reverse threading

the path back is the path forward

Tag Archives: richard curtis


by 1 Comment

slowww. [not-so-flawed wednesday]

it happened.

one of those.

he was going on and on about – fictitiously – going to steinhafel’s (a big furniture store) or ashley furniture or colder’s and finding a giant twenty-drawer-dresser. and then he would find a hutch to go on top of this enormous dresser. and it would all go in the bedroom – in lieu of most everything else in there, including the bed. he went on about how then i would have a dresser with the vaaaaaaast amount of space i had talked about/pined for/whined over and we would sleep on the rug in the living room on blow-up air mattresses, practicing for our thru-hikes.

he had me in stitches as he described this, in the middle of which i snorted.

now – that is good living – snorting while laughing.

and there – in the fleeting instants of this dresser-fantasy – was one of those moments.

it might be easy to forget – to pass by – the dresser-scheming, the fictitious dresser to fix all my dresser inadequacies, the dresser-to-rise-above-all-dressers – but the belly-laughing and the need to hold my ribs and the participation in the high-brow voice deeming my new fancy dresser worthy – these were not forgettable. and the look on his face – total seriousness, a dedication to making my dresser-dreams come true – was priceless.

you just can’t walk on by without noticing.

the moon was almost full on the way home from milwaukee. we pointed and ooh-ed and ahhh-ed at it. it rarely escapes us, unless behind the curtain of drab clouds that has been hanging around. the stars, the sun, happy lights on fences and porch railings…they make us all dreamy-like.

i’m guessing we notice the little stuff even more when the big stuff is in peril. the way setting sun makes cattails glow. the way pistachio shells still connected but sans nut look like talking heads or pac-man. the way it feels to see a smile on either child. the way his hand feels on the small of my back, steadying me. the way dogdog has started kissing us. a note from someone about an album or a song. the familiar creak on the stairs and the mindless latch-release opening a pantry of food. the eye doctor telling us we “seem pretty good” together. tiny kindnesses and big generosities. going on a little adventure and coming home.

after richard curtis left our dinner together – monday’s post – he wrote us a handwritten note. handwritten…like those notes and all those letters i have saved from my sweet momma or those tiny scraps of paper from my children from when they were little or, really, any time at all.

in his note – ok, not really, but i would surely guess this were there to be a note (and, for that matter, a dinner) – he wrote, “remember…don’t pass by too fast.”

slowww. we will go slow.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


by 2 Comments

our dinner with richard curtis. [merely-a-thought monday]

i suspect that richard curtis does not want to have dinner with us as much as we’d love to have dinner with him.

this brilliant filmwriter, director, producer extraordinaire – charming as all get-out – has it all figured out, really. he is right. it is all about love. it is all about the potential all around us, the gorgeousness. we all watch all his fabulously feel-good films – reminders to stay in the moment and in gratitude and to live today the way we would were we to have a chance to come back and do it again – and we all get lost anyway.

before dessert i would just sit and stare and listen intently, hoping to absorb some of his wit, his wisdom, his simplicities. the ability to portray life and love – as laura linney told diane sawyer about the movie love actually, “it’s also the repercussions of love and the responsibility of love and the heartbreak of love…it’s not just positive love.”

after dessert maybe we’d tell stories of real life and sip on port. he’d point to the walls in the dining room – if dinner was here, at our house – and ask how we achieved the paint texture. i’d tell him it’s called ‘hot-gun-wallpaper-removal-tracks’. he’d nod and say he likes it, that it feels somewhat tuscan, that he feels at home in our old house. he’d then ask about the sticks and stones and branches and rocks – lit and unlit – cairned and not-cairned – and i’d explain where they are from, what they represent, the moments we knew they’d come home with us. he’d nod again and say he’s glad we didn’t miss those – the mementos.

before he left maybe he would stop at the front door – at the old door handle – and remark about how unique it is. i’d tell the story about how it didn’t work for a little over a decade – i couldn’t unlock it from outside. i’d explain how i didn’t want to change it and suspected that i couldn’t afford to replace it or fix it – it has a complex lock system – and so i waited. until early last month. the locksmith was able to find a replacement barrel, tinkered with it a whole bunch, and it all stayed intact. we can now enter the house through the front door. with a key. sort of amazing stuff. again he’d nod. he hold the flat cold metal in his hand and feel how it feels to turn it to enter our home and look at us, saying, “yes. it’s gorgeous.”

we’d hug and he’d leave. we would stand in the doorway and wave at him, better for the last couple hours sitting with him, reminded. it is that every-day thing.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


by Leave a comment

la vida. [two artists tuesday]

i don’t remember what grade i was in when it was assigned: a project detailing what your ideal life would look like. it was either later junior high or early high school years. if i could find it in one of the bins in the basement i’m sure it would be predictably naive. i remember designing a house, writing about family, but not too many other details come up for me. designing an ideal life is never really inclusive of actual reality, difficulties, disappointments, hardships. i think it would be interesting to find this report anyway. the 1970s were a different time and this project would reflect that. were i to write a report now to reflect my ideal life, it would be a much simpler picture than i would guess that old paper would paint.

i remember columbus saying that he worked his whole life to have weekends with his family. to enjoy his backyard, his garden, a little fishing, time with the masons. he was living his ideal life each day, though the look in his eyes when we took him back to iowa and he stood in the fields gazing out at maize corn and blue sky would belie that. his dream was to raise his family in his hometown and, though he ended up in colorado, his other life was, i’m sure, somewhere in the farmland daydreams that swirled in his heart. he was wise, though, and didn’t wait to live until he was back in the midwest. instead, he set his sights on now. he didn’t wait. and each time his children or grandchildren visited he would cry upon their leaving, giant tears falling on this rugged man’s face. dolce.

some people are fortunate enough to have both: real life and the other life, la otra vida. crunch always felt that way about his boat too, so he’d understand the boat owner who named his boat ‘the other life’. moments of escape away, drifting, piloting to block island and fishing in long island sound, these are crunch’s ideal moments. though many of the boats and yachts in our harbor never leave their slips, perhaps just sitting on them in fresh lake air yields much peace for these boaters.

a house with lots of windows and open space, lots of repurposed old stuff, a kitchen in which we love to cook. nothing fancy. wood floors and a lot of white paint. a fireplace, my piano, david’s easels, places to sit and write and room for our beloved children, family, friends to come with significant others and visit. mountains and a lake out the window, a couple horses grazing.

last night as we sat on the deck in waning light turning to dark, tiki torches and our tiny firepit burning, dogdog sprawled out at our feet, we listened to the soundtrack of richard curtis’ movie about time. arvo pärt’s piece ‘spiegel im spiegel’ came on, a long piano-cello interplay of simplicity. we both had tears. if contentment was a piece of music, it would look like this.

though there are not mountains, a lake and horses out the window, perhaps someday there will be. it’s my maize-corn-blue-sky vision. but columbus was right. there’s the rest of it. the other life is always right there.

andrea wrote to me in 2009, “nothing is idyllic. i think we have idyllic moments. we have to take time to savor what is around us.”

la otra vida = la vida. ideal living.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


by Leave a comment

soundtrack on repeat. a balm. [merely-a-thought monday]

were i to have their addresses, i would write thank you notes to ben folds, jon boden, sam sweeney, ben coleman, nick laird-clowes, paul buchanan, ron sexsmith et al….you get the picture. this soundtrack is our go-to right now. not only does it elicit thoughts of this most-marvelous-movie, but the music just speaks to us. on repeat. over and over we listen to it, never wearying of it.

there are just certain pieces that center you, that give you pause, that lift you. there are really too many to count for me. some of them are as simple as the text sound my phone makes when either of my children write to me. some of them are unembellished and sound like my husband humming along. some of them are as complex as layered music can get. some of them are silent, floating rumi’s words on their wings: “listen to silence. it has so much to say.”

these words of wisdom from this film, brilliance written and directed by richard curtis: “i just try to live every day as if i’ve deliberately come back to this one day, to enjoy it, as if it was the full final day of my extraordinary, ordinary life.” and these words on re-living days that have passed: “live every day again almost exactly the same. the first time with all the tensions and worries that stop us noticing how sweet the world can be, but the second time noticing.” i am reminded again and again as we listen.

this movie stays with you. it’s right there, beckoning you to remember. in the recesses behind the lists and tasks and daily troubles, in profound je ne sais quoi it quietly sits and waits for you. it’s a well to dip into even on the darker days and its music evokes each thoughtful scene.

we sit in many layers of complexity right now. it’s a symphony of great proportion, filled with questions, with challenges, with things begging for our angst-filled attention.

this album, on repeat, is a balm.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY