reverse threading

the path back is the path forward


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one giant meadow. [kerri’s blog on not-so-flawed wednesday]

we have a meadow in our basement. it’s tucked in the northwest corner. indigenous wildflowers, stacked in boxes, cardboard containers of native blooms.

the oeuvre of decades, shrink-wrapped, flowers from seeds of thought-lyrics, of melodic gestures, of teasing harmonies, of simple evocative lines.

waiting, impossibly, to return to a time of compact discs. waiting, impossibly, for the invasives of streaming to get under control, to support independent artists rather than undermine their success, their ability for forward-movement.

the meadow sometimes beckons – like a soft wind through tall grasses – waving to me, begging me to step into the bramble and thick vegetation. like most good meadows, there is no clear path. you simply must walk in and turn – 360° – looking around, stunned by all the wild – flowers and weeds, both.

the broadcast music inc royalty check arrived. it was for $60.72. though it’s likely a few hundred thousand, i didn’t add up all the counts (listens). but one piece caught my attention. its play on youtube alone totalled 15,212 counts of this piece. my total royalties for this: $1.21. (for perspective on this: even if only 5000 people downloaded this piece of music for 99 cents and listened to it as many times as they wished, it would bring in approx $3465 (there are iTunes fees) instead of $1.21. a stunning difference.)

and we have another meadow in the basement. the canvases of bloomed paintings stack against the west wall; the easel stands in the northwest corner. the digital age of download and print has entered the art world of hanging wire and levels.

canvases, paint, jewelcases, polycarbonate plastic, discography – our wildflowers in the basement. the meadows are cultivated in fields of artistry, of color, of sound, of words and notes and splashes.

robust meadows self-seed. as do artists. we create despite roadblocks, despite the undervaluing of our work, despite the stacks of antique-store-someday-bound cds and canvas. despite it all.

but just like meadows need help – to more than just exist – to eradicate the invasive species, to grow, to prosper, to thrive – so do artists.

at long last – and truly for reasons of existence – we are contemplating a patreon account – a subscription donation platform to help support artists to continue to do the work you value, the work that has moved you, the work you turn to – as we gratefully acknowledge those of you who have contributed to our buymeacoffee tip jar. this simply means a monthly donation – as low as $2/month – that helps to make up the difference that the world has thrust upon artists. some readers may consider this timely, an avenue through which they may participate. some readers may consider this self-serving. either way, we are interested in your thoughts. feel free to email us: kerrianddavid1111@gmail.com. and watch for this – a patreon – one of these days.

we gaze over at the basement-meadows and ponder what is in our hearts, what is left for us to do, what is ours to do. we are each true to our work and, in the spirit of the fault in our stars, we know that we have – indeed – done good work if we have touched even one person along the way.

“do the best you can until you know better. then, when you know better, do better.” (maya angelou)

it’s all a journey in one giant meadow. and the difference between hardly existing and thriving.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

like. subscribe. share. support. comment. ~ thank you so much. xoxo


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flowers in the sky. [two artists tuesday]

were i to be on jeopardy – and were there to be a topic called “agriculture” – and were i forced to try and answer any question at all – $1000, $800, $600, $400 or even $200 – i would fail miserably. the tools of the trade are foreign to me, just as, i suppose, sheet music for the rachmaninoff piano concerto no.2 in c minor might be for the farmer skilled at using the farm implements. different languages entirely.

so, for us, sitting outside the iowa farmhouse, gazing around at the unfamiliar, it was both mysterious and magical. interesting textures and things with wheels had us guessing and googling. everything begged to be photographed. for us, the unfamiliar is novel and, through our eyes, doesn’t represent the hard work it actually stands for. instead, the wheel hay rake is flowers in the sky, metal petals reaching out from the center on thick metal stems connecting to the machine. the tractors and disc cultivators and harrows and silos – all unknown and a little exotic. it is easier to see beauty in that which is simply shape and texture than when it is the embodiment of the toil and worry each farmer faces each and every year.

i suppose that should make it easier for me to understand why others can generously send notes and email messages to me about my music, about how the piano piece or a song resonates with them, yet i – at this moment in time – see toil and worry. worry about how – in a new world – to put out new music. worry about how to sustain it all financially. worry about how – with a significantly-reduced wrist – my music may differ from what it has been. new crops, new agricultural costs, new limitations. what is that expression about perception? one man’s trash is another man’s treasure. that might be true also as – one man’s albatross is another man’s beauty.

yet, despite the decidedly different ways we perceive things out of our realm of familiarity, we are all spokes in the big wheel. we honor all the tools of our different trades, the languages, the expressions of work, the products of toil.

to be fascinated by another’s work is to appreciate it. to appreciate another’s work is to respect it. to respect another is to live together, under one sun … flowers in the sky.

*****

on this two artists tuesday, we’d like to make a clarification. i received a text asking me about what “buy me a coffee” meant. just as i was given to misunderstand this platform, i’m not sure we have done an adequate job of explaining it. so, please forgive any redundancy as i take a moment to clarify:

the arts don’t generally have the same avenues for payment as other professional routes, so there has been an effort for more crowdfunding types of options. both BuyMeACoffee and Patreon are platforms in which content creators can receive support from people who appreciate their work.

http://www.buymeacoffee.com is a casual way to support creators. when you “buy a cup of coffee” it transfers $5 per “cup” (minus a small percentage) directly to an account for the artist you have chosen to support. it is called a virtual tip jar because it is not a recurring payment – it is a one-time tip for something that has resonated with you. you can opt for 1, 3, 5 “cups of coffee” or any number you wish (in the square box) and the application will do the math. when i first encountered it on a site of wonderful thru-hikers we follow, i mistakenly thought it literally was sending them coffee – or – sending them money they needed to use for coffee-and-only-coffee. silly me. it is simply providing helpful funding – a lovely way for us to tell them “thank you” for inspiring us. a “cup of coffee” is a way to support them in any number of five dollar increments.

patreon (which we will have shortly) is an opportunity to subscribe to an artist’s work on a monthly, recurring basis. people who wish to support the arts have an ongoing and dedicated way to do this through patreon, choosing a monthly dollar amount. again, a small percentage is taken out and the rest is made available to your chosen artist(s).

either way, artists everywhere appreciate the generosity of those who take the time and the resources to help them keep doing their work in the world. all spokes in the big wheel.

that gratitude goes for us as well. we appreciate you and are grateful for your support of our work. you are flowers in our sky.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY