reverse threading

the path back is the path forward

Tag Archives: outliers


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zig choices. [kerri’s blog on not-so-flawed wednesday]

“because of some strange little voice inside, i zigged where i was expected to zag…”(anna quindlen)

aging is a funny thing. you come screeching to a halt at this place – a kind of dr. seuss waiting place – and you have the chance to make some decisions. which way do you go now? what route do you take? where are you headed?

or maybe you come screeching to a halt – having been on this one solid path – to a place – a kind of dr. seuss waiting place – and you linger there, looking around, out of breath and a little bit tired. in front of you, choices fan out, beckoning you. you sit down, in the lazy boy of havinggottenthere and you ponder, panting, exhausted.

for, all of a sudden, you don’t feel compelled to drive forward on one straight line. you are suddenly empowered by the realization that none of it – and all of it – counts. you have begun to realize that the dust you will leave behind will not be measured by accomplishment. it, likely, won’t even be remembered by accomplishment. for those things dim and boxes of those remain in the basement, ready for some thrift store or antique shoppe. mementos have gathered dust and certificates have faded on office walls. the hills you climbed, the battles you waged, they have evanesced. the trophies, the medals, the awards, the stock options – all so greatly valued at one time – have lost their lustre.

so you take stock. your havinggottenthere lazy boy slowly rocks while you stare ahead and think about what path might “align with your purpose, peace and trust in the future” (the “best path” as defined by google).

and something is itching inside you to go rogue, to take a path no one expects, to zig where they expect you to zag.

and, as it appears on the twiggy hogweed map, you can always backtrack back to the waiting place – to re-evaluate, to rest, to try something else on for size.

there is a freedom to this aging thing. (granted, there would be more of a freedom if there was not chaos.)

this freedom to explore without expectation, to try without any measure of succeeding, to grab onto more experiences – but without preconceived notions, to discard the safe path and embrace a bit of fear, to muse-work and branch-out or sit-and-stare with abandon.

there is a freedom knowing that as much as one matters, our tiny existence is yet tiny. and what we feel at dawn as we breathe in early spring-like air or listen to birds collecting at the feeder or pull up the covers for just a little longer – all that matters.

there are moments i am stunned by the ability to feel. physically. emotionally. the ability to FEEL. it’s shocking. i recognize that there have been days – maybe even weeks or months or years – when i paid little to no heed to being able to feel. lost in the mayhem of everylittlethingthatmustgetdone i missed it. we have all been racing to finish.

and yet, here we are – in this time of utter chaos – where everything seems upside down, corruption is rampant, the country is flailing while its leaders violently push it backwards, isolate it, make it a pariah – and THIS happens to be our time.

we feel bits of wisdom pop up evvvvvery now and again, evvvvvvery here and there, through fallowed earth like snowdrops or crocuses desperate to emerge. we stand up. we speak up. we speak out. we cuss. we bellylaugh. we rail. we inhale, another deep breath.

we are feeling. we are making time to feel.

we are considering our zigs.

*****

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sticking out. [kerri’s blog on not-so-flawed wednesday]

even after all these years – a full five decades – it is andrea vrusho who sticks out. in her bandana kerchiefs, her flowy clothes, her peace sign necklace, i can still see her. she was the shining light who encouraged us all to write, to search, to be poets, to be ourselves, to embrace words.

i’ve written about her before. i will likely write about her again. the lighthouses in your life are like that; they keep rising up and waving at you, encouraging you just like they always did.

and i still see her – standing at the front of my high school english class – all tie-dyed and hoop-earringed – even now – in the latter part of the middle of my sixth decade, as i continue – ad infinitum – to do this: “the thing that is really hard, and really amazing, is giving up on being perfect and beginning the work of becoming yourself.” (anna quindlen)

she was one of the first – outside my family – to lessen my concern of being a different coneflower, the flower spent from living aloud, a flower on the edges. she pompom-ed my tree-sitting, my practice of journaling. she challenged my beliefs and rained questions on us. she buoyed my feminism and stumped in class for our rights. she cheered on my voice.

and i think about her now. now, as i reclaim that voice. now, as i broach the distance between before and after. now, as i reach back in time to who i was and, thus, who i am.

i know that my coneflower looks different. i have always felt it. artists are outliers, sticking out sometimes simply because of simple reasons. the suits don’t quite fit. you are somewhere lagging behind the trends. you are hopscotching from creative project to project. you are exposure-heavy and earnings-light. you are different – your perspective, your ultra-sensitivity, your empathy. you are the silver in a field of gold, the gawky sunflower in a meadow of daisies. but, despite your best efforts at being the best blendy coneflower you can be, your own distinct and peculiar – offbeat -voice stays with you. like gum on the bottom of your shoe, as much as you try to dislodge it, it is there – still sticking around.

a few days ago on the trail i stopped and turned to d.

i preambled what i was going to say – “this is not a solvable moment. this is just something i have to say.”

and then –

“that’s it!” i declared. “no more sniveling! i’m done with that! it is not who i am!”

without context that could be confusing. but in the middle of the middle of life right now, it made complete sense to him.

and he looked back at me – with andrea clapping her hands on the other side – and said, “good!”

“never compare your insides to everyone else’s outsides.” (anne lamott)

*****

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fly. [k.s. friday]

the seagull looked at me furtively, side-eyed. he acted like i just wasn’t there, stepping along the harbor channel wall at his own pace, seemingly not too nervous about my presence.

writing, i’m holding my weathered copy of jonathan livingston seagull in my hand. jonathan thrived. he left the traditional flock of gulls so that he could fly, soaring higher than he had ever soared. he was an outlier but was kind and loving, generous with the skills he learned.

i’m thinking he was as much an artist as those of us who are artists.

ever since, well, forever, i have had a thing about seagulls. i have a seagull collection in a box in the basement. in the 70s, it was a popular tchotchke – a plaster or wood base that looked like a piling or rocks or shoreline with a thin metal piece atop which was a seagull. sold in every beachfront town, i was – back then – a willing buyer. i had seagulls everywhere in my room. they represented the beach for me – my winter/spring/summer/fall sanctuary. and then i read richard bach’s book. and i was hooked. it resonated with me back then, this story of breaking away, hopefulness, dreaming, accomplishing. i was 18 and i was a jonathan-livingston-seagull.

my soaring seagull days ended abruptly at 19.

but in these days now – as i walk the lake michigan beach or hear the gulls as they fly overhead our house – i am reminded. the caw of the gull is reassuring and, as i gaze up watching them swoop and soar, i feel vestiges of the surf – the sound and the ocean from long ago. tide out. tide in.

i walked along the channel and, in parallel lines, the gull started to step along the wall. and then he stopped, put both feet firmly on the cement.

and, still looking at me sideways, whispered, “don’t forget you know how to fly.”

*****

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donkey love. [two artists tuesday]

elfie and adaline grinned at us over the fence. clearly they thought we were kindred spirits. or maybe they just wanted one of the treats we held in our hands. either way, they were cute as all get-out and my heart was happy-happy to be heehaw-hanging out with them.

i do have a thing about donkeys. horses, too, as you know. but donkeys, like giant dogs, seem really doable. sweet expressive eyes and much shorter and more containable than horses, donkeys tug at me. i guess we’ll see. maybe one of these days. obviously, this town we live in won’t be the place. i can’t imagine our perfectly-yarded neighbors-to-the-east thinking that donkeys-next-door would be ok, though our neighbors-to-the-north are overrunning their place with all kinds of non-organic-non-living-plastic-rubber-battery-run-powered-by-electricity-noisy stuff so what’s a coupla donkeys in the ‘hood-mix?

a long time ago – over twenty years now – when i was directing a christmas cantata at a church i decided to go out on a limb and use a live donkey in the production. i made arrangements with a local stable and they were bringing out the donkey the morning of the cantata. we, necessarily, rolled out a plastic runner and i started the overture. ‘mary’ had to duck under the door frame as the donkey was led in by ‘joseph’ and started toward the chancel. the biggest-donkey-on-the-planet, it seems, carried in the star of our cantata. it took very few lanky strides to reach the front of the church. the donkey took its place next to the choir, shoving a few people over as it positioned itself before ‘mary’ was helped down and it was led out. giggling is good during cantatas, i reminded myself, as the giggle spread through the pews. apparently, there are donkeys and then there are donkeys. and this one – was actually a mule – much larger than its donkey-parent. a little bit of false advertising on the part of the farm, but what-the-heck. maybe i should have been a little more specific: no hybrids.

so elfie and addie, regular-sized donkeys, were pretty cute. watching them renewed my i-want-a-donkey and i looked at websites that even advertised miniature donkeys, so as to avoid cantata ptsd.

donkeys are smart creatures. it is said that you have to be smarter than a donkey in order to train it. it’s also assumed that they are dumb-as-rocks because they are rather stubborn. in researching i read, “things need to make sense to a donkey, they aren’t just willing to obey blindly.” ahhh. i can relate.

and they really were big grinners, those cutie-pies. though they don’t look like they have a sarcastic bone in their bodies, i did wonder if they were smirks and not grins. because they looked at us over the fence as if they recognized us. like they were saying, “yeah. we get it. you guys are artists. we’re donkeys. uh-huh. kinda outliers. samesies.”

heeeehaw.

*****

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