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we are two chickadees. [kerri’s blog on k.s. friday]

last year a black-capped chickadee returned over and over to this old barnwood birdhouse on our tree. each time it balanced on the the hole and pecked at the edges all around the entrance to the house. we wondered if – perhaps – it was not quite big enough for this bird and its intentions to build a nest. it worked at it – diligently – finessing the birdhouse as it could, enlarging the entrance and pecking off the sharp edges. but it did not end up nesting there.

this year two black-capped chickadees return over and over to this birdhouse on our tree. this year they carry in supplies – long strands of ornamental grasses, bits of branches and leaves. we believe that – this year – there is a nest inside this birdhouse. we hope we are right, for the idea of baby birds just off the patio – in this sweet birdhouse – makes us a little bit giddy. together these chickadees have made a home, taking turns with the chores of preparation and standing vigil, keeping it all safe from harm. we stay hopeful that there will be babies and that this sweet bird-family will endure all the hardships of nature and the passing of time.

yesterday was the 43rd anniversary of my (first) wedding.

i think back to the preparations and nesting through the years, as we worked together – successfully and not – as a couple and then as parents of two beloved children. like the chickadees, we had no guarantees – we just worked at it, best we could.

i look back – as we all might do – and see the moments in time we might have done better, might have made different choices, might have pecked at the edges of the entrance to our house instead of other things we did – things that would have finessed our home in lieu of harming it in some way or another. but we are human and our failings are as numerous as our triumphs. it is easier now – years later – to offer generous grace to our best attempts, despite how it all turned out. our two children are good people in the world – making their way in work, in their own passions, in love.

i am grateful for those years. i am grateful to have married a man back then who also tried his best to build a life together. as in any relationship, we brought different baggage with us – some of which was surmountable, some of which made life challenging. we started out pretty young. time has smoothed out the edges – pecking off the sharp parts – and what remains is softer, gentler, accepting. it is with deep affection that i now tell the tales of our thirty years together.

d and i met twelve years ago now – after six months of being daily email penpals. this year will celebrate the 10th anniversary of our wedding on a warm and sunny october day.

we have done our share of edge-pecking. we have finessed our home and stood vigil for each other. we have shared in the hardships of nature and the passing of time – for that – the passing of time – seems exponentially fast starting later in life. we have been fortunate and we work at it, best we can.

i am grateful for these years. i am grateful to have married a man who is also trying his best to build a life together. as in any relationship, we brought different baggage with us – some of which has been surmountable, some of which made or makes life challenging. we started out later in middle age. but time smooths out the edges – pecking off the sharp parts – and what remains is softer, gentler, accepting. it is with deep affection that i tell the tales of our life together. it is with humble and immense gratitude that i look into the future with him.

there is no telling what chickadees may do in life. but they seem to realize the very preciousness of it as they zealously prepare and tend their life together with another chickadee. sometimes they stay with the same mate all their lives. and sometimes they don’t. either way, chickadees have strong pair bonds – which is the very best we can all do for each other.

*****

GRATEFUL © 2004 kerri sherwood

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until breck. [kerri’s blog on k.s. friday]

“if you would know strength and patience, welcome the company of trees.” (hal borland)

it was the first tree i have ever bought.

i know plenty of people who buy trees, spend lavishly on shrubs, bushes, flowers, on landscaping, have much knowledge about plants and flowers and such. but i – well, we – are neophytes in the gardening category.

my sweet momma loved plants, including outdoor plants around our house back on long island. but they were simple heritage plants – hostas and daylilies, hydrangea, four o’clocks. all easy to cultivate – and easy to transplant cuttings from friends. i don’t remember spending any of my growing-up years browsing nurseries with my parents while they tried to decide which new plants to purchase, with no regard to price tag. there was the occasional vegetable garden out back where the round above-ground pool had been and maybe a new houseplant or two but propagating by division was my momma’s way and, with a garden full of nostalgia-type plants, she instilled in me an appreciation for the simplest, for the less-is-more on-a-shoestring approach.

in my own planting through the years i have found that i have mimicked my momma’s style. cuttings from friends, transplanting excess from others’ gardens into my own, it has been gardening-on-a-budget. my purple iris, my lavender garden were from the gardens of dear friends. though stunning, they did not sustain long-term as my neighbor planted snow-on-the-mountain on the other side of the fence and it completely smothered my more delicate garden. our wild geranium came from the beautiful garden of a dear friend out east. our hostas and our daylilies and ferns spent some time rolling down third avenue in a wheelbarrow when another friend was paring down her over-producing garden. we did purchase the first of our ornamental grasses, but now they not only sustain but are capable of filling in many gaps in our garden by their own – or our – cultivating. we annually, now, purchase a few flowers in tiny packs from flats for pots – though the woman who bought five gorgeous big plants at $16.99 each in front of us did made me a little bit envious. each year, now, as you already know, we are also planting herbs on our potting stand – there is joy in stepping outside with snippers while cooking. all in all, there is minimal purchasing going on – which lines right up with minimal knowledge. what we do know is that we really love our gardens, simple as they are.

that brings me to trees. i cannot remember my parents purchasing trees while i was growing up. we lived in a wooded area and just enjoyed the trees with which we were gifted naturally. though as i write that i recall a dogwood tree out front to the left of the driveway. i wonder if that was a special tree that they bought…or maybe the mimosa tree out front with its beautiful pink fluff flowers….so maybe there was a tree or two….

i can, however, attest to the fact that i had never in my life purchased a tree to plant outdoors. not in new york, not in florida, not in new hampshire, not in wisconsin. neither has d. not in colorado, not in new mexico, not in california, not in texas, not in kentucky, not in washington, not in wisconsin. though we love trees, tree purchases have never survived the budget cuts. until breck.

outside the city market in breckenridge, colorado, the stand of trees had a big sign: “aspens – $9.99”.

$9.99??? for a tree??? one of our absolute favorite trees???

we purchased it before even checking to see if it would fit in littlebabyscion. and, because I’ve written about it before, you know the rest of the story. it’s now been almost 8 years since we brought breck home. we have held our breath, whispered quiet prayers, wrapped blankets around it, researched how to attain its best health. and through it all – living in a pot – and then a bigger pot – on the deck, disliking the shady fern garden into which we planted it – tucked next to the garage, and the big transplant to where it is now – it has not only patiently survived, but it has flourished. breck is now as tall as the side of the garage, as tall as the first story of the house. it seems happy and well-adjusted to its life in the ornamental grass garden, a spot for birds to linger, the object of our love.

maybe someday there will be a reason to buy another tree. we may have more space somewhere or more desire for shade or a wish for a stand of aspen or – the real factor – a bigger budget.

in the meanwhile, i feel incredibly content with our one tree purchase. breck is – obviously – ridiculously dear to us. it is a song of success in our simple backyard.

“trees are poems that the earth writes upon the sky.” (kahlil gibran)

*****

NURTURE ME © 1995 kerri sherwood

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something else out there. [kerri’s blog on k.s. friday]

tens of thousands of people are attending their rallies. for good reason. bernie and aoc are speaking to the heart of america. they are the shining light – that glimmer you can see through the gap in the inosculated trees. their message to hard-working middle class america is balm for people exhausted-by-the-twisted-depraved-bullshit-warp-of-oligarchy, people like us.

we sat in the adirondack chairs in waning sun and listened to bernie sanders as he spoke. his words were – to me – like the sound of birds early in the sunrise or the wind chimes out back in a gentle breeze. direct to our hearts, we found ourselves hopeful, perhaps for no other reason than they “got it”. there is another way; there is sense instead of chaos.

it was like stepping outside the sickness foisted upon this country.

we are merely two days away from the possibility of an intensely corrupt chess move from the current just-itching-to-be-dictator administration – deliberately planned, contrived and soon-to-be-executed. the number of people involved in or supporting this evil is overwhelming. up close now, it makes me simultaneously nauseous and breathless.

i stood on the trail, gazing through the space in the trees – trying to see clearly. i attempted to get my camera to focus on what was beyond instead of rough tree bark, a different depth of field. it couldn’t. i could see light and color in the slit, but it was blurry, overtaken by the trees in the forefront.

but there’s something else out there, something better, something beyond what’s on deck now.

we need to focus on that, and diligently seek out that hope, that color, that light.

*****

HOPE © 2005 kerri sherwood

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less wrinkles. [kerri’s blog on k.s. friday]

“if i’m laden at all/i’m laden with sadness that everyone’s heart isn’t filled with the gladness of love for one another.” (he ain’t heavy, he’s my brother – bob russell/bobby scott)

when i look in the mirror these days i am struck by the lines around my eyes, the lines etched above my lips, the furrow etched into my brow. i wonder how they all arrived without my noticing, as if – at night, while i was sleeping – a clay sculpting tool had gently drawn lines in skin no longer as resilient as it had been.

i glance at photographs from merely five years ago – and then ten years ago – and am startled to see the difference. but i know what the last years have been and – so – i should not be surprised. these wrinkles have been earned.

for it has been a time.

we all have them – these timelines of challenge or disappointment or frustration or grief.

in the humanness we all share, it would seem prudent to share these heavy burdens, the stuff of life that is made easier with someone else to help lift them.

“so on we go/his welfare is my concern/no burden is he to bear, we’ll get there.”

but this last decade.

as is woven throughout the history of this country, the extraordinary of abject cruelty and its ugly head raise up and shock our belief in equality and kindness. this last decade.

the hypocrisy of institutions supposedly dedicated to the love of one another – to goodness – to compassion – shifts the ground under our feet and we have been gobsmacked by the betrayal. this last decade.

our very own communities have quaked, stormy, seismic shifts forming a crevasse between us – not merely a difference in opinion, but a difference in basic morality. we reel from the impact, from the air that is sucked from our lungs as we grok this. this last decade.

last week. my birthday. d’s homemade card next to my early morning coffee. the pink tulips from 20. dogga’s momma-kisses. the call from my girl and her husband. and that moment my son handed me a tiny carrot cake – remembering. i felt the light, the easing of the load, the gladness, the love. each time.

i do not understand the dedication to cruelty, to evil intention, to undermining others, to destruction, to the bandwagon of every-man-for-himself-every-woman-for-herself.

“it’s a long, long road from which there is no return/while we’re on the way to there why not share?”

i wonder how it might all be different.

i suspect there’d be far fewer furrows and creases and wrinkles.

“and the load doesn’t weigh me down at all. he ain’t heavy. he’s my brother.”

*****

NURTURE ME © 1995 kerri sherwood

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the imperative of peace. [kerri’s blog on k.s. friday]

dreamy.

many other adjectives came to mind to eloquently describe lake tahoe, but dreamy seems to fit the best right now.

in the way that sometimes happens with monumental beauty, i instantly felt a sense of peace descend over me…exactly what i needed.

for this has been a time. and i – like you – am filled to the brim, yearning for something different, something that builds up and does not tear down, something that is positive, filled with grace and not negative and filled with hatred. already, this is all exhausting. already, i am exhausted. we – all of us – have lost so much. and, though hopefully this will change – something will stop this destruction of our sea to shining sea – things will never be the same. betrayal has left its mark on us.

and so, the sight of this lake in the distance, as we approached, up close and personal, was balm for my spirit and i felt it wash over me.

some places are like that. you instantly feel a kinship with the vista, grounded by its simple, natural beauty. after all, this is merely mountains, forest and lake. nothing manufactured, nothing contrived, quietude with the potential for a tranquility that is so very powerful.

we do not live near this stunning landscape, but we do live in a landscape of our own. and i know that we must look to it for salve, for soothing us, for a balance of goodness against all the evil being perpetrated upon our country. clearly, we need to deal with the reality of what is happening here. clearly, we need to rejuvenate from the reality of what is happening here.

i think we need do that any which way we can.

there is a lot ahead of us. everything we have known is grotesquely distorted and people we have known have actively participated in that. it is the stuff of bad dreams. and we each are waking up to the horror of it all. as we brush the real-life nightmare from our eyes and wake to another day of fighting to keep our democracy, it is incumbent upon us to bring strength and resolve and a bit of peace from which we might draw these.

we will be looking everywhere we can for that peace, to join with it. it is an imperative.

“now he walks in quiet solitude the forests and the streams / seeking grace in every step he takes / his sight has turned inside himself to try and understand / the serenity of a clear blue mountain lake…” (john denver – rocky mountain high)

*****

PEACE © 2004 kerri sherwood

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rusted. but still. [kerri’s blog on k.s. friday]

the galvanized metal coneflower tucked into the little garden with the ornamental grasses has rusted. we brought it home in july when it was silver and shiny. but the elements of weather have already gotten to it and have erased the shiny and smooth, turning it to a rougher texture, a warm brown color, like the center of a sunflower or the color of freshly ground coffee.

i still love it though, this coneflower.

its shape has been inspiring out back there in its little garden – the same garden that protects baby bunnies and tucks in our aspen tree. in the snow it has collected flakes until barely any of the metal is visible – like a tall snow-mushroom umbrella-ing anything below.

i stop in front of the mirror before i facetime or zoom. i wonder how i am seen from the other side of the camera. i am no longer shiny or silver. the elements have taken their toll and age has begun to catch up.

but as i gaze at other beloved faces across the technology of a phone or computer, across a table or on a trail, next to me on the pillow – i know that nothing – no amount of rust or erasure of smooth – can change the fact that they are still coneflowers, nonetheless. still beautiful. still loved.

*****

happy birthday, my love. ❤️

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still. [kerri’s blog on k.s. friday]

it is the last.

the last piece of white key.

barney – through wind and rain and snow and ice and blistering sun – has shed all the clothing of its keys – both black and white. this is the very last of it.

and, even stripped of so much, of the things that make barney look like a piano, barney is still a piano…barney’s soul is tenacious – still a smith-barnes upright – and we can feel evidence of scales and arpeggios and glissandos, of etudes and ballads, of pieces ethereal and bombastic. barney is changed and yet unchanged.

we will each face the storms of the future. we will surf waves and, sometimes, despite heroic tenacity, succumb to the inability to surf. but we will endure and persevere. we will look different and we will feel the same: changed-unchanged.

and, in the center of all of it, while we are on the way to later, stripped and naked of all that is superficial, smack in the middle of our souls, we will still be able to touch the black and white of our lives. just like barney.

“meaning is what’s left when everything else is stripped away.” (suleika jaouad)

*****

TRANSIENCE © 2010 kerri sherwood

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the grace dance. [kerri’s blog on k.s. friday]

even laden with new snow, the grasses spring up, ever resilient. they show fortitude in predicament and circumstance – a teachable moment for those of us humans who are not impervious to such things.

maybe it’s their golden glow in sun low on the horizon. maybe it’s that there are small critters taking refuge under the umbrella of stalky stems. maybe it’s the reverent bow of the fronds, the balance in the arch of growth and weight, a toppling over. maybe it is simply grace.

“i do not at all understand the mystery of grace – only that it meets us where we are but does not leave us where it found us.” (anne lamott)

in moments of this past year i have found myself in the presence of grace. i have watched grace heal physical injuries. i have watched grace blanket people, restoring relationship. i have experienced grace reaching out its arms to envelop. i have received grace – the support of others. i have been surprised – even shocked – by grace and i have been surprised – even shocked – by a lack of grace.

for if the presence of grace – such an intangible mystery – does not leave us unchanged, then so does the absence of grace.

were the grasses to succumb, to be lying down, flat upon the earth, their glow of beauty and their cozy shelter wouldn’t be. their place in the world and its workings would be different, perhaps. their resilience seems to be the key.

“I know nothing, except what everyone knows – if there when grace dances, i should dance.” (anne lamott)

in the mystery that is beauty, that is grace, that is the intertwining of both – for surely they are hand in hand – there is an invitation for us to dance, upright upon a floor of dirt on earth under the sun, able to both receive and extend grace – like feathery fronds on an ornamental grass, ever resilient though the elements are threatening.

we carry that dance – tucked in – with us as we make our way. it is present, beckoning us. we can see it in the falling snow and the driving rain, thick fog and dark nights. it is there, ready to leave us different.

*****

GRACE © 2010 kerri sherwood

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a squall of light. [kerri’s blog on two artists tuesday]

it will surely get worse before it gets better.

it was while i was waiting for the person to arrive to pick up the desk that i started. it wasn’t really on purpose. it was simply a way to keep an eye out the window at the front of the house. i opened the small chifforobe cabinet and began to pull things out and stack them on the floor of the studio. then i went over to the small desk and did the same thing. before i knew it, it was chaos on the floor of the studio, piles on the padded artist bench, even small piles on top of my piano.

in the unearthing of space, i am finding notebooks of lyrics, slices of songs, chord progressions jotted on scraps of paper. there are piles of process cds – from demos of songs to recording studio takes, edits, production in all its phases, final products of albums released into the world. there are radio charts and encouraging cards, pencils and erasers and staff paper.

i think of my son – at the other end of the journey – the closer-to-beginning part of his artistry. though he is waaay past just-beginning, his heartbeat is quickened by his own growth in his music and by the outer reaction to and support of his EDM. i remember those days and i celebrate for him and with him. they are the days that feed artists when we are depleted, when we are in the midst of hunger, when we are pondering our place in our art form, when – if we are feeling disoriented – we are trying to see where it was – discern how it was – we got lost so that we might find our way, when it’s a little bit agonizing, when we are a lot a bit tender, when we are wondering.

later on – much after the computer desk was gone – after the frenzied muse had left the building – i groaned looking at the mess.

but there is no going back now. it’s time to keep going, to keep going through, eliminating, filing, re-designing the spaces and space in my studio. time to bring in new light, time to give it a chance.

in more than a bit of vulnerability, i must say that i don’t really know if that will change anything. i know that the studio will look more spacious, it will be slightly less muddled in there, more austere, more piano-focused. i feel like that could definitely be a good thing…a tiny step toward actually playing, actually composing. cleaning out will remove some of the tangible tokens of feeling remote, or of hurtful, harmful things that have undermined my artistry, that have waylaid me. it might remove some of the visible and invisible layers between me and my music. i guess that’s all to be seen. as overwhelmed as i am – thinking about all the work in front of me – i do see some magical bits of light in the dark, even amid the squall of chaos.

when my grand first arrived – over 25 years ago – it was the only thing in the room. just a big C5 on bare wood floors with high ceilings and freshly painted white walls of plaster and beadboard. it was pure and glorious.

since then – for various reasons – i added a chifforobe, a writing/reading chair, a desk, music stands and mic stands, other instruments.

maybe sorting through, reorganizing, removing the desk, minimalizing stuff, clearing the space will surface the essential reason for this studio, will distill the paralyzing fog that has settled over the space and in my heart, give light to a dimmed imperative. maybe a tiny bit of balance will return. maybe it’s all still relevant.

i stand in the doorway and acknowledge that i don’t know.

*****

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shabaeawaka. unless. [kerri’s blog on k.s. friday]

“we can disagree and still love each other unless your disagreement is rooted in my oppression and denial of my humanity and right to exist.” (james baldwin)

i would add – or unless your disagreement is rooted in the oppression and denial of the humanity and right to exist of people you purport to care about – people in your beloved family, in your cherished community.

growing up, there were straw placemats in a circle around the perimeter of our kitchen table. each one had inked initials in the bottom corner – to designate whose placemat it was. ba, ea, wa, ka, sha, they read. in some moment, a guest circled around the table, reading them aloud, in order. “sha-ba-ea-wa-ka,” he read. and then, more quickly, “shabaeawaka!”

shabaeawaka became our family’s shortcut of the combination of our names – my mom always lovingly referring to the moniker and telling the story of its origin.

shabaeawaka – in all the ups and downs of a regular family – became a synonym for invincible ties, for family-sticking-together.

my sweet momma, even in the last moments i saw her, believed with her whole heart in the devotion of this family to each other. she believed in kindness and generosity, in acceptance and goodness, in joy and positivity, in love no-matter-what.

my sweet poppo – a mostly quiet man – died three years before my momma. he wasn’t one of those dads who would sit you down and bestow wisdoms upon you. but i could feel his staunch support of me throughout my life…as a child, as a young adult, as i finally made my way into my artistry, as a parent.

my momma stayed in their house in florida on the little lake as long as she physically could. she surrounded herself with the familiar of their lives together, always missing the actual presence of my dad, lonely for him. the empty vase – the one my poppo kept filled with grocery store flowers – stood in the foyer, an acknowledgment of unwelcome change.

but my sweet momma – well – she kept on. and as it became obvious she would need to leave her home and move into assisted living she chose to give away things from her home. the dining room table went to a family of immigrants who didn’t have a table at which to eat. her blue leather sofa went to a family across the street. my momma was not discerning. people in need of something were precisely the people to whom she wanted to give those things. even in her grief of moving, her generosity and love of others prevailed.

i did not feel the need – nor did i have the logistical ability – to fill rooms with items of my parents after my momma’s move or even after she died. but i do have remembrances of them. and i have their dna.

mostly, i have the ideal they taught me – that no matter what, you stick by your family, you uphold each other, you protect each other, you love each other. in no uncertain terms, my mom and my dad would stand tall next to each of us, buoying us and believing in us – the lesson of acceptance – no matter what – of the right to exist, to sustain, to thrive.

i know – without a doubt – they have cheered on my life – in all its phases, in its ups and downs. i know – without a doubt – they have cheered on my daughter’s courageous and adventurous spirit finding home in the mountains, my son and his incredible and cherished LGBTQ community in the city, around the world. i know – without a doubt – they would support them to the mat, thwarting anything that might come between them and their freedoms as americans, as human beings. i know this not only because it was how i was raised, but this is what shabaeawaka is. it is the legacy of shabaeawaka.

and so i wonder what they are thinking now.

i suspect they are on board with james baldwin.

there were times of disagreement, yes. my quiet dad could get rather loud in moments. my sweet momma could push back on inequality, on the crushing of human rights, on evil.

but all was ok if the basics were still in place, if the disagreement – in the words of james baldwin – was not rooted in the oppression of them or their loved one, if it did not deny their humanity or the humanity of their loved one, if it did not undermine their right to exist or their loved one’s right to exist. those were the basics and the basics of any faith i ever learned from them.

I wonder what they are thinking now as they – from a plane of existence far away – watch this election, as they watch the unthinkable, as they watch oppression and the denial of humanity and right to exist on the up-close-and-personal do-we-love-each-other line, as they witness the undermining – the throwing away – of the tenets of their precious shabaeawaka.

i don’t know where the placemats went.

i just know i don’t need the actual placemats to remember what they meant.

*****

LEGACY © 1995 kerri sherwood

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