every vein of this leaf – xylem and phloem cells – transporting nutrients to each part of it for photosynthesis to occur. it’s truly a miracle. sacred. ancient.
the sun was shining through the leaf propped up on the trail. i imagine it floated down and landed with others and this particular one was the leaf left standing. it was luminous as we approached. and, in the moment of bending down and photographing it, i was struck by its uniqueness. one leaf – in a forest of leaves – beautiful, a part of the bigger story.
i stop often on the trail – any trail, every trail. there is always something to notice, something to wonder about, something that is glorious. we’re surrounded by opportunity of seeing. we’re granted the chance to revel in beauty. we are reminded to pay attention.
in a world where so much is fraught, where there is division and anger, agenda and disrespect of others, it is beauty – unexpected, simple, glowing – to remind us of the much bigger narrative and that we must remember to hold gently the miracle.
in the way that we don’t realize the impact our words have on someone else, pete’s words stay with me: “there are angels all around you.” i’m pretty sure he didn’t know how often i would shuffle over to his words, to hear them, savor them, be comforted by them one more time. even now, in the dimension where he soars his soul, he may have no idea what those six words would mean to me.
and the other day, hiking on our favorite trail, in the middle of the middle, i looked up to the sky. directly overhead, the angel wings were clear and i could distinctly hear, “there are angels all around you.”
in ways right now i am stepping back to step forward. it’s necessary. not funandgames, not frivolous, not indulgent, but necessary.
and i am reminded – we don’t stand alone. those-who-have-gone-before extend gossamer threads. those who are stalwart in our regular lives stand still and strong, rocks for when we are unsteady. there are those who are new – but mighty and sure – in our path with us.
and the early morning autumn sun streams in the window at a different angle, shining into my face, making me squint and scooch over under the quilt. the light pours over us and, though the air in the room is chilly, we are warmed by the intensity of this october suntilt.
it is our anniversary. eight years ago today we were surrounded by family and friends. we took vows of commitment in this second chance we both had and spontaneously skipped down the aisle to the ukulele band playing and everyone singing “what a wonderful world” after we were declared “married”. the day was glorious – sunny and in the 70s – and everyone gathered at the old beachhouse, warm sand and lakeshore boulders inviting walks, sitting, a late bonfire. we all danced and ate sliders from the food truck, homemade daisy cupcakes and wine from the corner store in our ‘hood. we celebrated in community.
this year will be quieter. we will perhaps take the day. we may go hiking or go visit a town in which we love to stroll and browse. maybe we’ll try to track down the burgermeister food truck, sit in the sun and reminisce. we’ll see.
but before we start – before our feet hit the floor to getamoveon – we’ll just sit here under the autumnglowing quilt with dogga at our feet, sip our coffee and be in wonder that two people – worlds apart – had the good fortune to somehow meet.
our tiny stars somehow aligned, bumped into each other in the galaxy and glimmerdust washed over us, never to be the same, always to be loved.
and nature bent way down, furrowing her brow at her canvas. and then, after careful consideration, she took her paint pens to the swallowtail caterpillar and drew stripes – the lightest green, almost opalescent. thinking that wasn’t enough, she took out her most vibrant sunshine-yellow pen and polka-dotted in-between the stripes. she sat back and looked at her work, smiling. “yes,” she thought, “yes, this is right for the swallowtail.” she moved on to the other caterpillars waiting to get their colors.
it never ceases to amaze me what is quietly starring just in our backyard alone. when i opened the little gate to our potting stand, they took me by surprise. they stand out.
since i am a big fan of painting polka dots on rocks, i was instantly fond of the two caterpillars eating their way through the wild vegetation growing between the big flat rock-slabs on the ground. they made me think of children’s books and writing stories of two caterpillars out adventuring for the day, their obvious names “stripe” and “dot”.
i was careful not to disturb them as i tended the parsley and basil, snipping back the spindly ends. they stayed right there, not at all thrown off by my presence. i closed the gate and checked on them later. they had made little headway, maybe an inch or so. but caterpillars, so i surmise, are not in a hurry.
we think we are so brilliant, we humans. we study and research pantone matching systems and cmyk process charts. we bring home paint and fabric swatches. we mix paints on palettes thick with color.
and nature giggles – glancing at her caterpillars and butterflies, flowers and trees, canyons and mountains, sky and prairies, oceans and fishes, birds and rainbows and sunrises – knowing she will always have the upper hand. it comes naturally to her.
and then, there it was. in our pond. the first frog in a couple years.
it was helen, who is steeped in her gift of faith, who told us the significance of having a frog appear. “f-r-o-g,” she said, “fully-rely-on-God.”
it is astounding how very much the appearance of this frog means to us. in the middle of the middle, a nod (or hop) of reassurance is unbelievably gratifying.
not every frog likes a photo shoot, but “hope” participated nonetheless. she was shier than most of our other frogs, but maybe that’s because she’s just getting to know us. one of our frogs – 2020 maybe? named “pando” – actually let me pet it, stroke its head and speak to it up close.
regardless, we’re a tad bit worried because it is so late in the year. she arrived on the equinox and the fall weather will race past the starting gate, sprinting to winter.
in these days – in any days – i could sit and – for long periods of time – stare at a dancing flame. much like cumulus clouds lazily floating by in a brilliant sky, my imagination drinks in the possibilities…every moment a different shape. constant flux.
“i do not understand the mystery of grace – only that it meets us where we are and does not leave us where it found us.” (anne lamott)
no given moment – as i have learned – is static. no given moment – as i have learned – is untouched. every everything is moving and swirling and spinning and the unexpected is right around the corner. just exactly when you think nothing is going to ever change. it’s fluid flame.
enthralled with it (my astrological element is fire) i took out my camera and started shooting flame photos, one after the other. it took less than a minute. it’s sometimes hard to remember that, in the overall arc of time, change is the only constant. one needs only watch the flame to get a sense of the evanescence of it all.
these moments – in the dark cool of a late summer night – the sounds of a few tenacious cicadas on the wind and squirrels scrambling along the wires and branches – watching the fire column interpretive dance – were glimmers. they visually reminded me of change taking place – that i can feel, that i can intuit, that i cannot even imagine.
and for a few minutes – precious minutes in these days – i gave over to the flame, grace and the mystery.
and – just when it was beautiful enough – nature raised the bar. and the zinnia produced a round of tiny yellow flowers – a crown atop the center of the already-stunning flower. beauty squared.
it’s like adding a weep-worthy soaring cello line or a mournful french horn to a solo piano piece of music. beautiful enough, raised up.
i’ve been going through old bins in the basement, boxes in the attic. i’ve found old photos and old journals i had forgotten about: pictures of early life in new york, early life in florida. they catapult me way back in time, back to hanging out on the beach, roadtripping with my cherished friend sue, early days of choir-directing, youth groups i led. i took pictures of nearly everything, so it’s the absence of pictures of people or places or events that is noteworthy.
life isn’t always a zinnia.
and sometimes, it’s the long story that makes the short stories more bearable. we survive periods in our lives that seem unsolvable, painful, unending. years later we open the bins and see evidence of our enduring, our fortitude, even our clinging to flotsam and jetsam.
so it must be during the time in-between that we grow a second row of tiny flowers inside, ready and waiting for us, whenever we are ready for them, for those times we couldn’t see the beauty.
the weather this past weekend was stunning. with an invitation to autumn, this september saturday and sunday were blissfully sunny and cooler. a good time to sit on the back patio. a good time to marvel at the plumes on the grasses, to watch the cherry tomatoes ripen. and a good time to work in the dirt, to tend to the herbs, to take a hike, to brush the dogga, to witness the dance of the hummingbirds. in the middle of several ongoing projects – really important things that need our attention – we took the good time.
the colors intensified as the day drew to a close from our little spot on the deck. i didn’t take any more pictures. instead, i watched it. sometimes, in the taking of photographs, it is possible to miss it, the moment. usually i take my chances with this, but not this particular evening. i just needed to hold tightly to the summer night’s glory, the east bounceback of the setting sun, the quiet.
though i appreciate all the filters out there – on my iphone, on photoshop, on snapseed, really on anything that edits images – i never use them. i come from a practice of manual 35mm cameras, sans filters – though they were available and you could screw them onto the end of the lens. i was always more of a purist in my photography. no filters.
and i’m from new york.
the other day we were talking with friends about people asking other people questions. we live in the midwest so that’s not a simple matter. there’s a silence, a reticence to question here. even in some pretty disconcerting circumstances, confusing circumstances, circumstances that beg investigation, people hesitate to ask questions. they are even question-averse.
six days a week now, d and i blog. i’m quite certain that there is no one on earth who wishes to read every single word we write – sometimes a mountainous plethora of words-words. we have completely different styles of writing and, once you’ve read a few blogposts, you can recognize our individual voices. david’s posts tend to be informative, filled with teachings and learnings from writers, scholars, philosophers, artists. mine tend to be a bit smushy – thready – experience-based stories, like i’m tawwwking to you, my leading heart wide open. but both of us are sans filters. he spent years on the west coast and, remember, i’m from new york. so, yeah, no filters.
i would imagine that there are some readers reading who think, “whoa! that’s too much information! waaaay too much information!” and yes, i would say we can be pretty transparent. perhaps people would prefer filters (or less words or even opaqueness).
but this is art and the work of an artist is to be open, to communicate, to elicit emotion, to provoke thought. it’s to be vulnerable.
without filters.
otherwise, you will wonder every time you look at a photo of a sunset: is this real?
and i ponder the reverse. what if E.T. was from earth and was somehow left behind on some other planet with living and breathing beings? would the earth-alien be as wistful about leaving earth behind? would the earth-alien be anxious to go back, to return to earth? what special powers would the earth-alien reveal on the new planet? how would the earth-alien respond to this different place, these different beings?
the thing about the movie E.T. is that it left us with a heartened view of what an extra-terrestrial might bring, the connections an extra-terrestrial might find, might form. it was a feel-good, cry-at-the-end movie and there is probably not one of us who viewed the movie who cannot hear E.T. saying, “E.T. phone home” or his parting words, “i’ll be right here” in our memory bank.
but what about the reverse?
what would a contemporary earth-being bring to another planet? would it be a sense of camaraderie or a dedication to division? would it be a symbiotic working-together or over-indulged competition, lines drawn in other-planet-dust? would it be open-hearted empathy or apathetic closed-mindedness? would it be an attitude of every-one-for-themselves? would there be any tenderness, any gentleness, healing mindfulness or would the attitude be haughty and mean-spirited?
if we didn’t get to cherry-pick the person who was sent to this other planet, how likely is it that the other-planet-beings would be glad that person showed up, to welcome them with warm hospitality, to sit and try to communicate, try to understand each other?
the spaceship flower on the side of the trail sent my imagination off and running.
but it made me also wonder this: if we would – indeed – want to carefully-as-possible pick an earth-being that might represent humankind to another planet’s beings – making sure that this earth-being would bring all the best qualities of humanness, the most nurturing, cooperative, collaborative, forthright, most loving, and all-embracing traits and behaviors, wouldn’t we want the same as the leader of our own country?
E.T. was hiding in the bushes under the spaceship flower. he glanced up at me and whispered, “scared here. wanna go home.”
i handed him the flower and off he disappeared, leaving us all behind to think carefully about what we wish for in humankind on this good planet earth.
it was torrential. for hours. we didn’t know it, but we weren’t the only ones having issues. all over our town, there was flooding. streets, houses, basements, the water was incessant and drainage wasn’t keeping up.
it’s not like we don’t need rain. we do. but the intense downpours aren’t helpful. residents ended up without power, with too much water and without water (ironically).
this is a time of intensity. it seems that every weather system, every environmental concern, brings an amped-up version of itself. it’s not just a little windy. it’s a derecho. it’s not just a bit dry. it’s on fire. it’s not just a soft rain. it’s a deluge. it’s not just a storm. it’s historic. it’s not just endangered. it’s extinction.
and we’re not the only ones.
right after we chose this image for our blogposts, i started humming lowen and navarro’s “if i was the rain“, an utterly debilitatingly beautiful song.
and so i think about how it would be – to be the rain.
“if i was the rain… i’d fall between the fireflies; i’d never dampen any light.”
yes. how i’d be careful not to dim the brilliance of others.
“i’d strike a chord within each heart, wherever they were torn apart. and if that helped them heal themselves, maybe we’d find out where forgiveness starts.”
yes. how i’d be aware of washing away old hurts, bringing a flowing river to all.
“if i was the rain, i’d choose forever to remain. i’d add a sparkle to the night and marvel at the morning bright.”
yes. how ever-present, a single drop of rain. ever-mindful of vast goodness, of perspective, of eternal gratitude.
“if i was the rain i’d bless each blossom to unfold and i’d turn each one of them to gold.”
yes. how to feed every last thing with the best nourishment, water to grow, dreams to flourish. nurturing. giving to. not taking from.
“if i was the rain. if i was the rain.”
but i’m not. and there are changes happening. and the weather is intensifying. and we – as humans on this good earth – have choices to make.
the things we will decide will affect the rain. and the rain will affect us.
and we’re not the only ones.
“when we try to pick out anything by itself, we find it hitched to everything else in the universe.” (john muir)
and then, eric lowen performed it one last time, “if i was the rain, if i was the rain.”
reverse threading 