one of the first things i told david when we spoke was that “i don’t do nutshells.” he had asked me a question and framed it with, “in a nutshell….?” i laughed. it is not in my dna to do nutshells. none of my family is good at nutshells. my big brother always told a long long story, filled with minute details. he was brilliant and it was always truly fascinating to listen to him. my poppo was the same way, when you got him started. my sweet momma, well, she was a practiced tangent-story-queen. and my sister? suffice it to say she is much like me in story-telling. 😉
i love a good story. i WANT to hear the details. i WANT to see ALL the pictures, not just a few. i WANT to know what-happened-next. it’s the same way i will tell a story, winding all the peripheral stuff right into the very crux of the point, as if it all mattered and carried the same weight, which, of course, isn’t always true. there have been people in my life who have said, “get to the point!” (which i have to say is not a fun thing to be told; it deflates the storyballoon inside one’s heart and makes you lose track of what it was you were trying to say in the first place.)
i blame growing up on long island as well as dna. people tawwwwwk there. they will go on and on. and interrupt each other. and go on and on. it’s great fun following a conversation that way – you are never bored. perhaps a little blurry on the story-point-edges, but never bored.
it’s a long story is the first piece on the album this part of the journey. it starts off with a lift and has a cello line i wish i had the ability to perform. the amazingly “fine” ken produced an album for me that has withstood time. originally recorded in 1998 on a CFIIIS, this is still my best-selling original instrumental album. we were in the studio for long hours, sometimes as long as 23 hours at a time. but we were moved by our studio musicians and their performances on each track and it was easy to summon the energy for this emotional album.
i felt that it’s a long story could be an apt first instrumental piece on ks friday in the melange. with my first album released in 1995 it’s already been a long story. as i continue to define and re-define, i’m hoping that same long story continues. thank you for listening and listening and listening…no nutshells here.
IT’S A LONG STORY from the album THIS PART OF THE JOURNEY (track 1) iTunes
www.kerrisherwood.com – buy the album
www.kerrianddavid.com/the-melange
check out DAVID’S thoughts on IT’S A LONG STORY
IT’S A LONG STORY from THIS PART OF THE JOURNEY ©️ 2000 kerri sherwood

my sweet momma loved lemon meringue pie. no, that’s too mild….she adored lemon meringue pie. in the days prior to 

how to write it down or pick up a rock (or a feather or a stick or a leaf) to remember it. how to notice joy and how to save joy. how to be thready about joy. how to lead with joy…in anything. how to own joy. how to be. joy.
the sound of the cicadas outside brought me back to my childhood home on long island. we had woods behind our yard and the summer days and nights were a symphony of crickets and cicadas. i would sometimes sit in my poetry tree (a maple outside my bedroom window with perfect limbs for climbing and sitting) late into the day, writing or reading and, although i probably never appreciated the crickets and cicadas as i do now, i would listen as the day would softly pass by. my sweet momma would know where to find me; if i wasn’t riding bikes with sue, at the dive center, fishing with crunch or at the beach, i was likely in that tree.
all throughout our home you will find peace signs; each of these signs make me think of this beloved lady in my life, this positive force who, without knowing, kept me writing, thinking, writing.
things charlie brown and snoopy, a wonderful artist and brilliant mathematician, a person who could make or fix all things. he papered his walk-in closet in our basement growing up with ‘peanuts’ cartoons, cut out of the newspaper. what wasn’t covered in cartoons was drawn by hand, and when i inherited this bedroom/closet combo from him at 16, i adored it. the wallboard in our garage had drawings by wayne, making it the only ‘peanuts’ garage-gallery on the block, ok, probably most anywhere.







the girl jumped out of a plane last week. i look at the sky and think about being 10,000 feet up and stepping out…..
i stood on crab meadow beach, looked across the sound, and dropped to my knees to touch the sand on that very familiar place. i can’t count how many times i sat on that very beach…the wind has taken drifted waves of sand and moved them around, the waves and rain and erosion have changed the shape of the inlet, but i recognize it. deep inside me, i can feel it – from long ago. and still.
three weeks ago we loaded a 5 1/2 foot long piece of driftwood and more rocks and shells than we could count into the xb to drive home. with sand everywhere, we carried back to wisconsin with us morsels of my life on long island…pieces of the north shore and my beloved crab meadow beach, pieces of the south shore and the fierce atlantic ocean.