many, many years ago – when my children were little – they used to play a computer game called bugdom. it was based on perspective from – well – a bug’s life. the actual plot – as i recall – is way too contemporaneous now for comfort but the graphics – at the time – were fascinating and the mac version of this game was amazingly realistic. winding your way between bits of vegetation and rocks, you could feel immersed in bugdom as you – playing the part of a rollie pollie – try to save other bugs – like ladybugs – after an evil and tyrannical ambush of the bug kingdom. like i said, too close for comfort.
i often think about what things look like from a different perspective. it is essential as artists. the trying-to-stand-in-someone-else’s-shoes thing is important to me. things that are affecting bugdom are not just the things that are affecting me. since all of bugdom is interconnected, anything that is affecting one is, therefore, also affecting me. we try not to be so isolated – or cavalier – as to think that the plight of the ladybugs will not affect us rollie pollies.
so i get down on my knees to shoot photographs from a vantage point swinging on a snowdrop or a wild daffodil leaf. i sit on the ground to shoot pictures through the may apples. i take videos of caterpillars on their plane of existence, practically laying on the ground.
because everything changes when your perspective changes – when you allow for a shift in how you are looking at something, when you entertain empathy and compassion – when you stand in another’s shoes.
somewhere in the old romper room do-bee song i’m guessing there’s a line that says “do be a good rollie pollie.”
“i’m a romper room do-bee, a do-bee all day long.” (romper room)
oh geeez. about to write this blogpost, i looked at this image – of this stunning bumblebee happily lingering in the flowers of our coleus – and thought of the romper room do-bee song. where does this stuff come from???
my dear husband claims that i am a circular worker-bee, that i go from one thing to the next, doing a bit, then doing a bit, then doing a bit, then circling around again and getting a bit more done, a bit more done, a bit more done. i suppose that is somewhat true – though i would like to add that eventually it all truly gets done, circular or not. as i watched this bumblebee bumbling happily around the other day, i thought that maybe i am more of a bumble than a circular worker-bee. or maybe that’s the same thing…
this little bee seemed perfectly content to flit from one flower to the next, never lingering too long on any one nectar source. it reminds me of when i had toddlers, flitting from reading from a stack of books on the floor to the matchbox cars on the floor to the studio to jot down a lyric or a melody to the stove to stir the kraft macaroni and cheese or flip over the grilled cheese sandwich. in constant motion. just like the bee. eh, truth be told, it reminds me of now.
romper room was a staple back in the day. though the host never saw me (she never said my name aloud) in her magic mirror, i remained a fan through my pre-school years. the fact that i have the romper room do-bee songs 45 rpm record attests to the impact of this little show back then. it’s interesting that i still have it – in my 45rpm record case – the kind that perfectly fits 45s with a buckle on the front and the handle on the top. and it does make me wonder how mitch miller and his orchestra, along with the sandpipers recorded this side a/side b with straight faces. “i always do what’s right. i never do anything wrong. i’m a romper rom do-bee, a do-bee all day long,” the big finish has a predictably rising (and crescendoing) melody despite impossible-to-humanly-achieve lyrics.
we write blogposts six days a week, as you know. five of them are based on images of photography or quotes we have come across in our path, while saturday is the cartoon smack-dab that we produce. that you have gotten to this sentence is amazing to me and i want to thank you for reading – however often or sporadically you read. i’m never quite sure of what i will write as we open up our laptops (ok, well, not my laptop now as that is refusing to remember its role in life, so i open up my mini ipad). i’m never sure of how you might react or respond to what i have written. sometimes i feel vulnerable about what i have shared. sometimes i feel nervous about what i’ve put out there. sometimes i’m a little tiny bit proud of something i’ve written. nevertheless, i keep writing and telling you of life from my little corner of the world. it is, after all, a romper room rule:
i’m an artist. always i know that there will be another flower, there will be another source of nectar. the next image, the next day. and i will happily – and bumbly – share words and thoughts with whomever wishes to read them.
you and i – we are together in this moment. we are doing-do-bees, sharing time in the world.
and, from the bottom of my trying-to-be-a-do-bee-all-day-long heart, i wish you plentiful flowers filled with plentiful sweet nectar as you flit from one moment of your life to the next.
it’s like a romper room book – from the back but not turned over. upside down.
or like i had stood on my head to click. which, of course, i didn’t.
a tree – full of leaves reaching, reaching. no shedding here. no drooping. no waning into the pull of autumn. instead, golden leaves – almost brilliant orange – standing on their stems, stretching, dancing.
perspective rearrange. it took me by surprise skimming through the photographs i had taken. a close-up of the leaves – just one other photo – was also flipped.
perhaps there were just a few minutes there – out in the forest – when the world turned upside down.
maybe we just don’t know. maybe that happens all the time…little smidges of time when all is flipped. maybe that’s good. especially when right side up is pokin’ at us a little. reminders to stand tall. reminders to stretch. reminders to dance.
i cannot get diana ross’ fabulous voice out of my head, “upside down, boy, you turn me inside out and ’round and ’round…”
stacking stones –from david’s children’s book Play To Play
like a 1960s romper room book, if you turn my notebook upside down and open it from the back you will find a list. it is a list of projects, stacking up. this list is unlike my other lists, unlike the cleaning-the-basement and attic and closets list, unlike the practical bill-paying list, unlike the job-application list. this is a list of creative projects, things either already started or on the plate of my heart, waiting to be addressed, waiting to begin. it is not unlike a beautiful stack of stones, a cairn of my heart.
and so every now and then i turn over this old yellow college-ruled spiral with craig sharpie-printed on the front, a leftover from some school year. i flip it to its cardboard back and open it like those backward books and add something to my growing stack. unique rocks, with no detailed explanations…they make me dream. they are the play to play.
yesterday at OT i mentioned our smack-dab cartoon. my OT was surprised. apparently, drawing and publishing a cartoon in any format is unusual. when i told her it was one of a few cartoons we have done together, j asked me to describe it. i told her that it was about being smack in the middle of middle age and, since she is, i showed her last saturday’s smack-dab. she laughed aloud – a lot – and said, “so you don’t just go to the grocery store together?” that made me laugh aloud since it seems the cairn of our life together is the stacked stones of these projects we do, holding hands and jumping, in creation, on trails, and, yes, in the grocery store too.
it is with some certainty that i know i will awake with new ideas, that blowing my hair dry – for some reason a time of great creative juju – will bring new stones to stack, fresh energy to explore.
it was in one of those moments i came up with starting a ukulele band where i was employed. i had, on a whim, purchased a tiny black soprano ukulele while visiting with dearest friends in nashville, indiana. i started messing around with it and, one morning while standing in the bathroom in front of the long mirror blowing my hair dry with thoughts swirling in my mind, realized that everyone should (and could) play the ukulele and that there could not be a more perfect addition to the music program i was directing. when i offered ukulele packages for sale through pacetti’s, the local music shop, and announced a rehearsal starting date, i suspected that maybe 3 or 4, or maybe even 6 would sell. all told, we sold over 60. our band gathered each week and in the summer met first in the local lakefront park and later, for years, on our back patio, more sheltered from the wind that would blow our music here and there. it was joy – total joy – watching people who had never played any instrument pick up their brightly colored ukuleles, learn chords and songs and play and sing in community. amazing stuff.
a couple days ago facebook brought up one of those memory photos that show up as you first open the site – this one from three years ago. it was a photo from ukes on the summer patio that someone had taken and posted of me. in the middle of the patio, perched on a stool in front of a music stand loaded with music and clipped with clothespins, ukulele in hand, i was in full laughter. for this was a cairn. and, judging by the laughter that always surrounded us in those rehearsals and others, it was a cairn for others as well. i re-posted it and felt wistful. grief is like that.
just as backpacking seems to bring ardor to our trail-pal-on-video-who-we-have-never-met joey coconato, these projects-following-the-cairns bring us a sense of who we are, what we are. there are times that the flame of a project wanes, the idea conks, just the thought of it makes us laugh till we are snorting. but those other times – the times we can see the cairn clearly, we head to it, it keeps us on track – those are the times that we are playing to play, that we are being true to who we are.
i don’t know about you, but when i was little i waited with bated breath for my name to be called at the end of the romper room show. it never was.
i don’t know about you, but when i was in school i waited to be called on to teams during gym class, the teacher having chosen team ‘captains’ and those captains choosing their favorite friends, a really terrible way to divide up a class without hard feelings.
i don’t know about you, but as an earlier adult i waited to see a single song take off, an album go gold, the writing-writing-writing of a song recognized. somewhere along the way i realized the sheer folly of that and i knew it was important to be satisfied with something-of-mine that resonated with someone-out-there; it need not be monumental to be monumental.
i don’t know about you, but right now i’ve been waiting to go places. i haven’t yet gotten my hair cut or gone clothes shopping or been out to a restaurant. i haven’t gone to the bank or a pub or even a starbucks. i haven’t ordered out or picked up or sat curbside waiting for, well, anything.
i don’t know about you, but i am still impatiently waiting to see my children. a city away seems, hopefully, doable in the near future but a trip to the high mountains requires a bit more detail, a bit more planning, a need for precautions and safety-taking.
i don’t know about you, but it all feels like we are on hold. like we have dialed in and are listening to the interminable muzak-music but, with too much invested, can’t hang up.
we feel like we are looking at life from the inside out. we are waiting.
we feel like we are looking at life from the inside out. and we are watching.
we are watching others move freely about in the world and we wonder – are we the weirdos here? we are watching the disparity between what people say and what people do – those who want to be perceived as covid-safety-savvy but are out tooling around. we are watching the restlessness and the dismissiveness of a pandemic-weary-world. we are also watching anxiety and confusion increase, sleep eluding us, plans in disarray – sub-themes of future covid-19 movies.
and yet, we hesitate. to resume normal.
because these times are not normal.
so we take a bit more time to peer through the magic mirror, look out from in, and romper-bomper-stomper-boo wait. just a little bit longer.
reverse threading 