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Tag Archives: an artist’s life


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doing-do-bees. [kerri’s blog on two artists tuesday]

“i’m a romper room do-bee, a do-bee all day long.” (romper room)

oh geeez. about to write this blogpost, i looked at this image – of this stunning bumblebee happily lingering in the flowers of our coleus – and thought of the romper room do-bee song. where does this stuff come from???

my dear husband claims that i am a circular worker-bee, that i go from one thing to the next, doing a bit, then doing a bit, then doing a bit, then circling around again and getting a bit more done, a bit more done, a bit more done. i suppose that is somewhat true – though i would like to add that eventually it all truly gets done, circular or not. as i watched this bumblebee bumbling happily around the other day, i thought that maybe i am more of a bumble than a circular worker-bee. or maybe that’s the same thing…

this little bee seemed perfectly content to flit from one flower to the next, never lingering too long on any one nectar source. it reminds me of when i had toddlers, flitting from reading from a stack of books on the floor to the matchbox cars on the floor to the studio to jot down a lyric or a melody to the stove to stir the kraft macaroni and cheese or flip over the grilled cheese sandwich. in constant motion. just like the bee. eh, truth be told, it reminds me of now.

romper room was a staple back in the day. though the host never saw me (she never said my name aloud) in her magic mirror, i remained a fan through my pre-school years. the fact that i have the romper room do-bee songs 45 rpm record attests to the impact of this little show back then. it’s interesting that i still have it – in my 45rpm record case – the kind that perfectly fits 45s with a buckle on the front and the handle on the top. and it does make me wonder how mitch miller and his orchestra, along with the sandpipers recorded this side a/side b with straight faces. “i always do what’s right. i never do anything wrong. i’m a romper rom do-bee, a do-bee all day long,” the big finish has a predictably rising (and crescendoing) melody despite impossible-to-humanly-achieve lyrics.

we write blogposts six days a week, as you know. five of them are based on images of photography or quotes we have come across in our path, while saturday is the cartoon smack-dab that we produce. that you have gotten to this sentence is amazing to me and i want to thank you for reading – however often or sporadically you read. i’m never quite sure of what i will write as we open up our laptops (ok, well, not my laptop now as that is refusing to remember its role in life, so i open up my mini ipad). i’m never sure of how you might react or respond to what i have written. sometimes i feel vulnerable about what i have shared. sometimes i feel nervous about what i’ve put out there. sometimes i’m a little tiny bit proud of something i’ve written. nevertheless, i keep writing and telling you of life from my little corner of the world. it is, after all, a romper room rule:

romper stomper bomper boo, tell me, tell me, tell me, do.

i’m an artist. always i know that there will be another flower, there will be another source of nectar. the next image, the next day. and i will happily – and bumbly – share words and thoughts with whomever wishes to read them.

you and i – we are together in this moment. we are doing-do-bees, sharing time in the world.

and, from the bottom of my trying-to-be-a-do-bee-all-day-long heart, i wish you plentiful flowers filled with plentiful sweet nectar as you flit from one moment of your life to the next.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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obvious. [kerri’s blog on k.s. friday]

“i go to nature to be soothed and healed, and to have my senses put in order.” (john burroughs)

to draw a paddle through silky water, to listen to the call and response of the loons, to feel the breeze off the lake and to catch the first and last glimmers of sun rising and dropping through the trees…it is completely unremarkable to say this is soothing, that these moments are healing. it is unremarkable because it is obvious, because these are so remarkable – each – and because our senses rise to these offers of peacefulness, to these opportunities for rejuvenation…every time.

we have viewed each night of the democratic national convention. the joy, the energy, the hope – they are palpable. to say that our nation needs all this is an unremarkable statement, because – of course – it is obvious. we need joy. we need energy. we need hope. we need this kind of light. we need to be soothed and healed. and we need our sense put in order.

it should be unremarkable to have – to own – this kind of hope and light and joy in this country. it should be a given. this is supposed to be the fruitful land of opportunity, a place of freedoms, a nation where – with goodness our north star – we may be who we are. and, when our senses are put in order, we remember this…each and every one of us.

when we are in chaos, when there are those wreaking ugly havoc, when division and mean-spiritedness are being stoked, when soothing and healing is far from the minds of those who wish to be leaders, it is a time we must rejuvenate our country. we must move forward, not back. we must seek the best in each other, aspire for unity, clutch onto fervent hope with all we’ve got, put our faces to the sun and get sensical.

because it should be obvious in these united states of america that democracy and freedom are the only choice, that kindness and loving one another is the way of life, that equality and acceptance and inclusion are undeterred, that sense – real sense – is in order. and that – in all its brilliant remarkableness – pointing out that those are fundamental to these united states of america is completely unremarkable. because it is obvious. because it is the way.

we drew the paddles of the canoe through the glassy water, exploring the crannies and coves of the lake. to say we were soothed, healed – even momentarily – from worries pummeling our minds, that we were able to return to our senses would be an unremarkable statement. obviously we were.

living in this country – as a place where peace and freedom and forward movement and opportunity and goodness toward each other abounds – should be as obvious.

please vote with your senses and sense in order. let us promise a soothing, healing, joyful, intelligent, abundant future to all who come behind us.

*****

read DAVID’s thoughts this K.S. FRIDAY

JOY https://youtu.be/W2dYzgiepI0?si=Tg1qfsRWBHBmu2cz

(copyright 2005 kerri sherwood)

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not normal. [kerri’s blog on d.r. thursday]

“starlight. starbright. first star i see tonight. i wish i may, i wish i might, have this wish i wish tonight.”

he said, “you’re not normal. you two are not normal.”

he didn’t mean it in a mean way. in fact, he quickly explained it was a compliment. he elaborated that it was his way of saying that we lead with creativity and artistry and that just isn’t a normal thing, that we don’t necessarily give credence to how naturally that is a part of who we are, how we move in the world, what we do with our time.

because our success is not measured like the success of others, it’s a little hard to take in this compliment. the success of our imperative is measured in resonance with others, in touching hearts, in poking thoughts, in giving space. the success of others is measured in salaries and annuities and perks and material goods. there is a vast disparity between the payroll of the artist and the payroll of the white-collar-ed.

at the queen tribute band concert we attended there was a woman in the next row who held an intense conversation during intermission. she spoke about their son who had chosen a different route – not to go to college – and who was succeeding mightily nonetheless. she spoke about how others looked disparagingly upon him, but how she supported his choices. the most telling thing she said was, “at least in life he isn’t doing a job he hates.” i did a double-take. the tone of her voice, the look on her face showed she was underplaying her own feelings. she is clearly doing a job she hates. for the long haul.

we’ve all had jobs we hated. it’s a fact of life. bills need to be paid, obligations need to be met and we are responsible people.

we talked about this on the way home from the concert. eh…who am i kidding? we talk about this all the time.

our life is different than most anyone else’s we know. our dreams are maybe a little different too.

we immerse in moments that remind us of the good fortune of merely breathing. we flail in moments that remind us we are not “that kind” of normal. but seeing stars in dried flowers and hearts in verdant underbrush and angel wings in clouds and appreciating the sunshine on the quilt, the old birdhouse on the mantel, the tiny cairns on our shelves, the harmonic overtones in the air all remind us.

i wish i may, i wish i might, have the wish i wish tonight…

to not worry. to know that this work that we do in the world is valued. to feel some of the same ‘normal’ as most of the people around us.

but if i have to worry and wonder and feel ‘not normal’ to be the artist i am, to maybe have something i do resonate with someone else, touch them, make them think, change them a tiny bit, give them a little space of peace, then i’ll take it. because i don’t hate what i do.

because i love doing what i do.

*****

read DAVID’S thoughts this D.R. THURSDAY

SEE AN OWL mixed media 24″x48″

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all showing up. [kerri’s blog on two artists tuesday]

in the way that we don’t realize the impact our words have on someone else, pete’s words stay with me: “there are angels all around you.” i’m pretty sure he didn’t know how often i would shuffle over to his words, to hear them, savor them, be comforted by them one more time. even now, in the dimension where he soars his soul, he may have no idea what those six words would mean to me.

and the other day, hiking on our favorite trail, in the middle of the middle, i looked up to the sky. directly overhead, the angel wings were clear and i could distinctly hear, “there are angels all around you.”

in ways right now i am stepping back to step forward. it’s necessary. not funandgames, not frivolous, not indulgent, but necessary.

and i am reminded – we don’t stand alone. those-who-have-gone-before extend gossamer threads. those who are stalwart in our regular lives stand still and strong, rocks for when we are unsteady. there are those who are new – but mighty and sure – in our path with us.

all showing up. walking alongside.

and i am reminded – we don’t walk alone.

there are angels all around us.

*****

happy 103rd birthday my sweet poppo. ❤️

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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one giant meadow. [kerri’s blog on not-so-flawed wednesday]

we have a meadow in our basement. it’s tucked in the northwest corner. indigenous wildflowers, stacked in boxes, cardboard containers of native blooms.

the oeuvre of decades, shrink-wrapped, flowers from seeds of thought-lyrics, of melodic gestures, of teasing harmonies, of simple evocative lines.

waiting, impossibly, to return to a time of compact discs. waiting, impossibly, for the invasives of streaming to get under control, to support independent artists rather than undermine their success, their ability for forward-movement.

the meadow sometimes beckons – like a soft wind through tall grasses – waving to me, begging me to step into the bramble and thick vegetation. like most good meadows, there is no clear path. you simply must walk in and turn – 360° – looking around, stunned by all the wild – flowers and weeds, both.

the broadcast music inc royalty check arrived. it was for $60.72. though it’s likely a few hundred thousand, i didn’t add up all the counts (listens). but one piece caught my attention. its play on youtube alone totalled 15,212 counts of this piece. my total royalties for this: $1.21. (for perspective on this: even if only 5000 people downloaded this piece of music for 99 cents and listened to it as many times as they wished, it would bring in approx $3465 (there are iTunes fees) instead of $1.21. a stunning difference.)

and we have another meadow in the basement. the canvases of bloomed paintings stack against the west wall; the easel stands in the northwest corner. the digital age of download and print has entered the art world of hanging wire and levels.

canvases, paint, jewelcases, polycarbonate plastic, discography – our wildflowers in the basement. the meadows are cultivated in fields of artistry, of color, of sound, of words and notes and splashes.

robust meadows self-seed. as do artists. we create despite roadblocks, despite the undervaluing of our work, despite the stacks of antique-store-someday-bound cds and canvas. despite it all.

but just like meadows need help – to more than just exist – to eradicate the invasive species, to grow, to prosper, to thrive – so do artists.

at long last – and truly for reasons of existence – we are contemplating a patreon account – a subscription donation platform to help support artists to continue to do the work you value, the work that has moved you, the work you turn to – as we gratefully acknowledge those of you who have contributed to our buymeacoffee tip jar. this simply means a monthly donation – as low as $2/month – that helps to make up the difference that the world has thrust upon artists. some readers may consider this timely, an avenue through which they may participate. some readers may consider this self-serving. either way, we are interested in your thoughts. feel free to email us: kerrianddavid1111@gmail.com. and watch for this – a patreon – one of these days.

we gaze over at the basement-meadows and ponder what is in our hearts, what is left for us to do, what is ours to do. we are each true to our work and, in the spirit of the fault in our stars, we know that we have – indeed – done good work if we have touched even one person along the way.

“do the best you can until you know better. then, when you know better, do better.” (maya angelou)

it’s all a journey in one giant meadow. and the difference between hardly existing and thriving.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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buyeacoffee is a donation “tip jar” site where you may help support an artist’s work that has touched you, helped you, moved you. thank you for your consideration. xoxo


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yes. proud. [merely-a-thought monday]

on friday i projected being proud to be there – at chicago pridefest. i underestimated it.

even in its boisterous volume – loop high-fidelity-noise-reduction-earplugs and all, even in its crowded-can-hardly-move streets – take a breath, take a breath, take a breath, even in its vast array of body-expression – everyone seeming so comfortable on this day in their own skin, i felt at home. there was not one time we experienced any rudeness. there was not one time anyone excluded us. there was not one time anyone looked us up and down, measuring, discerning, approving or disapproving. there was not one time anyone seemed in-your-face superior. there was freedom. there was the peace of acceptance. there was – love of one another – as far as the eye could see.

our son’s friends ran to greet us and a tiny little girl passed out rainbow happy face buttons. we browsed the merch booths and returned to the corner in time for our son’s performance. an EDM artist, his show was seamless and powerfully energetic.

i might have worn different shoes. the health app on my phone said 9.7 miles. i’m thinking it was more. it was impossible not to dance, so i’m pretty sure that added to the steps i took, but keen sandals are not really dancing shoes. i don’t know if the tevas would have been better. what i do know is i had really happy feet and that doesn’t even start to compare to my heart.

though most of the time i watched my-son-on-stage-in-his-element…his imperative, as david said, “making music that sets people free.” i turned around a few times, to look at the crowd behind us.

people blissfully dancing, moving, touching, hugging, smiling. there didn’t seem to be one iota of self-consciousness or doubt. it wasn’t about wondering if they belonged, if their actions – or their very beings – would be measured against some heteropatriarchal b-s.

and i was so proud.

proud of our son and his music. proud of his really kind friends. proud of the people dancing around us. proud of the fishnet statements and the rainbows and the exposed skin.

this is what the world should model itself after. this is what our country should model itself after. this is what our communities should model themselves after. period.

and then – in the forwarding of love as the only north star – all could be proud.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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thank you, george winston. [not-so-flawed wednesday]

in 1971 he came up with it: “rural folk piano”. uncluttered, melodic, uncomplicated, “inspired by the seasons and the topographies and regions, and, occasionally, by sociological elements” – a reflection of where he was at. we – solo pianists and composers – owe george winston a debt of gratitude. he has just died, in the last days, but the impact of his work will continue to reverberate through speakers and earbuds and, significantly, through the works of those of us who have followed him.

i chatted briefly with george once. it was after one of his concerts early in my recording career and i can’t remember if he had put his shoes back on. he doesn’t speak much in concert; he lets his melodies do that for him. they are profuse and intelligent and articulate, always evocative. but just like some might think that they know everything i am thinking or feeling because of this blog or my music, a listener might think they know everything george was thinking or feeling because of his music. i’m guessing for george, but think neither is truly the case, entirely. blogs and music compositions, words and notes can certainly disclose some of the soul, but i suspect that, just as is true for me, the complete autobiography is not found in completion there – it is also found in the reflections all around us.

there are few people – instrumental aficionados, especially – who have not listened to george winston’s 1982 release “december”. it is exquisite. it went triple platinum and was on the billboard 200 for 136 weeks. his work – a plethora of gorgeous albums – gave serious credence to melodic solo piano and set the stage for a next set of composers – those of us writing emotional piano pieces, some solo, some with orchestration – and the subsequent contemporary radio airplay that ensued. by the time i wrote my fourth album, a/c airplay was possible and – for that purpose – pieces were kept under 4 minutes, and, even, closer to 3:30.

the reflections in the building across the river are entrancing. black on cobalt, it’s all a curiosity.

the reflection of those-who-have-come-before-us reveals in our own zeal to create, to speak, to have voice. artistry.

it is with gratitude and a deep appreciation for his wizardry that i thank george winston. his star will always shine with brilliance and his legacy will resonate throughout the ages.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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polly and anna. [merely-a-thought monday]

there is a fine line between security and insecurity, a line that runs invisible through days of buoyancy and through days of challenge. we have seen it – that line – when we least expect it, just at the moments you are beginning to breathe, at the instant you are sinking a little into ease.

i suppose that having crossed the line – back and forth, back and forth – gives us the ability to tread water, to sort, to distinguish that which is important and that which is not. but that tiny vibration that sometimes trembles in my chest returns, despite any pollyanna-ing i attempt.

we sat in a starbucks the other day. i mean, literally – physically – went inside, stood at the counter, and used some gift money that had been sitting on our app foreverrr. and then we sat there and sipped coffee and shared one of those lemon cake slices with the schmear of sweet frosting. it felt out-of-body…it had been sooo long since we sat in a starbucks.

over d’s head on the opposite wall the words “you’ll make it” got my attention. i was hoping it wasn’t the universe simply placating me. i was thinking more of digging out the colorful magnetic plastic letters circa 1995 and pulling out d-a-m-m-i-t for the fridge. but i guess i will have to choose to believe otherwise, leaning on both polly and anna.

“you’ll make it” – good words when you can see the line.

i sipped my pike roast and listened to laverne and shirley’s silk-flowerish theme song in my head, “there is nothing we won’t try. never heard the word impossible. this time there’s no stopping us. we’re gonna make it…”.

sometimes, though, you just have to sigh.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY



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thinking notes. [not-so-flawed wednesday]

“thinking notes,” ken calls them. lingering on the same note for an extra moment, an extra beat, sorting what’s next. well, technically, it would rarely just be only one beat or one moment, but that would require more explanation. i suppose most composers are familiar with this.

writing on the fly – improvisational but with a sense of theme – is surely plotting and scheming, figuring out in the nanoseconds ahead what will come. the moments you are deep into a recording and you somehow skew the rhythmic pattern – or the melodic gesture – you’ve developed, and you know that twist will change it all. your brain delivers a quick “plot twist” faceslap to your hands and you keep going. and, for the most part, no one is the wiser for the turn in the road, save for your producer.

outside the bookstore in the little mountain town the sign made us stop, nodding our heads. sometimes it’s the plot twists – and the unanswered prayers – that save us. we think we know best. we etch the plans in stone.

but those moments come and nothing stays the same, for even the tiniest twist in the road changes latitude or longitude, beat pattern, melody line. and they deliver with them the grace to play a little thinking note, take a little breath, close your eyes tightly and then reopen them – and then keep going.

hold your plans – and your plot twists – gently.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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still standing. [two artists tuesday]

“yeah, yeah, yeah!”

the most powerful moment i felt at the elton john concert sunday night came when he sang “i’m still standing”. still standing! yes!

analysis of the lyrics aside, “still standing” elicited the gigantic reverberation of 50-60,000 people singing along, all of whom, i suspect, have a “still standing” story. it’s the kind of song that generalizes – it’s about relationship, but isn’t everything in life – our relationships with our beloved, with others, with ourselves, with our life’s work, with this universe? just the sheer still-standingness of being alive made singing along worthy, no, more, a necessity. the stadium roared.

his first hit – in 1969/70 – “your song” brought tears to my eyes. in the encore set, i knew we wouldn’t see him live-in-concert again and the experience was rich, under a beautiful open-air night sky hearing my husband, daughter and her boyfriend sing along in various songs.

but that i’m-still-standing … i wrote it down in a note in my phone.

because sometimes life teeters and you are delivered boulders while you – a tiny rock of ash in a huge galaxy – attempt to precariously balance it all. and last night – well – i knew i was still standing.

and i suddenly knew that i would do all i could to make sure that my tiny star is dancing inside and out, that all the notes count, that it’s all silently and roaring out-loud. yeah, yeah, yeah.

elton john somehow reminded me that i’ve been standing all along.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY