and then, there it was. in our pond. the first frog in a couple years.
it was helen, who is steeped in her gift of faith, who told us the significance of having a frog appear. “f-r-o-g,” she said, “fully-rely-on-God.”
it is astounding how very much the appearance of this frog means to us. in the middle of the middle, a nod (or hop) of reassurance is unbelievably gratifying.
not every frog likes a photo shoot, but “hope” participated nonetheless. she was shier than most of our other frogs, but maybe that’s because she’s just getting to know us. one of our frogs – 2020 maybe? named “pando” – actually let me pet it, stroke its head and speak to it up close.
regardless, we’re a tad bit worried because it is so late in the year. she arrived on the equinox and the fall weather will race past the starting gate, sprinting to winter.
breck is having a growth spurt. like when your toddler suddenly grows inches and miles and you cast aside the tiny outfits, reaching for the next sizes up.
you don’t really know what to expect about how a child will look when a baby is born. every day – in the middle of the chaos that is parenthood – you look at this precious child, pretty much incredulous. there are days when nothing about their tiny face and body looks much different. there are days when you have an inkling of what this little person will look like as they grow. there are days you stare and wonder whose child you are holding.
breck is kind of like that. for years since we brought breck home from – yes, breckenridge, colorado – it has looked like a small quaking aspen sapling. potted and then in the ground in numerous places in the backyard, its leaves were small, easily-identifiable aspen leaves, the classic well-loved shape of mountain breezes and stands of shimmering, rustling.
and then, this summer.
breck is now – apparently – an awkward teenager. the new leaves are giant, the new growth resembles the beanstalk that jack planted. it is as high as the lowest point of the garage roof and each day there are new leaves up there, new inches. we are not quite sure what is happening out there. but it sure looks like breck is having the time of its life.
breck’s vigorous growth this very summer seems really hopeful to us. in these past five summers we have watched breck maintain, keep status quo, a little teeny growth here or there. we’ve been grateful it has sustained. we feel inordinately connected to this little tree that made its way home from the high mountains with us in littlebabyscion.
we wonder about its sudden enthusiasm. we wonder about its new and different leaves. it feels like it is somehow bursting out of slow-and-steady into what-the-heck-full-steam-ahead.
with the string you tie around boxes of cakes and pastries from a bakery or sweet patisserie, small bundles of dried lavender hang around my studio. from the big old black window frame that sits on the chifferobe i use for supplies to over by the djembe in front of the turned-off radiator by the window. bundles of lavender.
i used to have a lavender garden out back, started with cuttings divided out from the same bed these bundles were from. then the snow-on-the-mountain snuck under the fence from my neighbor’s yard and, despite my best efforts, took over the lavender (and anything else in its path). snow-on-the-mountain is like that. it barrels down anything in its way and takes much effort to eradicate. it’s aggressive and a tad bit bullying, not unlike some people i have known. i didn’t invite it into my yard, but there it was, anyway. i’ve tried to – now – incorporate it while still somewhat controlling it – the new normal. sounds a lot like the stuff of life.
each year we plant a big pot of lavender. each year, it is a slightly different strain of lavender. last year, our daughter chose the plant, as she was here at the time and we visited a nursery. it exploded into a gigantic plant – the bees seemed to love it as much as we did. this year, we chose one that seemed unique, it’s purple petals growing out the top of the stalk – french lavender, with butterfly-like narrow petals.
lavender is known for bringing serenity, for its calming soft scent. for me, it’s a balance plant. it is – without any real effort – growing in its giant pot.
i walk over and, with the slightest of touches, am caught in a whirl of its beautiful aroma. i think about tying some branches and hanging them to dry at the end of the summer season. or maybe making small lavender sachets. anything to keep it going.
i can add some to the gifted lavender in my studio. bring serenity in. and push out the ghosts of invasive snow-on-the-mountain.
i take many photographs of us in shadow. it lowers the how-do-i-look bar to practically zero. though it does leave me a tad bit curious about why my head always looks bigger than his. i think it’s my hair poofing out; his is pulled back neatly, while mine is helter-skelter flying in the wind. nevertheless, whether we are smiling or not, whether our eyes are open or closed, whether we have a funny look on our faces – none of this matters.
some of my favorite shots of us are in shadow. we are on the dock at northport harbor. we are on trail in breckenridge. we are at the john denver sanctuary in aspen. we are on a frozen lake up-north. we are walking barefoot in florida, carrying our flipflops. we are in the sun on our back patio.
i know i might be accused of over-documenting. so many photos. “1.81 trillion photosare taken worldwide every year, which equals 57,246 per second, or 5.0 billion per day,” according to photutorial.com. at least they are not all mine.
yet i know that it takes many, many shots to get the right one. my dear friend scott is a world-class photographer with a compositional eye to die for. he shoots thousands of shots at a-list events. which makes me feel justified in my overshooting. i have loved being behind a camera since my parents gifted me my first 35mm when i graduated high school. crunch and i would go out and about for hours on end, on escapades, taking pictures and dreaming of what they would look like developed. the advent of cellphone cameras – as they are today – makes it infinitely easier to snap, snap and over-snap. and, though i can confess to that, i will not stop.
because every now and then, when i go through all the photographs i’ve taken on a hike or at home or traveling or with one of my children, i find a jewel. like the lyrics that are tucked into notebooks-upon-notebooks, scraps of paper of melodies, pa pads with ideas for smackdab cartoons and blogposts, sometimes something special turns up. “practice makes perfect,” my sweet poppo would always quip.
so, the other day, while we were hanging out with richard diebenkorn, i thought i would document our time together. not a gem of a shot, but – truly – they aren’t always gems. sometimes they are just reminders of time spent, thready mementos of moments, scraps of lyrics or color samples or heart rocks. they are a diary of time, back and forward, threaded clockwise and reverse.
despite the vast ponderings of art critics and pedantic curators, it would seem that richard might just be trying to create mood, evoke emotion. this ocean park painting – like the whole series – depicting shimmering light and air, his extended time in santa monica sun. he painted and re-painted 145 canvases in this series. a diary of time.
selfies and shadows, smiles and light. all stuff that counts on the way to 1.81 trillion.
there is nothing, weather-wise, that dogdog likes better than snow. he is invigorated by it. he’s not particularly fond of rain and he is definitely not a heat-wave dog. but snow is a different story entirely. when asked, “what’s keeping you in wisconsin? why wouldn’t you want to move to florida?” i have to answer, “the dog doesn’t want to live in a hot clime.” period. i mean, really – every summer – he suffers (cue up maria portakalos in mybig fat greek wedding – “she suffers” as i cannot write the word without hearing her voice.)
as i write this, dogga is at the end of the bed, curled up on the quilt, sleeping. he’ll be ten this year and that is astounding to us. he is slowing down a bit, sometimes acting like an older dog. but there is nothing that makes him seem younger than a good snowfall. running out, he eats the snow off the deck, licking it – like a sensational ice cream cone – as he goes. we look out the window to let him back in and there he is, curled up in the snow, covered in giant flakes, happy as a clam. snow is his gig. it floats his boat. it’s his cup of tea. it makes him happy, gives him the energy of a puppy, it’s his thing.
i wonder if we are as wise as this. our snowdog is not thinking about his reaction to snow. he’s not analyzing it or weighing its costs v benefits. dogga is not wondering if it will last or when the snow will melt, thereby rendering him snowless and less blissful. he is not asking when it might snow again, banking on the next time, forgoing some of the joy of this time. he is just out there, laying in it – full-out, napping, accumulating snowflakes like seconds of ecstasy. he’s fully immersed in something he loves, paying no mind to the rains of spring or the heat of the summer, unconcerned about the turn of the seasons. he is simply in snow and he is happy.
the crystals on our outdoor chandelier are catching the sunlight, their exquisitely-cut facets sparkling toward the sun, the clarity of spheres throwing prisms of light and, in the dark, casting intricate shadows – strung pendalogues with silhouettes illuminated by moonlight.
uh-huh.
ok. i give. it’s plastic. all plastic. except for a couple metal strap parts and the solar pack.
so when we ordered it – this solar chandelier – we expected some heft and prepared how to hang it on the old door that sits behind the glider on our deck. we talked to jeff at the ace and decided upon a hinge we’d attach to the door with a wrought iron arm that we could move in an arc, depending on how we wanted the chandelier to be hanging. we had wanted to hang it over barney – for that old piano in our backyard deserves a chandelier – but it turned out that the chippies and squirrels and birds won over a lighting fixture, regardless of its beauty.
the box came. lighter than, well, we expected.
and when we took it out of the box and attempted to unwind it from itself, we were a little skeptical that it would fulfill the lofty dreams we had for a chandelier outside.
nevertheless, we are not the kind of people who give up on something before we give it a chance. we decided to try it on for size before packing it and shipping it back.
we hung it on one half of the birdfeeder’s shepherd hook. turned on the solar pack and waited. night fell and this earnest little ithinkican-chandelier lit up. “sweet,” we both thought aloud. we hung it under the umbrella over the table and it cast ridiculously interesting shadows up. then we hung it on the awning and wondered if it would ever make it to the door and the hinge-arm-shenanigans we had ready for it.
plastic or not, it has us intrigued.
this morning i can see it out the window of the bedroom. the eastern sky is full of warm summer early morning color. as the sun rises, the crystals catch it. they glitter.
we were supposed to have company. it has been a rarity these last couple years to share our space with anyone, so we were really, really looking forward to it. visits with people we haven’t seen in a year, two years. coffee-sitting or wine-chatting out on the deck, slow walks along the lakefront, catching up. long-awaited.
it wasn’t to be.
just before, we had attended a small gathering – outside. we were alerted a couple days later that we were exposed to covid. guidelines are such that it was then our responsibility – which we don’t take lightly – to isolate from others so as to avoid being contagious, whether or not we were also ill. we have respected this pandemic and its resulting health guidelines from the start, so we did the only responsible thing. we cancelled our guests, two sets of them.
to say we were disappointed is to underplay the isolation of these times. we were stunned. the ever-present facebook shows people off gallivanting on vacations and cruises, at disneyworldland, at parties. and we, abiding by what had been outlined as ways to protect others, were alone. in truth, we were a little ticked.
and so, we dedicated ourselves to crossing every appendage we’d stay healthy and working on the backyard. the new fence has created a blank canvas and we wanted to re-plant and re-organize our tiny sanctuary. i began studying plants and sun and shadow and height and breadth and movement and placement.
we moved the old hostas. they were along that back fence line. it hasn’t been a good year for hostas, dan told us, and we’d have to agree. these intrepid plants, we knew, would bounceback, so we transplanted them next to barney and under the white fir pine. i wanted a few hosta for under the blue spruce, but i wanted elegans hosta, rich green not variegated, huge heart-shaped leaves, gorgeous texture that will share that space with tufting blue sedge grasses.
we went to the nursery. it’s all outside so we felt confident we were not exposing anyone and we spent a few glorious hours wandering in and out among the plants, dreaming. that’s where we fell in love with that little stand of quaking aspen. (pause for a moment…)
i took a zillion photographs, not only of grasses and plants, but of the accompanying tags of information, so that we could go home and i could research and develop a plan for the new landscaping we would be planting. i had my work cut out.
i made several trips to the nursery, asking questions and moving slowly through, glancing at my camera at the pictures i had of our backyard space, pondering. after a week – sans people – we went and picked up the first of the grasses, three switchgrasses, tall with plumes just peeking out. they would join the hardy pampas we had already purchased, hoping they would grow tall against the fence.
busying ourselves with greenery helped the sting of losing the opportunity to see loved ones, but not entirely. though grateful each day to not take ill, we felt gypped.
a few days ago we added a couple dwarf fountain grasses. their flouncy-ness is charming. we brought home a little zebra dwarf silvergrass and a purple fountain grass for contrast. after a few days of studying placement, we’ll actually dig holes, take them out of their pots and plant them. and there’s space for a small rock garden too, perfect for this thready heart.
it’s the end of the week and now more days have passed since our exposure. though we went through ten home tests – to make sure we were moving through a ridiculously long incubation period – we have mixed feelings.
we know that in cancelling our company we did the right thing, for we would not want to inadvertently infect them or anyone they would, in turn, see.
but we remain just as hungry – we are just as longing – for a bit more normal as we had been. we’ve all sacrificed much in these two plus years to protect each other. we – the two of us – have limited our restaurant-visits to less than two hands, have stayed back from concerts or festivals we wanted to attend, have masked in shops and stores, risking the dirty-look ire of others who have simply moved on. and we have not had the chance to really see many others – to laugh in our pjs together, to get in each other’s way in the kitchen, to spill out stories, interrupting and laughing.
doing the right thing is sometimes painful. especially when opportunity is few and far-between.
this weekend we’ll sit out on the deck and gaze out toward our new fence. in the early morning of the days i’ll water all the new plants, greeting them each time. and maybe, later in the day, the new grasses will catch an early evening breeze and tilt toward us, billowing. i imagine they will be thanking us for bringing them home. birds and more birds will attend to the feeders. squirrels and chipmunks will scamper, chasing each other looking for fallen seed, high-tight-roping across the yard. dogdog, a little older and more tolerant of little friends in his yard, will lay on the deck watching with us.
reverse threading 