there are some fires that water will simply not douse, that regular fire-mitigating won’t choke out. this is one of those.
it rages with hotter heat and more tenacity. it is impervious to deterrents. its flames reach into the souls of those with souls and its ash, always ready to ignite, is never extinguished, never snuffed out, smoldering for more years than we can wrap our heads around.
its destruction has burned more deeply into lives than the magma-chasm of volcanos.
there aren’t enough words to quell the wrenching heartache of inequity – the fire has eaten through them all.
there is silence – staggering, heartbroken, earth-shattering silence – and we must hear it.
there aren’t enough excuses to explain it away – people have turned their backs on this smoldering fire, consensual participants in fanning the blaze, the oppression, the hatred.
there are reasons – a history of inequity that predates us and continues like an undercurrent, always there.
there aren’t enough condolences to offer those burned and scarred – empty thoughts and prayers are issued by people standing in bigot-hydrant vicinity, safely far enough away, not in the fray, not affected or effecting.
there are empty words of solicitousness, of sympathy – the pat on the head and the turn back to your-own-life.
there aren’t solutions ready at the fingertips – the listening, talking, desperately sincere efforts to understand, to have empathy, to stop and put on others’ shoes, the soles of which have been melted by the hot lava of this fire. these are within our grasp; we must step out of complicit complacency. we must acknowledge the chasm between lip service and true comprehension. black lives matter.
there is an imperative – to take action, to make change.
in the middle of peaceful protestors being forcibly removed from the area near the white house with tear gas and rubber bullets, the president of this country haughtily walked across the street and stood before a church holding a bible. it was an empty moment, devoid of positive or constructive meaning, spraying more firestarter onto a fire-lit-for-centuries. an arsonist. shameful.
i was 18 and on long island the first time i was called for jury duty. back then, reporting was for two weeks so i drove out to riverhead each day for ten days. it was serious stuff and i, in my innocence, listened carefully to every detail during jury selection and, later, during the case to which i was assigned. i was intimidated by the presence of the judge, law enforcement, court bailiffs, attorneys, these people who had dedicated their lives to justice, to maintain rule of law and abide by due process of such, while providing for equal protection, seeking social order. “courts: they exist so the equality of individuals and the government is reality rather than empty rhetoric.” (NACM) i researched my responsibility. i was respectful of every instruction i was given, and believed that the process was based on constitutional rights and values and that truth would prevail. “the truth, the whole truth and nothing but the truth…”
less than ten years later i was the victim-witness counselor at the state attorney’s office in one of the judicial circuits in florida. i worked with local law enforcement, the FBI, attorneys, social workers, court bailiffs, judges, all dedicated to the due process of those who had been accused of crimes and those who were victims of crimes. my position was working with victims of violent crimes or surviving family members of those victims. heinous acts committed upon others, i was intimidated by the presence of cold, calculating types sitting across the deposition table from me, wishing, at times, that i could put a paper bag over my head to avoid identification at a later date. it was bracing and disheartening, a dark look into what people are really capable of, twisted, distorted minds culminating, often, in the death of an innocent person. my first case was one of the saddest, though i shudder thinking of many of them, wondering if they are truly rank-able. the young woman worked at a quick stop gas station/convenience store, her shift the wee hours of the night. the two men who kidnapped her had planned for a long time to dig an underworld and keep her and other women there. their efforts were stymied as they began to dig and discovered that sand kept filling the hole, so they assaulted her and murdered her. one of my very first days: welcome to the state attorney’s office. each case that was presented was treated with respect and complete attention to detail; the truth was the ultimate goal, for justice, for the memory of the victim, for the victim’s family, for proper sentencing and/or rehabilitation. “the truth, the whole truth and nothing but the truth…”
thirty years later i watch as the wisconsin court system, that which is supposed to be non-partisan, apolitical, a fair arbiter of the law, has deemed the governor’s safer-at-home order during a global pandemic unconstitutional and has thus thwarted the ability of the governor to protect the populace. “courts: they exist so the equality of individuals and the government is reality rather than empty rhetoric.” (NACM) hmmm. yet, instead, leaning heavily on the right side of the political seesaw of a supposed-apolitical supreme court, the justices declared the state ‘open’ and triumphantly, though virtually, just as during their vote, raised their glasses of celebration in every wisconsin bar about five minutes after their declaration. the truth? wisconsin’s coronavirus numbers had not ceased climbing; there was not enough testing nor contact tracing as per the federal government’s previously-stated guidelines, which, at the time, were stated as the truth. “the truth, the whole truth and nothing but the truth…”
meanwhile, the administration’s truth-seesaw has become the stuff of amusement parks and circuses – long roller coasters of thwacking metal cars on tracks, criss-crossing and reversing direction, houses of mirrors, convoluted stories and warped sideshows. “the truth, the whole truth and nothing but the truth…” would present some challenges in this case – were truth to be told.
the truth flies by the hand of the self-served. the truth is misrepresented in more artistic mediums than the best fine arts university could offer. falsehoods are reported on, written about, gushed over. and people i care about and love believe them. danger lurks in the darkness of this truth-void; the deposition table will later provide bags to cover all the heads. made-up stories as adults with impact on a country are not merely child’s play. this seesaw of truth is about life; it’s about living. it’s to uphold this: “to form a more perfect union, establish justice, ensure domestic tranquility, provide for the common defense, promote the general welfare, and secure the blessings of liberty to ourselves and our posterity.” (the preamble of the u.s. constitution)
we passed a house flying an american flag. under the american flag was another flag. it said: “trump 2020. stop the bullsh*t.”
ty cobb’s career batting average over 24 seasons was .366. this is the number of hits divided by the number of at-bats. i know that is an extraordinary batting average and yet my math-brain looks at that and thinks, “wow. that’s shy of 37%! only 37%!” what if only 37% of my recordings were complete? or 37% of dinners cooked all the way? or 37% of the work for our employers done? or 37% chance of wearing appropriate clothing outside our home? disregarding the possibility of grading on a curve, my school-brain thinks, “37% does not look like an A!” so when david went on about how his painting has been a miss, i thought, “well heck! you need to lower the bar a bit!”
artists are harsh. we are generally not self-congratulatory, although there is definitely a percentage that defies that. we have a vision of where a project is going and we will jump at the chance for perfecting it every time. there is a point when you know; the time has come to stop, start over, wipe clean the slate. (pfffft – can you hear lifting up the cellophane on those cool vintage magic slates made of cardboard and equipped with a plastic stylus?) david walks away from the easel, huffing. i walk away from the piano, sighing. the muse has left the room before us. at least that is what we invariably think, when it’s our own work.
and yet, it’s so often the case that i will stare at his work, downstairs on the easel and think, “wait! stop! don’t do ANYthing! it’s perfect!” but it’s his project and his creation and he fought with the vision he had in his head. they disagreed; they went to battle and the easel reigned supreme time and again as he walked away, disgruntled.
for me, the third iteration of this painting (see above) is the moment. he could have stopped right there and i would have loved it. it had a dreamy, surreal quality to it. it was graceful and lovely. i’d say at the very least a .375. ty would be proud.
anticipation. it’s the stuff of songs. the stuff of great love. the stuff of waiting for the worst to be over. the stuff of all moms everywhere.
we wait. we wait for them to be born. we wait for them to fall asleep. we wait for them outside the elementary school, gleefully skipping down the sidewalk toward us. and then we wait for them outside the middle school, hidden in the shadows down the road to avoid seventh grade embarrassment. we wait for them at the end of sport meets and music recitals, to congratulate or cajole. we wait for them after the day is done at school. we wait for them to return home in the family car. we lay awake, waiting for them a wee bit past curfew. we wait for them to return home from college. we wait for them to come home from afar. we wait for them to say, “yes, all is well,” and we wait for them to sound genuinely happy. we are not settled if they are not settled.
and now we wait – apart. all of us.
we all wonder what day it is and we wonder when this waiting will be over. we look to each other – on texts, on the phone, on social media, on videoconferencing – for words of wisdom, for encouragement, for reassurance, for a chance to say, “yes, i feel that way, too!” we need meet on common ground; we are alive and we are vested in staying well and staying safe. so we compare notes and share ideas and recipes and cartoons and articles and youtube songs and moments that make us weep.
and, like the day that your beloved child doesn’t tell you of their arrival ahead, surprises you and makes your heart swell with joy by walking in the front door, we wait for the hoped-for-but-unexpected. the flattened curve. the antibodies that prevail over the virus. the vaccine. the end of this profound worry, this herculean effort of medical workers, this exponentially terrifying pandemic. in our world, our country, our state, our community, our midst. in our circle.
we know one of these days this too shall pass. and in the meanwhile, we are honing our waiting skills. becoming adept at patience and being in the moment, not sure of what day it is exactly, but sure of the passing of days. time will bring us to a new day and one of these days, just like our grown child unexpectedly bursting through the front door, Next will burst in and exclaim, “surprise! i am here!” and our hearts will explode with gratitude.
we watched global citizen’s concert ‘together at home’ on saturday night. this virtual concert featured a wide spectrum of celebrities and musicians and raised about $128 million for the world health organization as well as local and regional frontline healthcare workers in support of covid-19 relief. despite wildly varying opinions about this effort, i would have been proud to play in the midst of this. it was about humanity. some of it was pretty raw. people were in their homes, many the likes of which i will never enter. they were with their instruments, they were playing or singing songs they felt would resonate with those watching. a few were, as expected, clearly voice-tracked. a few were, as expected, a bit ego-tainted. split-screen performances and technology raised the bar for musicians everywhere. but it was a moment in time – eight hours in total between online and on-air – when you could see that all of us grieve and yearn the same way. no matter the size of your mansion or tiny house, no matter the grammys on your shelf or the lack thereof, this global pandemic is just that – global- and is not discerning of your privilege. it does not care. it can take anyone. and so we weep.
if there is a painting that depicts the face-holding grief and prayerful yearning for hope, it is this painting WEEPING MAN.
i wonder if he weeps for those who have fallen ill, those who have died. i wonder if he weeps for those who refuse to acknowledge the seriousness of this pandemic. i wonder if he weeps for those on the front lines, helping. i wonder if he weeps for those who have hidden in extravagant bunkers underground in far away countries. i wonder if he weeps for our isolation. i wonder if he weeps watching people intolerant of the isolation that will protect others, people who are selfishly and arrogantly protesting stay-at-home orders. i wonder if he weeps for the unrelenting non-discrimination of this contagion or if he weeps for the divisiveness of responsibility-taking, the it-doesn’t-affect-me attitude. i wonder if he weeps for the continuance of humanity. or if he weeps for the loss of humankind. or, if he weeps for the lack of humaneness. i wonder if he weeps because, in the middle of this trying and profound now, Next will come. i wonder if this painting is tomorrow’s tomorrow and he weeps with relief and hope.
THIS all exists. for each of us. it isn’t always good. it isn’t always not-good.
there are those moments. the moments you weep openly, the moments you cover your face to cry, the moments of overwhelm, the moments of absolute weariness that, despite all evidence to the contrary in your tired mind and body, actually do lead to Next. times you feel alone, times of sorting, times of grief, times of fragile vulnerability, times of regret. the times you put your face in your hands and weep…
and there are those moments. the moments you weep openly, the moments you cover your face to cry, the moments of stunning awe, the moments of sheer exhaustion at your goal-line, moments that actually do lead to Next. times you feel enamored of life itself, times of incredulity, times of unquestionable good fortune, times of serendipity, times of simple all-consuming sweet love. the times you put your face in your hands and weep…
we recognize it. we can feel it. and we know that in another moment he -or she, for there is no pronoun-hogging here- will slowly raise his head out of his hands and Next will have arrived. (reverse threading, and so he weeps, january 17, 2019)
we drew heavy curtains to sleep in the land of the midnight sun. my grandmother mama dear and i were in the arctic circle in finland and, much to the fascination of my eight year old mind, the sun refused to set. i remember a twilight like no other – a time of in-between that just lasted and lasted, not day, not night. it was stunning and magical and wreaked havoc on circadian rhythms, necessitating new practices.
EARTH INTERRUPTED VII makes me think of that twilight, that time in the river of not-this-not-that. a time of waiting, it appears that the telescope zeroed in on earth detects an interruption, a wafting darkness. in this time of pandemic, it would seem a portrait of covid-19.
but, as in all other times of darkness, there exists a glow of light. the blackness is dissipating, the shape of the earth is visible, the twilight is vibrant. this painting offers radiant hope.
just like pulling back the curtains in lapland, the sun will rise and we will have awakened from the strange twilight. we will have lost much to the dark. we will have learned new ways, employed new rituals. we will be tired and wary, cautious yet sure. we will have crossed the river of the midnight sun into a new day.
there is a place on a washington island road where the rest of the world disappears. you are walking alongside forest and can see the sky as you look up, tall trees framing blue, the sound of sandhill cranes and red-eyed vireos accompanying your steps. and then you enter this place. the trees gently arc over the road and you are covered by a canopy; we have sheltered in this spot during more than one sudden rainfall. even in the bright day, the green above you – which turns to brilliant umber, rich red, flaming orange during summer’s release on the forest – allows for little light. and at dusk, while the sun sinks into the water hundreds of feet away, walking in the middle of the road, it is dark-dark, the canopy a lure for night creatures, safe in the shadows.
there is a place in a tree in the yard of my growing-up house outside the window of my old room where the branches invited sitting. for hours i would sit there, write, ponder. in the summer the maple seemed to grant me privacy from the world, its branches full of leaves and canopying my little spot. a shelter.
there was a place in the wooden structure in our backyard that had a yellow awning that made a fort. when My Girl and My Boy were little they would play up there for hours, The Boy lining up matchbox cars, The Girl often reading a book. a special space, this little fort, it was hard when it was time to dismantle it and pass it on to friends with little ones.
these places of shelter – places of canopy – provide such a sense of protection, a sense of being held from harm – from the elements, away from others, in our own private place. much like our homes, they can give us pause, a deep breath, safety.
in this time of distancing and stay-safe-stay-at-home, i look around our house and give thanks for its canopy of shelter, for the way it holds us from harm, for the minutes, hours, days, weeks, months and years it keeps us safe.
there are moments when both dogga and babycat seem to be on the same page. sweetly tuned in to our every emotion, they put aside their own agenda to curl up, their warm bodies tucked in against one or both of us, just being there.
in this time of necessary and vigilant waiting, as we defer to healthcare workers, scientists, the experts, all in their prodigious work, perhaps this is the most potent aid we can offer. to curl our warmth and any practical and safe help we can muster around each other. to acknowledge each other’s worry, each other’s fear, each other’s process. to be tuned in, to listen, to offer words of comfort. to stand with each other, hold each other’s hands, even from afar. to quietly just be there.
nine. i have nine fingers i can use right now. and, like chicken marsala, i am putting them on the keys and following the music. two weeks after breaking my wrists i was back playing and directing. who needs wrists anyway? who needs all ten fingers?
music can’t be stopped. it’s in the sound of the sunrise, the sound of your baby waking up, the sound of the clink of coffee cups. it’s humming as you ready for your day, singing along in the car, laughter shared over the phone. it’s in the hug you give your children as you drop them at school and the help you give your aging parents. it’s in dinner you prepare for loved ones, and in the volunteering you do for a local service organization. it’s in the walk in the woods, a stroll by the water’s edge. it’s in the quiet weary at the end of the evening, the sighs of a life-day done well. it’s in dreams and in hope. and it can’t be stopped.
we will always turn to the arts for comfort, for meaning, in joy and in sorrow. the music follows us; it surrounds us. it waits silently, ready to volume-up when necessary, hush-down when needed. it’s background. it’s foreground.
the sun lights our room early in the morning. we don’t have room-darkening shades so if artificial measures haven’t been used (read: obnoxious alarm clocks) we wake with the light.
thoughts stream in with the light in this just-past-the-dark-hour. our quiet as we sip coffee, like jiffy-pop starting to pop on a hot stovetop, is punctuated by bits of conversation. the dreams we are climbing out of, the babycat’s snoring through the night, dogdog’s sweet need for early pets, what the weather looks like out our window peering into the backyard, projects we are working on, what is on the docket for the day. ideas, reminiscences patter through. we stretch into the day yawning in front of us, putting on, and trying to keep on, caps of making-good-assumptions. today is a good day to have a good day, as the saying goes.
good assumptions. apparently, they are a high ticket item. for we all are, in the world, surrounded by those who do not make good assumptions. my sweet momma would tell me, “don’t jump to conclusions.” “ask questions,” she would admonish. a difficult lesson worth oft-repeating.
we would sit on the couch at the end of the day, sipping tea and eating chips ahoy cookies. we’d talk about the day, bitter jabs by classmates or exclusionary moments i had endured. “try to find something good,” she’d remind me, while at the same time not underplaying the hurtful behaviors. “make good assumptions.” this is the same woman who, on the emergency room table in the wee hours of the night, in great pain and fearing a broken hip, looked up at a cranky and tired nurse and remarked, “you have a beautiful smile.” it changed the moment; i suspect it changed the rest of the nurse’s day; perhaps it changed all those who she interacted with thereafter and so forth. those undeniable concentric circles.
in early days with david, clearly in the beaky-beaky school of thought, one of the most-oft-repeated things i remember him saying is “ask questions.” don’t assume you know. don’t assume anything. ask. listen.
quite some time ago, mike stated, “God gave you two ears and one mouth for a reason.” watch, ask questions and listen, he advised. don’t make assumptions. the best way to learn, the best way to collaborate, the best way to approach challenge, the best way to move in the world.
momma would smile and look at me, facing down adversity or standing tall on a personal summit, and say, “wowee!”
i can practically hear her now, her eyes dancing, saying, “see? if you ARE going to assume anything, assume awe.”
HOUSE ON FIRE
