reverse threading

the path back is the path forward


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two. together. [kerri’s blog on d.r. thursday]

sometimes – in the stats of this blog – i can see older posts someone has read but which i have forgotten. today one of those came up.

it is a blogpost from the very beginning of january 2024 called the place by the big trees. it is as relevant today – maybe even more so – than it was back a couple years ago:

i spent much of last year looking back. way back. way past up-close. way way back – way way past the smallest of trees on the horizon. it was necessary and painful and shocking and mighty tedious.

“… the mind clings to the road it knows / rushing through crossroads / sticking like lint to the familiar…” (mary oliver)

and there it all is. raw.

and you can see it. and your brain tries to stop you from seeing it. both. so you sit with it – laden – burdened – in the retrospect of it all – connecting the dots, sometimes nodding your head in sudden understanding, sometimes eyes wide, horrified at it all.

it is surreal. you are back there. you can feel it. but you know – that in merely a blink – you can be where you are right now…where you are really.

and suddenly, you are at a crossroads. you must choose between replacing the lint – tamping it back down and turning your face away from it – or recognizing it as a shield, pulling it all out – this ancient insulation – discarding it and then staring at what’s left – what is now feeling air and space and attention.

“trauma creates change you don’t choose. healing is about creating change you do choose.” (michelle rosenthal)

and then, after some time – some processing, some sorting, some meaning-making, some swearing, much courage, sheer survival – you glance at all the baggage laying next to you – and you pick up only that which you wish to carry.”

we hadn’t been on our loop in the woods lately. we haven’t been on it since. but that day we took some much-needed time to go to that place, to hike and be silent, to talk it all through, to go sort, to ground.

these two black-eyed susans weren’t the only black-eyed susans in the brush trailside. but these two were separate, they were not in a stand of flowers. instead, they were standing – in all their glory – alone, faces to the sun.

and they made me think of us – me and d – standing – as we all do, as we all find ourselves – alone together – faces to the sun – in the middle of the middle of all the stuff.

and again, in the middle of the middle, maybe like you in the middle of some middle, we once again process, we make meaning, we swear and cry and drum up a bit more courage and we choose.

and we once again dispense of any lint that clings to what-would-be-safe, what would be mute – soundless, what would insulate us from looking at it all, recognizing the burden of it all, honoring the gravitas.

and we turn our faces to the sun – our choice the crossroad – feeling the air and the space and the raw.

together.

*****

read DAVID’s thoughts this D.R. THURSDAY

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i didn’t know. [k.s. friday]

i didn't know song box

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yesterday, the senate passed the Music Modernization Act, a complex bill that is supposed to help songwriters in these days of streaming.  as quoted in one article questioning the feasibility of pushing through this bill as is:  “…niche labels and independent musicians face either a zero, or statistically insignificant, chance of a return on their investment through streaming. many report barely paying for a sandwich with their royalties.” (maria schneider, musicanswers.org) yes. creatives are still facing a grotesque misalignment of power and income despite an effort to supposedly be “helped”.

i didn’t know, back when i released my first album, that there would be another…and another…and another…

i didn’t know how vulnerable i would feel each time i released a collection of my soul, turned into tracks of music.

i didn’t know how grateful i would feel each time i stood on stage and spoke to an audience that was there to hear this music – my music.

i didn’t know how many stores, in the early days, would carry these cds (and cassette tapes, way back when), how many times i would be live on QVC-TV, how many radio interviews i would be relishing.

i didn’t know how humbling it would feel that many people would respond to something in my music, something would resonate with them, something would be healing or heartening or touch them.

i didn’t know, through the years, how many thousands of cds would sell, how many boxes i would carry, how many wholesale shows or retail shows i would be present at or how many phone calls i (or wonderful people who worked with me) would make or receive, taking and shipping orders.

i didn’t know that the BMI royalty statements i was getting earlier would soon decline as our world and the internet changed them drastically.  the one i got two days ago for a period of the year included 59,000 performance counts and a $47.47 check.  streaming has made it unnecessary to purchase a physical cd or even pay for and download an artist’s music and so i agree with the writer who said: “streaming revenue for most independent musicians doesn’t even amount to pocket lint.” (m.schneider)

i didn’t know that the yearning inside me to compose and record more music to be released on cds would be stymied by the cost vs earnings debacle that has been created by an industry that doesn’t lift up the independent, while the behemoths remain behemoth.

i didn’t know how sad it would make me.  i didn’t know how it would change me.  i didn’t know i would keep wondering ‘what next?’  i didn’t know i would be seeking answers to where i stand as a composer.  i didn’t know my piano would call from my studio and i would ignore it, feeling betrayed by a profession that should pay my bills like any other.

i just didn’t know.

purchase the physical cd THIS PART OF THE JOURNEY or purchase a download of I DIDN’T KNOW (track 4) on iTUNES or CDBaby

read DAVID’S thoughts on this K.S. FRIDAY

I DIDN’T KNOW from THIS PART OF THE JOURNEY ©️ 1998, 2000 kerri sherwood