they seem ready to burst. seeds perched on the starting line, waiting for the right wind to pick them up and scatter them. they have gathered energy – all along – soaking in the winter sun, dried by cold breezes, clinging to the safety of their stalky stem. and now – it’s time soon – to release – to go forth – to spread their fluffy seeds. and, in their own way, they will be heard.
this is not unlike many initiatives. times where people work tirelessly, gather information, research and sort in the fallow times, soak in rare moments of rest, waiting for the time to burst. and then, the marketing campaign hits the market, the album is released, the gallery opens its doors, the ballet has an opening, the law is introduced for passage and enactment, the hearing starts.
so many seeds gathered in one giant fluffball, waiting. though uncertain about their future – uncertain about whether they have stoked enough energy, soaked up enough sun, gathered enough wind in their seed-wings – uncertain about success or failure – they wait. ready to burst.
“hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. you wait and watch and work: you don’t give up.” (anne lamott)
as i write this, it’s been weeks since we have hiked. i am feeling the tug. despite how sloppy it is likely to be, we really need to get out there – in the woods – and feel the cold, damp air on our faces.
we have been in the basement these days. during the negative-whatevers, the snowstorms, the dense fogs, the rain, we have immersed in the boxes and bins and tchotchkes of life. minus the occasional spider and mouse poop trail, it has been mostly joyful. to touch these things of life again is a gift of memory.
as we sort i can feel the house breathing. now, i have actually been in and seen a hoarder’s house, so i know that there is no comparison whatsoever, but the advent of space is refreshing. i realize that this paring-down will require a few passes – this is the first big pass – but now that we have started, it doesn’t seem as insurmountable. the reward for fortitude in the cleaning-out is the zeal to continue. it’s a circle.
i am making every attempt to be more ruthless in this process, in this circle. but it is a passage through time and life and my fingertips are tingling, touching the first onesie sleepers and those little booties, the tiny oshkosh b’gosh overalls and even tinier bibs. then there’s my sweet momma’s wedding dress and my poppo’s air force “ike” jacket. silk flowers and fold-out honeycomb crepe bells from my first wedding. cabbage patch dolls and children’s books and matchbox cars. 1970s cassettes i listened to over and over and over. reel to reel, cassettes and cds of my recording studio takes and edits, tracks along the way. my report cards from the beginning of time. this process is not as easy as it’s made out to be. but it’s necessary.
and, also necessary, is the call-response of the outside. we need to go out in the trees. we need to hike by the river and follow the deer tracks. we need to feel breathless from the wind and overheated by exertion. we need the balance. in this circle.
so we’ll put down the marketplace ads, the bins and big ikea bags holding donations, the cleaning supplies and our yuckiest clothes and we’ll go outside.
there is no way to maneuver the depth of field on my old iphone. it is all about coming in closer and backing up – eyeing what is framed in the aperture and moving to adjust what i want the photograph to look like. i know that the newer iphones have some access to depth of field options but – at the moment – i don’t have access to a newer iphone option. so. i adjust.
i almost rejected this photograph as a melange post. with the closest red dogwood branch a bit out-of-focus it didn’t really meet my parameters for a post. and then i stopped to reconsider it. it’s a great visual reminder of how distorted things can look from up close.
clarity is something that comes when you put a little space between you and the issue or object of your attention. 20 always says, “you’re too close!” and it’s impossible to not hear his voice in my head now in the throes of any decision. and so i try to remember to back up a little, to have some distance as i consider – an overview.
when d was working for a new software startup (before the business was unfortunately closed) their product was the perfect tool for clarity. after i understood even the most basic functions of this remarkable software – as they were looking for names – i kept blurting out suggestions like “pinnacle” or “eagle eye” or “lookout” or “apex”. it seemed obvious to me that having this incredible overview – a step back – was the perfect new software for people struggling to make sense of too much up close and personal…a pragmatic way to sort and prioritize…a realistic way to have perspective. it’s beyond my wildest imagination that they did not continue on their merry way into software stardom. but alas, such is life, eh?
anyway, that lookout tower approach has its wisdom. it’s like pulling into the overlook in the appalachia region on route 25e in tennessee. up until that moment – in the middle of them – you were aware that there were mountains but you were seeing them from too close to really appreciate the grandeur. you drive into the overlook, step out of your vehicle, walk to the retaining wall and you are stunned by the magnificence of how the whole world drops off beyond your feet, stretching on and on and on. and you can see – there are mountains and lakes and a river – things you could not discern from up close.
in the middle of the middle stepping back is one of the ridiculously hardest things to do. it feels counter-productive when you are trying to come to some sort of conclusion or have some kind of perspective about a specific thing. but up close and personal, the red dogwood is blurry and i can’t appreciate its stunning beauty. from a little distance away, i can see how it plays against the warm beige of the grasses and cattails, how it enhances the fallow of this meadow.
in this crazy-busy time of year – with people rushing around trying to make the holidays perfect for themselves and others – i’m thinking that maybe we are all a little too close. i’m reminded again and again of what is most important. i’m taking in serenity as i can. we are trying to go slow – to appreciate the big picture – to not be clouded by that which is hard to sort or discern or, for that matter, even clearly see.
yes, the red dogwood is blurry up close. but from a little distance it stands out in a field barren of much color. the dissonance fades. the chord resolves. there is clarity.
it would appear that nature is decorating for the holiday season. even in the browns and tans and greys of the fallow, color bursts out at us. it’s stunning. the honeysuckle is unmoved though – it is standard fare in the winter to be berried. we, however, stop to appreciate it.
we decorated early this year. right around thanksgiving we put up our eileen-tree (which we named “e.e.”), pulled out the mini-trees i love to place everywhere, added twinkling white lights and silver ornaments. there are snowflakes and pinecones from the forest floor and heartfilled nods to my children-in-younger-days and my scandinavian heritage. we unearthed the boxes of vintage glass ornaments and shiny brites from my sweet momma and poppo and placed those ever-so-gently on the happy-light-lit big branches we now have year-round in the living room. it looks like christmas.
each day goes by faster now it seems. and then it’s friday again. i’m not sure where the time goes. as we make our holiday cards and a few handmade gifts to send out, george winston’s december is on repeat – the quiet of this album is speaking to us this season. bombastic christmas or vocal-gymnastic-laden carols seem like too much noise. restraint seems more in line with our spirits. more serenity.
there are many festivities to choose from – out there. we thought about a concert or two and lingered back. we thought about a holiday festival or two and lingered back. we thought about stores and crowds and lingered back. we will finish making our cards and creations and do a bit of boutique shopping. we may make a cookie or two. the krumkake of ages past nudges us and sip and feast taunts us with a long island italian almond cookie (gluten-free). we sit under blankets in a darkened living room – lit only by happylights. we savor the sparkle. we sit in content silence, we tell stories of past holidays – wistful, tearing up, laughing, lost in memories and hopes for future holidays.
and there is the woods.
whenever we can, we take time out there. the forest reminds us of both the everpresence and the evanescence of it all. it reminds us of the passing of time, the changing of seasons, adjusting to harsh circumstances and it reminds us of the rejuvenation and renewal of spring. we know that beyond the cold and frozen, there will be warmth. it’s all fluid and some things – like transition – are certain. there is silent wisdom – of the ages – you can feel as you place your feet – emanating from the dirt of the trail.
it is no wonder that nature has already decorated – with quiet fervor and vivid color – for the holidays.
“… the road is long with many a winding turn that leads us to who knows where, who knows where but i’m strong strong enough to carry him he ain’t heavy, he’s my brother
… so on we go his welfare is of my concern no burden is he to bear we’ll get there
… for i know we would not encumber me we ain’t heavy, he’s my brother
… if I’m laden at all i’m laden with sadness that everyone’s heart isn’t filled with the gladness of love for one another
… it’s a long, long road from which there is no return while we’re on the way to there why not share?
… and the load doesn’t weigh me down at all he ain’t heavy, he’s my brother
… he’s my brother he ain’t heavy, he’s my brother he ain’t heavy, he’s my brother
(bob russell / bobby scott – he ain’t heavy, he’s my brother)
queen anne’s lace does not bow down under the weight of the snow. it stands – upright – proudly holding what looks like a single-scoop of snowfall. despite the wind, despite the force of gravity – queen anne’s lace bears the burden, singing along with the hollies “and the load doesn’t weigh me down at all…..”
we have a thing or two to learn from nature. long roads, winding turns, shared concern for welfare, love for one another.
we are witness to miracle after miracle out here. they are tiny; they are vast. we stand at the wayside of nature’s rest area – in the fallow that is late autumn and early winter – and we watch as the journey of the woods marches on. working side by side, arm in arm, shoulder to shoulder, the forest and its inhabitants are thrust onto the long cold road ahead, eventually seeking spring. the ecosystem is symbiotic and nothing is encumbered more than the next. even in any not-knowing, critters and plants and trees alike trudge on, sans complaint. they carry with them the exchange of energy and the work of the fallow. they are strong. and it ain’t heavy. they are brothers-sisters together.
and they are waiting for us – the humans – to catch up to their simple wisdom.
luckily, we had covered the parsley and rosemary and lavender. the mint and basil are far gone. now i have to figure out how to save these others.
i read that you can simply snip off the parsley and rosemary stems and freeze them, so that seems the best solution. the lavendar, though…
i used to have a lavender garden out back. it was thriving until my eastneighbor’s snow-on-the-mountain continuously grew under the fence and suffocated it. that is some aggressive groundcover. i suppose it’s too late in the season now to try that again. over there, next to barney, the perfect spot. i wonder if it’s beyond the time to transplant it into the ground. maybe the next frost will hold off…
i could bring the whole plant inside to winter – it’s a really large pot, though.
i could snip off the lavendar and hang small bunches of them upside down, maybe create some sachets after they’ve dried.
i’ll have to decide soon; i may have waited too long already. the snow was a bit of a surprise and it caught me off-guard. it’s like this weird time-between seasons. sort of like a mixed-berry jam. not just one. not just the other.
in some ways, i feel like i need a pause button. just to pause fall for a minute or two – to drive out in the county and stop at the farmstands with pumpkins and gourds. to go to the apple orchard that has homemade wine tasting and apple cider donuts. to take some more time to crunch on leaves underfoot in the woods. to wear boots and jeans and not-yet-a-heavy-coat.
but winter’s coming on and, even though we sat on the deck late-night last week with shorts and our fire column burning, time keeps moving.
glancing out back as i write this – ahead – snow lingering on the grasses – there is no doubt.
fall is coming on. there is no denying it. everything is starting to wane.
the sky is starting to gray. the corn will be soon plowed under and, one of these days, the cabbage fields will have to turn over, the yield from their crop slowed to a stop. the colors are changing.
george winston recorded an album called autumn. you listen inside his wistfulness as he toys with the emotions of the changing. the album was released in 1980 and, for me, that was a distinct time of heading into fallow.
some fallows last longer than the seasons and the tilted axis of the earth seems to evade warming sunlight. the seeds gather strength in the ground – centered in us, even without us nourishing them. and eventually, ever-so-slowly sometimes, the earth tilts back toward the sun and the orbital horizon is rebirth, spring.
it seems to happen fast – the waning. the ebb and flow of the cold. there is nothing as constant as change and, so, we need remember that in times of fallow. the tide – like the corn and the cabbage – will come and go, come and go. an ancient story.
we join hands with others on our path – they are quite possibly on the same ebb and quite possibly will be in the flow with us as well. they stand with us, they encourage us, they surprise us. the shapes of others appear – like revelations – from out of the mist of our fixed frame of reference. everything looks different.
standing on this side of the corn, gazing into the grayness of sky, the dance of color as it fades, i am finding – with much gratitude – that there are others standing right there with me, gazing as well. the wistful tugs at us; gravitational effect far from the sun but with promise of the pull. we stand still, roots under our feet, steadfastly hand-holding, looking at the horizon as it shifts.
and time passes and the seasons flow and flow and, eventually, the axis finally – at long last – tilts and the fallow ends and the seeds that were planted so long ago break through the frozen ground and we know that we have – together – affected even the tiniest change.
and winter comes as we stoke up, readying ourselves for the riches of spring.
in the juxtaposition of october’s start and summer’s last grasp – up north – we were the recipients of the gift of a subtle duality, the gift of liminal space as the seasons shift and morph into the next: summer falling away and autumn rising.
i am a fall-girl and october is my favorite month. way back when – when color and season analysis was a thing – i was told i was autumn. but i already knew it. and now – in what is defined as the autumn of my life – i find myself looking back so as to look forward, to go forward. sometimes this is with great intention, sometimes it is not at all deliberate.
i stumbled across a video the other day. i was googling a youtube of one of my recordings. second up on the googlelist was a video i had never seen. from 1996, shot and edited by a videographer, this was posted recently as a memorial to him and is a 25 minute snippet of a full-length concert i had played at uw-parkside’s auditorium. i released two CDs that night, my second and third…a dozen albums and so, so many concerts and stages ago.
i pushed the play button.
there are days you wonder where the time has gone, how summer has turned to fall and fall to winter. time has rushed by and, in its fleetingness, you have left behind profound moments, defining moments.
watching this video became one of them. watching this video reminded me.
my straight-bangs-wrinkleless-eye-shadowed face was in her element. i could feeel it.
maybe – in the autumn of my life – in the liminal space of relevant-not-relevant, of summer-fall, of falling away-rising – i’m not quite done yet.
*****
snippets from 1996 CONCERT at UW-PARKSIDE – releasing BLUEPRINT FOR MY SOUL & THE LIGHTS CDs(a memorial post on YouTube to videographer Harry Stoetzel)
behind the curtain and between stage-left and stage-right wings, the action is paused and ready. umbel stalks on point, waiting to explode into clusters of tiny white flowers, delicate leaves opening, lacy, inviting the show to go on.
it’s spectacular – this performance of nature.
queen anne’s lace – i first learned of this wildflower from my dear friend linda – can be confused with other plants. bishop’s flower, wild parsley and hemlock taunt many from the meadow and one must be careful to realize that their performance piece is not the same – they are not edible – like this wild carrot of queen anne’s lace – and, in fact, they are toxic. the meadow stage offers up options but only carrots are carrots.
for those who love the stage in any capacity, there is a responsibility, things one must remember.
i knew from the beginning that the stage was not about me, not about what it could bring me. instead, the stage is about what i can bring to the audience. i have played to a handful of people; i have played to tens of thousands of people. i always knew it was simply my job to offer my music, stories, lyrics, song, to put it out there. to be absolutely present – sharing the moment – my jeans stuck in my boot. to connect, to resonate, to move – though my expectation was not to be moved, were i to feel it connect, resonate, move, i, in turn, am profoundly moved.
to be off-stage for a longer period of time is taxing. there’s expendable energy stoking up, ready to burst off the apron, into the house. shimmering moments, illuminating the glow of faces seated, the warm cloud of laughter, the sighs of sinking in.
i have stood on the giant rocks of the john denver sanctuary, bowing. i have stood on the stump and the downed tree in the forest, bowing. i have danced on the deck, bowing. i have fist-microphoned in the kitchen, bowing.
i googled “what is the difference between an entertainer and an artist?” for i am often called an “entertainer” and, for some reason, that word rubs me wrong. surprisingly, an AI bot responded. “sage” wrote, “entertainment often focuses on providing a pleasurable or amusing experience for the audience, while art is more about expressing ideas, emotions or personal experiences. … entertainers focus on entertaining, while artists focus on expressing themselves through their art.”
sage’s answer indirectly implies a contrived reorganization, a pleasing-you approach. and while i have read audiences time and again, choosing direction of a concert – if possible – as i perform, on the fly, it is still with an intent to share, to impact, not to simply “amuse”.
i think it’s a matter of purity. or order. or intention. a combination of the three. plus gut. intuition. emotion. to bring. to touch. to move. to prompt questions. to elicit change. artistry. to lift up – suspending in midair – a piece of music, to let it soak up tiny jet streams that will carry it, to let it fall – as it might – onto the anyone or the anyones who is or are there – recipients of my good intention, from stage to audience.
hunger for the stage is real. it is pining for that connection, for the very reason i have composed.
one day the curtain rises – one day the delicate leaves drop – and i’m grateful to perform, piano, boom mic, wood under my feet – and the clusters of tiny white flowers explode into daylight.
his legs wrapped tightly around the garden fence, the cicada gave in to his time of transformation.
i found him when i was watering. i bent down to pull a weed by the low fencing and there he was, clinging with all his might to the thin metal frame, following his call of nature, nymph to adult. the transition is recognizable. the two creatures look remarkably different, so it is easy to tell which is the mature cicada.
it’s the second time we have been witness to part of the cicada’s metamorphosis. the first time the cicada was clinging to the deck and we watched the whole fascinating process. this time, we came upon the cicada after it had shed its old skin, the outer exoskeleton having molted off into the dirt. both were profound for us. the giving over, the trusting of transformation, gaining wings, going on into next as something quite different.
“life is not so much about beginnings and endings as it is about going on and on and on. it is about muddling through the middle.” (anna quindlen)
and in the middle, the holding on. legs – and arms – wrapped around the garden fence of our lives, clutching for dear life. to be in the middle – sorting and pondering, full of wonder and angst – we can only trust that each next will arrive, that the on and on will not betray us, that we will not betray the on and on. the cicada surrenders, relinquishes any worry of what is to come.
and then, it wakes soon after, having pushed its way through the deadened shell. with wings. wings! exuberant noise fills the summer air. i know i will listen for our garden-fence-cicada on hot nights when the sun is setting and dusk is on the sky.
and we – in our metamorphosis from one day to another – sorting and pondering on our fence – begin to know that wings are possible. we learn that we have had them all along. we untuck them, test them out, flex a little, grow stronger. and we are astounded to learn – like the cicada – that we can fly.
“i want to be light and frolicsome. i want to be improbable beautiful and afraid of nothing, as though i had wings.” (mary oliver)
reverse threading 