reverse threading

the path back is the path forward


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all the angles. [kerri’s blog on d.r. thursday]

i grew up loving protractors and mechanical pencils, slide rules and really good erasers. it’s a wonder i didn’t pursue a career where these were valued or necessary. digging through bins recently, i came across a pencil case with yet-another protractor, yet-another slide rule, a very sturdy compass, some fine-point drafting pencils. a treasure! from long ago i can feel the slide rule in my hand and the circly swirl of the compass. even without a specific purpose for these (save for the pencils) i am planning on keeping them. and the pencil case as well. because who doesn’t love pencil cases?

and so, it was without hesitation i immediately eye-measured the angles in this photograph. the north side of our house, rooflines as they meet the sky. this old house is filled with angles – crown molding meeting crown molding, wood floors as they run an expanse of a room to partner with another room, ceilings over a reversing stairwell, ceilings in bedrooms that long ago housed matchbox cars and barbies.

there are photographs in the bins-in-the-basement as well. i study them for a bit. it’s obvious i was always looking for a different angle – a different way to view what everyone else was looking at, to compose my image. closer-up, upside-down, the horizon on a deliberate tilt. but, most always, tighter-in, to feature some subject matter.

it was when i was in the canyonlands sharing precious time with my daughter that i learned a lesson. we were both snapping pictures – the expanse, the red rock, the sky, the immensity, the 90 degree angles to the canyon floor – it was all overwhelmingly take-your-breath-away. we took photographs of each other in this incredible terrain. her images were a teaching.

there, taking up barely any space in the middle third of the left side of the photo, i stood on the top of the cliffside. the sun was almost down, the deep chasm below dark, the red rock upon which i stood still lit orange. i am the smallest percentage of this photograph and, yet, it is one of my favorite photos of myself – ever.

it was that day i learned little bit more about perspective – through my daughter’s brilliant creative instinct to give the visceral gift of seeing tiny in vast. to back up, to wide-angle the view. i remind myself of these amazing moments with her often.

i hold my camera ready – to consider all the angles of what i’m seeing. and, most especially, what i might see, what i might be aware of, from a distance. the bigger picture.

*****

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from a distance. acrylic 53″ x 29″

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berries or art. [kerri’s blog on d.r. thursday]

i was minding my own business hiking the trail. the sun was sifting through the trees, the cool breeze was brilliant, the dirt felt good underneath my feet. lost in thought and feeling the glorious change in weather – the heat dome having moved on or dissipated – i was taken by surprise.

the bird poop landed on my forehead and splatted my sunglasses, schmearing down my nose, dropping onto my shirt. it was more than a little shocking and i said to d, “a bird just pooped on me!”. apparently, at the time i said this i was looking down at my shirt and he glanced over to see some evidence of this pooping, none too impressed until i looked up at him.

the look on his face told me what i needed to know. “it looks like blueberries,” he said, intending to be helpful, i think. i responded that the birds – and one in particular – must be eating berries, digging in my backpack for a paper towel and not grokking why their diet was of importance when i had shat on my head and face. i didn’t see the bird, but i’ll for sure remember it anyway. we started to laugh, which is always a good thing, and i instantly remembered the scene in “under the tuscan sun” when the pigeon pooped on diane lane’s head – supposedly a blessing of good fortune.

i googled it.

the thing i came across the most was the rarity of birdpoop actually landing on you. the probability of this is near zero, which is why the act of being bird-shat-upon is considered lucky, even a blessing. when we thought of how many times we have hiked trails – this one and tons of others – we cannot recall a time when birdpoops even came near to us.

so i’m going with lucky.

there were several sites of rock art on our special beach. i found this gathering of rocks particularly beautiful. at first i thought it was a spiral, but it seems more a depiction of a tiny galaxy, a planetary system. coming upon these recently-constructed manmade mini petroforms: the mini galaxy, a black and white pinwheel of rocks, a series of rocks simply planted standing in the sand, we know that someone took the time to align these, to say “i’ve been here”, to leave something behind. we were a few of the fortunate ones who saw their work. it’s likely someone will shuffle along the sand and, tempted by the patterns, rearrange the rocks, undoing these designs.

if i had to choose a way to be remembered – let’s say, a choice between, well, the difference between momentary – umm – purge (be that a spewing of anything – including words or actions) or momentary art, i’d have to say i would go with art. though my writing and my music, photographs and designs will be just a flash in the arc of time, they are not as messy – for the most part – as berries.

*****

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visit DAVID’s online gallery

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the magic. [kerri’s blog on d.r. thursday]

i stood in the surf to take pictures of it. i could feel the sand sinking beneath my feet and the water pulling me out. the breaking waves were glorious and the cool water was rejuvenating. i stood there a long time, snapping photos. later, my feet – from sandwalking and wavecleansing – felt like i had taken an expensive exfoliation scrub and lavishly basked in its luxury. the magic of these two – elements of the tide, in time, of forces playing together.

we sat – in quiet – on the patio, over adirondack chairs facing the backyard. all summer we have had a hummingbird feeder out back. we have felt fortunate to see a hummer a time or two, maybe at day’s end, sipping and zipping away. but after the deluge of rain, after i refilled the feeder, the word seemed to have spread in hummingbirdland. and suddenly, our yard became a destination. and so we sat, quietly watching, transfixed by these tiniest birds, binoculars at the ready. and they came and went. they ate at the feeder and sat perched on the wires and on the garden fencing. they chased each other, zooming past our chairs and up and over the house. it was the first show and it was enchanting. we relaxed into its magic.

the trail was hot and we were on mile nine. at that point – in the feels-like high nineties – we were talking about getting to littlebabyscion in the parking lot. but then there was this butterfly who captured my attention. on a stand of tall yellow wildflowers, the viceroy butterfly shared the edge of the trail with me. i was close to it and took photographs as it sunned, seeking nectar. it didn’t fly away, instead allowing me to snap pictures as it stayed on the bright blossom. i forgot about how much i wanted to sit down, the weary disappearing into the magic of this creature’s presence.

when we were little, there was little that was not magical. and then we grew – taller, older, supposedly wiser. and some of the magic dissipated into clouds.

but, we are lucky beings. because from time to time, we are reminded. they need not be big moments of grandeur, though they could be. they need not be big moments of contrived entertainment, though they could be. they need not be stunning vistas or neverending horizons, though they could be.

instead, they are tiny bubbles and droplets of water, tiny grains of sand, gathered together in a restoring wave. they are tiny birds sanctuarying the backyard. they are a butterfly on a flower, almost unnoticed.

and we remember. we remember to remember, to not forget that the magic is right there waiting.

and in the wisdom of the littles, we realize – again – there is little that is not magical.

*****

read DAVID’s thoughts this D.R. THURSDAY

sunrise. sunset.

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in the turning. [d.r. thursday]

we passed the stand of coneflowers – so beautiful in waning as summer wanes – the passage of time barely a whisper, yet it is august and a new season will soon be upon us. the side of the trail – the underbrush – told stories of summer’s heat, of the successful eradication of invasives, of new growth, of the turning – always the turning.

we walked back to where we had parked big red, this old truck that has now passed through twenty-five years of turning. barely seventy-thousand miles on its odometer, it seems happy to be driven, to have adventures, to be out and about.

we have had big red for the last four years since columbus gifted it to us. unable to drive any longer, he passed it to david and we promised to care for it as he had. every single time we have driven it, we have wondered why the rattle…loud rattle…from both sides of the truck. we determined it was the running boards. the bolts were tight but the metal steps shook and rattled, nonetheless.

so, on this day of waning time and everyone and everything getting older, we decided to bring it somewhere to see if we could possibly make a difference in the ridiculously loud sound and jarring shake the running boards were causing. we don’t know what put us over the edge this particular day. we wondered how columbus put up with this for the first 60,000 miles. for me, in particular, anything that has any kind of rhythm – and then is juxtaposed with a different rhythm close by – say, on the other side of the vehicle – simultaneously(!) – makes me crazy. it’s torture! let’s just say it interrupted the ride and ford’s slogan “go further” sounded less and less appealing. i mean, we are “ford tough” but c’mon…!

we googled who to take it to. picked a shop. and drove to it, a tiny bit fearful of the price tag of this fix. particularly right now. we knew we could get an estimate and walk away, if need be. what’s a little rattle for a little longer?

the guys at line-x took maybe 75 seconds to decide what to do and scheduled us for later in the week. merely thirty minutes after they began to install a steel anchor bar on each running board, our problem had disappeared.

because we have hyped-up sound and muscle memory – reinforced by four years of sound and bouncing, we could both easily imagine the noise and the jarring we were now missing. big red drove smoothly down the street, still driving like a big old ford f150 – in a big ole truck kind of way – but minus the runningboard imax symphony.

surprisingly, it was an easier and less costly fix than we had imagined.

i suppose as we watch other things around us age and wane – our house, littlebabyscion, our fridge, our stove, this very laptop, my iphone, our bodies (ouch!) – this would be a good lesson to remember.

no less beautiful, no less a coneflower, the turning just requires a little care.

*****

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EMBRACED NOW acrylic 48″ X 36″

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teasel tease. [d.r. thursday]

“if left unchecked, teasel can form large dense patches and severely impact a habitat planting. teasel can be very difficult to manage because once established it pollutes the soil with durable seed that can germinate throughout the growing season.” (plantscience.psu.edu)

“leaves have spines on the underside of the midvein and smaller spines on bases on the upper leaf surface. the stem leaves are opposite and prickly, especially on the lower side of the leaf midvein.” (nwcb.wa.gov)

“handling teasel is best done with heavy gloves, every part of the plant is prickly to the point of piercing human skin.” (fairegarden.wordpress.com)

“once teasels become established in an area, they are hard to eradicate.” (fllt.org)

“if left unchecked, teasel quickly can form large monocultures excluding all native vegetation.” (illinois.edu)

if left unchecked…

it would seem these teasel beg the metaphoric reference to people within communities. it is no wonder – in these times – that my mind immediately goes there.

but teasels are beautiful, with interesting texture. like the flat-back-hand-carder for the vintage spinning wheel in our basement that cards wool or raises the nap on fabric, they were utilized for decades and were initially cultivated from the old world. they appear in planted gardens for their dominant sculptural presence and in meadows, growing wild and free.

on a quest – every day – to take photographs, i find myself back at 18. i was given my first 35mm camera when i graduated from high school early, my parents pretty certain i would love it. i did. i was out the next day, walking the beach in winter, reveling in capturing it all. i took that camera everywhere and took pictures of everything, reveling in the freedom of aperture and shutter speed. the deliberate taking of photographs brings one to center, into presence – there is no need for speed. instead, it is about slow movement, about noticing, about paying attention.

and i am – lately – feeling a tad bit back-there. at 18. the tiny lone flower, the shadow, the curl of bark – they get my attention. i pause.

these teasel stopped me. there was a teasing tension between their color, their thorns, the sky, the pine trees in the background. the juxtaposition of the bristle and the luminous. beautiful. i, too, couldn’t resist the teasel.

“despite its noxiousness, it’s impossible not to find the teasel rather endearing…” (jacqueline stuhmiller, fllt.org)

one just needs remember the thorns.

be wary. don’t hug a teasel.

*****

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check out DAVID’s beautiful (and ever-evolving) new gallery site


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french lavender. [d.r. thursday]

with the string you tie around boxes of cakes and pastries from a bakery or sweet patisserie, small bundles of dried lavender hang around my studio. from the big old black window frame that sits on the chifferobe i use for supplies to over by the djembe in front of the turned-off radiator by the window. bundles of lavender.

i used to have a lavender garden out back, started with cuttings divided out from the same bed these bundles were from. then the snow-on-the-mountain snuck under the fence from my neighbor’s yard and, despite my best efforts, took over the lavender (and anything else in its path). snow-on-the-mountain is like that. it barrels down anything in its way and takes much effort to eradicate. it’s aggressive and a tad bit bullying, not unlike some people i have known. i didn’t invite it into my yard, but there it was, anyway. i’ve tried to – now – incorporate it while still somewhat controlling it – the new normal. sounds a lot like the stuff of life.

each year we plant a big pot of lavender. each year, it is a slightly different strain of lavender. last year, our daughter chose the plant, as she was here at the time and we visited a nursery. it exploded into a gigantic plant – the bees seemed to love it as much as we did. this year, we chose one that seemed unique, it’s purple petals growing out the top of the stalk – french lavender, with butterfly-like narrow petals.

lavender is known for bringing serenity, for its calming soft scent. for me, it’s a balance plant. it is – without any real effort – growing in its giant pot.

i walk over and, with the slightest of touches, am caught in a whirl of its beautiful aroma. i think about tying some branches and hanging them to dry at the end of the summer season. or maybe making small lavender sachets. anything to keep it going.

i can add some to the gifted lavender in my studio. bring serenity in. and push out the ghosts of invasive snow-on-the-mountain.

*****

read DAVID’s thoughts this D.R. THURSDAY


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like sheets off the line. [d.r. thursday]

i grew fond of clotheslines when we were on washington island. four years ago – almost to this very day – we hung out our first freshly washed laundry. the machine at the littlehouse was one of those washer-dryer combos but it had a few issues with the drying part and we felt it was using too much energy. so we went to mann’s true value hardware and bought clothesline and clothespins and, using the metal poles already sunk in the ground, we strung up our dryer.

it seemed simpler. it was simpler. and time slowed down a little. you can’t rush laundry on a clothesline. the sun and the wind off the lake had to do their job. and we had no control over that. we just waited. every now and then we’d go check the clothes for dryness. and then we’d wait a little longer.

my sweet momma had a clothesline out back – the rotary kind. i wasn’t paying a lot of attention back then, but i did notice the fresh outdoor scent of the sheets when she hung them out.

so when the farm in iowa had a clothesline, both of us had a wistful moment. not to mention the rust made for a plethora of photographs. it’s chip and jojo at their best, or leanne ford, featuring vintage, repurposing the old, framing the rusty, the chipped, the peeling. it’s exquisite stuff. surely this very clothesline t-pole could make an appearance inside were it to be retired from clotheslining.

we have stepped away from washington island. it’s been three years now. covid did a job on performing arts centers everywhere and wiwi’s TPAC was no exception. our co-managing director positions were given to someone local, someone who lived on-island full-time, someone who was already part of the island’s very fabric, lowering overhead costs and fashioning it into what they needed post-pandemic.

to say i don’t miss it would be truly false. though it had some issues in growing, we were dedicated to symbiotically weaving together the organizations on-island and elevating the maturing pac for outsiders as well as insiders. we would initiate change slowly – and some change more quickly – and then wait – just like the clothesline.

and then, the sun and the wind off the lake would let us know how it was going. we’d shift a bit in the stiff breezes and seek shelter of shade in too much glare.

and we knew the clothes and ideas would eventually dry and all would be fresh and sparkling and we could take off the clothespins and bring them in, welcoming them – just like sheets fresh off the line.

*****

read DAVID’S thoughts this D.R. THURSDAY

A DAY AT THE BEACH mixed media 38″x52″


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true rainbows. [d.r. thursday]

chicago is aware. wide-awake LGBTQ aware.

to be there is not to be in a nod-to-diversity. instead, the city embraces diversity. it is true to its intention. the rainbow flags and “proud” banners and painted buildings are emblems of this good intention.

but one must be wary of emblems, of symbols, of misspoken intents. to live in today’s world is to bring a bit of doubt to the table, to ask questions, to do your homework, to be informed. for not every mission statement will stand up to scrutiny, not every symbol of goodness will survive real review. it is surprising – at best – to realize that agenda has superseded goodness and has taken your trust for a ride. beware of generalizing virtue simply because it falls under the umbrella of a symbol.

i have been immersed in places in which i placed all my faith, sans skepticism or dubiety. i have been in communities that touted their transparency, their compassion, their participation in good mission. all the while, the flags of opacity, of hidden agenda, of untruths spoken and truths unspoken, flew quietly and deliberately in, usurping any good intention that remained, driving out the hard work of community-building, of the joy of the embrace. out of alignment, were the symbols capable, the symbols would shudder.

and so, i walk into the thick of the city, sensors on. i know there are issues, problems, but i know there is attempt to address these, to ask hard questions, to communicate, to resolve any perceived conflict.

i know that the rainbows are true.

*****

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INSTRUMENT OF PEACE 48″ x 91″ acrylic


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under… [d.r. thursday]

one time – probably about eight years ago – we had a giant argument under this vast ceiling. giant. there are not many places to go stew when you are at olgivie – it’s the terminal chicago station for the metra we take to the city and full of people. an uncomfortable time at best, it basically forced us to look at each other, invite in a little grace and figure it out.

one time – probably last week or so – we had a tiff on the trail under the bluest-blue sky. it’s not like one can go steaming through the woods, looking for a place to sit and sulk. one has to keep moseying on, down the path. and so, seething for those moments, we linked arms – as is our custom – kept walking, invited in a little grace, figured it out.

one time – ten years ago now – under the dropped ceiling of o’hare’s gate f8 – having both just flown in from different places in the country to meet there – david got down on one knee. never-minding the zillions of people walking by, pulling luggage, toting backpacks, crying children, coffee spilling, overhead flight announcements, we started the next part of our journey together – already in grace, already figuring it out.

when we go to chicago, we either drive the backroads or take the train down. we never drive the interstate there. it’s just too much – too frenetic, too rushed, too busy. we both feel that part of getting there IS the getting-there.

so that must translate to relationships as well. part of getting there IS the getting-there. and that includes the tough moments as well as the really easy ones. it includes the times when you are “ucky” (as the guy at the oyster bar said the other night) to each other and the times when you are generous. it includes the times you wonder what you’re doing and the times tears of gratitude rush to your eyes. it includes the times you know very well that your best-neighbors-to-the-west know you are arguing and the times that people-you-don’t-know stop you to tell you they love watching you wander the neighborhood arm in arm. all of it.

the architectural ceiling of ogilvie makes me smile. though we don’t live in chicago, the many times we have exited metra into the station have given us easy time downtown. the getting-there was simple – sit on the train and watch the outside woosh by. and each time we exit onto the platform and head into the atrium of the station, every moment we’ve spent there suspends from the high rafters. the good ones and the rare-but-admittedly-not-so-good ones.

and then we walk out into the day, under expansive sky, arm-in-arm, and get about getting to the next.

*****

read DAVID’S thoughts this D.R. THURSDAY

AND NOW, acrylic, nfs


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under one sun. [d.r. thursday]

we went back to the beach. it was only our third time there but it’s beginning to feel familiar. we know the driftwood to lean back against, the curve in the shoreline where the waves break. the sand is warm, the breeze off the lake is cool; it’s a perfect combination and we’ve brought sandwiches along. we walk with our heads down, searching for hagstones and beach glass. it’s a sanctuary minus the trappings – physical and emotional – one often finds in buildings with sanctuaries.

each rock is intriguing. there are infinite shapes and sizes, rocks of all imagination. i pick up more than i tuck away, but i appreciate the spectrum of diversity and i wonder where they have been before they arrived on this lake michigan shoreline. what’s the story behind each stone, behind the tiny bits of glass, behind the wave-beaten-smooth pieces of brick. each narrative counts.

we brought a book but we didn’t read it. we hadn’t started it yet. we do that later in the day. rebecca makkai’s “the great believers” – a good read for pride month, a profound novel highlighting the aids crisis starting early to mid 1980s. there are places familiar to us in this book – chicago, boystown, door county – we find it easy to immerse as we read aloud. we are transported in time – back to those days of early recognition of this dreadful viral infection. human immunodeficiency virus has not ceased and there are still millions of people with life-threatening and chronic symptoms. there are stories familiar to us in this book – for we are both artists and we both finished our undergrad work in the early 80s. there are people familiar to us in this book – though these are characters, in life they have been our friends and, now, they are the friends of our son, the tight-knit unconditionally-loving LGBTQ community. they are all treasured and unique hagstones and beachglass – gorgeous in human form.

the stash of rocks ended up on the dining room table, all fanned out on its worn surface. they are glorious bits of a stunning day. the stone that looked like a guitar pick with a feather beret cap stayed on the beach. i took it home in my camera instead.

we have plans for the next time. more snacks. maybe swimwear.

we have plans for pride in chicago. more compassion. maybe tie-dye.

we are merely two people walking on a vast beach, among zillions of beautiful rocks of all sorts, zillions of people of all sorts. it’s all familiar. it’s all unfamiliar. but it’s all a sanctuary under one sun.

*****

read DAVID’S thoughts this D.R. THURSDAY

surrender now, 24 x 24, acrylic, framed