we drove home with the heat blasting and the windows open. all 263 miles.
we drove slower than usual – cruise control on – smiling at everyone who passed us as we toodled along in the right lane.
we stopped every hour.
each time, we raised the hood, set a timer, stretched our legs. we readied the old beach towel and the funnel, got out the big jug of coolant and waited till it was safe to open the radiator cap.
and littlebabyscion – with whom i had had a few conversations prior to getting on the road – hung in there.
each time we opened the radiator cap to reveal that the coolant level had not changed. the red coolant light – which had intermittently flashed at us numerous times on the way up north – causing great distress – never flashed at us on the the way home.
when we got off the interstate for the last eleven miles or so, i turned off the heat. and LBS dutifully and safely got us home. no flashing lights on the dashboard. no drop in the level of coolant in the radiator.
so it’s all a bit of a mystery – this curious and first-time problem – the flashing light, the seriously depleted coolant on our way up. i have a few theories and, frankly, i’m hoping they are correct, that our brilliant mechanic will concur. that would mean that nothing is really horribly wrong with LBS. and that would mean we can continue our journey together. 276,000 miles and beyond.
we – david and i – were seriously serious about staying in the calm-zone as we dealt with this car issue while on a little time away and, mostly, while driving home. though i, initially, was pretty upset about the potential problem that this could represent, my conversations with LBS were fervent and d and i were determined to stay in the zen-zone all the way home. taking the over-the-phone advice of our mechanic, knowing that our dear friends were not-too-far behind us and that 20 was waiting at home with dinner and ready to help in any way were all sources of infinite reassurance. that kind of support gives one confidence to keep going, to not immerse in worry, to just trust it all.
it’s been a long, long time since i have driven on an interstate with the windows wide open. it’s a noisy place. and yet, the kwik-trip, the fox river park, the giant truck stop all provided us with quieter places to stop, places to wait it out, places to be celebratory each time we opened LBS’ radiator cap and then packed it all back up and drove on for the next hour.
this was an in-the-lull lesson for us. any moments of upset were not helpful. instead, staying focused on the things we could do, the help we had been offered, the steadiness of this little xb – these all gave us the ability to stay in the moment and not lose the lull.
i’m not positive we would have passed the lull-test alone. we are infinitely grateful to have not felt alone. that is the power of community for each of us – this abundance of support. when we wouldn’t have normally asked for help, it was there anyway. we just need to remember it’s right there. for the little things and the big things.
we planned on being home to write this post. but littlebabyscion had different plans. so we are up-north and biding time to leave and journey home – a little later than we expected – so that we may be reassured by our friends’ presence following on the road behind us. we feel fortunate to have this support system. in the way i personify littlebabyscion, i’m guessing littlebabyscion feels slightly less stressed, a little less pressure knowing we won’t be alone. and we feel a little less stressed, a little less pressure with the gift of needed extra time from our 20, watching our home and our beloved dogga.
last night was the beginning of the democratic national convention in chicago. we all gathered in the cabin to watch it on tv together. the energy was palpable, the hope surging. we passed the tissue box around…each of us having emotional moments during the first night speeches.
freedom. democracy.
we’re not going back.
for the people.
USA.
together.
it’s the same messages as having your friends follow behind you as you limp home. only it’s on a national level. your brother’s/sister’s keeper…for one another…working together…
there is not anything i can imagine that would be better than an entire nation of people caring for one another, working together, solicitous, generous, kind.
i would hope that each person – responsible for their own vote – their own “prayer for the world we desire for ourselves and for our children” (sen. raphael warnock) would immerse themselves in real information, in the real character and integrity of what they wish for the future.
our lives are finite. we get this one go-around. to be surrounded by family and friends, a community, a country of people who care about the quality of that life, who lift each other up, who lead with kindness would seem to be infinitely more desirable than to be dragged down in ugly negativity, in a country divided, in a place where freedom-for-all has been decimated.
my prayer – as you are considering your vote – is to consider all the people.
do you want to be buoyed, to be held and cared about in this one life by a support system – people you know and people you don’t know – and to buoy others, to care and share with those whohave less, to live in a nation that values each and every person?
if littlebabyscion – this tiny vehicle which has safely carried me 276,000 miles – this little xb that will require us to stop every hour or less on the many-hours drive home to add coolant – this gigantic piece in my own story – could vote? i would bet it would vote for together.
because, really, everything takes a village. even getting home.
we stood there – in fresh thyme – tawking, tawking, tawking – for at least 45 minutes. we hugged, we showed photographs, we told stories. we laughed, we got serious, we spoke in earnest, we laughed more. delightful, it was a total social experience. a visit. in the grocery store.
and when we left, waving and still laughing, we promised to continue our catch-up. a bit later. in person. not in an aisle.
the thing is – these bits and snatches of community are important. and i, for one, am grateful to the cart.
buymeacoffee is a tip-jar website where you may choose to help support the continuing creating of artists whose work resonates with you or, just simply, makes you laugh. ♡
though not as existential as ‘what is the purpose of life?’, when i read this question – “what’s the purpose of a blog?” – in our website email i admit to sitting and staring at it for awhile. good question.
since you are reading this, you must find some value in a blog. somehow it must resonate with you. something we are saying must find a spot to linger a moment in your mind or heart. or maybe we are dear to each other and you are staying in touch – albeit virtually – with what’s going on in our lives. maybe we have never met but you are walking this path of living for this period of time with me, with us. i’m not sure why you have clicked on this, but i am curious and, mostly, i am grateful.
this is part of what i wrote back to the question:
“we originally published our mutual website and blogs as a way to draw attention to our varied artistries. david is a painter and writer and i – well, you know.“ (the question was posed by a person who was quite instrumental with encouragement for my first full-length original solo piano album.) “but i was also doing a lot of writing (the written word) and we developed several cartoons and products. it was a mélange of artistic mediums, hence the name – the mélange.
as you know, being an artist presents many challenges, not the least of which is to earn money. people turn to the arts for sustenance, for comfort, for reassurance, for insight, to celebrate their bliss. but, as in the music world, for example, that is often derived via “free” formats…formats that pay the artists little to nothing: spotify, pandora, apple music etc. in an effort to hold true to our artistries, our site – developed a few years ago – combined all of what we do under the bigger umbrella of ‘the arts’ and put it out there.
theoretically, the purpose of a blog is to draw attention to product, to establish credibility, to perhaps be inspiring, to share thoughts, to form a community, to connect with like and not like-minded people, to ask questions, to drive engagement, to repurpose old content that still has life to live.
our blogs are read in over 80 countries – according to the stats. it’s a delight to see that anyone at all is reading what i or david have to say. even better is when they share content – outside our concentric circle – that means something to them or respond because something we said or posted or generated resonated with them.
many artists (and others) blog or vlog (video blog) now. they include ways to help support them. in our case, we have a BuyMeACoffee link (that’s the QR code on the blog pages) which is like a tip-jar website. others have patreon which is a subscription to which people can sign up and regularly support the continuing creating of artists whose work they value. it is simply an effort to continue to be artists in a financial world that doesn’t value artists in a financial way. sigh. with the encouragement of others, we will likely open a patreon account one of these days.
david and i sit and write each morning together. we choose images for the week and post them. then we sit – side by side with our laptops – and write our blogposts, not peeking or sharing until we are done. this process is truly meaningful to us and brings great joy as we read what the image has brought up for each of us – often quite different. david is much more esoteric than i am and my blogposts are usually thready, really from the heart. it’s a good balance, particularly in relationship.”
so, what’s the purpose?
the person who posed this question is an actuary. i suspect that a blog seems somewhat frivolous to them, maybe even out of the realm of pragmatic, certainly not sustaining or financially rewarding. and – though having millions of followers or subscribers could be very lucrative – i suppose all those other points could be true. and yet, there is this imperative we both feel – to write – that we answer, each and every day. it’s both the blessing and the curse of being an artist.
i can’t imagine that there are readers who read each and every of our six-days-a-week postings. but to think that someone in a different US time zone, in africa, in south america, in the EU or indonesia or the middle east or australia or canada or ukraine is sitting with coffee and taking time to read my words is humbling. it’s how i feel about listeners spinning my music. the same. humbling. shy of being in the same room with me or having some kind of live exchange or sharing time together, my music and my words are the closest you can get to me, to what i am thinking or feeling, questions i am trying to answer, the way i parse out what it means to live. it is relationship on the relationship target circle – the circle a couple circles in, where you are not only acknowledging existence, but you are paying attention, responding, even if silently.
we don’t know what would happen if we stopped writing. all of sudden – boom! – full stop! we don’t know if there are those people who would miss these ramblings. we don’t know if there are those people who might just notice, a tad regretfully, our blogs were no longer there. we do know there are those people who would never even know we were gone. it’s a funny thing. and as an artist you must be careful not to let ego and its attention-seeking behavior stand in your way. you just keep on. until you stop. and then, because imperative is – after all – imperative, you do something else. artistry is a living and breathing thing.
i hardly think that the words i write are gloriously wise or the smidgiest-bit funny or new thoughts in an old universe. i just know they are uniquely mine and, for some crazy reason, i am open to being vulnerable enough to share them.
maybe one day you and i will have a conversation about this. and you might be able to tell me what the purpose is of writing a blog.
mid-december. we are hiking. our favorite local trail that we know so well. carols are playing in my head as i sort through the christmas tasks yet to do, a little shopping left to finish. we round the bend and there – stretching in long shadows from a low sun across amazingly-green-green grass – is a music staff of lines.
if there is any season that is closely associated with music, it is this. the shadow-staff pushes my focus into memories as we walk.
i am deep into advent preparations back there in the recesses of thought. it’s been a bit since i have allowed myself to really think about it. in my last position as a minister of music i brought three decades of experience, the wisdom absorbed from many congregations, intuition gleaned as a stage artist and performer, and a heart full of dedication to the community. though it may not seem apparent to a churchgoer (or any religious institution attendee) the research and time that a music director will undertake for the music in that venue is immense. when it is well done, there is more to it than assigning a few songs to a few slots in a service.
the other day we had old-fashioneds with our dear friends. we stood at their kitchen counter and jen brought out a new recipe along with a very nice bottle of bourbon and deluxe cherries and an orange, complete with pre-cut curly peels for the side of the glasses and swizzle sticks. it was lovely – an experience in itself – we celebrated our time together in this season. as we each took sips following her cocktail-making, she looked up and said, “wow. this is really bourbon-forward!”. it was too much, too strong, too bourbon-ego, too solo. yowza! to continue to sip on a bourbon-forward old-fashioned can leave you cold to old-fashioneds in the future; it may even kill your yen for an old-fashioned. it will definitely undermine your bartending je ne sais quoi and the bar you are serving may suffer from your mixology. we all laughed and added some squirt to tone it down, swizzle-sticking to perfection. and suddenly – with jen’s good instincts – an exquisite old-fashioned, all ingredients integrated!
this morning we listened to the song that i am attaching to this post. it’s called “you’re here” and i wrote it while i was rehearsing the choir for the christmas cantata i arranged in 2019. it was recorded on an iphone sans proper mics with an out-of-tune church piano, so it’s pretty raw tape (so to speak). the thing it reminded me was of my approach as a minister of music.
for me, any notes on a music staff in a church need be about resonance. how might i help the people there connect with their faith, that which cannot be seen, that which is fragile and strong, that which elicits love and joy and many questions, and that which tethers us to each other in the community? any worthy minister of music knows that is fluid and knows that each year in their work will bring more answers. this is not something you start out knowing. it is a practice and one must be humble enough to be learning from those around you, honing as you go. one must bring one’s game – professionalism, collaboration and service-oriented, stellar learned gut on-the-fly flexibility, tenderness and sensitivity in delivery, the innate ability to shape a worship service and its emotional journey, the buoying of others, joy-joy-joy of creating music and emotion together, the integration of every musical gift you have been given. and love. it’s what you put forward.
because i had never experienced it – ever- before – in any position i held, there are days i still wonder about being fired – particularly in the middle of a global pandemic – particularly after eight years tenure there. wondering, even now – three years later. especially at christmastime. because in every way i knew how – in the music programming of any church in which i was involved or employed – i was the squirt in the old-fashioned.
oh well. in the words of john o’donohue, “upheavals in life are often times when the soul has become too smothered; it needs to push through the layers of surface under which it is buried….it reminds us that we are children of the eternal and our time on earth is meant to be a pilgrimage of growth and creativity.”
i get these specific emails – practically every day. they are from some church-administrative-oriented website. the latest emails address church staff and salaries. oh my! what a can of worms that is. though i don’t usually open them, i was forced to one day – the devil made me do it. the email was called “why fair compensation matters” and the first lines in the email read, “we believe when those employed to service in the church are paid adequately and fairly, they’re free to focus on their ministry work. the result? freedom from financial burdens and a flourishing ministry.” flourishing. it makes me think of green grass on the trail – even in december – despite all odds.
yes. yes. just as in choice of bourbon – or, for that matter, bartenders – you will get what you pay for, what you value. remember – you are about your customers and their experience – the community in your seats and on your barstools. skimp at the bar and the reputation for your old-fashioneds will get you in the end. likewise, the thing you don’t want in your place of worship? the bourbon-forward director. it’s too much, too strong, too bourbon-ego, too solo. not enough squirt.
it is truly about what you put forward – in your life, in your work, in love – and how you smush it all around, integrating it, with a swizzle stick.
merry advent from my place off the bench, sans baton.
as artists, it is incumbent upon us to notice bubbles. any size, any shape, any color – their incandescence is magical, their presence evanescent and, equally, magical. so even when they are simply gathered in our backyard pond, we pay attention.
we stand at the edge of the pond, watching the light play, watching the shifting landscape inside, each a reflection of the moment, each ever-so-slightly different. the thinnest of membranes exist between them, yet it is enough for each bubble to be individual, to be separate, to share adjacency yet have its own properties.
it occurs to me this is much like people. though we share contiguity, we are separate and the membranes that make us distinct may be impermeable.
in these days – where there is much to ponder – i find that i need to remember that. impermeability is the ability not to be affected by something – whether it is liquid, solid, philosophical. it is to be impervious. it is a stubbornness of boundary, a staunch and unyielding opinion, a stance borne perhaps of misinformation or anger. it can block truth and can trigger agenda-riddled actions. impermeability can stunt the evolving of a family, a community, a country.
we stand and watch the pond, as the bubbles float about. they are beautiful. we notice the surface tensions give way, the bubbles popping.
some break into smaller bubbles. some dissipate entirely.
and some bubbles seem to go on and on, supporting each other, co-existing in the little pond.
ann’s corner store – forever in my mind fondly known as ‘southport pantry’ – keeps us in ice.
for some reason, and i know it’s a popular problem, our fridge has refused to make more ice. not another cube! not even a shaved kernel. none. it’s not an old fridge – well, it didn’t feel old until a moment ago when i realized i purchased it in 2013 – but, wait…is ten years old for a fridge now? hello? kitchenaid?? anyway, it’s not as old as any of our other appliances, so we sort of expect it to work a tad bit more, say, maybe, completely. it also has this other problem. it’s a bottom drawer freezer and under the drawer a skating rink of ice forms and then, the reason unbeknownst to me since fridge and freezer both imply COLD, it melts tiny puddles onto the floor from time to time. so, from time to time, i defrost this sheet of ice – trying to make the pieces as big as possible – kind of like when you are peeling a (i’m dating myself here) drake’s yodel cake or a sunburn (ewww, you say!). and then, the clock starts all over again.
even now – as i write this ahead of time – muggy humidity is streaming in the open windows raising the “feels like” temperature and lowering my sense of humor. post-menopause is not necessarily synonymous with “loves to be hot”. i am picturing myself high on a mountain or maybe in the northernmost reaches of maine. (and i’m not even in the absolutely brutal southwest or southeast.) what that means is – we need ice.
that brings me to ann’s little store – morelli’s deli. because ice melts – a natural phenomenon – we try to buy it close and race it home. even with a cooler, it has the possibility of turning into one large lumpy lump of ice rather than chunks of broken up ice, so one must be ever-thinking when one purchases ice. so we buy it at ann’s. i’m pretty sure we are not keeping ann’s corner store going with our ice purchases, but if everyone in the ‘hood were to buy something there – often – it would surely help keep this family business going. it was pretty exciting the day we realized she added wine to her wares, stocking many labels, many varietals. it meant we could take a long walk around allendale and the lakefront and stop and purchase a bottle of wine for happy hour – without getting in the car. all the adult beverages at our wedding were provided by ann, so we do have a soft spot for that place.
there are many places in our travels we glance over at a shoppe and wonder aloud how they are able to keep going, to pay the overhead, to make a little money, to stay open. it’s been a crazy time and i suspect that the craziness – financially speaking for middle-class americans – is not ending. soon, student loan payments will be restored and, i suspect, the power companies will raise their rates again in time for winter. the cable/internet/phone company – with whom i have spent several hours of my life in the last week – will perk up its billing with some additional package fees or the unpromoted end of promotional deals and the health insurance EOBs that arrive in people’s homes will surprise households with uncovered expenses.
so, it’s no small wonder that ann and tom – in their zeal to run a family store and keep allendale in italian beef and homemade soups and guac, chips and kringle, coffee and spirits – are succeeding one baby step at a time. their business challenges must be grand, like so many of us who own a business. but their commitment to this community has been and is commendable and heartwarming and we are fiercely dedicated to their success. they know practically everybody. and still remember tiny craig running in with the car change purse to buy donuts.
and so, for however long it is that our freezer just refuses to freeze water into icecubes, we will get our ice from ann’s. and then, if we are lucky enough someday to have an in-fridge icemaker that works, well, we’ll get other stuff there.
because not everyone is lucky enough to have a corner store around the corner and down the block. but we do. and we love going there.
i’m trying to decide just how vulnerable to be, how brutally honest, how much to share. it’s like sitting on the fulcrum in the middle of the seesaw…you can choose either way from the pivot point.
this lovely couple – who we considered extended family and saw every sunday – was next door at the garden club’s secret garden event. we saw them from our deck, waving to us over the neighbor’s fence. we gestured we’d meet them in the front yard. giant hugs later, we started a little catching up, having not seen each other in years now. they had family tales and travel tales and many tales of adventure.
they told us they missed us. we were grateful to hear they missed our “energy” and “the fun we brought”. they asked about us.
he asked if i had a position now. i don’t. being terminated during a global pandemic at the age of then-61 with an injury to my hand doesn’t naturally lead to a new position, particularly in the arts. i’m 64 now and we can both agree that age discrimination is alive and well in our country.
she asked if i was composing, if i was “doing my music”.
i sat in the middle of the seesaw.
i’m asked this fairly frequently – people expect someone who has 15 albums already and who has also spent decades as a minister of music – to be fully immersed in music now. after. usually, i somehow deflect, saying something like ” you know, the pandemic…” my voice trailing off. then i quickly ask what they are up to, how their family is, the new grandchild, the retirement, the vacation, the joint replacement…
this time, though, with these dear people standing in our driveway on a beautiful day – post-hugs – tears sprang to my eyes and i began by saying, “eh, this might be too much information.”
and then i told them that i am not composing, that i am not “doing my music” and that i haven’t been able to. that it’s too been too much, that it was too hurtful, that – as much as my studio is a part of me, my essence – being fired devastated me in more ways than anyone can really imagine. it is not as simple as walking back into the studio, sitting at my piano, grabbing pencil and paper, placing hands on the keys. it wasn’t just any old job they took away. it was part of my soul. and – to be honest – i am having trouble recovering. still.
the fulcrum teetered and the seesaw arm – the resistance arm or the effort arm, i wonder – fell to the ground, jostling me. i apologized for the over-abundance of emotion.
they stared at me. they looked surprised; they looked sad. we were quiet for a minute, while i regained my composure and climbed back onto the fulcrum pivot.
but the words were out there. and they were the truth of it all.
on the side of the willis tower – downtown chicago – is affixed the atmospheric wave wall. created by the same artist whose rainbow bridgewe loved at the milwaukee art museum, olafur eliasson’s piece is striking and imbues the colors of the lakefront – sky, clouds, water in all its moods.
in speaking about his piece, olafur – also a climate and community activist – says, “what we see depends on our point of view: understanding this is an important step toward realizing that we can change reality. it is my hope that this subtle intervention can make a positive contribution to the building and to the local community by reflecting the complex activity all around us, the invisible interactions and minute fluctuations that make up our shared public space.”
the steel catches the light of the sun. the piece seemingly shifts with the movements of everything around it, with time as time passes.
we have not yet seen it at night – lit from behind – but i imagine it is stunning – with light escaping from the intersection of the colored tiles. the places of light: in-between.
just as weird as it was to sit on the train it was equally with wonder to move freely about in the city – after all this time and so much that has happened in our country – sans innocence. it is with a bit of heightened awareness we move in the world now, though i don’t suppose heightened awareness helped any of the victims of the latest violent rages at the hands of angry out-of-control people. it is impossible to figure out why the wrong front door or the wrong driveway or the wrong ask-of-a-neighbor could elicit such unconscionably brutal responses.
we were driving to the grocery store. we took the route we usually take, a side street. two-thirds of the way down this road – before the traffic light – our attention was driven to a guy on the sidewalk, staring at us. brandishing something – we don’t know what – he flailed his arm around, pointing to the sidewalk, swinging, pointing, staring at us.
pre-whatever-phase-one-would-call-the-phase-that-this-country-is-in we probably wouldn’t have thought twice. we might have wondered what he was doing, might have wondered why he stared at us, might have pondered what he was brandishing. but we wouldn’t have been entirely creeped out and we wouldn’t have planned a different route home and, perhaps, a different route to our store for the continuing future. it felt like the place between was unsafe. and i find that devastatingly sad.
we live in a normal midwest town. only – i guess – not so much. our town is now known – in these last years of the more-unsafe-phase – for a plethora of events that have no light in-between. our small city is as broken as every other small city, as every other big city.
were there to be a wall of art to represent this phase of our world what colors would it be?
in his rush to get one of the coveted front spots at costco, the guy in the infinity cut me off in the parking lot. i parked in a different row, but watched as he got out of his car. he bent down and pulled out some kind of revolver, tucking it into the back waistband of his pants. then he walked into the store.
i must say – i haven’t ever felt a need to protect myself in costco. maybe from overspending, but never from violence. it was disturbing – almost to the point of turning around and going home – to know this guy was walking around – maybe getting a rotisserie chicken or ribs or a bottle of wine or eddie-bauer-sweats or glucosamine-in-bulk – with some big handgun in his pants. i told d about my reticence to go into the store.
we have a code word for anytime we are in a situation that suddenly feels unsafe. post-parade-massacres, post-grocery-store-shootings, post-concert-devastation, post-festival-tragedies, post-school-maulings – post-all-of-it and in the middle of all of it – we know to drop everything and get out or get away if either of us senses danger. no questions asked. no lingering. just go.
it is without light in-between that this country has come to this point. the intersections of peoples and genders and ethnicities and belief systems and economic statuses and, apparently, any differences whatsoever, seem to have no light. they are not backlit nor are they reflective of the sun streaming over this land.
“our shared public space.” shared. from sea to shining sea.
how do we create the invisible interactions and minute fluctuations of a safe shared public space? how – in a country that seems to have insidious anger and no shortage of violence – do we find the light in-between us? because “we can change reality”.
though not quite as at-home as the cranes walking the edges, we know this pond. we knew it as a marsh. we knew it as dry dirt. we knew it with mulch strewn throughout as they eradicated invasive species. we watched as the rains began to fill it. we listened to the quiet wind ripple across its surface. and then, one day, we heard the first frogs. though we cannot see them, the orchestra pit is filled with frogs in chorus. the static becomes a symphony.
such is the way of a choir. for well over three decades, i conducted groups of people who chose to sing – in choir. they gathered, sitting in folding chairs cold with mid-week evening thermostat dips. they gathered, weary from their days at work or home, filled with activities of responsibility, of life. they gathered, to become a symphony.
the thing about choir rehearsals is that – with good leadership – they go from a meeting of a group of individuals to a collaboration of musicians, from quiet chatter to boisterous song, from people who possibly feel ill-at-ease to people whose voices are heard, whose hearts are seen. choir rehearsals are community events and – led with joy – become places that are generative, places that are accepting not competitive, places of great learnings and tremendous laughter, places that are spaces filled with concern for the other, lifting up of each other, a place with a mission of goodness, a mission of symphony.
i’ve missed being a choir director. it’s been over two years now and the lack of vocal choirs, ukuleles, handbells, worship bands is palpable for me. directing was always about the community – building it, reinforcing it – life-giving, loving. my resume shows seven churches along the way. seven communities in which i offered all i could give, responding to their individual needs, their particular circumstances, their strengths and their weaknesses. seven fluid rivers of music-making.
reverse threading 