interrupting is an art form on long island. i know this. i grew up there. and, apparently, i carried this forward. it took d a while (read: a few years and meeting crunch) to realize i was paying attention, that i wasn’t ignoring what he was saying when i interrupted…i just knew where he was going with it and jumped ahead. now, i do realize that sounds pretty rude. it’s not my intention to ever be rude, so i have tried, in recent times, to w.a.i.t. before i speak…at least a little bit longer. if you are nearby when jen and i talk, you will think we are interrupting each other, talking in a circular path and arriving back at the point; carol and i have, for decades, conversed in short snippets of interrupted tangents. regardless of our intent, no one wants to be asked to “pay attention!”
yet, we have all these ways, nowadays (using this word makes me sound old), to not pay attention. how many videos have you seen where people are walking in a mall (or somewhere) texting or reading on their cellphone and fall into a fountain (or some other obstacle.) we sit with others and try to hold a conversation, but they are busy on their phone or some device checking facebook or texts or twitter or the news…so many ways to not pay attention, so many distractions. we see the tragic effects of split focus while people are driving cars.
we are no longer just giving our attention to the moment. we are interrupting conversation, our work, the activity we are involved in, each other’s safety. we would be well-served to pay just-a-little-more attention.
the hymn “it is well with my soul” makes me think of the hymn “be still, my soul” which makes me think of mama dear, my grandmother (my sweet momma’s momma.) (are you still keeping up?) these two strong women, so alike and yet so different – were both anchors in my world, quietly (and sometimes not-so-quietly) shaping my ability to walk in this world and have faith. my sweet momma, for my growing-up years, went to church most every sunday. she and my poppo got dressed up and we would go to christ lutheran church on burr road in east northport. i got to hang with my best friend sue and we went to youth group and sleepaway camp (cool as it was, those days i was never a really big fan of sleepaway camp) and, together, we memorized the books of the bible in order (i still have no idea what the purpose of this was.) i can’t remember mama dear going to church as much; she went on some weekends, on holidays with us or to special events. mama dear had bright red hair, taught me how to sew and adored going to las vegas to play the slot machines. she was obstinate and somewhat opinionated and one of the loves of my early life.
during the time i went to suffolk county community college, mama dear’s house was within reach and i would go there for lunch or tea. we’d eat rye-bread-toasted-with-melted-butter and i’d tell her everything that was going on in my life. she’d listen and, every now and again, she’d say a few words of wisdom. i could tell her anything. she let my soul breathe.
i’d come home from school during junior high and high school and my sweet momma and i would sit on the couch and have tea and chips ahoy chocolate chip cookies, my way-back-then favorite store-bought cookies. we’d talk about my day, the challenges that face girls in high school, cute boys who might have said a word or two, the kids smoking on the bus. she would listen and, every now and again, she’d say a few words of wisdom. i could tell her anything. she let my soul breathe. matter of fact, she let my soul breathe the whole time i had the privilege of having her physically in my life. she still does.
we need that. a place for our souls to breathe. people with whom we can let our souls breathe. a faith in this universe that opens us and simultaneously holds us gently and anchors us. then – we can say: it is well with my soul.
“…well, i will walk by faith, well, even when i cannot see, because this broken road prepares your will for me…” (lyrics from a really great 2002 song by jeremy camp called ‘walk by faith’)
trust. practice. faith. repeat. not necessarily in that order. through the ages, a common challenge – faith without seeing. ‘we’ are no different now than ‘they’ were ‘back then.’ faith. it’s ambiguous.
it’s funny. you might think that the most faith-reinforcing moments come during a service and this true for some. as a minister of music for three decades, i have always sought to create those moments for others…when all things come together: music, lyrics, emotion to amplify the words (and the word) spoken in the service and resonate within someone’s heart and reinforce their feelings of faith. it is a job i take seriously; sometimes you only have one chance to help connect a service with a person’s heart, one chance to reassure, one chance to raise awareness, one chance to have them ask questions within their faith, to challenge their assumptions for and otherwise.
for me, though, the most faith-reinforcing moments are outside of the faith-based venue, be it a church, temple, cathedral, mosque. they are the moments that i can feel the hugeness of this universe of God and my absolute tiny-ness within it: walking in the woods, standing in the sunlight, looking out on a mountain, holding hands, seeing the moon rise over the lake, watching the surf, seeing love pass between two people’s eyes, hearing my children’s voices, finding the right chord for a song, eating breakfast on the deck in the sun with cardinals, hearing music swell…
as a minister of music, i have heard a lot of sermons and been at an un-countable number of services. think about it. (and this is not counting all the years not spent in this position, nor does it count all the extra services at certain times of the year…you’re thinking, “ok, ok, ohmygosh, we get it!” ) so thirty years multiplied by 52 weeks multiplied by at least two services a sunday (sometimes three, but we will round it to two, as you roll your eyes.) that equals 3,120 services and sermons. and let me just mention, some have been…ummm…way better than others. so you would likely deduce that i would know all the stories of the old and new testaments pretty well by now. well, i beg to differ with you. for me, those stories are peripheral.
what really counts for me is the stuff you can’t see with your eyes, the things you can only experience: love, kindness, peace, generosity… simplicities. complexities. these are the foundations of my faith. faith in goodness. faith in being held. faith in grace. choosing actions that are life-giving. knowing that if i fail today, i can try again tomorrow. walking the broken road, faithfully believing that there is a higher power that i can’t see but i can experience. one that surrounds me in my joy and in my pain. ptom, in his lenten sermon the other evening, said, “God is for you.” it takes a little (read: a lot of) practice; it’s a new day every new day. but i believe.
with the advent of ancestry kits and accessible dna testing, we are a society of people with more desire to learn about our individual heritage. for christmas, The Girl and The Boy each got a dna testing kit from their father. i’m excited to hear the results of these. it’s fascinating to me to find out what our roots are; despite some specificity flaws and rounding up (or down) of genetic heredity in the testing and reporting kits i have read about, it is still interesting to know just a little bit more about where we come from.
my sweet momma and poppo traveled to salt lake city to work on the genealogy of our family. they spent hours in the library there, researching. they would have loved the idea of simply submitting dna to find out a broad spectrum of heredity, of lineage, but i suspect they still would have traveled to work on this the old-fashioned way, looking for names of family and how the branches of the tree spread out.
without doubt you have seen the commercials for these tests. my favorites are the ones where people find that they were either mistaken about their ethnic heritage or they found that there were some surprises. the best part is that – and i know it’s a commercial, but hey, i’m gullible – they embrace learning about this new part of their identity they had no idea existed. they embrace something different. they want to celebrate ethnicities they knew nothing about. why not celebrate these whether or not it is a part of our heritage? maybe we can make the legacy we pass down one of inclusion and acceptance and a curiosity to learn and welcome others, whether or not their dna matches ours.
more than once i have been in a moment when i thought, “this is a slice of heaven.” everyone has them. like this scene, it may be on the beach. it may be in the woods. it may be in the rocking chair with your tiny baby. it may be on the mountain in fresh powder. it may be listening to music while running (or sitting quietly) or reading poetry in an adirondack chair. it’s different for everyone. regardless of where it is, of when it is, of what it is, everything feels in balance and all feels well with the world, at least in your little piece of the world. we feel grateful and alive. and we wish for more of those moments.
what if we treated every breathing moment like that? like a slice of heaven.
sisu sue swore by them. turtlenecks. she has them in every color, every kind of weave and fabric. she looks fabulous in them and wears adorable chic jackets over them. she is one cool and trendy lady and i adore her.
having already started the hot-flasharama-period of my life when we were working together, i would ask her how she could stand having a turtleneck on; it was (and mostly still is) out of my realm of imagination being able to wear a turtleneck and not ripping it off in the middle of -say- the choir room or the train to chicago or in the car while driving. this oh-so-wise treasured woman told me that someday i would understand.
THAT DAY HAS COME.
i look in the mirror, a few steps of days away from 59, and stare at (you might want to stop reading now) my NECK. what has HAPPENED? suddenly, my neck (and chin, for that matter) have become O-L-D. where has the time gone? where did my old neck go? and where did that new chin-under-my-chin come from?
my sweet momma, at 93, looked at me one day and said, “i looked in the mirror and (in a horrified voice) i saw an OLD woman.” “momma,” i reassured her, “at 93, you are an old woman, but you are a BEAUTIFUL old woman.” personally, i thought my momma was striking. every last wrinkle told a story. every last thing she saw as a flaw. but my words fell on deaf ears. she just stared back at me. probably feeling much the same as me. delusionally thinking that time would stand still in our necks and chins and -yup- everywhere else. time and menopause take their toll.
the next time you see me try not to stare at my neck (although i have likely set you up for that.) i may or may not be wearing a turtleneck. the ironic part is that a real turtle’s neck really does look a lot like mine. sheesh.
anyone walking in our home knows this is true: i’m a vintage type. our home is not populated with new things fresh from the pottery barn catalog. instead, it is filled with things that are re-purposed, things that are old, things that have some history, things we haven’t replaced with new things. even our manner of work is kinda vintage, although this blog and our online product lines aren’t evidence of that. but as an acoustic-analog-type musician and a brush-to-the-canvas painter, we pretty much scream
“vintage”.
one of my most treasured physical memories of my poppo are a few old small wooden boxes we found next to his workbench. they would likely have been thrown away, but i knew he had “saved them” for some future purpose – perhaps holding random fasteners or nuts and bolts. we carefully wrapped them and brought them home and they now sit in our sunroom (next to our not-so-vintage-and-really-awesome nespresso machine) and they hold nespresso capsules (which are recycled) and a collection of old clothespins my sweet momma used to use on the old clothesline in our backyard growing up. it’s not the fancy stuff. it’s the vintage stuff.
i lusted over this typewriter in the antique store. i’m still thinking about it. if it’s still there one day when we are visiting that shop and i have a little bit of extra spending money, i will buy it. i’m not sure what i will do with it, but it speeeeeaks to me. my sweet momma loved typewriters too. what is it about those?? i think correctotype and purple carbon paper, the workout your fingers got, how it feels when you take the return handle to move to the next line down of type, and that really great sound -think of it…hear it- when you pull the paper out of the roll. it’s visceral.
the stove/oven in our kitchen is, ummm, old, and, although i prefer to think of it as ‘vintage’, it doesn’t necessarily count as romantic ‘vintage’. it was here when we bought the house in 1989 and had likely been here at least ten years at that point; the people who owned the house before us were not the buy-new or even fix-it-up type. matter of fact, they took it to a new level, putting contact paper on the countertops and backsplash and offering to teach us how to replace it. (eww. the sheer bacteria-breeding-ground-ness of that makes me shiver. one of the first things i did was remove that stuff.) but, back to the stove/oven. it continues to work and i can’t tell you how many meals i have cooked on it and how many people have eaten those meals. (if you merely consider almost 29 years and maybe just one meal a day, that is 10,585 times that this appliance has served me and my family and it is likely about 40 years old.) my sister has had multiple stoves/ovens in the time i have had this one. granted, she has enjoyed lots of updated features i haven’t had, but i haven’t (knock wood) spent anything to date on a stove/oven since 1989. amazing. it’s a testament to kenmore’s older appliances. someday i know we will have a new one, but in the meanwhile this workhorse is not taking up room in a dump somewhere, with a half-life of a billion years (ok, slight exaggeration) and i feel good about that. it’s not pretty, it’s not high-tech; i feel it has earned the label ‘vintage’ and no one seems to run – aghast- out of our kitchen because it graces the spot for ‘stove/oven’. there is something to be said for that.
we just had breakfast; d made it as he does each morning these days. he cooked it on that stove and it was deeeeelicous. and me? i’m going to get out our coin jar and count what’s in there. maybe there will be enough to go back to that antique shop so i can bring home this typewriter.
as much as i like black and white, NOTHING is really quite black and white.
we walked the tax stuffff into the accountant’s office this morning. it’s been over 20 years that i have been keeping precise records for the company that is my recording label: sisu music productions inc. this company (like me, like any of us) has seen its ebbs and flows through the years. some of it was due to economy, some due to personal reasons, some due to technology and the internet changing every professional musician’s life, some due to the matter-of-fact financial challenges on any independent recording artist.
while i was compiling all the information this year, i had many conversations with d about how i was feeling. at one point, he turned to me and said, “this is like reading your calendar at the end of the year, isn’t it?” mmm. yes. a cruise through the year in my life as an artist with albums, an artist who has spent time on the radio, on stages, on wholesale show floors. some years that ramble-through is exciting; some years that ramble-through is disappointing. there is always back-story behind the activity, the sales, the decisions. it’s not black and white.
i stand here in march, 23 years after the release of my first album, touching the very very black of my piano and the very very white of the scrap paper i use so often to write on, and look out ahead of me. i wonder where – in this arena of my life, this heading, this column – i am going. the view from here is foggy and unclear. do i have albums to make? stages to play on? my end-game is different now – it has to be; i am 23 years older than i was back then – at the beginning. i can only wonder if the music that is still a part of me, still inside me, never yet hitting anyone’s ears as a finished recording, will find its way, will find relevance, will lead me into the next. it’s not black and white.
i love design. and i love finding the small morsels of design hidden in each of david’s really exquisite paintings and, with my mind’s-eye-magnifying-glass creating products with them…my favorite new design challenges are – amazingly – leggings! but, regardless of the product i am designing, it makes me crazy how many stunning individual images are within the whole…i’m bowled over with my camera roll after i shoot a painting.
earth interrupted I, mixed media 48″x53″
it occurs to me that this is not far from something i should notice in all of life. quarter earth – a part of earth interrupted I – is no less a beautiful image because it is a smaller piece of a whole painting. ahhh. it’s not a stretch to see – that the individual daisy is no less a beautiful image because it is a small part of a field of daisies…this moment is no less a beautiful image because it is a small part of a life of moments…we are no less a beautiful image because we are are a small part of a whole world of people.
i hardly know where to start. eye to eye. i to i. dang.
it’s easy to look at this and think of my own daily-life-eye-to-eye challenges. but – i can’t look at this cartoon and stay away from the political climate in our country. whether you prefer blue or red – or even purple – you have to admit, we are not in a state of blissful co-existing. we have moved in together and have drawn lines down the middle of the virtual apartment, down the middle of the ever-increasingly important issues, down the middle of integrity, down the middle of people’s hearts. and, with such strong big-thick-font-lines drawn, there seems to be no meeting ground, no where to go. the “eyes” of wisdom and for-the-good-of-all-people have disappeared and the “i’s” have shown up, stronger and bigger and more powerful than before; superman without clark kent’s goodness.
where DO we start? pstacey said the other day that we have to start in our own little corner of the world. i agree. how hard is it sometimes to see eye to eye/i to i in our own relationships, our own families? ptom’s words “acts of radical kindness = building community”. i agree. in the middle of our own concentric circles, we make a teeny movement of goodness and the ripple spreads out. there is no where else to start. without our grounding in the breath-space we each take up in the world, we can’t make any progress, we can’t ripple out.
perhaps we all could work on seeing eye to eye (er, i to i) if we made conscious and generous life-giving decisions with every choice-we-are-faced-with that take into account a weighing-in of how it might impact others. we don’t have to agree. but we have to respect each other in the process, try to walk in another’s shoes, see another perspective, see what someone else’s eyes see. see i to i.
yes! there are two different product lines – each easily accessible by clicking on the “eye to eye merchandise” link OR the “i to i merchandise” link above.
interrupting is an art form on long island. i know this. i grew up there. and, apparently, i carried this forward. it took d a while (read: a few years and meeting crunch) to realize i was paying attention, that i wasn’t ignoring what he was saying when i interrupted…i just knew where he was going with it and jumped ahead. now, i do realize that sounds pretty rude. it’s not my intention to ever be rude, so i have tried, in recent times, to w.a.i.t. before i speak…at least a little bit longer. if you are nearby when jen and i talk, you will think we are interrupting each other, talking in a circular path and arriving back at the point; carol and i have, for decades, conversed in short snippets of interrupted tangents. regardless of our intent, no one wants to be asked to “pay attention!”
reverse threading 