reverse threading

the path back is the path forward

Tag Archives: davidrobinsoncreative.com


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continued beingness. [kerri’s blog on d.r. thursday]

the seedheads stay present all winter. thimbleweed is ready. eventually the wind will carry it, dispensing it, seeding new growth, spreading it far and wide. the wooly tufts are evidence of nature taking care of nature.

the concentric circles are all around us. in reminders we get every single day, we are prompted to remember that even the tiniest of our actions will impact the next and then the next and then the next and then…

it is what makes me feel so utterly disheartened with what is happening here and now. it is not just the cruel actions of others that ripple out. it is also the mindbogglingly complicit inaction.

once again – and over and over – i see the absolute transience of this moment. once again – and over and over – i see the silky filament that exists between am and am not. once again – and over and over – i try to take in – to make part of my being – the presence of mind to be present, the ability to be stopped in my tracks, a nod to wondrous, utter gratitude for breathing.

to be amazed by the tufts of thimbleweed, to carry a sunrise or sunset, to drink the sun into our bodies, to hold one another.

and once again – and over and over – i wonder how it is that there are so many who would choose cruelty over kindness, who would choose corruption over goodness, who would choose marginalizing others over lifting others up.

how are we taking care of each other? what are we spreading in rippling concentric circles from our very center? how are we carrying, dispensing, seeding, spreading life – living – far and wide?

look to thimbleweed. its resilience, its anticipation. the seedheads seem to be ever-looking forward, planning for its survival, anticipating its continued beingness.

maybe – just maybe – nothing less than what humans should be doing.

*****

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the fragile crossing. [kerri’s blog on d.r. thursday]

and then, the quiet after the storm.

there is nothing like fierce winds, torrential sleet, and a blizzard to get your adrenaline going. it’s been a minute since a bit of quiet.

so monday morning – as we gratefully sat under our comforters and quilt and sipped coffee – the sound of red-winged blackbirds in our pine tree was like a symphony – significantly even more moving, at this moment, than listening to the ode to joy finale of beethoven’s 9th symphony.

we were in the aftermath.

even with the bits of destruction we experienced and unexpected – but necessary – expensive repairs – some already made and some on the ever-present maintenance docket – we felt the change and we rested in the sound of birds who had essentially disappeared during the chaotic weather.

the sun came out, we saw a bit of blue sky.

we took a breath.

there will be other storms.

some will be weather, some will be personal challenges, some will be directly connected to the state of this country.

and for any of it – for all of it – we need to gear up.

so – for right now – the sun, calm winds, melting snow, a few comforters and a quilt, coffee and the birds of our backyard will all help. they stoke up the fortitude, endurance and resilience we all have and we all draw on, the fragile crossing from destruction to recovery.

*****

read DAVID’s thoughts this D.R. THURSDAY

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metaphors everywhere. [kerri’s blog on d.r. thursday]

we talked about what this stunning vine would look like in a time-lapse video of itself – curling around this stem of underbrush, coiling in and out. it would be fascinating to see.

we watched a PBS special of a vine – reaching, reaching – for the sky. it was nothing less than intense. it would seem that vines are definitely in the every-being-for-itself gang, striving to get sun and squashing – choking – all in its way. which, in these times, sounds devastatingly familiar.

i see this vine off the side of the dirt trail we are on – tightly wrapped around underbrush – and think about how stuck it is, there on that stalk. i wonder – as I look at it – if it is even possible to unwrap itself, to loose its deathgrip on its victim, to shed its imperative to conquer as it climbs. or if it is lost in this dedication, this seeming mandate; if it is too immersed in its scheme of obliteration.

once a vine is a vine is there a point of no return, that dedication to climbing the ladder, so to speak, with no thought of that which it is crushing?

a little research shows that vines climb and block sunlight – starving the host plants. they add weight to delicate branches and foster rot. they are smothering. many are rabidly destructive, aggressive invasive species, hard to mitigate, impervious to control or checks and balances. hmmm. again, sounding familiar.

as i studied this creeping grape-vine-knot in the woods, i was struck by its beauty, taken in by its curves and the graceful way it had wound itself. it did not occur to me – as i studied it and photographed it – of the harm it may be causing. a little time dedicated to research, to asking questions, to garnering factual information and the vine-knot took on different meaning and made me wary of any championing i might give it.

“vines can deform trees by interfering with branch growth.” “active, localized efforts to manage and eradicate wild grapevines exist in wisconsin, primarily to prevent them from choking out trees and native vegetation.”

“without constitutional checks and balances, the presidency risks shifting toward authoritarianism, where the executive branch can ignore court orders, dismantle regulatory independence, and weaponize the department of justice against political opponents. this breakdown of oversight allows for unconstitutional executive orders, consoldation of power, and the potential erosion of democratic norms.”

there are metaphors everywhere.

*****

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HELPING HANDS
53.5″ x 15.25″

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depth-of-field reality. [kerri’s blog on d.r. thursday]

i took this photograph the other morning and then later showed david. it took him a minute or so to figure out that it was a photo of a squirrel on the fence on the other side of the driveway. he had some context, though, recognizing that i like to sometimes take photos through the screen of the window. it distorts the image a bit and changes the scope of the depth of field, focusing on the screen rather than the image beyond, but more information aids in discernment, in seeing what it is that is there.

as i sit and write this – at this moment – i am waiting for someone to come and pick up the giant ant farm that we are giving away. the person who is picking it up is going to share it with pre-school children so that they might study this ant farm. though i’m pretty certain that she will also teach them that this is a tiny example of how ants live ‘out there’ in the big world, they will focus up-close on how its community works.

how community works.

i’ve written before that i’ve wondered if whatever great deity you might believe in is watching us all – here on planet earth – as we function – er, dysfunction – as a community of people. as we somehow err to the everyone-for-themself way of being in the world. as we push and shove to place personal agenda before any kind of synergistic, collaborative orientation.

is this deity peering through window screen, watching distorted figures go about daily living under the guise of “together” but cultivating nothing of that sort?

is this deity peering through a clear plastic screen, watching us on this planet make ruin of our natural resources, undermining our environment, our sustainability, the beauty of this earth?

if you look closely and focus on what is clear, you will see window screen, separating the viewer from the view.

if you let your eyes focus further out – despite the depth of field blur – you will see the squirrel, the fence, a bit of our westneighbors’ garage.

it’s not so much a mystery once you have more information. then, you will see it for what it is.

it’s all real.

it seems important to work at viewing the big picture.

*****

read DAVID’s thoughts this D.R. THURSDAY

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toward the bench. [kerri’s blog on d.r. thursday]

tucked into the trail – the river trail – are spots i always find i am looking forward to: the curve of the river, the cattails in the marsh, the hill where you look down on the trees along the riverbank, the section that looks like a bayou, the turn in the path where deer linger, this one spot – where the reeds are thick and the turtles are numerous. we hike along and these are touchstones along the way, indicators of how far we have come, how far we have yet to go.

we all have them – the indicators of how far we have come, how far we have yet to go. i think about this now as i walk into my studio.

i spend way more time on the written word these days than on the piano bench. i spend way more time typing on a keyboard than pencil-jotting on scraps of paper scattered above the keys.

i look at high profile artists, years and years after their last album release, after long drought periods, in their 60s, now recording and releasing new albums. and it makes me wonder. it’s been 16 years since i released a full-length album.

sixteen years.

as someone who released fifteen albums in fifteen years that is stunning to me. and, thus, the wondering.

my piano is a touchstone to me, an anchor, something i can touch that is profoundly meaningful to me. i have walked a textured journey in the years i have spent with a piano central in my life, in time that the creating and performance of music was imperative. i have assigned success and failure, acceptance and rejection, support and betrayal to my piano.

and, in the way that enlightenment happens, i am beginning to learn that it is not my piano that is responsible. it has merely been my spokespiece, a vessel through which i might give voice.

instead, it is in that giving of voice – that expression of me – that amplification and celebration of music – that others – people – have squelched the how-far-i-have-yet-to-go, have taken the get-up from my get-up-and-go.

i don’t really know the reasons that one might feel they should push someone else under water, that one might feel the best use of their energy is to abuse or denigrate or minimize someone else, that one might feel that the most humane treatment of someone else is to concoct narratives and sway public or private-circle opinion. i don’t know the reasons why anyone would want to break another person or their spirit, creative or otherwise. i don’t really know the reasons why anyone would do any such things. it’s crushing.

i do know the impact these things have on a person. for no matter how tough one’s skin, how devoted to confidence, how determined, how bootstrapping one might be, there are others who can do great damage and who are – apparently – damned devoted to it.

it’s not my piano’s fault.

and so now – in this great enlightenment or admittance or downright sad awareness – i can see that those people who have done great harm have undermined so much between how-far-i-have-come and how-far-i-have-yet-to-go. and i am thinking – now – that I’ll be damned to let them rob all that from me, to let them take my piano – or my muse – hostage any longer. not that that’s easy. it is a difficult uphill journey.

it’s maybe time to stand in the reeds, hang with the turtles and cattails, get my feet wet in the marsh and walk – or sprint – or, more likely, crawl – toward the bench.

*****

read DAVID’s thoughts this D.R. THURSDAY

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a recognition. [kerri’s blog on d.r. thursday]

it was pretty sloggy. there was still snow on the trail. that which had melted from bright sunlight and milder temperatures made the trail muddy. very muddy. did i mention muddy?

we had on hiking boots that have uppers made of gortex. i am not crazy about my boots – i was attached to my last pair and don’t have a relationship with this pair, not yet, not even after so many miles. nevertheless, i must say that this pair kept my feet dry, which does make me a tad bit fond of them.

it was hard to stay quiet as we hiked – the sloshing sound of our boots on the path was undeniable: humans are here.

it was also hard on the legs. similar to walking in deep sand, it’s a different workout in mud and snow and ice.

we were about to turn around and head back home to a wee happy hour, but decided to keep on going a little longer.

we came up the rise and there they were, staring at us. two gorgeous deer, absolutely still. they blended into the fields, everything a seasoned shade of tan or brown.

we had eye contact – the lead deer and i. i whispered to it, trying to reassure it – even telepathically – that it was absolutely safe. we stood, watching each other.

eventually i slowly moved forward a bit, to take a picture closer-up. eventually, both deer bounded down the rise and across the trail, heading for the river.

and what a sight.

they carefully picked their way across the river, walking on the ice skillfully, even as i held my breath, hoping for their arrival on the other side.

and we just stood and watched.

i’m sure other things were going on around us – and beyond – as we stood and watched. i’m sure people elsewhere were moving about, the world had plenty of events – both extraordinary and horrific.

maybe as we stood there something big changed somewhere. maybe as we stood there nothing changed anywhere. the tilt of the axis, the spin of the earth just simply continued keeping on.

but – in us – we could feel it.

a connection with all other things living, a sense of longing for the safety of all – particularly those who and which are most vulnerable, and, once again – but never enough to consistently remember it every second of every day – a recognition of beauty and the transitory.

*****

read DAVID’s thoughts this D.R. THURSDAY

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EARTH INTERRUPTED mixed media 50.25″ x 41″

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punchbowl musings. [kerri’s blog on d.r. thursday]

and so i have some hesitancy on this. it was on the bottom shelf, tucked back into the shelf unit in the storage room, next to the blow-up pool floaties. it didn’t seem like i had thought about it for years. ok, for decades. i listed it for sale – after researching its ‘value’ as a vintage (circa 1980) cut-glass punchbowl set.

but part of my research brought me to a few blogposts others had written. and in those blogposts were these absolute gems about all the ways to use a lovely punchbowl. not just for punch.

the one that really stuck out for me – and debilitated my quest to sell-sell-sell – was the story about a lovely summer gathering where the person served gazpacho and crusty bread, glasses of chilled sauvignon blanc. yikes. i immediately wanted to have a lovely summer gathering where i serve gazpacho and crusty bread – each attendee ladling delicious soup into their handled cup and visiting on the deck or the patio under warm sun and blue skies.

so, yup…hesitancy. i mean, it all fits conveniently into a box – the base, the bowl, every last cup and hook – so why not just keep it a while longer…?

the power of story, eh?

i cried this morning. it wasn’t about the punchbowl. it was about seeing a post by my very own sister that made it obvious – beyond a shadow of a doubt – that she is completely on the other side of the current dangerous political divide.

gauging by how overtaken i was by grief, i guess i was holding out hope that the stories that are now reality in this country might have changed her mind, the minds of her immediate family members. because every story we are hearing breaks our hearts ever more. every story makes us question what in the hell is going on. every story makes us absolutely sick to our stomachs that this country has devolved into such a cruel and bigoted, sadistic and extreme place.

it is impossible for me to wrap my head around anyone – any.one. – finding acceptable any of these stories of the realities of this kind of depravity.

yet i know that there are media outlets that so many subscribe to – leave on in their family rooms, their florida rooms, their kitchens, their living rooms – for hours on end. these outlets distort the actual truth – to the nth degree. these outlets obfuscate. these outlets lie. and people are watching them, soaking it all in, pompom-ing them, lost in them.

lost.

and i feel totally crushed.

crushed.

the power of story.

used and misused.

i’ll probably eventually decide to keep the punchbowl. it is not likely to sell.

i will make gazpacho or vichyssoise and serve it in handled cut-glass cups. there will be glasses of chilled white wine and sunshine, laughter and conversation.

and stories.

of adventures, dreams, disappointments and loss.

yes.

loss.

*****

read DAVID’s thoughts this D.R. THURSDAY

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now.never not.never not now. [kerri’s blog on k.s. friday]

it’s a heavy load. to be the woke – the empathetic, voiced, visioned, courageous, big-feelinged folks – both disparaged and desperately needed.

when all else has been sloughed off, when all else has failed, when all else is dross, it is art that will remain…there will still be heart.

this quote – way too big to actually write about without a feeling of undeserved arrogance, way too big to even begin to dissect without a feeling of ineptitude – it is an urge, a plea, a last-licks, it is an imperative we artists follow anyway: to turn complex feelings into something people can touch, can hear, can see, can taste. to turn that which we cannot see in any simplicity – beliefs, faith, love, philosophy, interconnectedness, bigotry, hatred – into something we can feel, something that resonates, something that gives us bite-sized bits to try and grok.

contemporaneously, without bruce springsteen there would still be the streets of minneapolis. but his music, his lyrics – his song has given beat and melody to the excruciating pain and stalwart dedication of the people in those streets. his music has given the rest of us – those of us in other places – also in pain and with dedication – something to grab onto, something to hold and wave and hum.

contemporaneously, without bad bunny there would still be a half-time show in the super bowl. there would still be grammy winners. but his tear-filled words, his staunchly raw comments ricocheting off the walls of the arena gave goosebumps to the rest of us – something we could grab onto, something to hold and wave and speak.

contemporaneously, without the cartoonists populating social media, the stuff that is happening would still be happening. but those cartoonists are bravely offering humor – sometimes truly dark humor – to give us something to grab onto, something to hold and wave and maybe, just maybe, laugh at.

there isn’t any way to rise and reclaim this place without the artists who are the building blocks for actual humanity, the collective melt in the melting pot, the mortar that holds it all together even when it collapses.

“people got to come together, not just out of fear…” (chicago – where do we go from here? – 1970)

it is never not the artists’ time. now is not different.

“let’s all get together soon, before it is too late

forget about the past and let your feelings fade away

if you do i’m sure you’ll see, the end is not yet near…“

the artists have already taken all those big, complex feelings and turned them into something we all can believe in. they’ve been doing it all along. the whole of time.

the world does need artists’ voices, artists’ vision and artists’ courage.

steep yourselves in it all. urgently. get brave. get going.

“where do we go

where do we go

where do we go from here?”

*****

YOU MAKE A DIFFERENCE © 2003 kerri sherwood

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read DAVID’s thoughts this K.S. FRIDAY

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sit on the step. [kerri’s blog on d.r. thursday]

i have sat on that front step next to that black wrought iron railing countless times. i wouldn’t even be able to venture a guess as to how many times. i’ve watched kids play, I’ve waited for someone’s arrival or return, i’ve breathed fresh air into grief, i’ve pondered some difficult things of life.

as it has rusted through the years, d sanded the railing this past summer. and then he repainted it, so it’s looking pretty fresh these days…well, as fresh as a railing that’s likely almost 100 can look.

ahhh…speaking of age…a few days ago – on sunday – we had a tiny celebration. we grilled and had some french fries and a glass of wine. we used a set of our favorite cloth napkins. because this month d will turn 65. and because saturday at midnight-going-into-sunday was the very last day of the affordable care act for us. we are now both on medicare with a medicare supplemental plan and a part d.

we have had a dubious relationship with the aca. of course, grateful to have healthcare of some sort, there has been the healthcare cliff, the healthcare subsidies, the healthcare deductibles, the healthcare copays, the state-to-state healthcare rules about where you might be able to be treated, the limitations on travel if you have any concerns about, well, anything happening other than what an emergency room might handle.

recall the day in our own town we sat in big red in a parking lot, trying to decide between going to the emergency room or urgent care for my two broken wrists. i am wrapped up like a mummy, both wrists wrapped and then placed against my chest (the way the ski hill medics wrapped me) and i am trying to look at the difference in coverage between the ER and urgent care so that i might be treated but we might not be overwhelmed by medical debt afterwards. these were extraordinarily tense moments and – as it turns out – we probably should have gone to the ER, but the state of healthcare in these united states make proper care of our bodies – decisions based on the reality of your situation – nearly impossible for most ordinary people.

so now, medicare.

we are inordinately happy to be a-week-shy-of-65 and 66…ok, seven-weeks-shy-of-67. we appreciate the chance to move about the country and be covered by insurance to keep us healthy.

yes, indeedy…..move about the country and be covered by insurance to keep us healthy.

like, you know, universal healthcare.

and why would we not want everyone in this country to have that?

it is beyond me to ponder why anyone WOULDN’T want that. how little compassion you must have to have to believe instead in the every-person-for-themselves philosophy of life.

it’s time – again – to go sit on the step.

some things just make no sense at all.

*****

read DAVID’s thoughts this D.R. THURSDAY

HELPING HANDS (53.5″ x 15.25“)

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the wheel. [kerri’s blog on two artists tuesday]

in the back corner of the storage room – up on the concrete ledge, behind the boiler and the hot water heater, in a bit of cobweb – sat this the metal wheel. next to it was a plastic exercise ball for small rodents and a water dispenser from a habitat used decades ago.

we took them off the shelf and i washed them all off, thinking i could give them away to someone who might have a gerbil or a hamster, saving them from purchasing these items.

but it had been decades since i’d used them – our children were little when we had these tiny pets.

so i decided i’d best do a little research to make sure these were still safe.

they are not.

come to find out that the plastic exercise balls don’t have enough airflow and the metal wheel has been the source of injury for these tiny creatures. into the trash they went.

that wheel, though.

both d and i looked at it and then at each other, rolling our eyes. the wheel – the subject of one of our flawed cartoons – a statement piece.

as artists we are used to less. it’s built in to our dna, it seems. we have stepped to the side of the wheel – choosing something different than the norm, different than the 9-5, with a different imperative, with different rules, different expectations, and with clearly different financial rewards as well. without the security of tenure in an institution or corporation and its advantages (particularly in remuneration, advancement, healthcare plans, retirement), we have forged a different path. we have avoided the faster-faster-faster of the wheel, but not without sacrifice.

most of the populace, however, have chosen more traditional routes and now we are watching the administration destroy those, destroy their stability, destroy the respect due each of them.

at the time of this cartoon’s drawing, my own interpretation of it was more of a boss-worker cynical take.

in these times, one quick look at it in the cartoon files and it took on a life of its own:

the oligarchy vs the people.

because – well – it’s obvious, isn’t it?

the haughty, condescending, inflated, pompous hubris – standing around in their opulent affluence – rolling in it – their plenty – while the rest of the people – the real people – work ever-ever faster to get nowhere – to have not-enough.

i’m glad the wheel went in the trash. it’s where it belongs.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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