time away from home always grants moments for reflection. out of the norm, away from routines and the familiar, it is time to think, to ponder, to wonder, to both anguish and be overwhelmed with gratitude. roadtrips are moments suspended and quiet time in the truck on the highway can take you deeper inside. they are chances to examine the emotional flow-chart, a ping-pong of mapping that is our lives.
yesterday we drove through a snowstorm coming up through the passes. i was driving big red and didn’t want to relinquish the wheel. i wanted to know that i was not too nervous to drive through the snow, the icier road conditions, past runaway truck ramps in high elevation descents. we drove past a semi that had jack-knifed backwards on the highway, literally perched on the edge of the road, hanging over a cliff. we were thankful arriving safely back into spring and onto dry roads. under soaring pines bowing with fresh powder and on slushy lanes, i thought about our past recent days and the bit to come in the mountains. i drove, hands tightly on the wheel, the rhythmic sound of wipers and the wet road the only accompaniment. in the middle of all of it, i pondered my role in these days, the way i fit into each of these stories.
sending out new shoots, seeking to divide and grow, this sprouted red onion looks like i feel inside. peeling back the outer paper, the onion sections itself off so that multiple bulbs may be planted. wanting to hold on to what i’ve known, wanting to learn, new ways of being, of accepting change, of middle-aging gracefully, of holding on and releasing, of sorting, i search the inside layers for answers to questions i ask myself and questions i haven’t yet given words to.
i guess each of us sedimentary-humans must take on these onion-questions when we aren’t too busy denying listening to them. like this red onion, there are mushy parts that are no longer good, that reveal a raw flawedness, that beg letting go. and there are layers of goodness, sweet and refreshing to remember. and, in highway-rolling moments and staring-at-ceiling-deep-in-the-night moments, there are also new sprouts to acknowledge. all are there, bearing fruit, a gentle and prodding reminder that time – years – and life – keep going and stopping either is trying to catch rays of the sun in our hands.
the gift of pulsing-time, the fluidity of planting-harvesting-planting-harvesting of ideas and artistry and work, relationships and love…these remind us to grow anywhere we are planted and, despite the challenge, not to be afraid of peeling back the layers. for there are many germinating bulbs to be found.
in a twist of irony, the measured-computerized female voice on our voicemail the other day admonished us, “sorry. you did not reveal yourself to be human. goodbye.”
what??!
the audacity!
we are sitting in the emptied living room of my in-laws as we write. long grooves in the carpet reveal where the couch was and a few browned leaves lay in a trail of the shedding ivy that was moved yesterday. pictures are off the wall and the mirrors have been taken down. we sit at the counter on folding chairs from the shed out back.
all along the top of the mantel are shot glasses, part of columbus’ collection, the rest of which are on shelving downstairs or on top of the player piano in the family room. they read things like “green bay” or “maker’s mark” or “south dakota” or “heidelberg” or “cedar rapids, iowa” or “yosemite national park” or “krakow” or “utah shakespeare festival” or “ithaca college” or “chicago” or “estes park” or “florida” or “skagway”. over a hundred, there are too many to list. but they are a glimpse into a life – a human life – a timeline shared by others.
columbus went to some of these places, not all. but his beloved family and dear friends would bring him tiny glassware from wherever they roamed. their story became his story in the way that sharing stories works.
it would be a 100-act play to sit and listen to the narrative behind each of these memory shots; it would reveal times of travel and joy and yearning and the seeking of adventure. it would traverse across miles of decades; it would travel around the globe. it would be punctuated with laughter and sighs and maybe a few tears.
the thing i know – it would be rich with human-ness, rich with revelation, rich with love.
in my memory bank, i can remember my sweet momma and poppo holding hands. they would grasp each other firmly. they would hold pinkies. they would hold hands often. and, for me, it was one of those telltale signs that they loved each other, despite the day, despite the challenges, despite everything. my dad would not let my momma cross a parking lot without holding her hand. my dad would not let my momma walk on a sidewalk without holding her hand. for that matter, my dad would not let my momma walk on the road side of the sidewalk – ever. he placed himself between momma and the cars zipping past. he opened doors wherever they went and waited to close the car door after she got in. a gentleman always, his stock of niceties was plentiful and momma never had to remind him.
i am a hand-holder. and i, obviously, come by it honestly. but i haven’t always been around hand-holding types. some folks just prefer not to hold hands. for me, it is an intimate sharing of moments, a warm reassurance, a statement of adoration. to adjust one’s stride to match another’s, to hold their hand, is gentle reinforcement – of pooh-piglet “making sure of you” right-here variety.
i don’t know if david’s mom and dad held hands through the years; i haven’t known them that long. but columbus is a sweet man who tears up when it’s time for anyone to leave, who loves to hug, who has a glint in his eye that says, “i like you! you’re in!” and so, i would imagine that he has been a handholding proponent, an advocate of a firm and tender grasp. and david’s mom stands with this man who, if he still understood and remembered all that had gone before these sadly-ever-increasing dementia-ed days, would still grab her hand, declaring his undying love and devotion.
i cannot think of a time that we do not hold hands. we hike holding hands. walk the ‘hood holding hands. watch movies holding hands. sit together to talk holding hands. it is a gift i relish – a many-many-years-yearning during which i spent years watching others. and pining.
in this painting columbus stands in the cornfields of iowa, the place he grew up, the place he packs to go regularly in his memory care apartment. jeanne finds him with bundles of clothing secured by belts or wrapped up between the sleeves tied in button-down shirts. he’s excited to see her when she comes to visit, a new limit that must be incredibly difficult for her to fathom after decades of marriage. most of the time he still knows that she is ‘the one’ – the one he would choose most in the world to hold hands with. but he is confused and sometimes he does not readily recognize her for who she is. he is still settling into his facility. it’s not likely he will go to iowa again now.
it matters not. together they stroll the halls and step into the colorado sunshine. jeanne, steadfast and brave, chats about the family and reminisces and columbus tells tales of the things he believes he has seen that day, visions of beloveds who have gone before, of places he cherishes and stories of the way-past. they walk slower than they used to; columbus breathes with a little bit of oxygen helping him along. jeanne checks in to see how far he wishes to walk, how tired he has become.
i imagine jeanne takes his hand and squeezes it. and i imagine columbus smiles. he knows she likes him. and, just like piglet, he knows she’s right there.
once upon a time in the middle of the forest there was a may apple village. canopies of verdant green umbrella-ed a world of little tiny beings living little tiny lives. the village went on and on, deep into the trees. if you got right down on the ground and looked underneath all those canopies you would be amazed at what you saw, er, imagined. the village doesn’t last long. it appears and then disappears, showcasing short-lived flowers blooming and then going dormant in the summer. and the little tiny beings move on.
it is in my nature to try and make people laugh. i want to hear them giggle, guffaw, snort. i want to see cheer on their faces and to know they are amused by some self-deprecating thing i said or some story i told or some weird-action-that-would-instantly-embarrass-my-kids thing i did. i am not afraid to talk for my dog, skip in the airport, talk to strangers in elevators or subways or grocery lines, or make up loud songs-with-his-name i would sing to my cat. the reason i adore rehearsals is the chance to see people, in community, laughing. it’s never about perfection. it’s always about joy.
and so it was pretty darn weird to be on an interview call recently during which … no one laughed. i was stunned by this. i could not elicit one snicker, not even a draw-breath-in-breathe-out-a-soft-‘haha’. it concerned me. after six decades on the planet, i understand seriousness, job dedication, commitment to work. after six decades on the planet, i also understand the best way to get things done is in joy. the big picture. short-lived flowers.
the little tiny may apple village was bustling the other day in the woods. i could see tiny bistro tables and chairs, tiny beings milling about laughing and getting things done. the community was aware of all the work it had to do in the short period of time the encampment – and they – would be there. they were not overwhelmed; they were not undone. they realized that they were each spokes in relationship in the big-picture-wheel.
and they – these tiny beings under their awning-of-green – realized that their mirth was the thing that held the leaf-canopies open and kept things in motion, that kept them sharing and working with each other, through the burdens and the successes, that kept them from being divided and, instead, made them a community of inclusion, exuberant and productive, making their tiny mark.
how many times we have danced there. in the front yard. with abandon.
how many times we have danced there. in the back yard. with abandon.
how many times we have danced there. in the kitchen. with abandon.
how many times we have danced. with abandon.
this morning, the sun streaming in through the windows mottling the old quilt with warm bright light, the birds singing in tall trees, the sky azure blue with promise of a crisp spring day, and i am reminded that it is earth day. penzeys, a company hugely invested in the people and endurance of this good earth, reminded me in an email, “time to breathe in all the goodness this world gives us and rededicate ourselves to not destroying that goodness for all the generations that come after us.” this year’s official earthday.org theme is “restore our earth” which “focuses on natural processes, emerging green technologies and innovative thinking that can restore the world’s ecosystems.”
this focus – moving us all toward responsibility – learning, growing, changing, restoring. necessary. vital. life-giving. every little action requires thought. every little action requires accountability to this place we call ‘home’.
yesterday i drove past somers house tavern in kenosha. it’s merely four miles up the road from here on the lake route we often take. leaving to drive north i wasn’t really thinking about anything. but suddenly there it was, on the left side of the road. the feeling of devastation – this was the place that three people’s lives had ended just a few nights ago. their end. the moments that day that got them to that place disappearing into a void. suddenly, tragically, they were no longer on this earth. someone with a gun walked into that tavern and took their lives. and i couldn’t shake it as i drove. i called david and wished i could turn around and go home and take a moment, in the middle of our own patchwork of challenges and joys, to remember to dance.
“world climate leaders, grassroots activists, nonprofit innovators, thought leaders, industry leaders, artists, musicians, influencers, and the leaders of tomorrow will come to push us towards a better world” at the earth day live event today.
head-on, with our future at stake, we must also address issues of gun control, social justice, police reform, inclusivity, healthcare, hunger, homelessness, a seemingly endless list. so much responsibility. on each of us. we need not fear the other’s opinion; we need address the needs of living together on this earth.
“we can’t just hope for a brighter day; we have to work for a brighter day.” (dolly parton)
and if we do, then mother earth will dance too. with abandon.
every day i hold my breath and touch it. i slowly open the closet, bend down and approach it. i nudge the tiny trap door over to allow space for my hand. the coupling has no idea it wields such power, such angst. but it does. it is disconcerting what 1/2″ pvc pipe can do to your psyche. and so… i reach out and grasp the connection. i daresay i even close my eyes. and every time it is dry i thank our lucky stars. a search of great proportion, text messages and voicemails from our “village” and treks to every plumbing supply house in the area later, we seem to (knock wood!) have solved the problem with a 99¢ rubber gasket and a little repositioning of the pipe. and so we attempt to move on. the ptsd of waterinthebasement demands i test it often; i am trying to release some of this and move from every day to maybe every other day. suffice it to say, the big black plastic bin remains – and will remain – in its spot directly below the offending coupling for some time to come.
this little adventure has set us on a course in the basement. the havoc created a ripe invitation to sort, to clean, to reminisce, to give away. a task undeniably time-consuming and cumbersome, but gratifying nonetheless. the leak itself was smack in the middle of david’s studio, but fortunately had not affected any canvasses. now, at last, as he puts his studio back into place, he will dance with the black bin and his patina-rich easel.
we love patina. perhaps it is because we have patina ourselves. at 60 (whatever) you have no choice but to own it, this “gloss or sheen on a surface resulting from age or polishing”. i never thought of it as “polishing” before. age, yes. polish, no. it seems the opposite. it seems that one removes patina with the act of polishing, an action misguided and not recommended by antique collectors everywhere. which does make me think about all the work we do in this country, in particular, to avoid ‘looking our age’, to eliminate wrinkles and age spots and the bumps and lumps of time-spent-on-earth. seems contrary to the upholding of patina, the celebration of the worn, the shabby-chic, the tattered, the threadbare, the velveteen-rabbit-ness. let’s just call it all wizened-beauty.
much of the basement is dedicated to glorifying wizened-beauty as this is an old house, 93 years worth. in the section of the basement where it is studio, all the pipes and walls are painted bright white. there are spotlight tracks in each area. it does not feel old-basement-ish. instead, it feels to us simply a cozy space, inviting our presence. the studio that holds david’s standing easel, the space that holds paintings-waiting-for-homes, the storage that holds boxes of my cds, all analog in a digital world. that studio also holds two rocking chairs, both with treasured history. one from spaces-of-painting past and one from the nursery upstairs that only exists in memory now. how often we have each rocked in those respective chairs. how much time has gone by. not fancy and definitely sans polish, they hold steadfast. they are there for the times of muse and the times-in-between the muse. and times like now.
the studio in the basement waits, just as my studio where my piano waits. raw opportunity, beckoning each of us as we rearrange, store away, go through, readjust and re-enter.
the gasket, up above and comfy in the coupling, looks down and smiles at what it started.
personally, i like the black bin in the middle of the room. right now, it gives me a sense of peace, or, more accurately, less of a sense of panic. in our seemingly neverending plumbing story, we are still seeking the proper gasket for our dysfunctional coupling. we were behind a local plumbing truck on the way to lowes. this business has operated in our town for four decades servicing all these old houses with their variety-pack of fittings and pipes and unions and o-rings and such. as i told a friend, it was a universe-is-laughing-at-us moment as we drove behind this truck that i just knew had shelving with old disheveled water-stained cardboard boxes full of the exact gasket we needed. i wanted to jump out of littlebabyscion at a stoplight and run up to his driver’s window and knock-knock-knock on it and beg him to check the ratty cardboard boxes for this gasket, which of course, he probably had in his pocket, upon which i would offer him 10 or 20 dollars for this simple vintage rubber 79 cent piece. it didn’t happen, of course. i’m quite sure that he would have done anything to avoid my panicked face in his window. and so, we are still on the quest. and learning a lot about gaskets and o-rings and sheet-and-ring gaskets and fun stuff. someone said to me yesterday, “oh, like that’s something you really want to know about!” but i disagreed. though i wish the tiny leak would stop, i am finding the puzzling-out of it a great learning process. a creative process, let’s just say. so. the black bin in the middle of the room.
soon we will piece back together david’s studio down in that space. he’s bringing paintings back into the light and we gaze at them as he recalls much of this pandemic year, time spent without painting. i know this feeling as i enter my own studio upstairs. a crate of cantatas i composed, some resource books i have used for decades, a few decorations from the choir room i used to occupy – they sit along the side wall of my studio, the remainder of what i need to file away, put away, throw away. i, too, have not spent time in my studio creating. it’s the wrists, it’s the job-loss, it’s the pandemic … it’s a long time of fallow, i suppose. it is the juxtaposition of art that makes a living and art that is living. it’s a sort of betrayal by art. it’s feeling that which you have dedicated yourself to letting you down. it’s change. it’s a time of discernment. it’s a time of confusion. it’s a time of loss. it’s a time of not-found-yet. it’s a time of grief. it’s complex. it’s a mixed bag.
we laid awake in the middle of the night. we had a banana, our traditional middle-of-the-night snack. we talked. we grappled with the year-of-years we have all had. once again, for the millionth time, we tried to sort it out.
we talked about my snowboarding-broken wrists and a community of leadership that never reached out to me. we wondered aloud. we talked about the pandemic breaking out, virtual-work, exponential curves of connecting to others online. people, including us, losing positions we loved to a virus that shut everything down. we talked about financial hardship, too common a denominator. we wondered aloud. we talked about the terrifying covid numbers we watched on the news – climbing, climbing, climbing. we wondered aloud. we talked about political division, a time of chaos and the amping-up of bigotry, complicity and vitriolic rhetoric. we wondered aloud. we talked about isolation, people missing people. we wondered aloud. we talked about the civil unrest in our town, deaths-by-automatic-weapon a few blocks over, curfews, fires, boarded-up businesses. we wondered aloud. we talked about my fall in the fall, a whopping new wrist ligament tear and, again, a community of leadership that did not reach out. we talked about losing my long-term job. we talked about the silence of others. we wondered aloud. we talked about david’s dad and his move to memory care, his mom and her spinning grief and loss-paralysis. we wondered aloud. we talked about our sweet babycat and his sudden dying, the heartwrenching hole. we wondered aloud. we talked about the lack of security, rampant. we talked about extreme gun violence and people’s hatred of anything-they-aren’t. we wondered aloud. we talked about exhaustion, pervasive and overwhelming all of us. and we wondered aloud.
not much sleep.
we’ll find a gasket that works soon. or we’ll call a real plumber in. and maybe, little bit by little bit, our artistry will call to us – to trust it, trust ourselves. it will remind us that it is not responsible for making a living. it will ask us to look around at that which is of solace to others in these times, regardless of lacking financial reward: it is music, it is visual art, it is the written word. it is art and it is living.
and, for some time to come, the black bin will sit in the middle of the studio. to remind us of the process.
gasket (noun): a shaped piece or ring of rubber or other material sealing the junction between two surfaces in an engine or other device.
what the dictionary doesn’t tell you: gasket (noun): havoc-wreaker.
this small piece of black rubber wields some mighty power. its failure has made us dance for the last three days (and i’m not talking about good-dancing.)
we woke to the sound of water. a pleasant sound, we were suddenly aware that we, indeed, were not camping by a lovely mountain stream. instead, we were inside our home where the sound of unsolicited running water is reason enough for stomach flips and jumping out of bed. we are good at running around looking for the problem. we are not so good at what to do next.
we stared at it. the water on the carpet in the basement was an obvious problem. we quickly traced the dripping, er, flowing stream, to the cold water feed to the shower. and, because the very wise craftsmen who built this old house had the foresight to leave a tiny door in the closet on the main floor behind this feed, we found the culprit. the coupling! one coupling, without a conscience, failing us miserably.
we were wise enough to turn the water feed off – don’t overestimate the reaction of two artists in a plumbing emergency – and the water stopped. and then the fun began.
it takes a village to play plumber. we took pictures and sent panicky texts to innumerable friends who instantly wrote back advice and words of encouragement, channeling my sweet momma’s “you can do this.” we got to work, reading and re-reading the wisdom on our phones.
inside the coupling was this tiny gasket. it was no longer completely round and smooth. its edges were a little torn and battered. here was the problem. this havoc-wreaker had done its havoc-wreaking job and we were faced with the fallout.
the shopvacs whirring, we went after the water. over and over again, until it was possible to actually move the carpet. donning masks and rubber gloves after reading up on google what we artists should do in such a plumbing emergency, we released the carpet from its metal stripping and pulled it back (wet carpet is ridiculously heavy). though we were actually helping the carpet, the padding below was sopped.
using boxcutters like pros, we, garbage-bags-later, had the padding out and were accumulating all the plastic things we could find to lay out the carpet and dry it with fans – any and all fans we had.
we read that baking soda would help so we bought boxes and boxes of baking soda and sprinkled it generously like my mom would sprinkle confectionery sugar on her homemade crumbcakes. and then it was time to wait it out.
meanwhile, we went to see tom at the hardware store. he directed us to a gasket for 99 cents that we brought home and placed in-between the pipes. it’s not quite right – the gasket we had (heaven only knows how old it is) had some shape to it – like an o-ring attached to the gasket, filling in a round moat in the pipe (note the professional terms). this gasket was flat, so we are now looking for one that has this so-called built-in o-ring to fill in the moat. without that (or some other fix we are trying to figure out) there will always be a place for a tiny bit of water to go, squeezing microdrop by microdrop under the gasket and then worming its way out the coupling and then, terrifyingly, down the pipe where – if i even see one drop on the carpet i will freak out – it could land downstairs. anyway, after days of intense and concentrated effort, the crisis has been diverted, knock wood. (there’s been a lot of wood-knocking going on…)
now, the quest for the proper gasket. plumbing supply stores watch out!
reverse threading 