reverse threading

the path back is the path forward


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my mom. still. [kerri’s blog on two artists tuesday]

every time i turn a shampoo bottle over and empty the remains into a new shampoo bottle – each upside-down tap of the bottle, drawing the last vestiges of shampoo to the top, makes me think of her.

every bird in the backyard, every endcrust of bread, every leftover dinner, every time i do laundry or make lists, merry morning sunshine.

every time we use the wire cheese slicer, every time i pass by the snake plant, every time i tend our houseplants, every time i thank someone who has generously served us in some way.

every time i see a dachshund or a hosta, every time i think of Long Island, every time i write in my calendar, every area rug on a wood floor, sweet potatoes, math.

every time i make do, every time i save something for ‘special’, every time i turn a few specific phrases or use a coupon, collect rocks or driftwood, every time i make – or have – french fries or iced tea.

every time i see liverwurst or have rye toast, catch the aroma of roast beef in an oven or see a jar of ragu sauce.

when i see beets, when i have onion dip, when I devour crumb cake or chips ahoy, when i coffee-sit, when i repurpose things, when i think about baked ziti or darning socks.

when i defend how to pronounce “sauna”, when i see the “sisu” sign in my studio, spiral notebooks and scrap copies, when i hear “wowee!”, when i stood at the edge of the grand canyon.

every time. i think of my sweet momma. and I wonder how it is possible that she left this world ten years ago today. ten. ten years without her. ten years of not being able to pick up the phone and call her. ten years without mom hugs. ten years without a mom who would listen to any story i told her – any number of times i told it – knowing that my biggest fan was this woman, who was ahead of her time in so many ways.

i wonder how she is feeling now about the turn of all she left behind. i wonder if she has that certain stink eye she’d get, wishing to admonish this country’s current leaders and those following in lock-step. i wonder if the public deflection and distraction of some – avoiding the truth of their choice, avoiding taking responsibility for that choice, literally cheerleading this horror, loudly or silently – i wonder if seeing all that makes her crazy. knowing my momma – and her humanitarian and political leanings – i’m fairly certain she is pretty “irked” – as she would say. she is likely fired up and giving someone a piece of her mind somewhere on the other side. as high-road as she was (and, probably, is) she is not one to put up with the destruction of the country for which she and my dad sacrificed.

and so, every time i speak up or speak out i think of her. every time i voice absolute protection of the rights of members of my family. every time i express horror for the dismantling of this democracy and the cruel disenfranchising of people of the populace. every time i see another nail skewering women. every time i read about the dumbing-down, the elimination of history, the blunting of truth, the big-time grift. every time i stand up for what she taught me about kindness to people. every time. i think of her.

and every time i see the print “live life, my sweet potato” i think of her. and i miss her. yet again.

i think it will always be this way.

after all, she’s my mom.

still.

*****

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were my momma. [kerri’s blog on merely-a-thought monday]

were my momma still alive, i would purchase this for her. she would have loved the bright colors, the sweetness of it. mostly she would have loved the message – be kind. she was not a complex person, not really. she had a basic approach to living. be kind pretty much encapsulates it.

were my momma still alive, i would bring it to her and we would plant it in a garden she could easily see or, more likely, plant it in an indoor pot, maybe with a snake plant or aloe.

were my momma still alive, we would chat about things. we would talk about how the illustrator of this garden-art post depicted happiness. we would talk about color and folk art and hearts and simplicity.

and then we would talk about right now.

were my momma still alive, she would be appalled at the state of this country. she would be gobsmacked by the outright cruelty and lack of attention – shall we say – to the law, to decency, to morality. she would be devastated by the rifts in her own family. she would be sickened by the rapid dismantling of our democracy and the descent into hellish authoritarianism. she would remind me – though i need no reminding – that my poppo fought against fascism, risking his life being taken prisoner of war – all to keep this country safe from the exact sort of thing that is now rampant.

were my momma still alive, she would weep. and i would try to console her, wrapping my arms around her in a hug, holding her just as she used to hold me in times that i was inconsolable. she would be tired then. she would lay down in exhaustion, wringing her hands in intense worry, fear across her brow, tears on her cheeks.

my sweet momma died ten years ago now – on the 29th of april. i still feel the loss of her in every fibre of my being.

i might go get this garden-art post. because – though it would cost money we are big-time reticent to spend – it would be like my momma is physically here. at least just a tiny bit.

*****

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less wrinkles. [kerri’s blog on k.s. friday]

“if i’m laden at all/i’m laden with sadness that everyone’s heart isn’t filled with the gladness of love for one another.” (he ain’t heavy, he’s my brother – bob russell/bobby scott)

when i look in the mirror these days i am struck by the lines around my eyes, the lines etched above my lips, the furrow etched into my brow. i wonder how they all arrived without my noticing, as if – at night, while i was sleeping – a clay sculpting tool had gently drawn lines in skin no longer as resilient as it had been.

i glance at photographs from merely five years ago – and then ten years ago – and am startled to see the difference. but i know what the last years have been and – so – i should not be surprised. these wrinkles have been earned.

for it has been a time.

we all have them – these timelines of challenge or disappointment or frustration or grief.

in the humanness we all share, it would seem prudent to share these heavy burdens, the stuff of life that is made easier with someone else to help lift them.

“so on we go/his welfare is my concern/no burden is he to bear, we’ll get there.”

but this last decade.

as is woven throughout the history of this country, the extraordinary of abject cruelty and its ugly head raise up and shock our belief in equality and kindness. this last decade.

the hypocrisy of institutions supposedly dedicated to the love of one another – to goodness – to compassion – shifts the ground under our feet and we have been gobsmacked by the betrayal. this last decade.

our very own communities have quaked, stormy, seismic shifts forming a crevasse between us – not merely a difference in opinion, but a difference in basic morality. we reel from the impact, from the air that is sucked from our lungs as we grok this. this last decade.

last week. my birthday. d’s homemade card next to my early morning coffee. the pink tulips from 20. dogga’s momma-kisses. the call from my girl and her husband. and that moment my son handed me a tiny carrot cake – remembering. i felt the light, the easing of the load, the gladness, the love. each time.

i do not understand the dedication to cruelty, to evil intention, to undermining others, to destruction, to the bandwagon of every-man-for-himself-every-woman-for-herself.

“it’s a long, long road from which there is no return/while we’re on the way to there why not share?”

i wonder how it might all be different.

i suspect there’d be far fewer furrows and creases and wrinkles.

“and the load doesn’t weigh me down at all. he ain’t heavy. he’s my brother.”

*****

NURTURE ME © 1995 kerri sherwood

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riding wild horses. [kerri’s blog on two artists tuesday]

david, mark and i stood by the dyed harbor in the wind. mark commented that he did not have a painting of st patrick’s day green, rusty brown, cement beige. we told him that he did now. because we had made it so – as we stood there – “totally looks like a mark rothko,” we opined as we viewed the photograph i had just taken. mark laughed – in that other-dimension way we imagined. i reminded him of green and maroon – and my dedication to this painting at the milwaukee art museum. he was amused and agreed that emerald, rust and cement was – maybe – a worthy addition.

david just finished a piece he painted for me. it is stunning, both visually and emotionally. a really large canvas, it will find a home in my studio, where i can be reminded of the freedom – of space, of life, of voice, of love – it represents.

i have always wanted a horse and so he gave me one. this painting. and you can see – by the repose of my face – how undeniably happy it makes me, the peace it bestows, breathing the very air of all the universe.

it is said that mark rothko sought to make paintings that would bring people to tears. “i’m interested only in expressing basic human emotions – tragedy, ecstasy, doom and so on.” as an artist, i cannot imagine any other reason to create other than to tap in, to elicit, evoke, to acknowledge human emotions.

when i stepped onto the floor of the basement – off the last wooden step – i stared at the painting in progress. it was potent for me. it was a painting of an arrival, of sorts. though David’s title is in dreams she rides wild horses, the reality for me is the wild horse of voice. it is the gallop of speech, the beginning of the release of silence, the horse i never yet had. i wept as i told him.

mark appeared suddenly, standing on the basement floor with me. he stepped under one of the studio spotlights and called over to d, “good work, robinson. way to make her cry.”

d looked surprised and glanced at me calling back, “thanks, rothko!” before i wrapped my grateful arms around him, “yeah, good work, robinson.”

*****

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rusted. but still. [kerri’s blog on k.s. friday]

the galvanized metal coneflower tucked into the little garden with the ornamental grasses has rusted. we brought it home in july when it was silver and shiny. but the elements of weather have already gotten to it and have erased the shiny and smooth, turning it to a rougher texture, a warm brown color, like the center of a sunflower or the color of freshly ground coffee.

i still love it though, this coneflower.

its shape has been inspiring out back there in its little garden – the same garden that protects baby bunnies and tucks in our aspen tree. in the snow it has collected flakes until barely any of the metal is visible – like a tall snow-mushroom umbrella-ing anything below.

i stop in front of the mirror before i facetime or zoom. i wonder how i am seen from the other side of the camera. i am no longer shiny or silver. the elements have taken their toll and age has begun to catch up.

but as i gaze at other beloved faces across the technology of a phone or computer, across a table or on a trail, next to me on the pillow – i know that nothing – no amount of rust or erasure of smooth – can change the fact that they are still coneflowers, nonetheless. still beautiful. still loved.

*****

happy birthday, my love. ❤️

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the most important thing. [kerri’s blog on saturday morning smack-dab.]

it IS easy.

my favorite thing is definitely the time we spent with others.

that’s the most important thing.

ever.

*****

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on this christmas day. [kerri’s blog on not-so-flawed wednesday]

it was the title that touched me: “staggering generosity”.

i opened the email a few days ago, a newsletter i hadn’t opened in quite some time. these words have been with me ever since: “don’t just love. astonish people with your love. don’t just dabble in generosity. live a life of staggering generosity.” (paul wesselmann – ripples)

in cleaning my studio this week i found a pocket-sized calendar my sweet momma sent me in 2007. there was a quote on the first page: “may you live all the days of your life.” (jonathan swift)

this day – each day – all the days.

tonight when the house was quiet again, we sat in the living room with the lights off. e.e. (our christmas tree) and our big branches were the only things illuminating the room. sitting in the glow, we were both lost in thought – steeped in gratitude – about this holiday, about this time, about these days.

i could feel the glimmer in the room. a vibration. palpable. like the fingertips of the universe brushing my skin. astonishing. and staggering. what better day than today?

and then we unplugged all the happy lights – ready to sleep on this christmas day.

*****

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the infinite infinite. [kerri’s blog on k.s. friday]

somewhere – in the infinite infinite – i suppose that my sweet momma and poppo might be with my big brother, nibbling on crumbcake and coffee ice cream. maybe they are having a chat about christmas eve norwegian fish pudding and rum cake. or maybe about burning your fingertips making krumkake. maybe they are reminiscing about singing carols in the living room – gathered around the organ or the piano, my brother with his guitar, my uncle with his beautiful tenor.

i suppose that the party might be bigger…with their baby daughter i never met, with my grandparents, with their siblings, with friends they treasured. they may pop open the martini & rossi asti or blend some eggnog, assuming there is electricity. maybe they are swinging on stars and peering through the clouds at us here; maybe they are missing us.

in the way that things are in this place right now, i am glad that my sweetest mom and dad are not physical witnesses to what is happening, for their hearts would be broken by the ugliness of these times. i am grateful – in an odd way – that they do not have to experience what will be in the next for this country, for our world. even with everything they saw and endured in their lives – which is plenty considering they were born in 1921 and 1920 – i know that what’s happening and what’s coming would challenge and disappoint their beliefs and values to the core.

and so, in the meanwhile – between now and the infinite infinite – i will miss them. the axis has never returned to balance since they’ve been gone and this time of year brings that home even more.

i do believe, though, that if my momma – ever the letterwriter – could write in the sky – out there by the moon – she would. she’d likely draw words with the help of clouds and contrails. and she’d spell out something like, “daddy says ‘hello brat!‘” and “don’t forget to live life, my sweet potato!”.

when i look up – or inside – i can hear them both.

merry christmas mom and dad.

*****

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the unthinkable black and white. [kerri’s blog on two artists tuesday]

if we had looked only at the sky, it would have reinforced the black-and-white-photograph world we felt we were in. the sky was so november. but the photo was in color and, despite feeling differently to our core, the world was in technicolor.

the trail was mostly empty, which was a good thing. we needed to be there – our lack of hiking through interminable covid was taking a toll. exhausted from covid, exhausted from doing nothing, exhausted after doing anything.

and so the sky heightened our feeling – of walking in the black and white of this past week.

by now you know i am horrified by the election, by its results, by the actual people voting for these results. it cannot be clearer to me that there is a dividing line between me and those people who voted against my own family. it is black and white…that clear.

i’d like to go all maya/mlk jr./gandhi, heck, i’d like to go all jesus christ (“love one another; as i have loved you.” john 13:34). i suspect they would be just as horrified. quoting any of them as any kind of justification in or support of this horror story is hypocrisy.

because you have knowingly undermined the safety, security, the rights of my family, of people dear to me – and that’s pretty black and white to me. and i realize i can maybe love you, but not respect you, not want to be around you, not trust you or feel safe with you. your heart is different than i thought i knew. and i can’t pretend i don’t know or that it doesn’t matter. this – this – is becoming black and white to me.

love is a two-way street. turning your back on humanity is not love. the cruelty and immense intentional hardship you intentionally voted in for other people – yes PEOPLE – no better or lesser than you – is not love. hate, misogyny, racism, xenophobia, homophobia, transphobia are not love. fascism is not based on love – you have fallen prey to cultish, narrow, extreme, bullying, propaganda-laden thinking that is not – despite the whipped-up and warped misinformed disdain you express at the price of eggs, individual gender identification, compassionate social programs – definitely not – based on love.

i’m pretty sure that many are struggling with this right now. we are all out here, internally trying to figure out the unthinkable – how our families or friends have betrayed basic rights – values – upon which we thought we agreed. it’s unimaginably brutal and painful and hard to wrap our heads around. it is so very, very sad. but it is pretty black and white.

it’s november. i drag my eyes from the november sky – where i was beseeching the universe for answers. and i look beside the trail, where leaves are still turning and the deer wait as we approach.

*****

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shabaeawaka. unless. [kerri’s blog on k.s. friday]

“we can disagree and still love each other unless your disagreement is rooted in my oppression and denial of my humanity and right to exist.” (james baldwin)

i would add – or unless your disagreement is rooted in the oppression and denial of the humanity and right to exist of people you purport to care about – people in your beloved family, in your cherished community.

growing up, there were straw placemats in a circle around the perimeter of our kitchen table. each one had inked initials in the bottom corner – to designate whose placemat it was. ba, ea, wa, ka, sha, they read. in some moment, a guest circled around the table, reading them aloud, in order. “sha-ba-ea-wa-ka,” he read. and then, more quickly, “shabaeawaka!”

shabaeawaka became our family’s shortcut of the combination of our names – my mom always lovingly referring to the moniker and telling the story of its origin.

shabaeawaka – in all the ups and downs of a regular family – became a synonym for invincible ties, for family-sticking-together.

my sweet momma, even in the last moments i saw her, believed with her whole heart in the devotion of this family to each other. she believed in kindness and generosity, in acceptance and goodness, in joy and positivity, in love no-matter-what.

my sweet poppo – a mostly quiet man – died three years before my momma. he wasn’t one of those dads who would sit you down and bestow wisdoms upon you. but i could feel his staunch support of me throughout my life…as a child, as a young adult, as i finally made my way into my artistry, as a parent.

my momma stayed in their house in florida on the little lake as long as she physically could. she surrounded herself with the familiar of their lives together, always missing the actual presence of my dad, lonely for him. the empty vase – the one my poppo kept filled with grocery store flowers – stood in the foyer, an acknowledgment of unwelcome change.

but my sweet momma – well – she kept on. and as it became obvious she would need to leave her home and move into assisted living she chose to give away things from her home. the dining room table went to a family of immigrants who didn’t have a table at which to eat. her blue leather sofa went to a family across the street. my momma was not discerning. people in need of something were precisely the people to whom she wanted to give those things. even in her grief of moving, her generosity and love of others prevailed.

i did not feel the need – nor did i have the logistical ability – to fill rooms with items of my parents after my momma’s move or even after she died. but i do have remembrances of them. and i have their dna.

mostly, i have the ideal they taught me – that no matter what, you stick by your family, you uphold each other, you protect each other, you love each other. in no uncertain terms, my mom and my dad would stand tall next to each of us, buoying us and believing in us – the lesson of acceptance – no matter what – of the right to exist, to sustain, to thrive.

i know – without a doubt – they have cheered on my life – in all its phases, in its ups and downs. i know – without a doubt – they have cheered on my daughter’s courageous and adventurous spirit finding home in the mountains, my son and his incredible and cherished LGBTQ community in the city, around the world. i know – without a doubt – they would support them to the mat, thwarting anything that might come between them and their freedoms as americans, as human beings. i know this not only because it was how i was raised, but this is what shabaeawaka is. it is the legacy of shabaeawaka.

and so i wonder what they are thinking now.

i suspect they are on board with james baldwin.

there were times of disagreement, yes. my quiet dad could get rather loud in moments. my sweet momma could push back on inequality, on the crushing of human rights, on evil.

but all was ok if the basics were still in place, if the disagreement – in the words of james baldwin – was not rooted in the oppression of them or their loved one, if it did not deny their humanity or the humanity of their loved one, if it did not undermine their right to exist or their loved one’s right to exist. those were the basics and the basics of any faith i ever learned from them.

I wonder what they are thinking now as they – from a plane of existence far away – watch this election, as they watch the unthinkable, as they watch oppression and the denial of humanity and right to exist on the up-close-and-personal do-we-love-each-other line, as they witness the undermining – the throwing away – of the tenets of their precious shabaeawaka.

i don’t know where the placemats went.

i just know i don’t need the actual placemats to remember what they meant.

*****

LEGACY © 1995 kerri sherwood

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