reverse threading

the path back is the path forward


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my dad’s jowls. [d.r. thursday]

over-exposed and blurry. that’s how i prefer photographs of me these days.

this morning i opened facebook and there was one of those “you have a memory” pictures. it was from nine years ago when my girl graduated from college and she and i and one of my nieces were all in a pub gathered closely together. adding to my over-exposed and soft-focus-photo-capture-desires, this memory looked different – younger – than when i looked in the mirror shortly thereafter. hmm. the marks of time.

my sweet momma would look in the mirror and, in a singsong whiny voice whine, “i look like an old woman!” she was 93. i would gently remind her both that she was a woman of age and she was amazingly beautiful wearing that age. but as i look into the mirror each day, i’m wondering if she was as dismissive of my words as i am dismissive of david’s “you’re beautiful” compliments. we are so hard on ourselves. our grooves, impressions like the ones in the carpet at the old family home, are earned from the long haul, from all that we have encountered, from the sun in day and dreams at night.

the wear and tear – or lack thereof – on each of us belies the courage and tenacity beneath the surface. we keep on keeping on, adding a wrinkle here or a grey hair there. i thought i was getting used to the appearance of tiny evidences of middle-aging until one famous morning. it all had gone basically unnoticed until that one day when i looked in the mirror and WHAMMO! my dad’s jowls had appeared. what?!? i stared at myself. my dad’s jowls stared back. it was all i could see. what on earth had happened overnight??

i ran to the next room to get a photograph of my sweet poppo and, sure enough, there they were. a perfect match. i pulled up a recent photo of my dad’s sister, his only surviving sibling, and voila! there they were. i am in a perfect-harmony-trio of jowls. i looked for a picture of my sister. though i was hoping to, i didn’t really see any jowls. what’s up with that, dna? seems slightly unfair to me. ahh, indents and jowls. the marks of time.

i look sideways to the window as i write this. below the sill are a variety of lines in the wall, many of them. on summer nights, when the window was wide open and you could feel the breeze blowing and the sweet smell of mown grass drifted in, this was the window that babycat jumped into to sleep. his lumbering body stretched out on the sill, he would lay there throughout the night. in the morning, he would put his paw down in front of his body and drag it along the wall to carefully get down out of the window. the scratched lines remain. indented in the wall, i am not eager to remove them in these times of dearly missing our beloved cat.

one day, like the vacuum that will remove the ridged lines in the carpet in david’s parents’ living room, a little sanding and paint will remove these scratched lines. but their import won’t go away. the sofa that sat in the living room may no longer be there, but the times spent there will always be a part of that space. the scratches on the wall may be fixed, but the cat that graced our lives will always be a part of this space.

the jowls that are now on my face will remain, however, and i suspect become more pronounced, just like the wrinkles and the grey hairs. all that i have been – including the times when i didn’t care about over-exposure and blurred photos – will remain. all that i have experienced, just like you, makes its mark. and we will be lucky if we someday glance in a mirror at 93 and whine-like-we’re-45, “i look like an old woman!”

jowls or not.

read DAVID’S thoughts this D.R. THURSDAY

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chi’hood home. [d.r. thursday]

a haiku quad

wand’ring through the house

he took photos of distant

memories he had.

they flooded his heart

his mind full, awash, the past

playing again – now.

and i find myself

wishing i could go back there

to my chi’hood home

to relive it all

to remember, to process

life as it marches.

read DAVID’S D.R. THURSDAY HAIKU


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hand-holders. [d.r. thursday]

in my memory bank, i can remember my sweet momma and poppo holding hands. they would grasp each other firmly. they would hold pinkies. they would hold hands often. and, for me, it was one of those telltale signs that they loved each other, despite the day, despite the challenges, despite everything. my dad would not let my momma cross a parking lot without holding her hand. my dad would not let my momma walk on a sidewalk without holding her hand. for that matter, my dad would not let my momma walk on the road side of the sidewalk – ever. he placed himself between momma and the cars zipping past. he opened doors wherever they went and waited to close the car door after she got in. a gentleman always, his stock of niceties was plentiful and momma never had to remind him.

i am a hand-holder. and i, obviously, come by it honestly. but i haven’t always been around hand-holding types. some folks just prefer not to hold hands. for me, it is an intimate sharing of moments, a warm reassurance, a statement of adoration. to adjust one’s stride to match another’s, to hold their hand, is gentle reinforcement – of pooh-piglet “making sure of you” right-here variety.

i don’t know if david’s mom and dad held hands through the years; i haven’t known them that long. but columbus is a sweet man who tears up when it’s time for anyone to leave, who loves to hug, who has a glint in his eye that says, “i like you! you’re in!” and so, i would imagine that he has been a handholding proponent, an advocate of a firm and tender grasp. and david’s mom stands with this man who, if he still understood and remembered all that had gone before these sadly-ever-increasing dementia-ed days, would still grab her hand, declaring his undying love and devotion.

i cannot think of a time that we do not hold hands. we hike holding hands. walk the ‘hood holding hands. watch movies holding hands. sit together to talk holding hands. it is a gift i relish – a many-many-years-yearning during which i spent years watching others. and pining.

in this painting columbus stands in the cornfields of iowa, the place he grew up, the place he packs to go regularly in his memory care apartment. jeanne finds him with bundles of clothing secured by belts or wrapped up between the sleeves tied in button-down shirts. he’s excited to see her when she comes to visit, a new limit that must be incredibly difficult for her to fathom after decades of marriage. most of the time he still knows that she is ‘the one’ – the one he would choose most in the world to hold hands with. but he is confused and sometimes he does not readily recognize her for who she is. he is still settling into his facility. it’s not likely he will go to iowa again now.

it matters not. together they stroll the halls and step into the colorado sunshine. jeanne, steadfast and brave, chats about the family and reminisces and columbus tells tales of the things he believes he has seen that day, visions of beloveds who have gone before, of places he cherishes and stories of the way-past. they walk slower than they used to; columbus breathes with a little bit of oxygen helping him along. jeanne checks in to see how far he wishes to walk, how tired he has become.

i imagine jeanne takes his hand and squeezes it. and i imagine columbus smiles. he knows she likes him. and, just like piglet, he knows she’s right there.

*****

read DAVID’S thoughts this D.R. THURSDAY

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and then mother earth will dance. [d.r. thursday]

dancing in the front yard – mixed media 24″ x 24″

how many times we have danced there. in the front yard. with abandon.

how many times we have danced there. in the back yard. with abandon.

how many times we have danced there. in the kitchen. with abandon.

how many times we have danced. with abandon.

this morning, the sun streaming in through the windows mottling the old quilt with warm bright light, the birds singing in tall trees, the sky azure blue with promise of a crisp spring day, and i am reminded that it is earth day. penzeys, a company hugely invested in the people and endurance of this good earth, reminded me in an email, “time to breathe in all the goodness this world gives us and rededicate ourselves to not destroying that goodness for all the generations that come after us.” this year’s official earthday.org theme is “restore our earth” which “focuses on natural processes, emerging green technologies and innovative thinking that can restore the world’s ecosystems.”

this focus – moving us all toward responsibility – learning, growing, changing, restoring. necessary. vital. life-giving. every little action requires thought. every little action requires accountability to this place we call ‘home’.

yesterday i drove past somers house tavern in kenosha. it’s merely four miles up the road from here on the lake route we often take. leaving to drive north i wasn’t really thinking about anything. but suddenly there it was, on the left side of the road. the feeling of devastation – this was the place that three people’s lives had ended just a few nights ago. their end. the moments that day that got them to that place disappearing into a void. suddenly, tragically, they were no longer on this earth. someone with a gun walked into that tavern and took their lives. and i couldn’t shake it as i drove. i called david and wished i could turn around and go home and take a moment, in the middle of our own patchwork of challenges and joys, to remember to dance.

“world climate leaders, grassroots activists, nonprofit innovators, thought leaders, industry leaders, artists, musicians, influencers, and the leaders of tomorrow will come to push us towards a better world” at the earth day live event today.

head-on, with our future at stake, we must also address issues of gun control, social justice, police reform, inclusivity, healthcare, hunger, homelessness, a seemingly endless list. so much responsibility. on each of us. we need not fear the other’s opinion; we need address the needs of living together on this earth.

“we can’t just hope for a brighter day; we have to work for a brighter day.” (dolly parton)

and if we do, then mother earth will dance too. with abandon.

*****

read DAVID’s thoughts this D.R. THURSDAY

DANCING IN THE FRONT YARD ©️ 2013 david robinson


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and the gasket smiles. [d.r. thursday]

every day i hold my breath and touch it. i slowly open the closet, bend down and approach it. i nudge the tiny trap door over to allow space for my hand. the coupling has no idea it wields such power, such angst. but it does. it is disconcerting what 1/2″ pvc pipe can do to your psyche. and so… i reach out and grasp the connection. i daresay i even close my eyes. and every time it is dry i thank our lucky stars. a search of great proportion, text messages and voicemails from our “village” and treks to every plumbing supply house in the area later, we seem to (knock wood!) have solved the problem with a 99¢ rubber gasket and a little repositioning of the pipe. and so we attempt to move on. the ptsd of waterinthebasement demands i test it often; i am trying to release some of this and move from every day to maybe every other day. suffice it to say, the big black plastic bin remains – and will remain – in its spot directly below the offending coupling for some time to come.

this little adventure has set us on a course in the basement. the havoc created a ripe invitation to sort, to clean, to reminisce, to give away. a task undeniably time-consuming and cumbersome, but gratifying nonetheless. the leak itself was smack in the middle of david’s studio, but fortunately had not affected any canvasses. now, at last, as he puts his studio back into place, he will dance with the black bin and his patina-rich easel.

we love patina. perhaps it is because we have patina ourselves. at 60 (whatever) you have no choice but to own it, this “gloss or sheen on a surface resulting from age or polishing”. i never thought of it as “polishing” before. age, yes. polish, no. it seems the opposite. it seems that one removes patina with the act of polishing, an action misguided and not recommended by antique collectors everywhere. which does make me think about all the work we do in this country, in particular, to avoid ‘looking our age’, to eliminate wrinkles and age spots and the bumps and lumps of time-spent-on-earth. seems contrary to the upholding of patina, the celebration of the worn, the shabby-chic, the tattered, the threadbare, the velveteen-rabbit-ness. let’s just call it all wizened-beauty.

much of the basement is dedicated to glorifying wizened-beauty as this is an old house, 93 years worth. in the section of the basement where it is studio, all the pipes and walls are painted bright white. there are spotlight tracks in each area. it does not feel old-basement-ish. instead, it feels to us simply a cozy space, inviting our presence. the studio that holds david’s standing easel, the space that holds paintings-waiting-for-homes, the storage that holds boxes of my cds, all analog in a digital world. that studio also holds two rocking chairs, both with treasured history. one from spaces-of-painting past and one from the nursery upstairs that only exists in memory now. how often we have each rocked in those respective chairs. how much time has gone by. not fancy and definitely sans polish, they hold steadfast. they are there for the times of muse and the times-in-between the muse. and times like now.

the studio in the basement waits, just as my studio where my piano waits. raw opportunity, beckoning each of us as we rearrange, store away, go through, readjust and re-enter.

the gasket, up above and comfy in the coupling, looks down and smiles at what it started.

*****

read DAVID’S thoughts this D.R. THURSDAY

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an octopus and a hissy fit. [d.r. thursday]

in the outstanding documentary “my octopus teacher” craig foster forges a relationship with an octopus in the south african kelp forest. every day he enters the cold water to search for her and over the period of about a year he bonded an intimate friendship with this amazing creature. when she disappears after a scare, he spends days seeking her, commenting, “i try to think like an octopus.” his success reuniting with her shows he is at least somewhat capable of thinking how she thinks, of seeing how she sees. your heart is filled watching the mutuality of their connection and you wonder why this level of reciprocal respect cannot exist more easily between human beings.

tuesday i had a hissy fit. i have mostly recuperated. i’m not sure where it started but it definitely was a meltdown. anxiety coupled with grief coupled with worry and angst with a pinch of frustration – the ingredients du jour for many of us on a given day in these difficult times. i went on about a propensity for letting things just roll off my back, making things ok, not speaking up – for myself – as often as i would wish or as often would seem apt. in my wild and wooly meltdown, i complained that others can do this and often do this – speak up, push back, say things are not ok – without incident, without remorse, without punitive measures, without concern. i stated examples in that way you do when you are ranting; there are many words you speak asfastasyoucan to make sure the other person keeps listening and there are also many punctuation words you linger on, stretching out the sound of them on your lips, exquisite cuss words that seem fitting at the time. these are not necessarily pretty, but they are definitely handy at providing emphasis. i ranted about neighbors playing music at absurd decibels in a house-dense community. i ranted about the internet and streaming and ridiculously small music royalties, an industry for independents, flailing. i ranted about my right hand’s range of motion plateau. i ranted about speaking up for myself and my rights as a woman, my rights as a professional, my rights as an employee. i ranted about not saying “no”. i ranted about losing my job. i ranted about those who claim to be caring and compassionate not even entertaining having any kind of discussion or dialogue. i ranted about ill-suited leaders in leadership positions, seemingly not being held answerable. i ranted about hypocrisy. i ranted about people’s silent complicity. i ranted about wanting to retort to others about their stance on politics, on gender and racial equality, on the pandemic, on climate change, on gun violence and gun control. i ranted that, even sans retort, even in even-keeled, calm, cool, collected and researched manner, it would be next to impossible to navigate debate. i ranted about the abyss in our nation that makes it impossible to have an intelligent, thoughtful and respectful conversation without vile getting in the way. i ranted about the inability for people to see things together. i ranted about missing my sweet babycat. i returned to the top, taking a breath and again ranted that others seem to do and say whatever they please, despite fallout or impact on others, despite truth or consequences, without care and with agenda, without benevolence and with mean-spiritedness, without kindness and with a lack of sensitivity. i ranted that i could not continue this way. i ranted, “if i can’t at 62, when is it that i can???” can’t what? can what? i’m not even sure i know. ranting is like that.

it would seem that possibly a kelp forest off the coast, deep dives with a weight belt, times of holding one’s breath minutes at a time might aid in establishing some sort of common ground. it worked for craig foster and his fantastic octopus. he carefully, and without antagonizing her or scaring her or moving too quickly, watched her in her short life. he passively, without interfering or having self-serving agenda, watched her deal with day-to-day life, with adversity, with terror, with the pecking order that comes in the ocean. he watched her gracefully and intelligently co-exist with stunning creatures of the sea. he was saddened when she was hurt; he mourned her when she died. relationship. a kinship crossing natural boundaries.

we humans…we have much to learn. we have brains that refuse to look for new factual knowledge, hearts that refuse to respect all love as love, eyes that refuse to attempt empathy or fairness and see what others see. maybe we should spend some time immersed in the vast ocean, in a kelp forest. or maybe we should try harder. or maybe we should spend some time answering the important questions of our hissy fits.

*****

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CHICKEN MARSALA ©️ 2016 david robinson & kerri sherwood


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the black bin in the middle. [d.r. thursday]

personally, i like the black bin in the middle of the room. right now, it gives me a sense of peace, or, more accurately, less of a sense of panic. in our seemingly neverending plumbing story, we are still seeking the proper gasket for our dysfunctional coupling. we were behind a local plumbing truck on the way to lowes. this business has operated in our town for four decades servicing all these old houses with their variety-pack of fittings and pipes and unions and o-rings and such. as i told a friend, it was a universe-is-laughing-at-us moment as we drove behind this truck that i just knew had shelving with old disheveled water-stained cardboard boxes full of the exact gasket we needed. i wanted to jump out of littlebabyscion at a stoplight and run up to his driver’s window and knock-knock-knock on it and beg him to check the ratty cardboard boxes for this gasket, which of course, he probably had in his pocket, upon which i would offer him 10 or 20 dollars for this simple vintage rubber 79 cent piece. it didn’t happen, of course. i’m quite sure that he would have done anything to avoid my panicked face in his window. and so, we are still on the quest. and learning a lot about gaskets and o-rings and sheet-and-ring gaskets and fun stuff. someone said to me yesterday, “oh, like that’s something you really want to know about!” but i disagreed. though i wish the tiny leak would stop, i am finding the puzzling-out of it a great learning process. a creative process, let’s just say. so. the black bin in the middle of the room.

soon we will piece back together david’s studio down in that space. he’s bringing paintings back into the light and we gaze at them as he recalls much of this pandemic year, time spent without painting. i know this feeling as i enter my own studio upstairs. a crate of cantatas i composed, some resource books i have used for decades, a few decorations from the choir room i used to occupy – they sit along the side wall of my studio, the remainder of what i need to file away, put away, throw away. i, too, have not spent time in my studio creating. it’s the wrists, it’s the job-loss, it’s the pandemic … it’s a long time of fallow, i suppose. it is the juxtaposition of art that makes a living and art that is living. it’s a sort of betrayal by art. it’s feeling that which you have dedicated yourself to letting you down. it’s change. it’s a time of discernment. it’s a time of confusion. it’s a time of loss. it’s a time of not-found-yet. it’s a time of grief. it’s complex. it’s a mixed bag.

we laid awake in the middle of the night. we had a banana, our traditional middle-of-the-night snack. we talked. we grappled with the year-of-years we have all had. once again, for the millionth time, we tried to sort it out.

we talked about my snowboarding-broken wrists and a community of leadership that never reached out to me. we wondered aloud. we talked about the pandemic breaking out, virtual-work, exponential curves of connecting to others online. people, including us, losing positions we loved to a virus that shut everything down. we talked about financial hardship, too common a denominator. we wondered aloud. we talked about the terrifying covid numbers we watched on the news – climbing, climbing, climbing. we wondered aloud. we talked about political division, a time of chaos and the amping-up of bigotry, complicity and vitriolic rhetoric. we wondered aloud. we talked about isolation, people missing people. we wondered aloud. we talked about the civil unrest in our town, deaths-by-automatic-weapon a few blocks over, curfews, fires, boarded-up businesses. we wondered aloud. we talked about my fall in the fall, a whopping new wrist ligament tear and, again, a community of leadership that did not reach out. we talked about losing my long-term job. we talked about the silence of others. we wondered aloud. we talked about david’s dad and his move to memory care, his mom and her spinning grief and loss-paralysis. we wondered aloud. we talked about our sweet babycat and his sudden dying, the heartwrenching hole. we wondered aloud. we talked about the lack of security, rampant. we talked about extreme gun violence and people’s hatred of anything-they-aren’t. we wondered aloud. we talked about exhaustion, pervasive and overwhelming all of us. and we wondered aloud.

not much sleep.

we’ll find a gasket that works soon. or we’ll call a real plumber in. and maybe, little bit by little bit, our artistry will call to us – to trust it, trust ourselves. it will remind us that it is not responsible for making a living. it will ask us to look around at that which is of solace to others in these times, regardless of lacking financial reward: it is music, it is visual art, it is the written word. it is art and it is living.

and, for some time to come, the black bin will sit in the middle of the studio. to remind us of the process.

*****

read DAVID’s thoughts this D.R. THURSDAY


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at the door. his angel-cat. [d.r. thursday]

dogdog does not live his life expecting grandeur. he does not look for the secrets of the universe nor does he try to reach the pinnacle of success, whatever that is. his riches are right around him – his shredded toys, his bone, his food and water bowls, his treats, his people and his beloved cat. he lives each day, seemingly, without the emotional chaos we get embedded in; the view from his amber eyes is simple and they reflect back a love of living, of those things he cherishes. he does not try to be anything; he just is. “when you seek to be special, only a few things in life will measure up,” writes sue bender. he does not seek to be special, yet he is magnificently special.

it was very very quiet in the house last week. i played no music. i watched no tv. i barely read the news. together, dogdog and i were almost silent. my dear and wise friend wrote, “sometimes silence allows us to conserve our energy to go on.” together, dogdog and i stepped in our days, the padding footfalls of babycat’s sorely missing from our mix. yet we continued on and the earth spun through the galaxy and the sun and the moon did that which they do, nevertheless.

“i learned to love the journey, not the destination. i learned that this is not a dress rehearsal, and that today is the only guarantee you get,” pens anna quindlen. dogdog’s journey sans destination – for without the same human parameters that make us measure our lives, his is simply a journey without a destination – included babycat. and now, in his quest to find his cat, we can only hope that babycat sits by his side and reassures him, in his gravelly babycat voice, that he’s right there with him. our journeys include the angels all around us; they are right there, quiet and steady.

“get a life in which you notice the smell of salt water pushing itself on a breeze over the dunes, a life in which you stop and watch how a red-tailed hawk circles over a pond and a stand of pines. get a life in which you pay attention to the baby as she scowls with concentration when she tries to pick up a cheerio with her thumb and first finger,” recommends anna.

i’d add, get a life in which you take moments to be very quiet – silent, even – and in which you can see the dim outline of your angel-cat sitting next to your dog at the front door.

*****

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AT THE DOOR ©️ 2017 david robinson & kerri sherwood


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expert, schmexpert. [d.r. thursday]

expert (noun): a person who has a comprehensive and authoritative knowledge of or skill in a particular area.

other definitions from sources that are not the dictionary:

expert (noun): anyone from out of town.

expert (noun): a person knowledgeable enough about what is going on to be scared.

i have learned, in the six decades i have lived so far, that there are few true experts. there are many, many people who know a lot and many, many people who tout that they know a lot and many, many people who know very little about the thing they say they know a lot about. is there really any such thing as a complete expert, someone who has arrived, who has reached the all-knowing pinnacle, comprehensive and authoritative, who has nowhere at all left to go?

i think the most interesting people i have met are those people who are humbly reaching for more, understatedly claiming knowledge but not possessively holding it close to the vest. instead, these people are open, questioning, seeking and they aren’t afraid to say things like “i don’t know” closely followed by something like “i’m happy to look into that.”

i think the most interesting people i have met are the ones who readily admit weaknesses and fallible tendencies. they don’t claim absolute command nor do they reject criticism or surround themselves with yes-men or yes-women. they know that knowledge must co-exist with boots-on-the-ground expertise. they are open to feedback and choose to engage with others in conversation that encourages growth and maturation, regardless of personal insecurities.

dictionary.com’s definition of an expert is: a person who has special skill or knowledge in some particular field. a blogger states in their blog that would mean, “if you have more knowledge on a subject than the average person, you might qualify as an expert in that field.” that seems a bit of a recipe for lots of overblown, overstuffed knowledge-spouters.

instead, maybe taking the approach of one step at a time, learning like it’s the first-time-each-time, collaboratively open to each other’s questions and queries, to never-ending research and lessons, might be a better path.

that way, we can all be experts at being human. that way, we can all be experts at humanness.

*****

read DAVID’S thoughts this D.R. THURSDAY

visit DAVID’S gallery of paintings

and a little PS xo to my own dentist, dr. dan santarelli, who is awesome and kind and most definitely, an expert.


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the tiny vibration. [d.r. thursday]

i can feel the fluttering. it is just a tiny vibration but it’s there. it’s pretty new. i don’t remember this feeling before, i guess, a year ago or so. though i suppose it could be one of those things that happened but which i never noticed, i’m noticing it now. it doesn’t hurt; there is no pain. it’s just this little vibration inside that speaks up every now and then, some days more than other days. in the way that most physical things are somehow connected to anxiety or stress, i am thinking there is a correlation and so when this silent little buzzing starts i patiently wait for it to cease. and i wonder about it.

it is astounding what stress can do. it is a statement, particularly of these times, to hear all the ways it exhibits in people, all the ramifications, all the fallout. in a world filled with self-help ways-to-find-zen books and videos and suggested practices and therapies, stress still abounds and people – its number one target – are subject to it. no matter your constitution, we are each vulnerable, a mere event or two away from feeling utterly pummeled by angst. we seek ways to alleviate stress and it returns, like this tiny vibration. no matter how many times i speak to the tiny buzzing, it seems to stick around.

perhaps an answer is in this painting surrender now. the holding of each other in this world, the intimate sharing of worry and humanness, the giving over of pain or grief or anxiety or stress. perhaps the presence of a little bit of grace. maybe then the tiny vibration – or however each of our bodies respond to the complexities of life – will ease.

*****

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visit this painting on DAVID’s gallery

view or purchase this painting as a print

SURRENDER NOW ©️ 2016 david robinson