the amazon truck pulled up and the driver got out, ran a package to our door and ran back to the truck. but he didn’t pull away. he pulled up a bit and stepped out again with his phone, aiming it up at the big old tree at the end of our driveway. in the notch of branches was a giant mushroom, super-sized by humidity. he poked at it and a chunk fell off for him to investigate. from inside i couldn’t tell what he was doing, but once i walked down the driveway i could see the giant ‘shroom. perhaps a northern tooth fungus, it was beautiful and mysterious. it’s no wonder the amazon guy stopped to stare and photograph it.
there are years that we have had mushroom rings in our yard. you’re thinking, wow, they mustn’t have great grass. no, we don’t have great grass. but a fairy ring of mushrooms is common and apparently take about a year to form, all underground. superstition says that if you enter a fairy ring, you will dance with nature’s creatures and you will be unable to stop. since we like snacks and sleep, we have chosen not to enter the ring, avoiding the off-chance that this inexorable dancing take over. but the presence of fairies and elves seems magical and since these rings are associated with luck, i choose good luck over bad and we haven’t done anything to prevent them from being there.
one evening as we sat having a late dinner at our covid table in the sunroom, happy lights on and a couple candles flickering, i looked more closely at snakeinthegrass. i was surprised to find the presence of tiny mushrooms, sprouting up and living in community with this sansevieria plant. perfect little fungi, they stood tall and steadfast for a few days and i imagined tiny invisible-to-the-human-eye fairies waltzing under their domes. we laughed at the ballroom on our table.
as fascinating as mushrooms are, i would never be one to go out into the woods to arbitrarily pick them; there are too many doppelgangers out there and we are not informed. but in the way of learning new factoids, it’s amazing to note that mushrooms actually breathe oxygen – just like humans – and emit carbon dioxide, the opposite of plants. and the genetic makeup, the actual dna, of mushrooms is more similar to humans than plants.
as i look at the coming and going of these tiny mushrooms in our potted plants and high in our maple tree and ringing in the yard, i think about the necessity of their existence in our ecosystem. fungus, they give back and make it possible for plants to survive. they are synergetic without exception. perhaps their dna is even more advanced than humans.
it is said – and clearly there are many people in the news now’days who subscribe to this – that any press…good or bad…is better than no press. you have to wonder.
way back in 2002 i released this album. ‘as sure as the sun’ was the culmination of much writing, practicing, arranging, driving, singing, hydrating, listening, reviewing, re-writing, more singing, more practicing, more driving, recording, listening, sitting and watching my producer, more sitting and watching my producer, re-recording tracks, more practicing, more driving, more hydrating, more singing, more writing, more listening, more reviewing, re-writing, practicing, singing, hydrating, more driving and a lot of worrying. i recorded the album in nashville and drove back and forth for sessions, in between which i spent my time finessing each piece of music, each song i had composed for the project.
as an independent solo artist and not a complete band with others to lean on or a label financially chugging it forward, it was a big project, a big investment in heart, time and money. my producer and i had to believe in it to keep it going. bottom line, i had to believe in it to keep it going. when it was done and i drove home with a mastered CD, it was with a mix of feeling proud, wiped out, anxious and full of dreams. ‘as sure as the sun’ was my sixth album and the first that was a full-length vocal. it was stepping out of my comfort zone. it was the edge.
i hired an agency to help with its release and a radio promoter to aid in its adds to radio airplay. i don’t recommend either. to the tune of almost $40,000 they took me for a ride and i wonder now how this was possible. but when your professed dreams come knocking it is hard to turn away and do it yourself. in retrospect, i should have just continued doing it all on my own as i had done with all the instrumental albums that preceded it. but ah, that whole retrospect thing is such a fine perspective arranger.
amazon, and various other entities, added the album to my lineup online and radio stations added songs to their airplay. ‘slow dance’ charted at number 13 on the secondary adult contemporary radio chart. i’m not really sure how important that was now – at the time, however, it kept me paying for the promoter. i suspect that was the goal.
i played concerts and interviewed on radio and drove around to wholesale and retail shows with product, selling to large box brick and mortar chains and small privately owned shops that played music and displayed cds for customers to purchase. at the label in our offices on lake michigan we put together more cardboard display boxes than i can count, shipping out displays and cds regularly. it was busy and fun and a time when people still purchased actual cds.
in the zeal of the after-release glow, i looked everywhere for reviews of this new album. i wanted to know how it resonated with people, how it measured up, what i could learn by reading others’ commentary.
and then there was this.
the title was just the start. dang. sounding like a “hoofed mammal in heat” or a “squealing pig” was a tad bit much, i thought. the first-grader-lyric-writing comment was, well, kind of first-grader-like. i noted the misspelling of norah’s name. and, much as i appreciate his style, i really wouldn’t use “soulful” to describe jim brickman’s vocal music. but i digress.
i was stunned to have such a review and didn’t know what to think. i spent lots and lots of time, an inordinate amount of time, pondering who might have written such a statement. for some reason, i did not give as much time to the emails i received, the notes, the non-promoter-sought airplay, the adds in box stores and shops around the country, and the thousands of cds that were shipped out. this review nagged me.
it’s funny to me now how i let this one commentary puncture a pinhole in my confidence. but that’s the way of negativity. to stand firmly rooted, to take on the edge, to step new steps, to grow, to believe in your ability to shift gears, sway in the wind – the inner job of every artist. one moose and one pig should not be enough to undermine you and yet, there it was.
somewhere along the line i mostly forgot about this review and got on with the business of the music business: making more music. nine albums and several singles followed this album’s release. but i never really looked for reviews. i listened to what was inside and kept stepping. one of these days, maybe when i decide that i am still relevant, i will step again.
artists of every medium adjust and re-adjust too often to the whim of the viewers’/listeners’ fancy. they lose something every time in their pursuit of wanting their work to be liked by others. yet, the artist is most certainly riding the value-train with every project released. for that project, the last project, the next new project – all represent making a living. they represent a vulnerability not broached in other life-work paths. they represent a piece of someone’s heart and soul, hoping against hope not to be pounced on. all together – the projects of all artists of all mediums – they represent the woven fabric of our narrative, diverse and rich.
as my sweet momma used to say, “if [someone] has nothing nice to say, [someone] should say nothing at all.”
though i generally like moose and pigs and am in good company either way, i trust the moose and the pig agree with her.
my sweet momma’s birthday is today. she would have been 97. she died shortly before her 94th birthday but remains a force in the world. her kindness and her zealous belief in kindness continue to ripple outward. i heard beaky firsthand when My Girl was talking about the world and its issues and said, “the best thing i can do is to be kind to people.” i’ve seen beaky firsthand when My Boy has stood firm in raising pride awareness.
now, i know this story has been told before, but i risk being called redundant to tell it again. back when my momma was 93 and facing down stage four breast cancer having had a double mastectomy a few months prior, she told us she felt like she had accomplished little in her life. there could be little farther from the truth. but she insisted she had no title (“engineer”, “architect” etc) to put after her name. we knew she had, however, three manuscripts she had written decades prior – stories about the family dachshund named shayne – stories she had tried to have published with no success back in the day. stories told from shayne’s point of view and simply wholesome and delightful, we searched for – and found – the manuscripts. and immediately got to work.
my amazing husband david illustrated the first of the trilogy, named SHAYNE. i laid out the text and the graphics of the book itself, designed merchandise like an “author” shirt, banners and a shayne iphone case for momma, built a website, contacted newspapers and we hastened to put together a release party with a reading and press and a celebration with brownies and asti spumanti at her assisted living facility in florida. when we told her – on MY birthday in march (for what could be a better thank-you-for-my-birthday than this?) what was happening on april 11th, she squealed like a school girl and started practicing signing her name with a sharpie. it was BY FAR one of the pinnacle moments of my life to see my mom – the AUTHOR- hold her book, read aloud to the dozens of people who attended and sign “BEAKY” on her books as her fans lined up to purchase the earliest copies. eighteen days later, my sweet momma was no longer on this earth.
david has since illustrated both the second and third books. the second, SHAYNE AND THE YELLOW DRAGON, was released a couple years ago and today, on her birthday, i am so excited to tell you that the third SHAYNE AND THE NEW BABY will be released shortly. the trilogy will be complete! my sweet momma, beatrice h. arnson “beaky” the AUTHOR would be pretty jazzed to sign each of these, but i know her blessing is on them as she reaches through the invisible line between heaven and earth.
we will keep you posted on the release. i have this sweet vision of so-so-many-many-books being sold (to individuals, to schools, to libraries, to dachshund owners, to families with small children, to families with dogs, to dog lovers, to teachers, to scholastic press or to some entity that sees how important it is to have dreams come true – at ANY age) that we might start a beaky-beaky foundation and help – in some well-thought-out way – in momma’s name. if you have any ideas, let us know. we want to keep beaky’s ripples going.
reverse threading 