reverse threading

the path back is the path forward


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evanescent. [two artists tuesday]

the eiffel tower stands in our front yard, along with niagara falls and hunter mountain and the atlantic surf and canyonlands national park and the rocky mountains and northport harbor. they are there, even without clear shape. each are shadowy remembrances of time spent, each are mementos of life and time, tiny moments passing, never to be identically repeated, always to be celebrated.

we watch the play of sun on the snow, the shadows of the trees, the clouds drifting across the sky, the night shroud filled with stars. never static. we bring gratitude for every second we have had, though sometimes we forget to appreciate them, sometimes we forget to acknowledge the fleetingness. in those times, we hold, with foolish tenacity, to thoughts of what’s-next instead of lingering in the delicious stew of right now, regardless of essences and elements that may not be to our liking. we wonder if it’s all maybe not enough, if we are maybe not enough.

we don’t realize that our shadow in the snow is perfect. it is also light and dark, interrupted by the brick wall and tree limbs. it stands tall as we learn about standing tall. it moves in grace as we step and change, all part of the never-ending flow, the coming and going of it all, the roll. it bows its head as we bow ours, thanking the universe for this evanescent time in the sun.

our shadow is right next to all we have seen, looking to all we will see. edges, a little less precise, a little less defined, softer, glorious, present. our shadow is right next to the eiffel tower, niagara falls, hunter mountain, the atlantic surf, canyonlands, the rockies and northport harbor.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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tiny fountain. [two artists tuesday]

in 1969, when i was ten, i stood on the viewing deck and stared at a motionless niagara falls. they had turned the falls off, so to speak, building temporary cofferdams to divert the water from the american falls to the horseshoe falls on the canadian side. my parents had pitched the trip to me as something very few people would see – in comparison to those who have seen the falls with water. but as i stood there, gazing at a waterfall sans water, i had deep disappointment to not see the majesty of that landscape as it usually existed. the next time i went to niagara falls i was sixteen and there was water, glorious water, and the static electricity made my hair literally stand on end. it’s powerful watching waterfalls…powerful and meditative and inspiring. simply water. falling.

for years it sat motionless on a living room window seat. i suppose it, like the american falls, was waiting. “un-dam the coffers” (or just add water and plug it in), this little fountain was thinking. i would dust around it and wonder why i was holding onto it, my tiny 1969-niagara.

and then one day, a few weeks ago, i picked it up and took it outside to the deck to clean it up. i added water and plugged it in and watched it come back to life. instantly, its flow, a gentle trickle, spoke to me, reminiscent of standing in a cool woods next to a stream flowing just a bit downhill. i moved it inside to the sunroom, put it on the old table we have in the eastern window that catches rays of the sunrise, and plugged it in.

this little fountain’s presence, the sweet sound of water moving, is inescapably soothing. a simplicity, the element of emotion and wisdom, moving freely, continuously, a reminder of the fluidity of these days – the coming and going of change, gentle adaptability. all good as we sit near this tiny fountain full of big lessons.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY