big oversized black chenille sweater. i needed to feel like me.
the girl in the airport restroom was waiting for her fiance to return from the service; their wedding was merely two months away. she asked me who i was there to meet and i told her the (short) version of the story. she laughed and said, “ah. it’s obvious. you two will find out you are soulmates, ” which made me laugh. clearly that was silly.
i only knew his face from a tiny photo on a website. i had seen photographs of his coffee cup in various settings and his paintings (which i loved), but not his face. the identifying daisy in baggage claim – in my belief – was necessary.
that daisy was quivering when this guy with jeans, boots and a black shirt and outer jacket was walking toward me and i realized the girl in the bathroom might be right. a kind face and easy stride, he walked up to me and, laughing, we hugged. we skipped out of the airport, the daisy cheering us on.
the rest is history, as they say. there have been uphills and downhills; the roller coaster for two artists living together would challenge any six flags amusement ride. life beginning together as two grown-up adults is navigable but requires much negotiation. two people with different pasts – one of us with children, one of us without – is full of lessons and storytelling and learning curves. the smack-dab in the middle of middle age brings its own neuroticisms; the late 50s is not necessarily a time that you feel at the very apex of feeling good in your body. we pay attention to health and diet and know our time together is not the decades and decades of our parents’ times together. we try to maximize moments. and we sometimes struggle with the feeling of starting over. not the resilient twenties or thirties of our first marriages, yet starting again with much of the same arduous uphill climb.
so in the roadtrip of this life together were i to assign an icon it would be this daisy. because this daisy in the painting on our wall reminds us: i’ll be the one. yes. you are.
of all his watercolors, i remember this one. maybe it’s universe-timing but the image of a person kneeling silently in reflection, in prayer, fading into the blue of eternal sky and the hinted suggestion of sun seems particularly synchronistic. the fluidity of line, the brushstroke revealing the image of humanity – in a transitory time here as part of the whole. a blurry-edged fleeting existence in all of time’s galaxy.
but the destruction, the disregard, the disrespect. people who disassociate with the truth of here and now, gone tomorrow. intent on pillaging the universe’s glee that each of us is here, each of us is exquisite, each of us can positively impact another. this place is a place of profound beauty, the sky and the sun sure day to day.
perhaps the lure of this painting is the inkblot-exercise. depending on what you focus on, the figure will be there, the figure will disappear.
perhaps the point is the earnest time on our knees, whether or not literal. the questions we ask, the things for which we give thanks, the time to focus, the imploring to help us notice it all.
when he said, “make hundreds”, he wasn’t referring to blogposts. my sweet poppo was for-sure-analog and didn’t really even know what a blog was. he was sending me off to school or work, calling after me to “make hundreds”, a tad bit of pressure for an A+ seeking student but taken with a bit of a grain of salt because my poppo said it with great love. today starts the one-hundredth week of our blogposts in the melange and daddy-o would be impressed. it’s one hundred weeks, after all.
clearly, in just a few short weeks it will be two full years. two years that we have sat next to each other and written a post that was inspired by the same image, the same quote, the same painting or piece of music. it has been a profound experience. we have written on the raft with dogdog and babycat curled up next to us, on the beach, in the high mountains, in hotels and airbnbs, in coffeehouses, in relatives’ homes, in the noise of a city, in the quiet on island. whether or not others are reading my words, i look forward to every single day of writing and am stunned to think that i probably have more in the way of written word now than songs. is that possible? (even at a mere 500 words a post it is somewhere around 250,000 words, about 3-4 novels worth.) it is the best stuff of sitting up in the maple tree outside my growing-up-house on long island for hours on end, writing, writing, writing.
we sit at the starting gate with our inspiration of the day and then, without looking at what the other is writing, we expound on what we see or feel or think. it’s ‘he said, she said.’ we’ve often thought about, and might just follow through, capturing them into a journal where the same image or quote could stimulate a third person’s writing. a ‘he said, she said, you said’ book. having a prompt is the juicy stuff that makes it absolute fun.
my posts are often stories, emotional – perhaps poetic – glimpses into our life. david’s are more esoteric, more complex. a friend of ours said she can tell the difference without even looking. goodness! i’m sure that is true. when we share our writing with each other, reading aloud, i often wonder about the value of what i’ve said. like recording an album, these are words ‘put out there’ for all to see and you and i both know that judgement is alive and well. but i always bravely try to remember what our point is.
we wanted a place to put a variety-pack of endeavors, a place that our conglomerate artistries could live under some kind of umbrella. that umbrella became our‘studio melange’ and we found we could offer our individual work (paintings and music) in addition to our cartoons (earlier on, the melange included chicken marsala and flawed cartoon) as well as the quotes we jotted down each week and the images i recorded on camera that we found pertinent or thought-provoking. about a year along the line we changed the melange and added ‘merely-a-thought monday’ and ‘not-so-flawed wednesday’ in lieu of our cartoons.
if you pare our melange down you will find one overwhelming similarity. hundreds upon hundreds of moments. moments captured, moments written down, moments to remember, moments we’d sometimes rather forget, moments of confusion, moments of regret, moments of incredulousness, moments of fear, moments of scary honesty, moments of challenge, moments of pushing back, moments of questioning, moments of indescribable joy and moments of deep sorrow. all of them moments of life, a reminder to grasp onto them and hold on dearly. for that is what we have. the ability to make moments. the ability to make moments count.
last night we watched cnn’s broadcast movie about linda ronstadt “the sound of my voice”. a star in every facet. as we watched , we revisited times of our lives – times when the music we listened to was simpler, less engineered, less auto-tuned, less machinated, less acrobatic. it was music of melody and harmony, stylistically less thickened by tracks of extraneous stuff. it was indeed purer. linda ronstadt, now in her 80s and dealing with the effects of parkinson’s, particularly on her voice, was a powerhouse raised in music, surrounded by music and who, with generosity, graced us all with her music for decades. her voice goes on.
we are attracted to simpler. simpler melodies minus the gymnastic riffs and with simpler production, simpler paintings with great depth or color or message. we are analog; there’s no doubt about it. and as we watched a john denver christmas in aspen the other day i found myself yearning for that simplicity, john denver’s voice – both his writing voice and singing voice – effortlessly clear.
the common thread of less is more. it had impact on us, on our art forms.
when d was messing around in the studio recently he painted these very simple elements that often appear in his paintings: a star, a flower, petals. it’s not natural for him to paint without a figure. i imagine he was experimenting, paring down. i would liken that to me recording a song on the ukulele. it’s not natural for me to record without a piano. but experimenting is good and paring down is an exercise. especially in times of mostly-quiet easels and mostly-empty lyric sheets.
linda ronstadt’s story is one of unparalleled success and a great number of layers of experiment, a constant delve into another style of music, always paring it down to dedication to her absolute love of singing.
in the midst of all the layers, all the experimentation, all the paring down, all the silent canvases and hushed keys, we find our guide stars. and we go on.
the things i know to be important. the things on my list to strive for. each day a new day to try.
may you be peace. may you be kindness. may you be an expression of gratitude. may you be fair. may you be a good listener. may you be curious. may you be inclusive. may you be communal. may you be always learning. may you be always giving. may you be dedicated to truth. may you be forgiving. may you forgive yourself. may you be affectionate. may you be generous. may you be loyal. may you be present in the moment you are living. may you be questioning of darkness. may you be protective of others less fortunate. may you stand up to inequality, inequity, violence of any sort. may you be complimentary. may you see the simplest of things. may you push back against ignorance and the desire to not see. may you choose health. may you resist wastefulness. may you trust your intuition. may you be calm. may you embrace entertaining thoughts different than your own. may you be able to discern the difference between aggressive and forward-moving. may you say thank you. may you abstain from comparison and competition. may you be honestly empathetic. may you stand in your shoes and give wide berth to vanity. may you be resilient. may you avoid yelling at others. may you try not to ignore others. may you be understanding. may you softly care for living creatures. may you be suspicious of agenda and may you speak into it. may you be clean and tidy in your space in the world. may you breathe easily. may you help those who need help. may you lift others up. may you teach good things to little ones. may you be with voice. may you be filled with spirit. may you be excited. may you leave things better than you found them. may you be creative. may you worry about the earth and those who follow you on it. may you be responsible. may you be progressive. may you be a bright light. may you love. may you be gentle. may you be a good human.
because i have this thing about everest, high-mountain-climbing tales and the arctic, we have a propensity to seek out movies we can view that tell these stories. we stumbled upon an explorer series that followed the adventures of an arctic explorer at the north pole. the photography was stunning. so much white. and then the blues. a turquoise aqua that you just can’t accurately describe. the explorer described the north pole as elusive, as theoretical, since it continually moves and the longitude/latitude is never constant, always fluid. he is there at the exact north pole and he is not. both.
this painting BLUE PRAYER feels like there. sitting at the very top of our mother earth, the deep night sky behind her, she prays. for our planet, all people, tenets of goodness, generosity, peace. she is quietly still and bowed in fervently verbose prayer. she is praying for the elusive, the theoretical. she knows it is all out there and she knows it is not. both.
