i pulled off quickly – into a small lot overlooking the lake – because i knew that it would soon cease to be there – this striping of snowy beach, lake, storm, clouds and sky. soon it would disappear – maybe in moments – this differentiation of color – this horizon – soon it would become mostly gray. soon the textures would blend and it would become flat.
i am – we are – in the middle – once again – of a big attempt to clean out. thirty-five plus years of accumulation is a lot to go through and re-organize, donate, discard. every single thing takes longer than you might think. and, frankly, i am not anxious to go through it faster, to flatten it all out into neat-and-tidy in as short a time as possible.
i actually want to see all the textures of all this time. i am – figuratively – pulling off into the overlook so that i might gaze and reflect, remember and feel.
already, i’ve come upon surprises. already, i’ve been given a chance to remember tiny details i had forgotten. already, i’ve danced through children’s books and old vcr tapes, cassettes from the 70s and scraps of lyrics tucked deep in desk drawers. there is much to be done, but i’m in no rush. our focus will mostly be right here – in this era of national upheaval – and we will take our sweet time.
“everything takes so much longer than you think,” stating the obvious, i looked over at d, immersed in his own tasks of our cleaning-out.
“that’s ok,” he replied.
“yeah,” i sighed. “no need to rush,” a promise to go slow.
there’s plenty of time for neat and tidy, organized and pared down.
in the meanwhile, the textures of decades are on the horizon. in closets. in the basement. in the attic.
when i was younger – a teenager – i used to sit in the tree outside my window and write. shy – at first – of using the word “poetry” to describe what I was writing, my sweet momma suggested the word “reflections”. so back then i adopted that word for a bit. i consider now how much time in my life i have spent writing reflections, writing lyrics, writing poetry…how much time i have spent – even figuratively – in that tree.
for obvious reasons – the gift of the early days of a new year – i am gazing back on the year we just exited, reflecting on the river we traveled. it’s why i keep a pencil-written calendar – i want to remember. all of it. the tough moments and the moments that seemed divine, the hilarious moments and the times I couldn’t stop crying. all of it.
as i look back on all the spindly memories i can muster, i wonder about the year’s journey. was i compassionate enough? was i courageous enough? was i stalwart enough? was i stubborn enough? was i flexible enough? was i unconditional? did i keep my mouth shut at the right times? did i speak up at the right times? did i shout at the right times? did i choose wisely – based on knowledge and truth and values? did i comfort? did i stand in love, act from love, embrace love – enough?
it’s snowing as i write this – under a delicious quilt looking out the window. if i turn my head just right, the happy lights are reflected in the six-pane window. if i cock my head to the side, i can source the mind-bank of reminiscing, albeit a bit helter-skelter and most definitely incomplete. if i close my eyes i can hear the silence of the morning; i can intend quiet. i can wade in the river.
i suppose that in the rearview mirror of our lives, we all have much to ponder. we each take up a tiny bit of space here and it matters. we flaw and we flounder and we – sometimes – maybe not as much as we would wish – sometimes we flourish.
i think that as i take spindly-sapling steps into this new year i am hoping to reveal as much as possible in the reflection in the river. it’s time to look that reflection in the eye. it’s time to be the same we are. it’s time to change.
if i wish to be a strong oak, resilient and leafy, then i must live as a strong oak, resilient and leafy. or an aspen. or a maple. or a lodgepole pine. or a willow. no matter.
grounded, supporting other life forms, part of a bigger picture – a bigger ecosystem – mindful that we are simply a grove of humans in a giant universe. perhaps we all need be mindful of what we are reflecting back. we are rooted together – with branches that reach for each other, for spirit. interconnected, we share this earth. we share responsibility. we share the mirror.
my eyes struggle to make the reflection clear. but rivers are like that. they are never entirely static. they keep moving. and things are a bit blurry.
somewhere – in the infinite infinite – i suppose that my sweet momma and poppo might be with my big brother, nibbling on crumbcake and coffee ice cream. maybe they are having a chat about christmas eve norwegian fish pudding and rum cake. or maybe about burning your fingertips making krumkake. maybe they are reminiscing about singing carols in the living room – gathered around the organ or the piano, my brother with his guitar, my uncle with his beautiful tenor.
i suppose that the party might be bigger…with their baby daughter i never met, with my grandparents, with their siblings, with friends they treasured. they may pop open the martini & rossi asti or blend some eggnog, assuming there is electricity. maybe they are swinging on stars and peering through the clouds at us here; maybe they are missing us.
in the way that things are in this place right now, i am glad that my sweetest mom and dad are not physical witnesses to what is happening, for their hearts would be broken by the ugliness of these times. i am grateful – in an odd way – that they do not have to experience what will be in the next for this country, for our world. even with everything they saw and endured in their lives – which is plenty considering they were born in 1921 and 1920 – i know that what’s happening and what’s coming would challenge and disappoint their beliefs and values to the core.
and so, in the meanwhile – between now and the infinite infinite – i will miss them. the axis has never returned to balance since they’ve been gone and this time of year brings that home even more.
i do believe, though, that if my momma – ever the letterwriter – could write in the sky – out there by the moon – she would. she’d likely draw words with the help of clouds and contrails. and she’d spell out something like, “daddy says ‘hello brat!‘” and “don’t forget to live life, my sweet potato!”.
when i look up – or inside – i can hear them both.
it did my heart good to wander slowly through milaegers garden center. like the line “it’s much more than a box” from the department store gift-wrapping scene in love actually, milaegers is much more than a garden center. and day before yesterday it was a holiday wonderland.
it was just what i needed. we strolled slowly, each of us raying out to what invited our eye. everything was decorated and the displays were glowing. we were searching for just the right thing and lingered around each tree – perfectly laden with ornaments and gleaming tchotchkes.
we finished our holiday shopping for the day and happily used a gift card we had held onto for well over a year – a local bistro where we loved sitting at the bar sipping a glass of wine and sharing a most-delicious burger. it was truly a day that put spirit into our spirits.
last night we sat in our living room under a furry white throw and looked around at our decorations, satisfied that we not only paid homage to a festive season but were true to our own sensibilities, a mashup of organic and glimmer. there is a shimmery incandescence in there we can both feel – particularly full of grace at a time of seasonal and out-in-the-world darkness.
the tiny trees we’ve collected are scattered about, both happy-lit and simply green. even the very plainest of these have their place.
the big branch in our living room – from the old tree out front – has now stood there for four holiday seasons. though it is wrapped in year-round white lights, each christmastime we have added something. two years ago it was silver bulbs. last year it was vintage shiny brites of my mom and dad’s. this year we added crystal prism ornaments. there is a lone metal star. it is – to us – really beautiful.
eileen’s tree – “e.e.” as it will always be known – has the place of honor, standing sweetly in the doorway from the living room to the dining room. a nod to the traditional, it has become, now, one of our own traditions. it all feels peaceful, which is our intention.
in the day the crystals on the branches in the living room throw beams of sunlight across the floor. with the room lights off, the happy lights of the trees on, the crystals on the branches in the living room glitter, anticipating the season of the return of light.
it is not milaegers but it is home and, in a world of frenetic and fraught, this luminous place is truly our sanctuary.
it was while i was waiting for the person to arrive to pick up the desk that i started. it wasn’t really on purpose. it was simply a way to keep an eye out the window at the front of the house. i opened the small chifforobe cabinet and began to pull things out and stack them on the floor of the studio. then i went over to the small desk and did the same thing. before i knew it, it was chaos on the floor of the studio, piles on the padded artist bench, even small piles on top of my piano.
in the unearthing of space, i am finding notebooks of lyrics, slices of songs, chord progressions jotted on scraps of paper. there are piles of process cds – from demos of songs to recording studio takes, edits, production in all its phases, final products of albums released into the world. there are radio charts and encouraging cards, pencils and erasers and staff paper.
i think of my son – at the other end of the journey – the closer-to-beginning part of his artistry. though he is waaay past just-beginning, his heartbeat is quickened by his own growth in his music and by the outer reaction to and support of his EDM. i remember those days and i celebrate for him and with him. they are the days that feed artists when we are depleted, when we are in the midst of hunger, when we are pondering our place in our art form, when – if we are feeling disoriented – we are trying to see where it was – discern how it was – we got lost so that we might find our way, when it’s a little bit agonizing, when we are a lot a bit tender, when we are wondering.
later on – much after the computer desk was gone – after the frenzied muse had left the building – i groaned looking at the mess.
but there is no going back now. it’s time to keep going, to keep going through, eliminating, filing, re-designing the spaces and space in my studio. time to bring in new light, time to give it a chance.
in more than a bit of vulnerability, i must say that i don’t really know if that will change anything. i know that the studio will look more spacious, it will be slightly less muddled in there, more austere, more piano-focused. i feel like that could definitely be a good thing…a tiny step toward actually playing, actually composing. cleaning out will remove some of the tangible tokens of feeling remote, or of hurtful, harmful things that have undermined my artistry, that have waylaid me. it might remove some of the visible and invisible layers between me and my music. i guess that’s all to be seen. as overwhelmed as i am – thinking about all the work in front of me – i do see some magical bits of light in the dark, even amid the squall of chaos.
when my grand first arrived – over 25 years ago – it was the only thing in the room. just a big C5 on bare wood floors with high ceilings and freshly painted white walls of plaster and beadboard. it was pure and glorious.
since then – for various reasons – i added a chifforobe, a writing/reading chair, a desk, music stands and mic stands, other instruments.
maybe sorting through, reorganizing, removing the desk, minimalizing stuff, clearing the space will surface the essential reason for this studio, will distill the paralyzing fog that has settled over the space and in my heart, give light to a dimmed imperative. maybe a tiny bit of balance will return. maybe it’s all still relevant.
i stand in the doorway and acknowledge that i don’t know.
“your hand opens and closes, opens and closes…your deepest presence is in every small contracting and expanding.” (rumi)
brave thistle plant – even in the bitter cold – open. this star in the meadow reminds me to stay open…fluid in breath…in and out.
i sometimes wonder about my music. my grand sits in my studio, waiting. it is patient, although i can sometimes hear it in hushed tones, calling me. there has been much between the last time and now, much that has left me closed to it.
i’ve touched it a few times in a few years. i don’t want it – or anyone, including me – to overreact to that. it is beautiful and full-stick and keys-open and – like the thistle – it bravely stays starlit even in the fallow times. and so, it is – every now and then – inviting. but it is complex – complicated – and it’s obvious I haven’t sorted through all the layers yet.
it is an artist’s imperative to create. but there are no rules that state the medium must remain the same. and so…in these inbetween times…i write. to be open to something different is to dance with that imperative.
the heavy old mic stand tucks right outside the doorway to the studio. it’s holding a vessel for candlelight right now but – at the end of our hallway – it reminds me of microphones and wood stages, simple lighting and boom stands. and then i wonder again – about all that.
the real answer is that i don’t know. i don’t know what will happen in these nexts. i don’t know if i’ll compose more, record more, perform more. there are a lot of ifs between here and there, a lot of details, a lot of stars that must align.
but the little thistle plant in the meadow reminded me that even with all that – all in the galaxy that must cluster – constellations in the cold are possible.
the leaves have not all fallen yet. looking out back, they are still clinging to the oaks, the maples. i gathered a few that had made it onto the deck…just bits of green, yellow, a little orange, red. they went on the dining room table under the gourd that had spent long sunshiny hours on the potting stand, wicking away its outer layer, stripped down to its mustard shell. we celebrated the simplicity and lit candles to showcase these small trinkets of fall.
our stock pot of irish guiness stew simmered for hours. we shared it with our son and his sweet boyfriend, sipping wine and dipping chunks of baguette into our bowls. it was a joy to be there – at that table together – on thanksgiving – and i was grateful in each moment.
i’m more and more aware of the tiniest showcases of miracles. from our quiet hikes on trail to listening to the wind resonate the tenor chimes in the dawn hours to walking about inside post some clearing-out and rearranging in our old house to times spent with others. in silence and in boisterous noise. an abundance.
the light shines. it radiates through. noticing it is not only our task, but it is our gift.
it was this morning – while i was nibbling on gluten-free cinnamon toast. it was while i was dishing out dogga’s dinner. it was while we sat at the kitchen table, darkness quickly falling outside. it was while i was sending a picture-of-the-day to my children, while i was texting with my dear friend. it was while i listened to george winston’s thanksgiving. it was on the trail. it was at the matinee of the movie here. it was leaving the theatre, tears in our eyes, grateful it was still a little light out.
it is right now. and this is where we are.
there are boundaries to be drawn, plans to be made, worries to be worried, griefs to be grieved.
there is shock and outrage. there is absolute horror.
there is no humor in what will come – and there is disgust at those who laugh with the sadistic glee of getting their way.
there is knowing and not-knowing. there is lostness.
there is uncertainty in the insanity of these moments.
but it is right now. and this is where we are. still.
so i will take stock wherever i find goodness, wherever i find community, wherever i find even a bit of joy, wherever i find love.
and i will dance in the kitchen, make homemade tomato soup, grow parsley in the winter. i will hold tighter to his hand and hug on our dogga. i will be frugal and i will be frivolous.
and i will sit on the wire with the other birds, watching the sky turn from night to day and night again. grateful for the tiniest things – that sky, the birds who love me and who i love, the wire and the still of still being here.
“we can disagree and still love each other unless your disagreement is rooted in my oppression and denial of my humanity and right to exist.” (james baldwin)
i would add – or unless your disagreement is rooted in the oppression and denial of the humanity and right to exist of people you purport to care about – people in your beloved family, in your cherished community.
growing up, there were straw placemats in a circle around the perimeter of our kitchen table. each one had inked initials in the bottom corner – to designate whose placemat it was. ba, ea, wa, ka, sha, they read. in some moment, a guest circled around the table, reading them aloud, in order. “sha-ba-ea-wa-ka,” he read. and then, more quickly, “shabaeawaka!”
shabaeawaka became our family’s shortcut of the combination of our names – my mom always lovingly referring to the moniker and telling the story of its origin.
shabaeawaka – in all the ups and downs of a regular family – became a synonym for invincible ties, for family-sticking-together.
my sweet momma, even in the last moments i saw her, believed with her whole heart in the devotion of this family to each other. she believed in kindness and generosity, in acceptance and goodness, in joy and positivity, in love no-matter-what.
my sweet poppo – a mostly quiet man – died three years before my momma. he wasn’t one of those dads who would sit you down and bestow wisdoms upon you. but i could feel his staunch support of me throughout my life…as a child, as a young adult, as i finally made my way into my artistry, as a parent.
my momma stayed in their house in florida on the little lake as long as she physically could. she surrounded herself with the familiar of their lives together, always missing the actual presence of my dad, lonely for him. the empty vase – the one my poppo kept filled with grocery store flowers – stood in the foyer, an acknowledgment of unwelcome change.
but my sweet momma – well – she kept on. and as it became obvious she would need to leave her home and move into assisted living she chose to give away things from her home. the dining room table went to a family of immigrants who didn’t have a table at which to eat. her blue leather sofa went to a family across the street. my momma was not discerning. people in need of something were precisely the people to whom she wanted to give those things. even in her grief of moving, her generosity and love of others prevailed.
i did not feel the need – nor did i have the logistical ability – to fill rooms with items of my parents after my momma’s move or even after she died. but i do have remembrances of them. and i have their dna.
mostly, i have the ideal they taught me – that no matter what, you stick by your family, you uphold each other, you protect each other, you love each other. in no uncertain terms, my mom and my dad would stand tall next to each of us, buoying us and believing in us – the lesson of acceptance – no matter what – of the right to exist, to sustain, to thrive.
i know – without a doubt – they have cheered on my life – in all its phases, in its ups and downs. i know – without a doubt – they have cheered on my daughter’s courageous and adventurous spirit finding home in the mountains, my son and his incredible and cherished LGBTQ community in the city, around the world. i know – without a doubt – they would support them to the mat, thwarting anything that might come between them and their freedoms as americans, as human beings. i know this not only because it was how i was raised, but this is what shabaeawaka is. it is the legacy of shabaeawaka.
and so i wonder what they are thinking now.
i suspect they are on board with james baldwin.
there were times of disagreement, yes. my quiet dad could get rather loud in moments. my sweet momma could push back on inequality, on the crushing of human rights, on evil.
but all was ok if the basics were still in place, if the disagreement – in the words of james baldwin – was not rooted in the oppression of them or their loved one, if it did not deny their humanity or the humanity of their loved one, if it did not undermine their right to exist or their loved one’s right to exist. those were the basics and the basics of any faith i ever learned from them.
I wonder what they are thinking now as they – from a plane of existence far away – watch this election, as they watch the unthinkable, as they watch oppression and the denial of humanity and right to exist on the up-close-and-personal do-we-love-each-other line, as they witness the undermining – the throwing away – of the tenets of their precious shabaeawaka.
i don’t know where the placemats went.
i just know i don’t need the actual placemats to remember what they meant.
“have you ever seen anything in your life more wonderful than the way the sun, every evening, relaxed and easy, floats toward the horizon and into the clouds or the hills, or the rumpled sea, and is gone –
and how it slides again out of the blackness, every morning, on the other side of the world…” (mary oliver)
and, in the high desert of moab, i watched as the sun took its rest from day. slowly it sunk down below the mesa in the distance, slowly hiding behind the mountains, slowly the sky echoed that it would be night, that we could now slumber and wake to yet another new day.
and, in the morning, we rose before the sun had graced the top of the east peaks. we stood and watched, waiting for this next new day, another day that would be filled with beauty, with grand landscapes, with awe.
“and have you ever felt for anything such wild love – do you think there is anywhere, in any language, a word billowing enough for the pleasure that fills you, as the sun reaches out, as it warms you as you stand there, empty-handed…”
here, back at home, in our adirondack-chaired backyard, we try to recover from covid. we move slowly, slower than the sun, with far less energy, far less potential at the moment. we review our time out west, looking at pictures, telling stories. we are in a strange fog right now – waiting for the sun of restored health to burn off the woozy.
we sleep, we eat bits of food, we hydrate, we sit outside. we write a bit. we scroll. we, unfortunately, are compelled to watch the news.
and it is as we watch the news of this election – as i think of the people who are supporting the madness of a candidate who has vowed retribution on the american people, i am stunned to my core that i know these people, these maga voters.
i am stunned that under the very sun that has graced each of us with warmth, with life itself, there are supporters who will elect this distorted human being with dreams of fascism in his blank eyes. i cannot imagine he has ever watched the sun rise or the sun set – for, if he has, he has lost the dream of what life itself is, what living together under the sun could be.
“or have you too turned from this world – or have you too gone crazy for power, for things?”
reverse threading 