wendy aka ben aka saul brought the movie so that we could watch it together. the musical the greatest showman was completely entertaining. there are so many quotes and moments in that movie that are worthy of repeating but the one that is on-screen at the conclusion is by far the umbrella quote. “the noblest art is that of making others happy.”(p.t. barnum)
so often, it is the arts that people turn to for a breather, for something beautiful, for something to relieve their stress. a person will listen to music, gaze at a painting, get lost in reading a book or watching a play, feel their breathing slow down during a ballet, sink into a poem. invaluable offerings of peace, of happiness, the arts give pause.
it is humbling when someone tells me that a piece of music has touched them, that a song has made them weep, that something i wrote made them stop a second and ponder. it is my job as an artist to do my best to reach out with my work. i can’t determine if it will resonate with anyone; i can only “put it out there” as they say.
it is more often lately that i bemoan the priceless value of the arts that coincides with the oft-price-less earnings of the arts. for what better work than to make others happy. what better work than to be part of what people turn to when they need to breathe, when they need beauty, when they need to de-stress.
it is noble work. however you achieve it. for at the end, will we remember anything other than what made us happy and, more importantly, how we made others happy?
on my piano in my studio is a teeny sign with a big message. it reads, “if you asked me what i came into this world to do, i will tell you i came to live out loud.” (emile zola) it’s a reminder – a reason for being. true for each of us, it’s unleashing the metaphoric crayon of our creativity, our thoughts, our knowledge, our gifts, our voices.
there is an extraordinary amount of power in those crayons..the place in the middle that we open…the heart from where our concentric circles start rippling out…where the crayon meets the page, the song is composed, the painter paints, the activist writes. “loud” (for the sheer sake of being loud) and “out loud” (simply having a voice) are two vastly different things. and, if you are paying even the least bit of attention at all to world events, we are privy to both in our lives these days.
after living all this life so far, i hope now that the crayons i pick will help to ripple out things that are good, things that consider others, things that are not hurtful, things that are fair, things that are kind. the power of a crayon unleashed that is “out loud” not “loud.”
we were canoeing and it was quiet. the only thing you could hear were a few birds, a loon from time to time and the sound of the paddle hitting the water. we went through the channel and above us we saw it.
the young bald eagle was taking its first flight and we had the great fortune of witnessing it. i knew i wanted to write at least a few words about how lucky we were to see it, watch and quietly be a part of it. as this beautiful creature soared over us, it seemed to relish its newfound freedom, its new ability to fly. even as we watched it struggle a bit with the landing, we could see its determination to its flight. we talked about how the eagle was representative of this country we live in. in the late 1700s it was chosen as the emblem of the united states…based on its long life and great strength, it is majestic, bold and faithful, independent and a symbol of freedom. such hopeful words, such a powerful emblem of a nation that has lost its center.
after some time, we continued on. we talked about writing. we talked about why. why do we write each day. why do i compose. why does d paint. what words could you wrap around what we do, why we share what we share, why we fly in this artistic-world, the place we are at home. is it important? why?
we are merely instruments. we can watch and quietly be a part. we can simply start the ripple. that’s all that is really possible. that is our job. to be instruments. like pebbles dropped in water. our emblem would be just that. tightly-starting-ever-widening-circles of ripples, repercussions, the effects moving, ever-moving. what we choose in the center counts. if we choose peace and kindness, then we can start the concentric circles outward of peace and kindness.
when we were designing our website, the dalai lama quote ““Just as ripples spread out when a single pebble is dropped into water, the actions of individuals can have far-reaching effects” needed to be present. the ripples of water on the front page of our site are not graphically brilliant or even singularly creative. but they are an emblem, so to speak, of the reason we do what we do. the meaning behind that emblem is the reason we keep trying. it is the reason we yearn to make it possible to live as two artist-ripples, to make a living and pay the bills and do what we can to be instruments of peace. we hold tight to the center. and like that young eagle, we are determined.
“Lord, make me an instrument of your peace; where there is hatred, let me sow love; where there is injury, pardon; where there is discord, union; where there is doubt, faith; where there is despair, hope; where there is darkness, light; and where there is sadness, joy.
O Divine Master, grant that I may not so much seek to be consoled, as to console; to be understood, as to understand; to be loved, as to love; for it is in giving that we receive, it is in pardoning that we are pardoned, and it is in dying that we are born to eternal life.” (the prayer of st. francis of assissi)
several people lately have asked us what we meant by “products”…the “products” we were designing to go along with our blog post images. many of you may have noticed these product bars on our blogs each day. we understand that not everyone has seen these or understood our intent. we have been seeking the easiest way to present these products as options and so we listen to each suggestion we get.
there is sure a lot of fodder in our studios: paintings, music, cartoons, graphic images, photographs, writings…a melange of our work. it’s fun (and necessary) for us to turn all of this into a line of things that are purchase-able: wall art, tote bags, mugs, leggings, throw pillows, home accessories. i love the design work and have learned so much in the process!
we thank each of you who have taken a look at the sites where these are available (we have five storefronts on society6.com.) we have been told and have seen firsthand that our designed products that society6.com ship are of good quality and they stand behind them if you are not pleased. if you have any questions, please let us know. we appreciate you so much.
this week’s product line links are right below. the link brings you to one of the products in that line on society6.com. if you scroll down the page a little, it will say “also available as” so you can see the image in its varying iterations.
we took the train there. it was a glorious day and we had left extra time to walk around the little town, explore a bit, sit, have a glass of wine. the sun was warm and we were looking forward to hearing an author speak, one i have respected for many years. joyce maynard was at the book stall in winnetka, sharing wisdoms and her newest book, a memoir titled the best of us.
the sun warmed us on this early fall day as we sat and sipped, waiting for the time of the reading to begin. i told david stories about reading joyce’s work, way back even before the time when I lived in little bitty hillsboro, new hampshire and, from a short distance away, she wrote a column called domestic affairs. she has had impact on me for many a year and i was happy to be able to tell her that in person.
we haven’t started reading her new book yet. she inscribed it to us, “with the hope that our story inspires your own.” the best of us is a profound story of love and loss and growth and embracing Living. joyce was honest and candid. she read sections of the book aloud. she shared real moments that were both excruciatingly painful and infinitely life-full. and she wore awesome army green converse sneakers.
seeing joyce was multi-layered for me, as it is whenever we attend openings or readings or concerts…as an artist it always makes me think about where i have been, where i am, where i am going. it was lovely to meet such a prolific author, inspiring to hear her words about her book. but mostly? mostly it made me want to write more, share more. words. lyrics. music. paintings. our new two-person play. medium doesn’t matter. it’s a spur that i could feel – deep inside.
as an artist couple, our spectrum of emotions is pretty wide. sometimes maybe too wide (yes, it’s ok to laugh here.) but as an artist couple we both feel the spur and we join hands and jump into the next thing.
…but not until after i order a pair of army green converse sneakers.
the sound of the cicadas outside brought me back to my childhood home on long island. we had woods behind our yard and the summer days and nights were a symphony of crickets and cicadas. i would sometimes sit in my poetry tree (a maple outside my bedroom window with perfect limbs for climbing and sitting) late into the day, writing or reading and, although i probably never appreciated the crickets and cicadas as i do now, i would listen as the day would softly pass by. my sweet momma would know where to find me; if i wasn’t riding bikes with sue, at the dive center, fishing with crunch or at the beach, i was likely in that tree.
i wrote a lot of poems in that tree, a lot of reflections, a lot of stories and maybe even a little music…the kind without the music. as i think about the people who encouraged me in writing, one of the first people i think of is andrea. andrea was my high school english teacher. she, along with kevin, were the coolest in the english department. andrea, with kerchiefs in her hair and peace sign necklaces, long skirts and funky glasses, was the epitome of hip. we, painlessly, learned from her teaching style, her quiet wisdom, her laugh, her smile.
andrea was the teacher coordinating the art and literary magazine ‘gemini’ at our high school. i was involved with this annual publication each year, but was the editor-in-chief during my senior year of high school, a job i adored. not only did i get to immerse myself in a lot of poetry and art, but i got to lay out the publication and handle many of the details, all the while hanging out with andrea and having conversations about life and writing and balance.
in the (aaack! many) years since high school i have thought about her often and finally, over the last eight years or so, was able to get back into contact with her. not only did i want to know how she was, where she was, what she was doing, but i wanted to share with her where i was and what i was doing. mostly, it mattered to me what her thoughts were. during that time we shared snippets of life. i found i could still learn from her teaching style, her quiet wisdom and her smile, even without physically seeing her. at one point she wrote to me, “nothing is idyllic. i think we have idyllic moments. we have to take time to savor what is around us.” yet another invaluable reminder. how often must we learn these things, i wonder.
when we were planning our trip to boston for this summer, i found myself hoping that we would have the chance to see andrea…meet for coffee, have a glass of wine together. i worried when i didn’t hear back from her; she usually answered email. i was anxious to visit with her, thank her in person for the influence she had had on me, hear what she thought about a project i had sent her. it was about a week before we left, when i was online pondering whether to send her another note, that i saw the very sad news that she had died. i was stunned and (what would maybe seem) inordinately devastated. the connection backwards in time was broken; the opportunity to sit with andrea now vapor.
i thought about extending my sympathies on social media but for some reason that seemed too shallow. there is a loss i feel when i no longer hear the cicadas in the fall…something visceral that i feel inside. the loss of andrea was intensely visceral.
all throughout our home you will find peace signs; each of these signs make me think of this beloved lady in my life, this positive force who, without knowing, kept me writing, thinking, writing.
in my mind’s eye, i can feel sitting in my poetry tree. the cicadas’ song was all around me. as i write now, i cannot help but think about andrea and the things i learned from her, most of which had nothing to do with grammar and punctuation, but instead, with honoring the words within, the emotions, things palpable and things we can’t see or touch. and so, savoring that learning, in fact, leaning into it, her song is all around me. it’s idyllic.