i was distracted when d brought the camera back to me. working on something, i glanced up and thanked him. a few moments later, i asked him how the painting he was working on was going. “i scrubbed it,” he said. “what?!” i replied. “i started something else,” he said. when he left the room, i looked at the camera. this is what i found. an extraordinary look at earth, removed from earth, from a distance away. fragmented mother planet through the haze, i found it to be a striking – and yet abstract – image, with rich, almost-metallic hues. how does he do that?
this is EARTH INTERRUPTED V: FROM A DISTANCE. we need this perspective every now and then. we lose sight. we fall prey to overwhelm in our own stuff. we are but a speck of a fragment on this earth. we are both tiny and vast. and we are capable of doing both tiny and vast things to help our earth and each other.
david’s painting SHARED FATHERHOOD makes me weep. it is a powerful painting of two fathers tenderly and humbly holding their baby. it is love in a pure form. it makes me think of my son, The Boy. i can see him in this painting and the possibility of him choosing one day to share fatherhood.
SHARED FATHERHOOD, mixed media 39.5″ x 51″
in the very corner of this painting is the morsel i chose for today. a doorway. or is it a window? either way, it struck me as a morsel image, especially in the context of this painting.
so many figurative doorways/windows, so little time…. is it a doorway into acceptance? into inclusion? into openness? into home?
we sat this morning, over early coffee, and talked about our perception of ourselves. how we can’t see that we exhibit the very things we tout we aren’t. or, conversely, how we aren’t (in whole) the things that we tout we are. how scary is that? it’s human. we ponder and perseverate over the things we believe. and we realize in moments of self-judgement that, yet again, we have a view of ourselves that is perhaps somewhat inconsistent with who we are. that goes both ways, however. the times we believe we are not enough, we are incomplete, we don’t measure up – those times are also inconsistent with who we are.
the doorway in – to acceptance of where we are, what we have been through, where we are going – to learning more – to growing – to knowing we are held in grace – to forgiveness of others and ourselves – to trying again tomorrow – to home, a place of as much gratitude and peace we can muster and then even more – this is a doorway/window in to shared fatherhood (read: parenthood) of the world, where each of us is responsible to do our best, bring our best, try our best.
president jimmy carter was being interviewed by stephen colbert on the late show. stephen asked him (words to the effect) how he could love all people. president carter, absolutely sweet at “almost-94”, responded he “let go of the animosities he had cherished.” wow. although there were many moments in the interview that reinforced the respect i have for this man as a positive force in the world, this one really struck me. -let go of the animosities you cherish-
for who among us can not relate to that? how tightly do we hold to those things? and how do they prevent us from living right now? life is layered and our history and everything, from small slights to life-changing wrongs that others have done to us or our loved ones to -worse yet- all of our own wrongdoing, piles up like dark layers of sedimentary rock. weathering, weathering, weathering. how can we possibly be zen in all that?
president carter also said that he “forgets about them”…the people who have caused him undue pain or stress, who have been perhaps, i think, a dark layer of sedimentation in his life. now, at almost-94, my own sweet momma would have agreed with him. he reminded me of her. two peas in a pod. leading with kindness and generosity. forgetting about the rest in all the ways that forgetting is a good thing. who really has room in their life to hang onto all that and still make headway toward goodness?
from david’s painting MEDITATION, this morsel of painting – called LAYERED MEDITATION – makes me think of these layers of sediment, layers of life. the darkness on the bottom -not necessarily because it is buried but because it is overruled by other layers- the fire of passion and earth-life in the middle and the effervescence of light on the top. sedimentary layers of life. a picture of letting go, of transforming dark into light. a layered meditation.
my husband is a painter. of course, you know that. his studio is steps away from mine, steps away from our office, steps away from the coffee pot. what that means is that i can just pop in at any time to see what he’s painting, to chat, to have a cuppa or bring down a couple glasses of wine, to throw myself in front of paintings he is about to cover over with a swath of new paint.
what’s really fascinating is the process of his painting. i will walk down and find pieces on the wall or the easel that speak to me and he will tell me that he is “no where neeeeear done.” he takes pictures along the way and i scam them onto my camera roll for future use, not willing to let go of the resonance of one of the along-the-way iterations of a painting.
this week is a perfect example of that. he was in the middle of a painting – a follow-up to earth interrupted I – when i went downstairs to chat (read: procrastinate doing whatever it was i was supposed to be doing at the time.) the image and color screamed out at me. i couldn’t beLIEVE he was going to cover it all up with more paint. the process was so striking. take a moment to just really look at these process shots and the morsel i chose and breathe them in:
process morsel
process morsel
morsel of a process morsel – held in process
and yet, the finished painting earth interrupted II is a stunning, stunning, stunning canvas. it belongs somewhere to get its due. it makes me feel like the universe is weeping for the earth. it makes you pay attention to it. i am humbled by how truly magnificent this painting is.
earth interrupted II, mixed media 48″ x 34.5″
each week i design products from each of the days in our melange. some of these are cartoons, some just words, some lyrics or song titles and some are david’s paintings. i have the creative latitude to choose morsels of his paintings and design from there…a enviable starting point for someone who loves flexibility. this week is a sort of brain stretch. with the exception of designing leggings, where i used both of the morsels on this page, the morsel i have used in design is a morsel of a morsel process shot of earth interrupted II (i said it was a brain stretch.) it is called held in process and is a beautiful (and absolutely timely) image on its own. how odd that it is not actually the painting, but is underneath the painting, a layer of earth interrupted II.
it makes me wonder if we ever think about how layered everything is, everyone is. what is beneath the surface…a richness we may never know, a history we can’t necessarily comprehend. where we have all come from is woven color and texture and light and darkness, swaths of paint and attempted erasures that would cause other people to stand in front and call out to us, “no! don’t erase that! it’s beautiful! it’s important! it speaks to me.” we are all held in process.
more than once i have been in a moment when i thought, “this is a slice of heaven.” everyone has them. like this scene, it may be on the beach. it may be in the woods. it may be in the rocking chair with your tiny baby. it may be on the mountain in fresh powder. it may be listening to music while running (or sitting quietly) or reading poetry in an adirondack chair. it’s different for everyone. regardless of where it is, of when it is, of what it is, everything feels in balance and all feels well with the world, at least in your little piece of the world. we feel grateful and alive. and we wish for more of those moments.
what if we treated every breathing moment like that? like a slice of heaven.
i love design. and i love finding the small morsels of design hidden in each of david’s really exquisite paintings and, with my mind’s-eye-magnifying-glass creating products with them…my favorite new design challenges are – amazingly – leggings! but, regardless of the product i am designing, it makes me crazy how many stunning individual images are within the whole…i’m bowled over with my camera roll after i shoot a painting.
earth interrupted I, mixed media 48″x53″
it occurs to me that this is not far from something i should notice in all of life. quarter earth – a part of earth interrupted I – is no less a beautiful image because it is a smaller piece of a whole painting. ahhh. it’s not a stretch to see – that the individual daisy is no less a beautiful image because it is a small part of a field of daisies…this moment is no less a beautiful image because it is a small part of a life of moments…we are no less a beautiful image because we are are a small part of a whole world of people.
there is maybe nothing that says “cool” more than a bass player. upright bass or electric. they have a certain air, a je ne sais quoi, that just quietly and intensely says ‘phat’.
jim is like that. he was the throw-anything-at-me-and-i’ll-astound-you bass player on a couple of my albums. such a great sound. he’s a top-shelf musician and i’m proud to have had his playing as part of my recordings.
the bass player, 24″ x 48″
this painting makes me think of jim and also of several of The Girl’s and The Boy’s friends from high school. they were bass players in jazz band (and every other band that our district offers) and they rocked the house. many of them, like jim, are in chicago now and i hope they are playing and still rocking the house.
this cityscape morsel comes from david’s painting the bass player. when i was photographing the full painting, i kept zero-ing in on this morsel….the city at night. i love the fun of it, the color, the chaos. designing products with this morsel was a blast! i got lost in the possibilities. just as you can get lost in the night in this city.
peace. the written word (or the symbol) punctuates the corners of our home. it’s suspended on doorknobs, off of old window frames, made of old copper or tin, in my studio handmade by the boy out of a scrap of wood, a necklace from the girl hanging on a mirror, a chunky silver ring on my right hand from david…
“may you be peace” would be my motto, if we all had mottos. i just feel like i can’t think of better places to lead from than kindness and peace. way back in high school, a long while ago, the-amazing-english-teacher-andrea made an impression on all of us – with her peace signs and her pay-it-forward-thinking; if my obsession with peace signs hadn’t already started by then, this indeed was its jump-start.
david’s painting MAY YOU wraps a buddhist prayer around you and is astoundingly beautiful. as i photographed it for his gallery site, i found myself concentrating also on morsels of the painting, each stunning in their own right. this is one of the morsels. may you be peace is simple and complex, beckoning you to be both of this world and beyond this world. wishing you, today and every single day, this peace.
it snowed a lot here in the last week or so. d tried to make our broken-ancient-snowblower into happy news of “getting exercise.” the piles-of-snow-in-parking-lots are really high and they are at that stage where they look like yesterday’s news – they are dirty and a little tired. today and tomorrow it’s supposed to rain which might clear some of that out. our little xb (aka “little baby scion”) is filthy. i look at the weather apps on my phone often, looking for sunny days and temperatures that linger above 50 degrees (maybe.)
we were out on the east coast last summer and went down to the cape to enjoy some beach time. it was heaven. (yes, i know the proper use is “heavenLY” but trust me, it was heaven.) a warm day, ocean waves, full of lobster and amazing seafood we had eaten from wood’s seafood and fish market, we laid out our blanket. we talked, we drew in the sand, we walked on the water’s edge, we collected rocks and shells, we napped. the nap wasn’t intentional. but it was delicious. if i close my eyes, i can almost (almost) touch it.
right about now, i am yearning for a nap on the beach. so this stunning painting-by-my-sweet-husband on this dr thursday (david robinson thursday) in the melange speaks to me. i’d imagine there are a few of you out there in the middle-of-winter who might be with me on that.
it took my breath away when he painted it. it takes my breath away now.
sharing studio space with my artist husband has many benefits. we can interrupt each other with questions or comments or what-the-heck-is-thats or sometimes tears. i am a great interrupter. i am from long island; interrupting is an art form there. ask crunch or sue or marc AU.
two rocking chairs in the studio means we can mutually sip coffee (or wine) together while pondering what’s next. or brainstorm. or discuss current politics (ugh). or argue. or concoct new ideas. my C5 is upstairs in a different studio, away from paint and acrylic and gesso and scissors and my sewing-machine-induced-scraps and power tools and a sound system that is sometimes cranked up. a melange. welcome to DR davidrobinson thursday.
i won’t forget the day i walked downstairs and saw this painting in progress. the raw emotion is striking and -at once- comforting.
as you head into the weekend and, maybe, your celebration of valentine’s day, i wish for you – in whatever is your own cherished relationship – this feeling. loved. encircled. embraced. held in grace indeed.
fragmented mother planet through the haze, i found it to be a striking – and yet abstract – image, with rich, almost-metallic hues. how does he do that?
