the daisy might have thought no one would notice it. that it was past being noticed.
but i was drawn to it as we passed by. nestled in the grasses on the side of the trail, it spoke to me.
“i am not done, though look past my prime.
i am still in the sun, still standing in time.
though shrivelly and dried,
i don’t need to hide;
i know i am beauty and am very alive.”
i was surprised to hear a daisy speaking in rhyme, but not surprised at its expression of beauty, its yearning to be poetic.
i’m finding more and more – in my time in the sun now – that it is the poetry that makes me linger. it is the waning moment in the sun, the flower post-bloom, the cracked plaster, the weathered peel of paint. it is the imperfection that is attractive, the slowing gait, the putting-down of ladders, the simplicity of less.
like the daisy – i don’t know what’s next. i am steeped in the here. biding in the meadow.
but right now daisy’s yellow disc florets are in symphony – in a song to the sun and everyone else under the sky – whether or not anyone chooses to listen. it will continue on and on, weaving through the underbrush and the woods, past the river and up, up floating in clouds. it won’t cease…it is not done.
my song to the sun is gathering up energy. it, too, is not done. though nebulous, i can sense it wakening. though slightly beaten and weathered, i can feel it rising. though slower, i am aware of its resilience. though tentative, i recognize its imperative. the downbeat waits patiently.
looking like a new year’s eve party noisemaker waiting to unfurl in celebration, the fern steadily grows. in-between last year’s clipped stalks and in and among dried leaves and the last vestiges of winter’s effect on mulch, it peeks out, pushing up toward the sun. it chooses to thrive, even covered by sandy soil and bits of the past. one day soon i will walk out to the back – where the fern garden is – and this tiny fern will have stretched and straightened and fanned out into a lanky beautiful feather.
it makes me think about blowout noisemakers. all furled up they look relatively innocuous and not particularly capable of being noisy. a little gumption and air blown into them and they can be pretty doggone loud.
the little fern breathes deep and reaches down into where gumption is stored. against the odds, this seemingly fragile, willowy plant rises up, centimeter by centimeter. suddenly it is a powerhouse, standing tall in the rain and a part of the wind in storms.
though it may be all trembly inside as it makes its journey upward and outward, its gumption, air and the sun give it courage and strength. it is tough and resilient and – it is said – has an incredibly strong survival instinct.
how often we are all tiny ferns – over and over – through fallow and rejuvenation, covered in the patina of the past and growing it off. innocuous and silent.
it’s not-this, not-that. neti, neti. a period of duality.
we are not in winter. we are not in spring. though calendars will challenge that, the meteorological fallout of not-this-not-that surrounds us. and we all learn to live in duality. dress in layers. be prepared for anything.
most northern states stake claim to some iteration of the saying, “if you don’t like the weather, wait five minutes and it’ll change.” so littlebabyscion has a backseat laden with vests and jackets; we are always ready for whatever weather shifts our way.
in the meanwhile, we live on the cusp.
we hiked during the eclipse. with the exception of two or three others who passed us, we were completely alone.
though we went to several places to attempt purchasing eclipse glasses, we were too late, and we didn’t have protective eyewear. it was remarkable that so many glasses were sold out at so many places and that meant that so many people were planning on watching this extraordinary event, setting aside portions of their day to view and to celebrate.
so we did not look up. instead, we aimed the camera at the sky and snapped photos. because we didn’t research ahead – which is highly unusual for us – we also didn’t realize we needed these glasses – or a filter – to capture the essence of the eclipse in a photograph with our iphones.
but it doesn’t matter. because we felt it.
the deer must have known. they lingered trailside, aware of our presence, yet not fleeing. we watched each other – in this time of not-this-not-that, not-light-not-dark – they seemed, oddly – for usually they run gracefully away, accepting of us.
at exactly 2:08 – the moment when the eclipse was at peak in our area – the light around us changed. everything took on a surreal, somewhat golden glow, intensifying color around us. we stood still and looked around, certain, even though our photographs were belying the truth, that we were in the moment. the birds were loud, the heron flew above us. the wind changed. and then, it was time, suspended.
we hiked back to the trailhead, knowing that light had been filtered through dark. hopefully, a time of renewal. maybe a time of shedding old energy. i wondered how the world would feel if we lived in that moment at all times. not in the not-this, not-that, but in new light, each and every day.
i suppose we should be as astounded by the sunrise each day. we should be astonished at the play of dark into light. we should be gobsmacked by the new beginning of dawn.
because, really, everywhere around us there are miracles of transformation. and we are always on the cusp of everything beautiful, were we to just stop, were we to just look, to just recognize it. to live in the eclipse.
and in her waking-up, in the tease of spring, in the liminal space between seasons, mother earth offers up her flowers. it’s a tiny posy of possibility, an olive branch extended to stave off impatience as we pine for warmer days, for everything to green up. and, in this waiting zone, these dried flowers spur our imagination, carry us forward.
it’s the interim times – the periods in-between – the time spent in the hallway before the next door opens – these are the reluctant times. we are reluctant to sit in the hall. we are reluctant to wait and see. we are reluctant to accept a zone of time sans shape. we think it all – the minutes and seconds, hours and years – needs definition. we are reluctant to be still. we don’t understand what feels like a screeching halt. we yearn to move, yet we are frozen in fallow.
but we are morphing. we are beautiful winter nosegays tucked into mason jars. we are march and april. we are stoking up. we are no less beautiful than verdant june and july. we are just different.
and for this time – we are somewhat rustic, somewhat fragile. we are color-muted now to be opulent later. we are the quiet before the fortissimo, meek before rackety. we are simply waiting.
we read the same paragraph over and over again, listen to the same strains of music time and again, sit and pace and sit and pace. we are the dried wildflowers, the straining buds, the transitional space, the interlude. we are the hallway.
it is full of seeds, full of possibility, full of tomorrows.
and it will all spin and float and whirligig – just like these maple seedpods.
though wrinklier now than in last spring or last summer – and, really, ever more wrinkly – these samaras are ever viable and will coax saplings from the ground once they disperse. with big breezes at their backs, the winds of change, the tug of relevance, in fields of gold and forests of native plants. though they have been dormant, though they haven’t germinated for months or even years, they remain alive.
alive.
resilient.
for placing samaras in a bowl of water, it is the seedpods that sink that have seeds likely to germinate. the others – the ones floating – are less likely, though sometimes it simply takes a little soak in warm water, a little good soil and a continued cold blast of air for some time – a bit of fallow – that will draw out the remaining life.
it’s funny. you’d think that the test for a maple seed would be it if floats in water – floating – the ability to rise above that which wishes to drown you. but the real test – for the likely viability of a maple seed – is to hope that it sinks. clearly, maple seeds hold their breath.
and then, the seeds breathe. out of the bottom of the bowl in which they have sunk. and the seeds sprout. even from the trauma they have endured, the inertia they have tolerated. and the seeds grow big strong maple trees, even though buckthorn and other toxic invasives would prefer them stifled. the maples withstand, persist, ride it all out.
so – for those of you out there who are thinking 65 is run-roughshod-over, washed-up, put-out-to-pasture, tested by toxins, no-longer-relevant, done – i have some news.
some good news.
it is the steadfastness of a drowned seedpod.
or, in the case of a wrinkled-up-old-floater, just a little warm water, a little good soil, a little cold fallow and then, a little sun.
and the deadened stalks of underbrush began to show signs of life. instead of the greys and browns of winter, its lack of light and its deep shadows, the sun has drawn out buds of newness and there is a slight glow of green in the woods.
soon, that green glow will grow and it will push out all the shadows of what had been, of the eradication that had happened in the preserve, of the fires and the heavy equipment’s tearing and grinding of buckthorn and other invasives. soon, the green glow will reflect back the warmth of the sunlight of spring and regrowth and we will walk in places that are not heavy with the press of toxic plants or trees. soon, the green glow on stems of underbrush, on trunked branches of trees will distinguish goodness from that which chokes out life.
walking – in the woods – last summer, last fall, early winter – it was hard to imagine – almost impossible – to really grok – that the beauty of the underbrush and the forest was being overrun by that which would utterly ruin it.
walking now – in the woods – in late winter/early spring – still with its juxtaposition of the echoes of the dark and the light, new vegetation and old chokemonsters, goodness and destruction – it’s ridiculously easy to see the difference.
birds are singing at the crack of dawn outside our open-at-least-a-slit window. the bunny is out and about in the backyard and there is a new softly-padded divot under the ornamental grasses where she made her nest last year. bulbs are sprouting and the postal delivery folks are starting to wear shorts. it will soon be spring in wisconsin.
it is tempting to go outside and trim back the grasses, rake all the debris from the gardens, pare down the sedum. to unplug the gutter warming cables, to put away the snow shovels right outside the back door, to drain, clean and refill the pond, to bring out the table and chairs, to consider much-needed replacement rugs for the deck. it is tempting to get ready.
but that would be premature.
and, ultimately, we know better.
so we will wait.
patience – at this time of year – with the sun shining and temperatures ranging from the twenties to the sixties – is most definitely hard to come by. we just have to stoke up and be zen in this liminal time.
but all good things do come in time. and eventually, it all plays out. even if it doesn’t really look that way. what’s that expression…? a watched pot never boils.
and waiting is hard.
but i have watched pots in my life.
and i know – for a fact – that – eventually – they do boil.
they seem ready to burst. seeds perched on the starting line, waiting for the right wind to pick them up and scatter them. they have gathered energy – all along – soaking in the winter sun, dried by cold breezes, clinging to the safety of their stalky stem. and now – it’s time soon – to release – to go forth – to spread their fluffy seeds. and, in their own way, they will be heard.
this is not unlike many initiatives. times where people work tirelessly, gather information, research and sort in the fallow times, soak in rare moments of rest, waiting for the time to burst. and then, the marketing campaign hits the market, the album is released, the gallery opens its doors, the ballet has an opening, the law is introduced for passage and enactment, the hearing starts.
so many seeds gathered in one giant fluffball, waiting. though uncertain about their future – uncertain about whether they have stoked enough energy, soaked up enough sun, gathered enough wind in their seed-wings – uncertain about success or failure – they wait. ready to burst.
“hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. you wait and watch and work: you don’t give up.” (anne lamott)
as i write this, it’s been weeks since we have hiked. i am feeling the tug. despite how sloppy it is likely to be, we really need to get out there – in the woods – and feel the cold, damp air on our faces.
we have been in the basement these days. during the negative-whatevers, the snowstorms, the dense fogs, the rain, we have immersed in the boxes and bins and tchotchkes of life. minus the occasional spider and mouse poop trail, it has been mostly joyful. to touch these things of life again is a gift of memory.
as we sort i can feel the house breathing. now, i have actually been in and seen a hoarder’s house, so i know that there is no comparison whatsoever, but the advent of space is refreshing. i realize that this paring-down will require a few passes – this is the first big pass – but now that we have started, it doesn’t seem as insurmountable. the reward for fortitude in the cleaning-out is the zeal to continue. it’s a circle.
i am making every attempt to be more ruthless in this process, in this circle. but it is a passage through time and life and my fingertips are tingling, touching the first onesie sleepers and those little booties, the tiny oshkosh b’gosh overalls and even tinier bibs. then there’s my sweet momma’s wedding dress and my poppo’s air force “ike” jacket. silk flowers and fold-out honeycomb crepe bells from my first wedding. cabbage patch dolls and children’s books and matchbox cars. 1970s cassettes i listened to over and over and over. reel to reel, cassettes and cds of my recording studio takes and edits, tracks along the way. my report cards from the beginning of time. this process is not as easy as it’s made out to be. but it’s necessary.
and, also necessary, is the call-response of the outside. we need to go out in the trees. we need to hike by the river and follow the deer tracks. we need to feel breathless from the wind and overheated by exertion. we need the balance. in this circle.
so we’ll put down the marketplace ads, the bins and big ikea bags holding donations, the cleaning supplies and our yuckiest clothes and we’ll go outside.
reverse threading 