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Category Archives: two artists tuesday


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the E.T. from earth. [kerri’s blog on two artists tuesday]

and i ponder the reverse. what if E.T. was from earth and was somehow left behind on some other planet with living and breathing beings? would the earth-alien be as wistful about leaving earth behind? would the earth-alien be anxious to go back, to return to earth? what special powers would the earth-alien reveal on the new planet? how would the earth-alien respond to this different place, these different beings?

the thing about the movie E.T. is that it left us with a heartened view of what an extra-terrestrial might bring, the connections an extra-terrestrial might find, might form. it was a feel-good, cry-at-the-end movie and there is probably not one of us who viewed the movie who cannot hear E.T. saying, “E.T. phone home” or his parting words, “i’ll be right here” in our memory bank.

but what about the reverse?

what would a contemporary earth-being bring to another planet? would it be a sense of camaraderie or a dedication to division? would it be a symbiotic working-together or over-indulged competition, lines drawn in other-planet-dust? would it be open-hearted empathy or apathetic closed-mindedness? would it be an attitude of every-one-for-themselves? would there be any tenderness, any gentleness, healing mindfulness or would the attitude be haughty and mean-spirited?

if we didn’t get to cherry-pick the person who was sent to this other planet, how likely is it that the other-planet-beings would be glad that person showed up, to welcome them with warm hospitality, to sit and try to communicate, try to understand each other?

the spaceship flower on the side of the trail sent my imagination off and running.

but it made me also wonder this: if we would – indeed – want to carefully-as-possible pick an earth-being that might represent humankind to another planet’s beings – making sure that this earth-being would bring all the best qualities of humanness, the most nurturing, cooperative, collaborative, forthright, most loving, and all-embracing traits and behaviors, wouldn’t we want the same as the leader of our own country?

E.T. was hiding in the bushes under the spaceship flower. he glanced up at me and whispered, “scared here. wanna go home.”

i handed him the flower and off he disappeared, leaving us all behind to think carefully about what we wish for in humankind on this good planet earth.

*****

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if i was the rain. [two artists tuesday]

it was torrential. for hours. we didn’t know it, but we weren’t the only ones having issues. all over our town, there was flooding. streets, houses, basements, the water was incessant and drainage wasn’t keeping up.

it’s not like we don’t need rain. we do. but the intense downpours aren’t helpful. residents ended up without power, with too much water and without water (ironically).

this is a time of intensity. it seems that every weather system, every environmental concern, brings an amped-up version of itself. it’s not just a little windy. it’s a derecho. it’s not just a bit dry. it’s on fire. it’s not just a soft rain. it’s a deluge. it’s not just a storm. it’s historic. it’s not just endangered. it’s extinction.

and we’re not the only ones.

right after we chose this image for our blogposts, i started humming lowen and navarro’s “if i was the rain“, an utterly debilitatingly beautiful song.

and so i think about how it would be – to be the rain.

“if i was the rain… i’d fall between the fireflies; i’d never dampen any light.”

yes. how i’d be careful not to dim the brilliance of others.

“i’d strike a chord within each heart, wherever they were torn apart. and if that helped them heal themselves, maybe we’d find out where forgiveness starts.”

yes. how i’d be aware of washing away old hurts, bringing a flowing river to all.

“if i was the rain, i’d choose forever to remain. i’d add a sparkle to the night and marvel at the morning bright.”

yes. how ever-present, a single drop of rain. ever-mindful of vast goodness, of perspective, of eternal gratitude.

“if i was the rain i’d bless each blossom to unfold and i’d turn each one of them to gold.”

yes. how to feed every last thing with the best nourishment, water to grow, dreams to flourish. nurturing. giving to. not taking from.

“if i was the rain. if i was the rain.”

but i’m not. and there are changes happening. and the weather is intensifying. and we – as humans on this good earth – have choices to make.

the things we will decide will affect the rain. and the rain will affect us.

and we’re not the only ones.

“when we try to pick out anything by itself, we find it hitched to everything else in the universe.” (john muir)

and then, eric lowen performed it one last time, “if i was the rain, if i was the rain.”

and i can’t help but wonder.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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ravinia-fed. [two artists tuesday]

though we had looked at the schedule of events, we didn’t make any plans to go to ravinia. so it was completely spontaneous.

it had been a helluh week and the weather had broken…suddenly an evening forecast with 70 degrees and clear. we looked at each other – two mighty frugal artists – and jumped in.

bought the tickets online and started to pack the picnic bag – a tiny charcuterie table with wineglass holders, a cooler section for all the goodies. cheese, olives, bing cherries, watermelon, crackers, tabbouleh, a bottle of apothic, cloth napkins, corkscrew, forks and spoons. a couple blankets in a tote bag and our two unmatched bagchairs and we were ready. i ran back in to get a jelly jar and a couple tealights.

took the backroads down and – since i haven’t been there in like at least 15 years – asked siri to take us to parking. siri didn’t bother asking us if we were ravinia donors – which we aren’t – so she directed us to the wrong parking lot. we followed the other non-donors to the highland park metra station to hop on a shuttle bus that took us to the park. phew. a bit of a rigamarole, but oh so worth it.

it was while we were spreading our blankets and setting up our site under the trees and speakers we could hear the first strains of the chicago symphony orchestra. the music of carole king, carly simon and joni mitchell floated over us as we settled in, the cool evening falling around us.

it was a good thing. we had hit critical mass. too many stresses and not enough play, not enough stretching, not enough out-getting. we walked the park, passing more elaborate setups than our own, groups of friends talking, laughing, eating, listening. we stood at the pavilion and watched the orchestra, feeling it rise and fall close up. there is something about an orchestra under the stars that is breathtaking, like the way it is supposed to be. it was balm for the weary, something to sink into.

the guy on the path nearby was singing oh-so-out-of-tune as he passed by, the strains of carole king’s you’ve got a friend loudly broadcast as he walked with large arm gestures and a little bit of dance. he was loving it. you could tell.

and so were we. the cso is wise. like many symphony orchestras around the country, it is finding its audiences shrinking. so it’s trying to regain relevance. playing recognizable vintage pop music – by women – with singers, the evening spoke to thousands of people who came, blanket or bagchair sat, charcuteried, sang along. you could feel a thread of commonality, a gentleness that seemed like kindness – people were smiling.

it was good for our souls. under a big waxing gibbous moon and the cool blanket of breezes, we took deep breaths. it doesn’t take much. but it begs being attended to. being out and about, in the presence of fine musicians and an appreciative audience, we were fed. an artist date. so needed.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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brush to canvas. [two artists tuesday]

from a distance they are paintbrushes, sporadically appearing in the meadow, catching plumes of downy fluff that spread like thick contrails, and, catching the wind, fly off. i can imagine plucking one of these paintbrushes, dipping it in paint, touching it to canvas, light strokes of color.

i have some paintbrushes downstairs. they are wood and some kind of fiber, inexpensive brushes i purchased when i was painting the canvas for the hall and the canvases for the living room. i actually didn’t use them. instead, i used a couple of housepaint brushes and, in alignment with that, house paint. latex. in cans. there was nothing about my painting that would be called “fine” – it was big strokes, big spattering, big expression. big brushes to big canvas. i saved the wooden brushes and, even now, haven’t yet used them, though recently bought a few small 8×8 inch canvas boards. i’m not sure why yet.

on the other hand, david cherishes his paintbrushes and knows exactly why to use each of them. his careful hand applying just the right amount of paint, brush to canvas, shaping the narrative of the painting. he recently bought a big roll of canvas. cutting off a five foot square, he painted a replica of a previous painting he had done, a piece that someone wanted but that he had painted for me. it was an amazing process to witness, as he brought the same energy, the same freedom of movement, the same emotion to this emerging painting. and suddenly, a month of hours-each-day later, it was complete. unfettered II had a destination and we shipped it off, like a short-term child he carefully tended and then let go.

one of our youtube addictions is to a channel of a man named martijn doolaard, a dutchman who is restoring two stone buildings in the italian alps. slowly, deliberately, patiently – with no expectation, no judgement, no apparent worry – martijn painstakingly goes about this restoration, working from sun-up to sundown, cooking himself dinners that look as beautiful as his vista and relaxing by editing hours of video or by painting. his brushes and his oils are precise. with brush to canvas, he paints landscapes of his surroundings, the environment of peace he has created, his studio the mountainside and sky.

i wonder who will pluck these thistlebrushes. i wonder what medium they will use to paint, upon what canvas they will work. what strokes will be applied to the prickly leaves, the blossoming flowers, the unrealized buds, the underbrush dying from eradication? what colors will be mixed to mimic the rising sun, the blur of a hawk on the wing, the flat bill of the white crane, the camouflage shell of the turtle?

nature has already brought its best in this meadow, in this forest, its brushes to canvas. it has brought its best at the line of surf of the ocean, upon the summit of high mountains, in the deepest of canyonlands, in the setting sun on red rock. it has brought its best in the faces of those we love, those who love us. it has brought its best in the perfection of creatures – domestic and wild.

it is intrinsic upon us to notice.

*****

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the stage. [two artists tuesday]

behind the curtain and between stage-left and stage-right wings, the action is paused and ready. umbel stalks on point, waiting to explode into clusters of tiny white flowers, delicate leaves opening, lacy, inviting the show to go on.

it’s spectacular – this performance of nature.

queen anne’s lace – i first learned of this wildflower from my dear friend linda – can be confused with other plants. bishop’s flower, wild parsley and hemlock taunt many from the meadow and one must be careful to realize that their performance piece is not the same – they are not edible – like this wild carrot of queen anne’s lace – and, in fact, they are toxic. the meadow stage offers up options but only carrots are carrots.

for those who love the stage in any capacity, there is a responsibility, things one must remember.

i knew from the beginning that the stage was not about me, not about what it could bring me. instead, the stage is about what i can bring to the audience. i have played to a handful of people; i have played to tens of thousands of people. i always knew it was simply my job to offer my music, stories, lyrics, song, to put it out there. to be absolutely present – sharing the moment – my jeans stuck in my boot. to connect, to resonate, to move – though my expectation was not to be moved, were i to feel it connect, resonate, move, i, in turn, am profoundly moved.

to be off-stage for a longer period of time is taxing. there’s expendable energy stoking up, ready to burst off the apron, into the house. shimmering moments, illuminating the glow of faces seated, the warm cloud of laughter, the sighs of sinking in.

i have stood on the giant rocks of the john denver sanctuary, bowing. i have stood on the stump and the downed tree in the forest, bowing. i have danced on the deck, bowing. i have fist-microphoned in the kitchen, bowing.

i googled “what is the difference between an entertainer and an artist?” for i am often called an “entertainer” and, for some reason, that word rubs me wrong. surprisingly, an AI bot responded. “sage” wrote, “entertainment often focuses on providing a pleasurable or amusing experience for the audience, while art is more about expressing ideas, emotions or personal experiences. … entertainers focus on entertaining, while artists focus on expressing themselves through their art.”

sage’s answer indirectly implies a contrived reorganization, a pleasing-you approach. and while i have read audiences time and again, choosing direction of a concert – if possible – as i perform, on the fly, it is still with an intent to share, to impact, not to simply “amuse”.

i think it’s a matter of purity. or order. or intention. a combination of the three. plus gut. intuition. emotion. to bring. to touch. to move. to prompt questions. to elicit change. artistry. to lift up – suspending in midair – a piece of music, to let it soak up tiny jet streams that will carry it, to let it fall – as it might – onto the anyone or the anyones who is or are there – recipients of my good intention, from stage to audience.

hunger for the stage is real. it is pining for that connection, for the very reason i have composed.

one day the curtain rises – one day the delicate leaves drop – and i’m grateful to perform, piano, boom mic, wood under my feet – and the clusters of tiny white flowers explode into daylight.

*****

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black and white prayers. [two artists tuesday]

it is all in the intention.

our old door – leaning against the house on the back deck – is not high in the himalayas. it’s not at everest base camp or, for that matter, on any scaled summit. but, like the space in which our other prayer flags fly, our deck provides a place from which to release prayers and mantras into the wind, to hope for compassion, peace, strength, wisdom, and good will.

the cracked-paint white door leans against the white lapped vinyl siding of the house. walking sticks – mostly from mountain trails we have hiked – lean nearby.

our colorado prayer flags have faded and shredded to nearly invisible. i imagine many, many prayers blown far and wide, the wind pulling at the string on the northeast side of the house, a place of distinct breezes off the lake.

i decided to make our own. they do not have the words of prayers on them. they are not specific in a colorful palette. instead, they are black-and-white, save for one white-and-black flag. sewn of thin bandanas and seam tape, i was pretty excited to string them up.

and with them, as they are beginning to catch the breeze, as they begin to get tattered and worn and sunbleached, they will begin – just as the others – to send wishes of goodness and positive energy into the world.

we aren’t going to get all hung up about color or what is printed on the flags. for us, in these times, it’s all about the intention.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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and wings. [two artists tuesday]

his legs wrapped tightly around the garden fence, the cicada gave in to his time of transformation.

i found him when i was watering. i bent down to pull a weed by the low fencing and there he was, clinging with all his might to the thin metal frame, following his call of nature, nymph to adult. the transition is recognizable. the two creatures look remarkably different, so it is easy to tell which is the mature cicada.

it’s the second time we have been witness to part of the cicada’s metamorphosis. the first time the cicada was clinging to the deck and we watched the whole fascinating process. this time, we came upon the cicada after it had shed its old skin, the outer exoskeleton having molted off into the dirt. both were profound for us. the giving over, the trusting of transformation, gaining wings, going on into next as something quite different.

“life is not so much about beginnings and endings as it is about going on and on and on. it is about muddling through the middle.” (anna quindlen)

and in the middle, the holding on. legs – and arms – wrapped around the garden fence of our lives, clutching for dear life. to be in the middle – sorting and pondering, full of wonder and angst – we can only trust that each next will arrive, that the on and on will not betray us, that we will not betray the on and on. the cicada surrenders, relinquishes any worry of what is to come.

and then, it wakes soon after, having pushed its way through the deadened shell. with wings. wings! exuberant noise fills the summer air. i know i will listen for our garden-fence-cicada on hot nights when the sun is setting and dusk is on the sky.

and we – in our metamorphosis from one day to another – sorting and pondering on our fence – begin to know that wings are possible. we learn that we have had them all along. we untuck them, test them out, flex a little, grow stronger. and we are astounded to learn – like the cicada – that we can fly.

“i want to be light and frolicsome. i want to be improbable beautiful and afraid of nothing, as though i had wings.” (mary oliver)

*****

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dogdog. [two artists tuesday]

younger and he would have already figured out how to get his pride bandana off. but he’s ten today and he’s slowing down a bit, taking things in stride a little bit more, tolerantly allowing for message-filled bandanas and goofy headbands.

our dogga – today – will pretty much dictate what we do on this noisy holiday. he – like so many other pooches – does not appreciate fireworks and it hurts us to see him confused and so bothered by them. we will likely spend time in the basement or succumb to putting the old air conditioner units in the windows – the first time in three years – and turning them on so there is less outside noise coming inside.

i’m not really sure why everyone has to have their own fireworks in their own yards. there are stunningly beautiful displays on the lakefront – up and down lake michigan. sitting on the rocks or at the park you can see them north and south. nevertheless, a whole bunch of neighbors and people in the ‘hood will insist on their own well before the fourth and well after, and a whole bunch of pets will be frightened.

dogdog at ten is different from our dogdog at two or four or six. these days, his wise eyes help us center, steer us away from disagreement, prevent us from a snarky word here or there. we try not to upset the dog. these days, he gets up a little slower, jumps down a little more tentatively, lets us love on him a little longer. we try not to forget we are aging with him.

it is possible that this – the undeniable love we have for our dogs and the desire we have for them to be happy – is a good reason to have them. the simplest pleasures, the slightest touches, a little bit of attention – lessons in relationship. ingredients for a happy dogga.

it’s our second fourth of july without our babycat. it’s the second fourth tripper has had without his babycat. although disturbed by the noise, they would buddy up. somehow, one would reassure the other, telepathically relaying words of comfort, soothing, “we got this”. we know he really misses b-cat. every morning he goes into the kitchen to lay with him – our angel-cat now – in their early-morning-after-breakfast tradition. he’s kept up the ritual. it tugs at us to see him there, in the exact place they would always nap together.

and so – on this holiday – this very noisy holiday – it is to the needs of our beloved dog we will turn. we’ll skip the hoopla, we’ll skip the bedlam at the lakefront, we’ll skip the jockeying for a spot on the grass in the park, we’ll skip the rocks where people set off crackers, we’ll skip the fireworks display.

because what really matters today is celebrating this aussie-dog’s birthday, his unconditional love and care for us, and what we can do to make his day a better day.

*****

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both exist. [two artists tuesday]

the owl feather lay on our trail. soft down curled at its base, it was striking against the dirt of our path. we stopped.

the trail has different rules. the point is never to hurry. it is never to walk without open eyes. it is never to pass by that which draws or beckons. instead, it is to take the time, to go slower, to see what is there – in all its mysterious beauty. and, though this is the most familiar of our trails, there is not a time we have hiked it that we have not seen something new, something informative, something so beautiful – even in its simplicity – that we had to stop and photograph it.

it IS how the world is, she said. it exists just the same way as the dark exists. we were talking about goodness, the presence of goodness, the pay-it-forward of goodness. i was wistfully talking about a world that valued goodness, that lingered in kindness, that held beauty in gratitude, that was full of light and hope and the love of one another. her words stopped me.

it does exist. and, yes, it exists the same way as all the dark in the world exists. it’s a profound thought.

we were walking out to big red to go take a hike. a beautiful black crow feather lay waiting on the driveway.

next to littlebabyscion was a smaller feather, perhaps one from a robin that sang the sun up earlier in the day.

to read about owl feathers and crow feathers and robin feathers, one finds a plethora of information, some seemingly opposite in meaning. but the one thing that all feathers seem to represent across the board is that there are angels with you, there is a connection to the spiritual world.

whatever you perceive that to be, it would seem that a connection to the comfort and love of those who passed before or the eternal wisdom, the resilience, the goodness of the universe would be a good thing.

all the light exists just as all the dark.

*****

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roygbiv. [merely-a-thought monday]

she reached into her rainbow bag and pulled out two rainbow buttons, handing them to us. “brilliant!” i thought, while also thinking we should have brought our “be kind” buttons and given them out as well. this darling little girl, accompanied by her mom, stood in the center of the blocked-off pridefest road, twirling right and left, gifting festgoers with happy faces.

i was awake most of the night. it wasn’t until sometime after the birds began showering the rising sun with song that i fell asleep. middle-of-the-night musings often keep me awake these days. the harvard medical school reports that insomnia is present for 35% to 60% of women after menopause. i’m seriously thinking someone needs to do something about this.

so it is in those wee hours of the night i ponder everythingunderthesun. it is like my own personal pablo neruda book of questions – random, open-ended and with no real answers. all over the map, i revisit growing up, walk through previous houses, go back on vacations, have conversations all over again, list groceries, think about deferred house maintenance, slink around the edges of new creative projects, send positive energy to beloveds. i wonder about the universe answers – if they will drop in, like a sticky note from the heavens above. i list gratitudes – simple, like this tiny girl’s happy face rainbow buttons – and complex, like straddling the line of relevance. i list worries – like the day to day challenges of aging, the challenges of a world fraught with superficiality and division, the challenges of the environment, the heart-challenges of most important relationships. the one thing i do not do is sleep.

i’m pretty sure i am not necessarily capable of solving everything at 2am. and 3am is worse.

but a couple minutes after 4am – when the birds gather in our neighborhood trees and sing up the sun and its roygbiv – and i am present – that is when most of it – the kaleidoscope of life – makes sense.

*****

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