reverse threading

the path back is the path forward


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clarity. [kerri’s blog on d.r. thursday]

there is no way to maneuver the depth of field on my old iphone. it is all about coming in closer and backing up – eyeing what is framed in the aperture and moving to adjust what i want the photograph to look like. i know that the newer iphones have some access to depth of field options but – at the moment – i don’t have access to a newer iphone option. so. i adjust.

i almost rejected this photograph as a melange post. with the closest red dogwood branch a bit out-of-focus it didn’t really meet my parameters for a post. and then i stopped to reconsider it. it’s a great visual reminder of how distorted things can look from up close.

clarity is something that comes when you put a little space between you and the issue or object of your attention. 20 always says, “you’re too close!” and it’s impossible to not hear his voice in my head now in the throes of any decision. and so i try to remember to back up a little, to have some distance as i consider – an overview. 

when d was working for a new software startup (before the business was unfortunately closed) their product was the perfect tool for clarity. after i understood even the most basic functions of this remarkable software – as they were looking for names – i kept blurting out suggestions like “pinnacle” or “eagle eye” or “lookout” or “apex”. it seemed obvious to me that having this incredible overview – a step back – was the perfect new software for people struggling to make sense of too much up close and personal…a pragmatic way to sort and prioritize…a realistic way to have perspective. it’s beyond my wildest imagination that they did not continue on their merry way into software stardom. but alas, such is life, eh?

anyway, that lookout tower approach has its wisdom. it’s like pulling into the overlook in the appalachia region on route 25e in tennessee. up until that moment – in the middle of them – you were aware that there were mountains but you were seeing them from too close to really appreciate the grandeur. you drive into the overlook, step out of your vehicle, walk to the retaining wall and you are stunned by the magnificence of how the whole world drops off beyond your feet, stretching on and on and on. and you can see – there are mountains and lakes and a river – things you could not discern from up close. 

in the middle of the middle stepping back is one of the ridiculously hardest things to do. it feels counter-productive when you are trying to come to some sort of conclusion or have some kind of perspective about a specific thing. but up close and personal, the red dogwood is blurry and i can’t appreciate its stunning beauty. from a little distance away, i can see how it plays against the warm beige of the grasses and cattails, how it enhances the fallow of this meadow.

in this crazy-busy time of year – with people rushing around trying to make the holidays perfect for themselves and others – i’m thinking that maybe we are all a little too close. i’m reminded again and again of what is most important. i’m taking in serenity as i can. we are trying to go slow – to appreciate the big picture – to not be clouded by that which is hard to sort or discern or, for that matter, even clearly see. 

yes, the red dogwood is blurry up close. but from a little distance it stands out in a field barren of much color. the dissonance fades. the chord resolves. there is clarity. 

*****

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decorated. [kerri’s blog on not-so-flawed wednesday]

it would appear that nature is decorating for the holiday season. even in the browns and tans and greys of the fallow, color bursts out at us. it’s stunning. the honeysuckle is unmoved though – it is standard fare in the winter to be berried. we, however, stop to appreciate it.

we decorated early this year. right around thanksgiving we put up our eileen-tree (which we named “e.e.”), pulled out the mini-trees i love to place everywhere, added twinkling white lights and silver ornaments. there are snowflakes and pinecones from the forest floor and heartfilled nods to my children-in-younger-days and my scandinavian heritage. we unearthed the boxes of vintage glass ornaments and shiny brites from my sweet momma and poppo and placed those ever-so-gently on the happy-light-lit big branches we now have year-round in the living room. it looks like christmas.

each day goes by faster now it seems. and then it’s friday again. i’m not sure where the time goes. as we make our holiday cards and a few handmade gifts to send out, george winston’s december is on repeat – the quiet of this album is speaking to us this season. bombastic christmas or vocal-gymnastic-laden carols seem like too much noise. restraint seems more in line with our spirits. more serenity.

there are many festivities to choose from – out there. we thought about a concert or two and lingered back. we thought about a holiday festival or two and lingered back. we thought about stores and crowds and lingered back. we will finish making our cards and creations and do a bit of boutique shopping. we may make a cookie or two. the krumkake of ages past nudges us and sip and feast taunts us with a long island italian almond cookie (gluten-free). we sit under blankets in a darkened living room – lit only by happylights. we savor the sparkle. we sit in content silence, we tell stories of past holidays – wistful, tearing up, laughing, lost in memories and hopes for future holidays.

and there is the woods.

whenever we can, we take time out there. the forest reminds us of both the everpresence and the evanescence of it all. it reminds us of the passing of time, the changing of seasons, adjusting to harsh circumstances and it reminds us of the rejuvenation and renewal of spring. we know that beyond the cold and frozen, there will be warmth. it’s all fluid and some things – like transition – are certain. there is silent wisdom – of the ages – you can feel as you place your feet – emanating from the dirt of the trail.

it is no wonder that nature has already decorated – with quiet fervor and vivid color – for the holidays.

*****

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cantata season. [kerri’s blog on two artists tuesday]

in most rehearsals, i would remind the choir that their smile could be heard. there is a major difference to the timbre of voice brought forward with or sans smile. the same is true with speaking; even when you are not seen, the difference in tone is distinguishable.

it’s the season of the christmas cantata – a major work of multiple pieces with various voicings, instrumental lines, accompaniment and narration – closer to an hour in length. i’m writing this on the sunday morning that was usually chosen as the day of performance – the second sunday in december. i can’t even begin to remember how many cantatas i’ve directed – and written and arranged – through my decades as a minister of music. just recently a facebook memory came up – it was my post thanking the choir and worship band at a church where we had just performed such a work. the creation of narrative and song is exhilarating – for both director and participants – and everything drives to the downbeat. there is a glow that emanates from such a group – these people who have diligently prepared a musical piece of larger extent – and the camaraderie that weaves its way through – it is joy.

it’s been a few years now since i have directed a cantata. i’m guessing it’s a few years since many of the people who participated have sung or played a cantata. not every minister of music or choir director is up to it and some choose other programming. while you are preparing weekly anthems for sharing in service you are concurrently rehearsing this large work, so it takes time and energy, a compositional spirit, an innate ability to discern cantatas of value, ingenuity, the ability to rearrange on the fly, the belief in showcasing your choir – as a choir – accommodating any ability level, the recognition that simplicity is potent, much flexibility and humor, meticulous planning and true dedication. it is knowing as a conductor – in the moment after the downbeat – that you will merely guide this integrated group of singers and musicians through this visceral experience of purity. yours is a backseat to the magic – this is not your microphone. it is an undertaking not for the meek.

to say that i miss cantata-day would be understating. the gift of music is to make resonant that which is hard to see, that which is not tangible. the gift of music is to evoke powerful imagery and to open emotions tucked away. the gift of music is to bring forward beauty and the magnificence of producing something together. the gift of music is to offer just that – the gift of music. impactful, moving, music has the ability to change souls.

we pass the leaf on the trail – so very obviously lips curled in a smile. i think about all the times i have urged a singer to smile, all the times i have listened to the difference between smiling and not smiling – like the difference between the keys of d minor and e minor. vast.

and right now – as i write this – i wonder how many choirs are gathered on chancels, singing their hearts out, smiling inside and out.

*****

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and then their theme songs. [kerri’s blog on merely-a-thought monday]

“dogga, dogga, you’re the one.

dogga, dogga, so much fun.

dogga, dogga, in the sun.

dogga, dogga, number one!”

he loves his theme song. it has a specific melody, but can be sung to many different tunes, in many different styles. what he knows is that it is his.

i suppose that theme songs go beyond the scope of exaggerated prosody – those patterns of rhythm, intonation and stress of the voice you use – most like that of talking to infants – with which dogs so easily identify. i’m not sure how it’s so easy to revert to this higher-pitched baby-talk but it gets his attention and seems to maintain it. there have been studies…whether dogs’ neural sensitivity is attuned more to this higher modulated speech pattern – a pattern that is directed to a listener with limited linguistic competence. as the more longer-vowel-sound-higher-pitched-sing-song speaker in the house, i’d say it’s true.

dogga responds to sooo many words and it does seem obvious: he is more sensitive to dog and/or infant type directed speech than if we were to just speak to him in adult-directed voices. his wagawag starts up as soon as he hears our “e.p.”, er, babytalk. i would guess he might roll his eyes and yawn were we to start holding adult conversation with him, particularly on topics of conversation during which he has retreated to the bathroom for escape. though i have had many a chat with him – he’s a good listener – he has not had the same level of response as he does with the prosody of adoring dogmom. “sleepyniiightniiight”, “loooooveyou”, “withmahhhhmma”….

“babycat. you are the cutest little babycat. you are the cutest little babycat, babycat, wah wah wah wah wah-wah-wah-wah-wah-wah-wah-wah…” (babycat)

“i’m a chopper-whopper-dinkus-baby and you are not; chopper-whopper, dinkus-bayyybee…” (chopper)

“hughie-hughie-hughie-huuwEEeeEE. hughie-hughie-hughie-huuwAHahAHH…” (hughie)

“i was smurfling along…” (missi)

yes, yes. the theme songs go way back – decades. and i suppose so does the tone of voice. in a world that can be pretty harsh, there can’t be much wrong with a little exaggerated prosody here and there.

certainly, there is no limit to it when it comes to our beloved pets. so much unconditional love.

*****

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mychart smorgasbord. [kerri’s blog on saturday morning smack-dab.]

it’s hard to contain the excitement of returning to a favorite haunt for dinner out. we rarely go out for dinner so any time we find ourselves being a littlebit indulgent it’s cause for celebration.

but – just as it isn’t smart to go to the grocery store hungry, it also isn’t smart to go out for dinner the day after your metabolic and lipid panel bloodwork results are posted on your mychart.

and so you read – wondering why anything marked “high” or “low” hasn’t made your solicitous physician call you at home, concern and suggestions – with an appropriate amount of reassurance – in her voice. but this is 2023 and there is no time for that and you need be happy enough with the office staff call. my recent physical with a brand new doctor-to-me – which took seven months from the time i called to book it – wasn’t even completed (thus i have to go back for the girly stuff) because i dared give a little context history and asked a few questions about things that were concerning me – and we ran out of my “allotted time”. she did inform me – on her way out the door while telling me to make a follow-up appointment to finish the (might i say – important?) girly stuff – that physicals are merely bloodwork and cancer screenings. they are not meant for body, mind and spirit check-ins to be sure you are – uhhh – “physically” ok. to say that i don’t understand would be an understatement. (let me just mention here that our healthcare totals in excess of $28,000 and that i haven’t once used it this year prior to this “physical” which makes me very fortunate – in addition to mathematically making this “physical” mighty expensive.)

but i digress.

so, on our own, we study the new results, compare them to former test results, look for trends, research what creatinine and various other tests really mean, note any “high” and “low” indicators, look up dietary choices to aid in lowering or raising these, discover (again) that proper hydration is of extreme import, seek answers to lower stress levels (which contribute to many of these results). we power through the mayo clinic, the cleveland clinic, the nih, webmd, medline, healthline, even wikipedia – trying to find information we can digest and the answers to what we can order off the menu.

today i read the doctor’s comments. with one exception – even though i had concerns with any red and green markings on my results – she wrote that it was all “wnl”. i looked that up. “within normal limits” in med-talk.

we are still going to make some changes. we want to do the best we can as we “gracefully” age – between diet and exercise and maintaining a zen-like existence. uh-huh. it’s always good to evaluate and re-evaluate our health choices.

but for now, i’m gonna skip the chia seeds this time.

*****

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it ain’t heavy. [kerri’s blog on k.s. friday]

… the road is long
with many a winding turn
that leads us to who knows where, who knows where
but i’m strong
strong enough to carry him
he ain’t heavy, he’s my brother

… so on we go
his welfare is of my concern
no burden is he to bear
we’ll get there

… for i know
we would not encumber me
we ain’t heavy, he’s my brother

… if I’m laden at all
i’m laden with sadness
that everyone’s heart
isn’t filled with the gladness
of love for one another

… it’s a long, long road
from which there is no return
while we’re on the way to there
why not share?

… and the load
doesn’t weigh me down at all
he ain’t heavy, he’s my brother

… he’s my brother
he ain’t heavy, he’s my brother
he ain’t heavy, he’s my brother

(bob russell / bobby scotthe ain’t heavy, he’s my brother)

queen anne’s lace does not bow down under the weight of the snow. it stands – upright – proudly holding what looks like a single-scoop of snowfall. despite the wind, despite the force of gravity – queen anne’s lace bears the burden, singing along with the hollies “and the load doesn’t weigh me down at all…..”

we have a thing or two to learn from nature. long roads, winding turns, shared concern for welfare, love for one another.

we are witness to miracle after miracle out here. they are tiny; they are vast. we stand at the wayside of nature’s rest area – in the fallow that is late autumn and early winter – and we watch as the journey of the woods marches on. working side by side, arm in arm, shoulder to shoulder, the forest and its inhabitants are thrust onto the long cold road ahead, eventually seeking spring. the ecosystem is symbiotic and nothing is encumbered more than the next. even in any not-knowing, critters and plants and trees alike trudge on, sans complaint. they carry with them the exchange of energy and the work of the fallow. they are strong. and it ain’t heavy. they are brothers-sisters together.

and they are waiting for us – the humans – to catch up to their simple wisdom.

*****

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seen. [kerri’s blog on d.r. thursday]

still life: leaf in snow.

chestnut against the white, you could see every nuance. every curve of the leaf, each vein, tiny sooty mold spots, drops of melted snow, it was still – landing from above and poised on its side. it was an oak leaf. no doubt about it. the starkness made the leaf’s characteristics clear, identification easier. the austerity made the image striking.

hiking in the snow is rewarding that way. all the background noise is gone. what is left are images of greater clarity, vulnerable honesty. i’m considering this as we continue down the trail – upon some of which we are lucky enough to be first to make tracks.

in a world of great complexity, it is much harder to see people with such certainty. peeling back the layers to such an overt degree meets resistance. people wish to reflect forward a certain image de soi. transparency fears enacted, one tries to create that which one wants others to see. it’s a natural phenomenon among thinkers – that which sets humankind aside from leaves.

when the leaf is viewed against the snow, we are able to see all of it. we cannot grasp all the intricacies of its actual living time on tree, but its remaining outerness is pure and we can – with some study – discern – from observation – what it is and much of what it has undergone.

in a world of opaque-ness – in these days of heightened division – i’m guessing it is important to study, to discern, to observe, to attempt to be cautious.

just as trees reflected in a puddle are not actually trees – they are merely a reflection – people are capable of the same puddling behavior. with caution we should give attention to the words others say or meme-post or quip in conversation. with caution we should discern the source from which they have carried these words. with caution we should give consideration to spreading these forward, always measuring against truth and intention that which we quote, post, argue, even pontificate. though i suspect leaves are pretty much pure as the driven snow into which they have fallen, people – unfortunately – aren’t. and there is much background noise from which others may cherry-pick the image de soi que les autres voient – self image others see – their perception.

each day now i am surprised by agenda-riddled life in so many arenas. i wonder if the leaf stops to consider all before falling into the snow. does it realize it will be easily seen? in the process of nature, it doesn’t have a choice.

it is an oak leaf in the snow.

how seen – truly seen – as who and what we are – are we?

*****

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asphalt illusions. [kerri’s blog on not-so-flawed wednesday]

i’ve looked at life from both sides now
from win and lose and still somehow
it’s life’s illusions I recall
i really don’t know life at all

i’ve looked at life from both sides now
from up and down and still somehow
it’s life’s illusions I recall
i really don’t know life at all”

(joni mitchell – both sides now)

puddletrees. they were right there, waiting. trees out a window. trees in a snowstorm. trees in front of us. illusion. reminding me – in the taking of the photograph – that things are not always what they seem.

it’s like story. things are not always what they seem.

“but in this song there are only two sides to things… there’s reality and i guess what you might call fantasy. there’s enchantment and dis-enchantment, what we’re taught to believe things are and what they really are.” (joni mitchell – at a performance 1967)

two sides. we’ve been taught to remember that there are two sides to every story. we learn though – somewhere along the way – that there are often many more sides than two. story is a multi-faceted creature, amorphous enough – and pliable enough – to take on the shape of whatever the storyteller – or the listener – wishes. this is not just dependent on details or fact; this is not simply dependent on reality. this is dependent on intention. even with the truth-telling of true story – with ample substantiation – there are others who will warp story into their agenda. reality and the flipside. brutal.

and so sometimes the don’t-know-clouds, don’t-know-love, don’t-know life takes on monumental proportion.

but there are puddletree moments. pared down. and these are not win or lose, up or down moments. they are simply suspensions of time – when we marvel at the reflection of trees in puddles or a single snowflake on a leaf or the survivors in scorched earth of a controlled burn, when we linger in the harmonic of a ninth or the color of the peony, when we pause in the middle of mayhem to look around us, when we know that just a little beyond reality is dream. and we can see it from here.

life’s illusions in an asphalt puddle. we really don’t know life. what it really is. at all.

“well, something’s lost, but something’s gained
in living every day.”

*****

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tiny snowflake. [kerri’s blog on two artists tuesday]

it was as we were hiking that the snow started again. it had already laid down a couple inches and the wind was a bit blustery. and then…

they drifted down around us – as if we were in the middle of a snowglobe and someone had given it a gentle shake. we watched them – individually falling – cold enough to see them land without melting.

most of the time, in landing, they are more en masse – like toddlers playing soccer – a beehive of tinies running after a ball – snowflakes swirling together landing, tumbling, piles of tiny colliding flakes sticking together.

but as i watched, cellphone in hand, this one snowflake – all by itself – landed on this leaf. and the leaf, cold enough to keep the flake intact, held the magic so that i could see it. exquisite doesn’t begin to capture it. sometimes adjectives are so incomplete – superlatives even anemic.

this time, the tiny snowflake held its ground, its unsung miracle-ness distinct against the leaf. i was startled to see it as we stood in the falling snow. i was – also – ridiculously thrilled.

its oneness – this singular the-only-one-there-is snowflake – quiet individuality. its presence – without trumpets blaring or the dinging of any notification – silently suddenly here. its tiny-ness – in this vast world – the same as us. a gift.

we are snowflakes falling. it is up to us to choose how. with or without fanfare, conforming or not, with or without humility, a gift or not.

*****

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taproots and light. [kerri’s blog on merely-a-thought monday]

the des plaines river trail is in several sections. there’s a section that circles round a lake. there’s a section that loops through the forest. and there are sections that run next to the river. in order to control invasive species and to maintain resources, the state of illinois has controlled burns each spring and fall. oaks and hickories have thick bark to shield them and native plant species have deep taproot systems to survive the intense heat. in fact, this carefully maintained ecosystem often contributes to more robust plants after the burn.

we came upon the remains. we hadn’t been on the loop in days and were surprised to see the blackened earth, stalks of char. when the snow fell, it became a landscape – seemingly – of black and white. yet the squirrels ran rampant and we couldn’t feel any stress from the underbrush – like when there is an unexpected fire and the land is scorched.

i knelt down in front of the charred cattails and started to photograph them.

and suddenly there were tears in my eyes. i could feel the fire and the scorched-ness, the cooling snow blanketing it all, the energy still there – underground. i could feel the tenacity of these stalks and twigs, having survived the storm of the planned fire, ready for rejuvenation, resurgence. scrappy and resilient, potent, sturdy – the light past the dark. the recovery post-fire, post-exploration, a renewal. i could feel their passage through it.

i held hands with the cattails as i knelt on the snowy ground. braced, the taproot within – infinite – held fast, reassured me.

and with them i peered into the dark and saw that the light was right there, just beyond the charred edges.

*****

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