if you haven’t tried it, don’t knock it. it’s a fun game and it totally makes us unplug.
next up, i think he is going to teach me how to play cribbage – which, for his family, is kind of a rite of passage. to say i have trepidation might be an understatement.
i’m thinking we need to pull out the scrabble game. or maybe yahtzee. (yes…thank you, i’d like games-i-usually-win-for-1000 please lol.)
regardless of the game, these summer evenings of late we have been seeking ways to step out of what’s happening right now. in no uncertain terms does that mean ignore what is happening. it does not mean sticking our heads in the sand. it does not mean we won’t research or ask questions or be informed or suggest ways for others to learn the truth of what is happening. it just acknowledges that we all need a break.
so, for just a little bit of time, we will step away from the merciless news, away from the computers and the phone apps, away from the polarized politics, away from the frightening thoughts of peril we are feeling, away from the ever-present question what-can-we-do. for just a little bit of time, we will step out of the present – step to the side – to a place where we might rejuvenate – rest – so that we can reinvest our energy back into this world as best we can.
a little mango sorbet and a few games of rummikub may not sound like a vacation, but it gives us a bit of headspace, something else to focus on – a breather.
there’s nothing quite like a board game at the bistro table on the deck on a hot summer night with dogga under our feet, sorbet at the ready, garden lights on – to bring us back to here and now. even for a moment.
and that, my friends, is the one thing of which we are sure.
the prayer featured on david’s INSTRUMENT OF PEACE painting: Lord, make me an instrument of your peace: where there is hatred, let me sow love; where there is injury, pardon; where there is doubt, faith; where there is despair, hope; where there is darkness, light; where there is sadness, joy. (prayer of st. francis)
tuesday i was unnerved. it started small – with a reminder from and an uneasiness about people and the surprising ways they turn on others. it grew as i re-read my recents posts of the last few days, an ache in my heart. it grew even larger as we read news articles and studied sites of information. it grew as i watched youtube videos and read fact-checked information.
“these moments left me feeling worried and afraid, realizing what we stood to lose and how easily it could happen.”(*michelle obama – the light we carry)
at the end of the day, i was cranky at david who was cranky back and i wanted to scream … at something, at someone.
i didn’t scream. instead, i wept.
i had lost the day – this beautiful, humid, hot summer day – the only one i would get on july 9th 2024. “but, but…,” my brain interrupts, wanting to justify the loss.
and – in every critical-thinking way, i would agree with my brain – there is so much that is ugly and we have much to lose in this hot mess of a country. it could easily happen. and i am worried and afraid.
in a life-way though? i know i lost the day. all of it. and in the usual good rhythm of our time together, we had lost our day together.
the tide comes in. the tide goes out. it is certain.
and so, we try to deliberately hyper-focus on here and now. we try to focus on our breathing. we try to hold hands and walk slow.
we also try to do the best we can to be aware, to educate ourselves, to speak up and speak out, to ask questions, to try and understand what is happening, what could happen – differentiate between what is real and what is fictitious, what is terrifying potential and what is propagandized narrative.
i am worried and afraid.
and the tide comes in. and the tide goes out. that is certain.
*****
(*though that is not the context of michelle’s words in the above quote, their relevance struck me as i began to read her book today.)
“fly me to the moon and let me play among the stars…”(bart howard)
my uncle allen sang. his love of singing – through years of lessons and practice – often starred in our living room, where my brother would play guitar, i would play organ or piano and allen would sing. there is not a time i hear “fly me to the moon” without thinking about him or his devoted support of me.
it was my uncle allen who first encouraged me to record. it was my uncle allen who financially supported those early recording sessions. it was my uncle allen who celebrated the three-song cassette when it was done, ordering extra copies for everyone. it was my uncle allen who was my first go-to and my confidante when life-as-i-knew-it fell apart, when music-as-i-knew-it was shattered and when i fled new york. it was my uncle allen who built a house in florida that i could rent from him, trying to heal with no victim advocate or the assistance of any therapy. and it was my uncle allen who celebrated when i finally – sixteen years later – started recording again.
the third ward in milwaukee is one of our favorite places in which to wander about. i have a thing for paper and notebooks and pencils and all things stationery, so i find broadway paper a joyful shop. their paper airplane mobiles enchant over by the entrance door that shares the vestibule for marn art & culture hub. the exposed beams, exposed ductwork, exposed brick – ahh – d and i could live in such a space. we spent the afternoon strolling around with 20, in and out of shoppes. a tiny crazy air plant called my name and we bonded; “waukee” was the only purchase we brought home with us. we sat at the public market, had wine and gumbo and fried clams. it was all heavenly.
i searched in the hall closet – an utter melange of stuff: games, crafts, 10×10 vendor tent weights, playing cards – and found what i was looking for: the last vestiges of the origami airplane folding kit. because their dad was a pilot, this paper airplane kit was a big hit with our children. but i remembered there were a few pieces of origami paper left and – more importantly – the directions on how to fold. mayyyybe d and i will channel the mobile-making juju of groundbreaking mobile sculptor alexander calder … or, at the very least, channel broadway paper.
in the meanwhile i dove into the thickly-filled drawers of old file cabinets in my studio. and found the other thing i was looking for: the sheet music for fly me to the moon. it is pretty likely i’ll play that later and d and i will sing it – in great honor and loving memory of my uncle allen – a man for whom i am grateful, who is likely singing on the clouds, who generously encouraged soaring and playing among the stars.
we went to chicago PRIDEFEST on saturday. it was in the 90s and a sweltering day. though we have taken the train countless times to chicago – and to the festival last year – we decided to drive down this time. we did not check the chicago cubs calendar first. yikes. the north halsted boystown area was a hot mess with the concurrence of cubs fans and PRIDE. so.many.cars. it literally took us an hour and a half to go just merely two miles to get to our son’s condo where he had saved us a parking spot.
we breathed a sigh of relief as we pulled into his alley, driving toward our parking spot…until…we saw that someone else had taken it. uh-oh. though we had planned lots of extra time, we now had 23 minutes until his performance on the waveland stage. i considered double-parking and rejected it, thinking littlebabyscion would be towed. clearly, we needed to go back out into the fray and find a spot. with our senses of humor still intact, we drove down the alley and exited back onto his road. somehow there was the miraculous appearance of a spot on his street…miraculous except for the signs everywhere that say “tow zone: no parking on cubs game days except with a parking permit”.
the four guys on the sidewalk in this boystown ‘hood were walking somewhere briskly when i jumped out of the car to ask them about the seriousness of the signage and parking, explaining the whole story and apologizing for telling the whole story (to which jordan kindly said, “it’s ok!!”). bryson – understanding the imperative of a mom getting to see her EDM artist son perform and notmissabeat – immediately told me he’d run back to his place and get me a temporary parking pass he had and no, i didn’t need to pay him anything at all. the generosity of these guys!! what’s not to love?
we parked and walked as fast as possible to the entrance our son suggested. the lines were astonishingly long but the security guard got us in quick as a flash when he heard our son was performing in four minutes. what’s not to love?
we found our way to the camera by the middle of the intersection – where our son had directed us. and we found ourselves surrounded by his friends, every one of them hugging us hello, an unparalleled warm community. his dear friend brought us a gatorade, another brought us a water, another – at the end of his performance – a canned adult beverage. what’s not to love?
we danced and visited and celebrated with thousands of others all smushed in to watch. our son’s friends – all so kind – wandered over again and again, checking in on us and hanging out. i gave out “be kind” buttons to anyone and everyone around. beachballs volleyed across the audience and PRIDE flags waved in the air. their set was amazing – the music kept everyone upbeat and happy. it was thrilling to watch – just like at milwaukee’s PRIDEFEST a couple weekends ago – where i took this photo from the VIP section where our son – since he was performing on the giant dance pavilion stage – made sure we were given access. i just don’t know what’s not to love about this.
although it is verrrrry unusual these days for me to wear a pair of shorts out and about if we aren’t hiking on some trail, i did anyway. because pride encourages people to be simply who they are. and every body shape and size and color is accepted and celebrated. i never had even one of those self-conscious “why did i wear this?” moments. even as likely one of the oldest people in the crowd, i felt completely included. what’s not to love?
i believe that even if i were not the mom of a gay son, i would still feel the same way. i believe that i would still completely support the LGBTQIA community. i believe i would still wonder – when i see others pushing back or curling their lips in disdain and exclusion – what’s not to love?
because i believe in love. i believe in loving one another. i believe in the most basic tenets – of kindness and generosity, peace and fairness and equality, respect and truth and – the big one – love.
and, though it shows a (disgusted) glitch in my own acceptance-of-others-meter, i have a really hard time understanding why anyone – on this good earth – would have the effrontery to not find acceptance-of-others part of life itself. who among us has that right? to eliminate others? to treat others less-than? to exclude because of a person’s gender identification or sexual orientation? “how does that even affect you?”, i wonder of those who marginalize LGBTQIA, who promote ‘anti’ ideology, who bully-pulpit, who hypocritically pontificate, who write or encourage or vote for laws or politicians that minimalize and restrict. without thinking. or sorting. or discerning. or checking in with their heart. i just don’t get it.
i was proud to go to PRIDE. i always will be. what’s not to love?
the daisy might have thought no one would notice it. that it was past being noticed.
but i was drawn to it as we passed by. nestled in the grasses on the side of the trail, it spoke to me.
“i am not done, though look past my prime.
i am still in the sun, still standing in time.
though shrivelly and dried,
i don’t need to hide;
i know i am beauty and am very alive.”
i was surprised to hear a daisy speaking in rhyme, but not surprised at its expression of beauty, its yearning to be poetic.
i’m finding more and more – in my time in the sun now – that it is the poetry that makes me linger. it is the waning moment in the sun, the flower post-bloom, the cracked plaster, the weathered peel of paint. it is the imperfection that is attractive, the slowing gait, the putting-down of ladders, the simplicity of less.
like the daisy – i don’t know what’s next. i am steeped in the here. biding in the meadow.
but right now daisy’s yellow disc florets are in symphony – in a song to the sun and everyone else under the sky – whether or not anyone chooses to listen. it will continue on and on, weaving through the underbrush and the woods, past the river and up, up floating in clouds. it won’t cease…it is not done.
my song to the sun is gathering up energy. it, too, is not done. though nebulous, i can sense it wakening. though slightly beaten and weathered, i can feel it rising. though slower, i am aware of its resilience. though tentative, i recognize its imperative. the downbeat waits patiently.
when we sit on the deck – which we so often do – we look out onto our backyard. it is serene most of the time, a sanctuary for us – like a cozy private courtyard.
breck is growing by leaps and bounds. once again, we are surprised by this aspen tree’s response to spring. it is the happiest little aspen, filling out and getting taller. it practices quaking every day in the breezes that come off the lake or come in from the south or west. but sometimes, there are winds that are coming out of the plains states with much more power. and this young resilient aspen bends in its path. it worries us as we watch, wondering if we need to somehow stake this sapling, to help support it. we will likely go ask the good people at schwartz nursery – because they know. in the meanwhile, breck bends to the east when the gales come. we sit on the deck and, from that vantage, see it point to the right, nodding its trunk – “ahead, ahead,” it seems to say.
the almost-monochromatic of this photo appeals to me. there is more than meets the eye – these tones, movement in the background. i stopped to take a picture off-trail. i found the small green meadow strikingly beautiful. and there it was again – the response to the wind – bending, listing. “ahead, ahead.”
the messages come whether or not we notice them. they are all around us, tiny universe sticky-notes that flutter and attempt to attract our attention. we can ignore them if we wish. we can be too busy, too distracted, too engrossed, too stubborn, too riddled with our own schtuff.
or we can look at all the ways we are offered wisdoms. we can listen carefully as the sun rises or sets. we can see the greens in the green, the movement in the steady. we can rustle around in the world – aware of the air we breathe, the sun on the top of our heads, the cottonwood as it passes on the draft.
we can nod our heads in response to the wind – whatever the wind is for us – and whisper, “yes. ahead, ahead.”
the solid wood door leading to the basement has a permanent arced groove worn into it. it’s where the chain (for the chain door guard) dangles and it has likely dangled there for decades upon decades. it’s been there the entire time i have lived here – so 35 years. likely installed long ago to prevent small children from opening the door and falling on the steep stairs, back and forth it has swung when unlatched, wearing off the paint and into the wood. it would take some serious spackle, some sanding and a few good coats of paint to make this door look like new again. but we won’t be doing that. it’s the patina that matters.
the old back screen door has a similar worn-in arc. that one is from when i installed a hook and eye latch on the door a number of years ago to help prevent our babycat from pushing open the door and exiting the house. because the old door handle doesn’t always completely catch, the hook and eye was a guarantee to keep the door closed. once again, the hook has worn off the paint and worn into the door. it’s not a pristine door, but it tells a story. the patina matters.
our house is like that. one patina after another. it is not new construction – or even relatively new construction. it will be 100 in just four years and i’m already thinking about its centennial birthday party. we are not worried if there is another scratch in the old wood floors or a glitch in the paint or an imperfect ceiling. our house is not unlike us that way.
the old building in breckenridge drew me closer, inviting photograph after photograph of textures, the juxtaposition of wood and metal and brick facades. this copper hinge – in its march through time – in the green oxidation stage – beautiful. though i suspect there might be people who would prefer restoring it back to its original glory, i prefer the mark of the passage of time, the nod to aging, the stories that accompany its transition. the patina counts.
we love to watch hgtv househunters and we love to pick up real estate magazines in distant places. it’s always the old houses that are the most intriguing for us. never the perfectly-perfect new houses with perfectly-perfect paint and perfectly-perfect trappings. it is difficult to visualize us in a house like that. i’m not sure what that says about us.
maybe by appreciating – and truly loving – the old stories, the wear and tear of these old houses – the arcs of time passing by – we’re just sticking up for our own personal patinas.
“follow me where i go, what i do and who i know. make it part of you to be a part of me. follow me up and down, all the way and all around. take my hand and say you’ll follow me.”
“you see I’d like to share my life with you and show you things i’ve seen. places that i’m going to, places where i’ve been. to have you there beside me, to never be alone. and all the time that you’re with me, we will be at home…” (john denver)
the first time i saw the rockies i was 18. i was in the backseat of my mom and dad’s dodge and they took my breath away. i was changed – those mountains stayed a part of me.
so when it was that he was from there, it just seemed right. our path now includes going there fairly regularly and always a desire to be there more and more, to return and return, to linger. those mountains…it’s that john muir quote: “the mountains are calling and i must go.”
there will be a day soon he will follow me to long island. we’ll go to the regular haunts. we’ll bring sage with us and, having lost them forty-five years ago, i’ll take those places back. and he will be there. with me. our path will take us to the beach and to the harbor, maybe out on the sound, definitely past my old house. we’ve been there together before – because we have followed each other – taking turns leading the way – for over a decade now.
“…take my hand and I will follow you.“ (j.d.)
the path through the john denver sanctuary in aspen leads past boulders of lyrics. we amble our way through, choosing to be slow. we have returned here. we will return again and again.
“come dance with the west wind and touch on the mountain tops, sail o’er the canyons and up to the stars…”(j.d.)
we have danced in places noisy and places quiet. we have danced in places with music and without. we have waltzed on our deck, in our kitchen and on dusty dirt trails. we have carried the wind with us and discovered stars on the horizon we had not noticed before. the path winds and makes unexpected turns. laughing and crying turns. and we trust it together.
“you fill up my senses like a night in the forest, like the mountains in springtime, like a walk in the rain, like a storm in the desert, like a sleepy blue ocean. you fill up my senses, come fill me again.”(j.d.)
and we tell tales of the times we did not share together, the stories of before. sometimes we tell them over and over. they don’t get old. they are the pieces that made up who we met eleven years ago. two weeks after the day we first set eyes on each other, he came back – to see if it had really happened. sometimes you have to see home more than once to believe it.
“this is my autograph…here in the songs that i sing, here in my cry and my laugh, here in the love that i bring. to be always with you…and you always with me.”(j.d.)
and each path now – in the simple times and in the fancy times – we’ll hold hands or link arms, we’ll dance, we’ll lead, we’ll follow.
it was a burger night. we had been out hiking for hours and needed something substantial to eat. the thing that hadn’t occurred to us – when we headed out to hike – was that it was still winter there – up in higher elevation, the trail tucked into the woods. it was some hard work – even with trekking poles – to stay upright on a very-snowy and mostly-icy hike. each step was calculated and careful. and it was ridiculously beautiful and exhilarating.
so it was a burger night.
we decided that – though, in all the times we have stayed in breckenridge, we have only eaten out once – we would go over to try kenosha breck – a steakhouse whose name combines our home and our fave-place. our intention was to order a burger-to-split and fries to-go.
but the bar – where we would place a to-go order – was in the back of the pub and the doors right adjacent were wide open to fresh air and setting sun and the mountains were visible past the outdoor dining tables and umbrellas and the bartender was super friendly and it wasn’t crowded and there were two stools at the end of the bar closest to the outdoors….so….we stayed. (and the earth shook a little – acknowledging this very unusual decision to eat-out….)
we sat and shared a glass of wine, reviewing our what-felt-treacherous hike and the gorgeous day, the beautiful days preceding it. we chatted with the bartender. we gazed out the open doors, staring at the mountains we would immediately miss when we left the next day. we lingered.
some days a burger and fries and a little wine are the perfect way to end the day. nothing fancy. just a simple meal on a couple stools in a mountain town.
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we don’t officially compost. but the side of the garage (it used to be the back, but there is a fence there now) is a place of great organic matter. decaying leaves, wilted lettuce and spinach, bits of broccoli or parsley for the possum, shriveling blueberries for the chipmunks.
i walked past and it caught my attention.
a volunteer tulip.
years ago i planted a couple hundred tulip and daffodil bulbs. the squirrels – who are intrepid at our house – dug them all up. every last one of them. i had zero tulips, zero daffodils. i haven’t tried again because the squirrels would giggle and smirk, just waiting for me to bring my tired joints back into the house after planting. then they would make short order of digging or, in a slight (tormenting) nod to letting me think i might actually have bulbed flowers one day, planning to unearth them at a later date.
needless to say, we don’t have tulips or daffodils in our yard.
but here was this beautiful tulip! in all its glory, growing out of the mound next to the garage.
i’m thinking some squirrel – with eyes bigger than its belly – had one too many bulbs. it laid it down or dropped it. maybe it was on purpose. maybe it is a thank-you for all the birdseed it had been scrounging out of our birdfeeder. maybe a thank-you for all the goodies at the side of the garage through the years. maybe gratitude for the squirrel highways above our house or a gesture for the acorn holes scattered throughout our grass. or maybe it just simply forgot about it. either way, we will work around this beauty.
happy that it’s there, i’m a little bit gleeful that i finally – at long last – have a tulip in the yard.
reverse threading 