reverse threading

the path back is the path forward


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our spiffy hose. [kerri’s blog on d.r. thursday]

we were hose-holdouts. we had those hard rubber (and some hard plastic) hoses that are just difficult to deal with – the kind that bend back on themselves and kink and stop the waterflow (which, of course, is their entire role in life). one of them was attached to one of those hose rollup reel thingies that has a handle and you roll the hose onto it, trying to guide it into place (because it all somehow reels into the same spot) while simultaneously getting wet and muddy from the hose which is supposed to just easily glide into place on the rollup thingie.

we admired other people’s gardenhoses. they had nifty wrinkled-up expandable miracle hoses. they had lightweight-rubber-hoses-that-never-kinked. they had expandable-retractable hoses of many colors. we were in hose-envy with no hose-budget.

until one day.

the amazon guy left a couple boxes out in front of our door. now, this is a very exciting day. we order little and so we are ridiculously excited to see a box on our doorstep. truly, ridiculously.

two boxes. one was the spiffiest 50′ expandable hose – lightweight, all curled up like a sleeping garden snake, ready to take on our backyard. the other box had a bright neon green watering wand, which has to be one of the best inventions of all time. gifts from one of my beautiful nieces, we did a we’re-catching-up-in-the-world happy dance and relieved the heavy old hose from its duty on our deck.

it makes a difference, i must say. one wants to spend time watering with a hose that isn’t like lugging the entire water table along behind you sans sherpa-help. the wand is truly amazing (and i know we must be many years behind with this one, having been the proud owners of handheld nozzles for a bazillion years – the kinds that invariably don’t seal properly onto the hose screwtop receiver and spray sideways all over you as you attempt to use it.)

now, i stand calmly and peacefully – even zen-like – with my watering wand and obedient expandable-retractable-lightweight-miracle-hose and move from spot to spot in the backyard. i gently and tenderly – without jerking the hose along – sprinkle my herbs and rain down on our ornamental grasses and ferns.

everything has benefited from this combo. but mostly me.

the simplest upgrade-change – something newfangled! – has made a difference in a chore. it has made it a gift of slowing-down-time, of appreciating the growth of our gardens around us, a kind of meditation.

mostly, we have entered the twenty-first century of hoses. and we are feeling like the cat’s meow.

*****

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MEDITATION acrylic 48″x48″


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out from umbrella-world. [kerri’s blog on d.r. thursday]

and from my tiny home under the clover, i can look up and see that maybe the sky is clearing and the rains have stopped. the whole town has put up black umbrellas; some are bent from the wind and most are taller than they are wide, so it’s still easy to get caught in the downpours. and i can see – over there – the brown fulton birdcage umbrellas all set up, rounded bubbles – but everything that has been drenched is now drying a bit and it’s all verdant green and lush. it’s time to carry on.

i’m leaving my little home under the clover to go back out into the world. to see its giantness and feel the arriving sun and appreciate the balance of sunsoaked and rainsoaked, to try and understand the relationship between lack and abundance, to navigate the seesaw of positive and negative.

i see that it is quite possibly all about perspective. for the birds flying over our umbrella-world don’t see us here and, from our vantage point under the umbrella canopy, we don’t see them there. it’s only in the open field that we see each other, in the open field we can discern and hear each other, in the open field we can find truth.

my perspective has gotten lost from time to time, focused merely on my own parched landscape and drenching rainstorms. stepping out, looking around, taking stock – i see past the tiny market-umbrella-town in which i’ve taken shelter.

and i am no longer silent. there is much to be said, much to be learned.

and in the sun i’ll revel. and in the rain i won’t carry an umbrella.

it’s time.

*****

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EARTH INTERRUPTED acrylic mixed media 50.25″x41″


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places you carry. [kerri’s blog on d.r. thursday]

my tree. i found a photograph of my tree. the one i sat in for the years i was growing up on long island. i wrote poetry and tinkered with lyrics and sorted out the pinings of teenagehood. in that tree.

things are never as big as what you remember. the maple tree wasn’t huge – but it provided solace and a quiet, private place for me. i’d climb up and sit on one of the limbs, my back against the sturdy trunk, sun filtered through the leaves, my bedroom window within view. it wasn’t in a thick forest. and it wasn’t a giant old tree. it was a younger maple, just old enough to wisely offer me space, fill the place in me that needed it.

we walked into the silo. it was silent and tall. like a tiny round cathedral, it hit us both as a place you could sit, meditate, think, pray. a place to go to when you need to get centered again, when all else is spinning, when blustering winds or words are pummeling you, when you feel you cannot stop.

as we stepped in, damp cool gentle air wrapped around us. everything slowed down – hushed slow motion in a cave. had we had a chance to sit, we would have folded our legs beneath us, closed our eyes. leaned back against the trunk … oh, wait, it was cement…

quiet spaces are like that. inordinately remarkable, uncannily ordinary. but they share something. serenity.

guided imagery meditation ushers you to a quiet place. in belleruth naparstek’s meditations she invites that space to be anywhere – the forest, the shore, the desert, the canyon. places that have brought you peace. places you hold in your mind’s eye. places that are sacred to you.

even without guided imagery we find our own corners and crannies. they are the porches of our hearts – a spot to rest and rock.

i suppose the gift of these places is the unexpectedness. the silo was unexpected. the log on the side of the mountain stream, the jetty jutting into the sound, the edge of the canyon. i guess the first time so was my tree.

it’s all in recognizing it when you feel it. and you’re forever changed as you carry that place with you.

*****

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IN QUIET PRAYER acrylic 16″x20″

PAX acrylic 24″x24″


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discernment. [kerri’s blog on d.r. thursday]

the volunteer morning glory just showed up. all of a sudden. in-between the cornstalks growing under our birdfeeder, when the sun was low in the sky, its quiet blue-purple peeked out. i – literally – ran to it. and there, tucked in, were two beautiful morning glory blooms. but – absent – were the infamous heart-shaped leaves. i googled it. an unwelcome volunteer, this ivy leaf morning glory can be toxic to our dogga – who loves to graze on various vegetation – and, sadly, must be pulled out.

i was going to try to avoid the obvious parallel here – volunteers who show up, but not with the best of intentions. we’ve all met them. people with power and control fantasies who turn up in organizations where they immediately volunteer for positions of leadership. because organizations are eager for the energy of new volunteers – even when they are unknown – many will thoughtlessly place someone into these positions without restraint. that’s when all hell breaks loose. (welp, i guess i didn’t avoid it.) the ivy leaf morning glory can be hallucinogenic and can cause tremors and other physical ailments in a pet. yes…same, same. an organization can tremor itself into oblivion with the perceived goodness (read: agenda) of the volunteer, new or otherwise. it’s best not to allow your sweet dog or your cherished organization to ingest mind-altering substances.

but on the flip side? had this volunteer purple-blue flower been safe, it would be heartily welcomed in our garden. we welcomed the small cornfields that dot our yard. we welcome the volunteer ornamental grasses that show up where we didn’t plant them. we welcome the sneaky groundcover with yellow flowers and the wild geranium. but – since the ivy leaf morning glory is over there by the corn where dogdog schnuffles around – and it’s noxious – we will be cautious. we aren’t watching him every moment while he’s outside in his backyard and we want him to be safe.

and so today we’ll thank the beautiful flowers of this variety of morning glory as we pull it out and we’ll protect our sweet tripper. no volunteer flower is worth him suffering in any way. our discernment is imperative.

*****

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all the angles. [kerri’s blog on d.r. thursday]

i grew up loving protractors and mechanical pencils, slide rules and really good erasers. it’s a wonder i didn’t pursue a career where these were valued or necessary. digging through bins recently, i came across a pencil case with yet-another protractor, yet-another slide rule, a very sturdy compass, some fine-point drafting pencils. a treasure! from long ago i can feel the slide rule in my hand and the circly swirl of the compass. even without a specific purpose for these (save for the pencils) i am planning on keeping them. and the pencil case as well. because who doesn’t love pencil cases?

and so, it was without hesitation i immediately eye-measured the angles in this photograph. the north side of our house, rooflines as they meet the sky. this old house is filled with angles – crown molding meeting crown molding, wood floors as they run an expanse of a room to partner with another room, ceilings over a reversing stairwell, ceilings in bedrooms that long ago housed matchbox cars and barbies.

there are photographs in the bins-in-the-basement as well. i study them for a bit. it’s obvious i was always looking for a different angle – a different way to view what everyone else was looking at, to compose my image. closer-up, upside-down, the horizon on a deliberate tilt. but, most always, tighter-in, to feature some subject matter.

it was when i was in the canyonlands sharing precious time with my daughter that i learned a lesson. we were both snapping pictures – the expanse, the red rock, the sky, the immensity, the 90 degree angles to the canyon floor – it was all overwhelmingly take-your-breath-away. we took photographs of each other in this incredible terrain. her images were a teaching.

there, taking up barely any space in the middle third of the left side of the photo, i stood on the top of the cliffside. the sun was almost down, the deep chasm below dark, the red rock upon which i stood still lit orange. i am the smallest percentage of this photograph and, yet, it is one of my favorite photos of myself – ever.

it was that day i learned little bit more about perspective – through my daughter’s brilliant creative instinct to give the visceral gift of seeing tiny in vast. to back up, to wide-angle the view. i remind myself of these amazing moments with her often.

i hold my camera ready – to consider all the angles of what i’m seeing. and, most especially, what i might see, what i might be aware of, from a distance. the bigger picture.

*****

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from a distance. acrylic 53″ x 29″

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berries or art. [kerri’s blog on d.r. thursday]

i was minding my own business hiking the trail. the sun was sifting through the trees, the cool breeze was brilliant, the dirt felt good underneath my feet. lost in thought and feeling the glorious change in weather – the heat dome having moved on or dissipated – i was taken by surprise.

the bird poop landed on my forehead and splatted my sunglasses, schmearing down my nose, dropping onto my shirt. it was more than a little shocking and i said to d, “a bird just pooped on me!”. apparently, at the time i said this i was looking down at my shirt and he glanced over to see some evidence of this pooping, none too impressed until i looked up at him.

the look on his face told me what i needed to know. “it looks like blueberries,” he said, intending to be helpful, i think. i responded that the birds – and one in particular – must be eating berries, digging in my backpack for a paper towel and not grokking why their diet was of importance when i had shat on my head and face. i didn’t see the bird, but i’ll for sure remember it anyway. we started to laugh, which is always a good thing, and i instantly remembered the scene in “under the tuscan sun” when the pigeon pooped on diane lane’s head – supposedly a blessing of good fortune.

i googled it.

the thing i came across the most was the rarity of birdpoop actually landing on you. the probability of this is near zero, which is why the act of being bird-shat-upon is considered lucky, even a blessing. when we thought of how many times we have hiked trails – this one and tons of others – we cannot recall a time when birdpoops even came near to us.

so i’m going with lucky.

there were several sites of rock art on our special beach. i found this gathering of rocks particularly beautiful. at first i thought it was a spiral, but it seems more a depiction of a tiny galaxy, a planetary system. coming upon these recently-constructed manmade mini petroforms: the mini galaxy, a black and white pinwheel of rocks, a series of rocks simply planted standing in the sand, we know that someone took the time to align these, to say “i’ve been here”, to leave something behind. we were a few of the fortunate ones who saw their work. it’s likely someone will shuffle along the sand and, tempted by the patterns, rearrange the rocks, undoing these designs.

if i had to choose a way to be remembered – let’s say, a choice between, well, the difference between momentary – umm – purge (be that a spewing of anything – including words or actions) or momentary art, i’d have to say i would go with art. though my writing and my music, photographs and designs will be just a flash in the arc of time, they are not as messy – for the most part – as berries.

*****

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the magic. [kerri’s blog on d.r. thursday]

i stood in the surf to take pictures of it. i could feel the sand sinking beneath my feet and the water pulling me out. the breaking waves were glorious and the cool water was rejuvenating. i stood there a long time, snapping photos. later, my feet – from sandwalking and wavecleansing – felt like i had taken an expensive exfoliation scrub and lavishly basked in its luxury. the magic of these two – elements of the tide, in time, of forces playing together.

we sat – in quiet – on the patio, over adirondack chairs facing the backyard. all summer we have had a hummingbird feeder out back. we have felt fortunate to see a hummer a time or two, maybe at day’s end, sipping and zipping away. but after the deluge of rain, after i refilled the feeder, the word seemed to have spread in hummingbirdland. and suddenly, our yard became a destination. and so we sat, quietly watching, transfixed by these tiniest birds, binoculars at the ready. and they came and went. they ate at the feeder and sat perched on the wires and on the garden fencing. they chased each other, zooming past our chairs and up and over the house. it was the first show and it was enchanting. we relaxed into its magic.

the trail was hot and we were on mile nine. at that point – in the feels-like high nineties – we were talking about getting to littlebabyscion in the parking lot. but then there was this butterfly who captured my attention. on a stand of tall yellow wildflowers, the viceroy butterfly shared the edge of the trail with me. i was close to it and took photographs as it sunned, seeking nectar. it didn’t fly away, instead allowing me to snap pictures as it stayed on the bright blossom. i forgot about how much i wanted to sit down, the weary disappearing into the magic of this creature’s presence.

when we were little, there was little that was not magical. and then we grew – taller, older, supposedly wiser. and some of the magic dissipated into clouds.

but, we are lucky beings. because from time to time, we are reminded. they need not be big moments of grandeur, though they could be. they need not be big moments of contrived entertainment, though they could be. they need not be stunning vistas or neverending horizons, though they could be.

instead, they are tiny bubbles and droplets of water, tiny grains of sand, gathered together in a restoring wave. they are tiny birds sanctuarying the backyard. they are a butterfly on a flower, almost unnoticed.

and we remember. we remember to remember, to not forget that the magic is right there waiting.

and in the wisdom of the littles, we realize – again – there is little that is not magical.

*****

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sunrise. sunset.

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in the turning. [d.r. thursday]

we passed the stand of coneflowers – so beautiful in waning as summer wanes – the passage of time barely a whisper, yet it is august and a new season will soon be upon us. the side of the trail – the underbrush – told stories of summer’s heat, of the successful eradication of invasives, of new growth, of the turning – always the turning.

we walked back to where we had parked big red, this old truck that has now passed through twenty-five years of turning. barely seventy-thousand miles on its odometer, it seems happy to be driven, to have adventures, to be out and about.

we have had big red for the last four years since columbus gifted it to us. unable to drive any longer, he passed it to david and we promised to care for it as he had. every single time we have driven it, we have wondered why the rattle…loud rattle…from both sides of the truck. we determined it was the running boards. the bolts were tight but the metal steps shook and rattled, nonetheless.

so, on this day of waning time and everyone and everything getting older, we decided to bring it somewhere to see if we could possibly make a difference in the ridiculously loud sound and jarring shake the running boards were causing. we don’t know what put us over the edge this particular day. we wondered how columbus put up with this for the first 60,000 miles. for me, in particular, anything that has any kind of rhythm – and then is juxtaposed with a different rhythm close by – say, on the other side of the vehicle – simultaneously(!) – makes me crazy. it’s torture! let’s just say it interrupted the ride and ford’s slogan “go further” sounded less and less appealing. i mean, we are “ford tough” but c’mon…!

we googled who to take it to. picked a shop. and drove to it, a tiny bit fearful of the price tag of this fix. particularly right now. we knew we could get an estimate and walk away, if need be. what’s a little rattle for a little longer?

the guys at line-x took maybe 75 seconds to decide what to do and scheduled us for later in the week. merely thirty minutes after they began to install a steel anchor bar on each running board, our problem had disappeared.

because we have hyped-up sound and muscle memory – reinforced by four years of sound and bouncing, we could both easily imagine the noise and the jarring we were now missing. big red drove smoothly down the street, still driving like a big old ford f150 – in a big ole truck kind of way – but minus the runningboard imax symphony.

surprisingly, it was an easier and less costly fix than we had imagined.

i suppose as we watch other things around us age and wane – our house, littlebabyscion, our fridge, our stove, this very laptop, my iphone, our bodies (ouch!) – this would be a good lesson to remember.

no less beautiful, no less a coneflower, the turning just requires a little care.

*****

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EMBRACED NOW acrylic 48″ X 36″

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teasel tease. [d.r. thursday]

“if left unchecked, teasel can form large dense patches and severely impact a habitat planting. teasel can be very difficult to manage because once established it pollutes the soil with durable seed that can germinate throughout the growing season.” (plantscience.psu.edu)

“leaves have spines on the underside of the midvein and smaller spines on bases on the upper leaf surface. the stem leaves are opposite and prickly, especially on the lower side of the leaf midvein.” (nwcb.wa.gov)

“handling teasel is best done with heavy gloves, every part of the plant is prickly to the point of piercing human skin.” (fairegarden.wordpress.com)

“once teasels become established in an area, they are hard to eradicate.” (fllt.org)

“if left unchecked, teasel quickly can form large monocultures excluding all native vegetation.” (illinois.edu)

if left unchecked…

it would seem these teasel beg the metaphoric reference to people within communities. it is no wonder – in these times – that my mind immediately goes there.

but teasels are beautiful, with interesting texture. like the flat-back-hand-carder for the vintage spinning wheel in our basement that cards wool or raises the nap on fabric, they were utilized for decades and were initially cultivated from the old world. they appear in planted gardens for their dominant sculptural presence and in meadows, growing wild and free.

on a quest – every day – to take photographs, i find myself back at 18. i was given my first 35mm camera when i graduated from high school early, my parents pretty certain i would love it. i did. i was out the next day, walking the beach in winter, reveling in capturing it all. i took that camera everywhere and took pictures of everything, reveling in the freedom of aperture and shutter speed. the deliberate taking of photographs brings one to center, into presence – there is no need for speed. instead, it is about slow movement, about noticing, about paying attention.

and i am – lately – feeling a tad bit back-there. at 18. the tiny lone flower, the shadow, the curl of bark – they get my attention. i pause.

these teasel stopped me. there was a teasing tension between their color, their thorns, the sky, the pine trees in the background. the juxtaposition of the bristle and the luminous. beautiful. i, too, couldn’t resist the teasel.

“despite its noxiousness, it’s impossible not to find the teasel rather endearing…” (jacqueline stuhmiller, fllt.org)

one just needs remember the thorns.

be wary. don’t hug a teasel.

*****

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french lavender. [d.r. thursday]

with the string you tie around boxes of cakes and pastries from a bakery or sweet patisserie, small bundles of dried lavender hang around my studio. from the big old black window frame that sits on the chifferobe i use for supplies to over by the djembe in front of the turned-off radiator by the window. bundles of lavender.

i used to have a lavender garden out back, started with cuttings divided out from the same bed these bundles were from. then the snow-on-the-mountain snuck under the fence from my neighbor’s yard and, despite my best efforts, took over the lavender (and anything else in its path). snow-on-the-mountain is like that. it barrels down anything in its way and takes much effort to eradicate. it’s aggressive and a tad bit bullying, not unlike some people i have known. i didn’t invite it into my yard, but there it was, anyway. i’ve tried to – now – incorporate it while still somewhat controlling it – the new normal. sounds a lot like the stuff of life.

each year we plant a big pot of lavender. each year, it is a slightly different strain of lavender. last year, our daughter chose the plant, as she was here at the time and we visited a nursery. it exploded into a gigantic plant – the bees seemed to love it as much as we did. this year, we chose one that seemed unique, it’s purple petals growing out the top of the stalk – french lavender, with butterfly-like narrow petals.

lavender is known for bringing serenity, for its calming soft scent. for me, it’s a balance plant. it is – without any real effort – growing in its giant pot.

i walk over and, with the slightest of touches, am caught in a whirl of its beautiful aroma. i think about tying some branches and hanging them to dry at the end of the summer season. or maybe making small lavender sachets. anything to keep it going.

i can add some to the gifted lavender in my studio. bring serenity in. and push out the ghosts of invasive snow-on-the-mountain.

*****

read DAVID’s thoughts this D.R. THURSDAY