reverse threading

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a ruckus. [kerri’s blog on not-so-flawed wednesday]

the tracks tell the story. they came in and mowed down underbrush and trees, grasses and cattails. all in the name of habitat restoration. apparently, there are buckthorn and cottonwood and boxelder and various other invasive species that are suffocating the growth of young native tree seedlings. it looked absolutely devastated. as did the back half of the woods earlier this year after they attended to that section. but there was space for the sun to get through, for air and a bit of new growth. it was necessary.

now, admittedly, the back half doesn’t look as raw as it did right after that earlier eradication. but – it does look different. just as – i suppose – this section of the woods will look…eventually. it’s the meanwhile that is a bit tough to take. it’s stunning to see such emptiness where there was lush. it’s bracing to recognize how long it might take for this area to grow back – to fulfill the potential the ecologists plan for.

but devastation is like that.

in devastation-light we have the basement/attic project. this will all look decidedly worse before it looks better. the categories – keep, donate, sell – are staged all over the basement and have spilled into other rooms in the house. eventually, this will get better. it will look different. right now, though, it is a ruckus of stuff.

all this review of the past, though…it’s good for my heart. tiny salvageable moments derived from these seeming willy-nilly piles…i am wrapped in the after-devastation feels. for this is chosen devastation – choosing to touch all that is in the house and decide about its fate. and maybe devastation isn’t a good word for that kind of parsing out. just because it looks like devastation doesn’t mean it is devastation.

but there will be more culling before there is something that looks and feels good: the cleared out, organized space that honors the before-stuff and makes way for the next. the same way it is for emotional clearing-out. it will all get much messier before it gets air.

the tracks from the backhoes and heavy equipment punctuate the trail. we may wait awhile – maybe a few rains – before we take that loop again. in the meanwhile, we’ll go along the river where the trail is longer and quiet and the trees and underbrush are untouched – at least for now.

we’ll continue our quest in the basement and the attic and every other nook and cranny. we’ll make messes and piles and categorize each thing we unearth.

and the emotional stuff, well, it will surface and it will recede – both. it will be like a tide – just like the basement, it is a choice to pull things out of their previous compartmentalization. just like the basement, it has the potential to be really messy. and, just like the basement, it will be tedious and time-consuming and it is possible for a bit of anxiety to creep into the spaces previously left wide open by keeping it all in boxes and on shelves. suddenly, it’s all free-floating and there are fragments of emotions and tangible pieces of the past right there in front of us.

so we climb aboard our front loaders and excavators and bulldozers. and we start plowing down all the invasives.

and we just may feel restored after it all. we will have relived many memories, touched – really touched - the evidence of time passing. 

and we just may be rejuvenated. the new saplings will be free to grow. 

and we will look forward to lush, breathing easier and feeling the sun on our faces.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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necessary. [kerri’s blog on merely-a-thought monday]

“but it’s the holidays!” you protest. and yes, it is.

yet – in these days, in this community, this country, this world – there’s more going on than simply jingling bells and twinkling lights, a sleigh of gifts and eight reindeer, manger scenes and menorahs. and even now – in the middle of all of this – even in the middle of festivities – we need to pay attention. 

it’s risky to disagree. it’s risky to push back. it’s risky to declare that which has or those whom have wronged you or others. the membrane is thick and unforgiving, even vindictive. it’s risky to break the code of silence.

but it’s necessary.

to speak the crime/the wrong/the slight – the action or inaction – is not a crime, though those within the bonds of the code would want you to believe that. it is either impossible for them to see the forest for the trees or it has come to the time that no longer matters to them. to step out, to speak out, to speak against, to speak for – all are looked upon as deviant when silence is broken. righteous pontificators rail against the sole “deviant” – the one who stops the actual deviance, the one who holds the actual deviants accountable. they gather troops around themselves, searching for – or convincing – others of their sanctimonious correctness. they are invigorated by the quest to maintain the code – no longer merely complicit – instead, enabling – involving themselves in the dirty deeds of the codemakers.  their silence is active, perpetuating the wrong. and the circle exacerbates itself – concentrically outward – into an organization, a community, a government, a country, a world. and it is ugly.

for those out there who are questioning and breaking the code of silence, for those who are pushing back against injustice or inequity, for those who are pulling back the curtain exposing, revealing wrongs – whether small or overwhelming, for those who are not fostering complicity or harboring or sustaining wrongfulness, for those who have reached the place of “enough!”, for those holding fast to the values of goodness, for those who are actively pursuing democratic freedoms of choice for all peoples – i hope this season of light would grant unto you courage and fortitude, empowerment in vulnerability, the ability to stand tall and proud, others to stand with you, trust in the process of bushwhacking your way to revealing truth, accountability in the end, recovery and peace. i hope this season of light reminds you of your value. i hope this season will touch you beyond your wildest imagination and that jingling bells and twinkling lights – and all the other trappings of this season – will dull in comparison to the light you have brought in your deviance – breaking the code of silence and bringing forth truth and justice. you are necessary.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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buymeacoffee is a tip-jar website where you may help to support the continuing creating – and deviant behavior, when necessary – of artists whose work you value. xoxo


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feeling the rain. [kerri’s blog on k.s. friday]

“all i can do is be me. whoever that is.”” (bob dylan)

it’s an imperative. composing, songwriting, producing, performing – they aren’t really choices. they are inherent – something inside that begs you to feel it. it is an ancient call for an answer that tugs and prods and taunts until you comply, baring your soul. it makes you vulnerable and demands courage and fortitude, sacrifice and a stalwart sense of purpose. it is not a straight path. It is fluid. it is failure and a phenom. it is devastation and ecstasy. it is necessary.

standing backstage – our son and the board clearly in view – i am whisked away to the place parents are taken when they see their children doing something they wildly love to do. 

i have stood on a giant mountain – one of the highest skiable terrains in the united states – and felt this feeling as our daughter flew past on a snowboard, everything in her aligned in the freedom of expression that single piece of wood opened in her. 

and now i have stood on a wood floor in a crowded nightclub – way past my bedtime – and felt the exhilaration of my son’s music – truly moving him, bringing forth who he is from a place deep in his heart. 

and in both circumstances, i have been in awe. and in both circumstances, i have celebrated. 

because though they have both been scrappy and deliberate, non-traditional, intentionally creating the ability to have the room to express – with any combination of full-time work, layered jobs, skimping and saving, lack of resources – in an ever-changing river, they have led with who they are. what is important to them – deep down – is their truth. their heartbeat. figuring it out as they go. 

our son is an EDM artist – electronic dance music. his music is powerful and pulsing, driving you to dance. it is layered and complex and technical and, as a composer – even understanding a slice of the process – i stand back in wonder. we are both creating music and, even in its difference, it has the same goal. 

“some people feel the rain. others just get wet.” (bob dylan)

he is feeling the rain. and his music invites everyone else to feel it as well. that’s the imperative. it’s what has compelled me to compose. it’s what compels me to write. it’s what compels david to paint. it’s what compels the potter to sculpt, the dancer to dance, the climber to climb, the actor to act, the skier to ski, the athlete to push, the chef to craft, the aerobatic pilot to soar on bluesky days, the creator to create. it takes some guts. but it’s necessary. for the world.

“dear artists. don’t hold back. that’s it…” (okuntakinte)

*****

FIGURE IT OUT from RIGHT NOW ©️ 2010 kerri sherwood

read DAVID’s thoughts this K.S. FRIDAY

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wet boots. [not-so-flawed wednesday]

the fine line between snow and water. it curved along the shore, made more obvious by the mudline separating the two. the edge between frozen and watery marsh appeared like a crayon thickly outlining the coloring book image, colored in with either whitish snow or blueish water.

standing on the shore – away from the edge – it’s pretty easy to see it…the place where, if you step, you will fall in. undoubtedly, there is also an area close to that place – but not as obvious – where you are also likely to fall in, where your boots will get all wet and perhaps you might lose your balance. you will be – maybe – covered in snow and mud, but you will be laughing there, because you will not have been in danger and it is not likely that you will be hurt. cold and wet, yes. but in real danger – no.

in a time of reorganization of our life together, we are trying to step closer to the edges…the ones we can see and the ones we can’t see. there are places and things that are oh-so-familiar to us, comfortable smushy places into which we sink, easy places to live in. there are places that push the envelope, places that push back and question and, even in that less-smushy-but-necessary zone, we steadily take steps. then there are those places that are a little frightening, a little less solid, a crossing-over place. these are the places we are finding we need to go now. we carry with us all the tools of our lives – education, experience, work, learnings along the way. as artists, as people working in the world, we toss our work over the open water so that it might float around and land – sometimes inside the edge, sometimes out past the buoy and the ropes that designate safe swimming.

and so, in the edge-approach, we glance down and see that our boots are getting wet. the leather – quite worn and no longer waterproof – is taking on marshwater. our socks are getting damp. but, we remind ourselves, we are not in danger. we are simply at the edge. there is much room for growth here, with our feet all wet. there is time to breathe and slow down our fast-beating hearts as we keep going. there is no worry about having to swim or tread water, for it is shallow. and the shallow water offers plenty of nutrients to feed us, teach us, keep us going. the edge looks scary and unfamiliar, risky, but we can see the horizon and the sky meets the land and we can recognize that.

every time we release an album, hang a painting, publish our words, stand in public with our art, openly protest unfairness – whatever it might be – we stand with feet on either side of the edge. we vulnerable ourselves to the world and we are in open water for the moments in which we allow ourselves to consider how our work – our standing there – is being received. but the foot that remains on solid ground – the one on the other side of the edge – holds us to terra firma. and, each time, i suspect, we have found it to be less scary to take the leap, not knowing.

i suppose right now should be no different.

“life is a travelling to the edge of knowledge, then a leap taken.” (d. h. lawrence)

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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the unreachable star. [merely-a-thought monday]

my uncle allen had a beautiful voice. my mom’s brother, he would stand in our living room, with me at the piano or the organ, and belt out songs with great love. he’d bring stacks of sheet music over and we’d page through them, choosing greatest hits from broadway musicals or the radio. sometimes my big brother would play along and the three of us would entertain my sweet momma and dad for hours. there is never a time i hear “the impossible dream” that i do not think of allen.

“and I know if I’ll only be true
to this glorious quest
that my heart will lie peaceful and calm
when i’m laid to my rest”

(the impossible dream)

i cannot think of anyone i have ever known who was as consistently happy – no matter the difficulty or challenge facing him, he was happy and smiling. his complete support of my earliest recording path is something for which i will always be grateful. my uncle always believed. in his wonderful wife, his adored children, his family, in me. allen was a gift to the universe. when i think about the movie “the fault in our stars”, i realize that he was an example of living this way – recognizing that it matters not how many people you touch or impact or inspire, no matter the tiny or giant legacy you leave in your wake – what matters is that there was one person…one person for whom you have made a difference simply by being on this good earth. anything beyond that is icing on the cake. allen was indeed icing.

the chipmunks are back and i have to say i am delighted. they are adorable and cunning and just really smart little guys. before the winter, they devised all kinds of methods to get to the birdfeeder, despite the metal plate that is supposed to keep them away. they managed to chock-fill their cheeks with seed and carry it off to their wintercondos. now they have returned and they are hungry. they’ve been practicing getting up the feeder, sometimes falling into the grasses below. they have been intentional. they don’t let failure get in their way. they literally jump from the ground up to the plate over and over until suddenly they are somehow balanced there and then they can jump up to the grazing edge of the feeder. they do what’s necessary, then what’s possible and then suddenly they are flying through the air, rewarded by a feeder full of birdseed.

i don’t suppose that’s unusual. everything takes practice. impossible is maybe a temporary matter. i also suppose that there is a certain surprise element to things. we start out with one plan, one path, one intention. we don’t bank on wavering off, we don’t bank on obstacles, we don’t bank on changing direction. impossible.

and yet, there’s possible waving at us from somewhere beyond the impossible dream. and we find ourselves in places unexpected, doing unexpected things, forging those impossible mountains.

there we are, flying through the air, the world in our hands, rewarded by a feeder full of birdseed.

“to reach the unreachable star.”

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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the imperative. [merely-a-thought monday]

i loved it all. the halls of john glenn high school, the walls of the classrooms i sat in, most of the extraordinary teachers i had the pleasure of studying with, most of the classes i took. i loved math, i loved science, i loved english and creative writing. i even loved my jewelry class, though i was not particularly skilled at it. i took no music classes in high school. none.

the guidance counselor didn’t know what to do. what direction do i go? what path do i take? what major do i pursue? the emphasis was on the decision. make one, i was told. it is quite possible this is one of the reasons why, years later, i completed a guidance and counseling masters – to scrap the emphasis on the decision and shift it to the process. at a time in the late 70s when college was ever-important and i was top-of-my-class i was underserved. it does not matter where you are in your class if your spectrum of curiousness is dowsed by someone pressing you into a mold, narrowed into a this-or-that.

in my first years of community college i still loved it all. philosophy classes were a stand-out. economics were not-so-much. business law was a low point. environmental science classes fascinated me. because i played the piano, taught piano lessons, wrote songs, and directed a youth choir, i signed up for a couple music theory classes and met paul simon, the godson of my music theory professor sy shaffer. listening to paul talk about songwriting was a huge highlight. i mean, it was paul simon. but i really still didn’t know what direction to take.

a life-changing event, as life-changing events do, changed that.

i moved when i should have stayed. i left when i should have dug in. i dropped the rest of the curiosity to focus on the familiar, the known. albert einstein would have taken me by my ear. “stay curious,” he would have admonished. “what you seek is seeking you,” rumi would have whispered to me. “wait.”

it’s funny to me now – as i look back – that i did not focus on the inordinate number of hours i spent writing in a tree. it’s funny to me now – as i look back – that i wrote songs and music and arrangements – fifteen albums worth – and never really thought of all the heavy composing or theory classes i took in my second half at university. never once have i gone back and compo-analyzed the structure-texture-tonal-system-consonance-dissonance of a piece of music i have written. it’s funny to me now – as i play with design and photoshop and cartooning and blogging – that it didn’t occur to me, as an editor at john glenn’s art and literary magazine “gemini”, how much i loved what i was doing in those after-school hours-and-hours sessions with one of the world’s best and most expansive english teachers, andrea vrusho. it’s funny. we see and we don’t see. twists and turns, paths taken, paths not taken. our stories all different. stages and flatbeds, classrooms, church chancels, the state side of the courtroom, piano benches, recording studios, choir rooms, department-store-holiday-wrapping in lean times. all part of the curio cabinet, never full, never finished. we take paths and, if we are scrappy and confident and lucky enough to be supported and even mentored, we make the best of them. anyway. there is a richness to each story and each path.

no special talents. passionately curious.

we all have something. something that sets us apart from each and every other person. something that the world we are in cannot do without. for every spoke in the wheel counts and every gift, every talent, every nurturing soul, every fixer-upper, every engineer-brain, every teacher, every scientist, every laborer, every inventor, every chef creating magic in a soup kitchen or michelin-star-bistro, every artist, every athlete, every skilled-trade expert are necessary in this place, at this time.

it is exactly that – that is brilliant. it is exactly that which is genius. it is the appreciation of that – so much to learn – which is the gift of being human. it is the imperative of humanity.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

and a little mood music for you – the orchestra of my professor sy shaffer