reverse threading

the path back is the path forward


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to feel it. [kerri’s blog on merely-a-thought monday]

the catalogs in the old mailbox in our bathroom are well-worn. i don’t keep every catalog that comes into the house, but there are a few that make their way into the old mailbox that used to grace the front of our house for years. stio is one of them.

i page through – dreaming of the places in this catalog. the phrases they use resonate with me.

“don’t just go somewhere, be somewhere.”

that – ^ – those very words are the reason i don’t take travel tours. you might question my position – it might be that you very much value group tours – buses or boats or what-have-you. and that is most definitely a way to see places.

but we have found that – for us – it is more important to immerse in a place than to pass through and check it off on some bucket list. if we merely pass through, we feel we have missed the real essence of the place. if we merely pass through, we have missed the scent of dawn, the color of dusk, the tempo of the streets and sounds of the overnight. we have missed the accents, the colloquialisms, the marketplace, the joy of sitting for long hours watching people interact – in a new place. we have missed the opportunity of absorbing something – some tiny little thing even – from the new, strange land that we might take back with us. we have missed connecting with its people. we have missed the beating heart.

and so, i agree with stio: don’t just go somewhere, be somewhere.

we try to take the time to be engaged, somewhat engrossed in places we go. true, it isn’t always possible, but we do make every attempt. it is what drives decisions about travel. our checklist is not just that – a checklist. it is the chance to viscerally see, taste, smell, hear, touch another place on this good earth, a chance to really feel it.

it is the reason why – for the four days we were in paris – that we walked everywhere, miles and miles all over the city. it is the reason we found our way to the market, skipping the fancy restaurants we passed on the way. it is the reason we bought baguettes and cheese, tiny salads, bottles of wine, fruit tarts from a patisserie. it is the reason we sat on cathedral steps or on benches by fountains in parks to dine. it is the reason my feet hurt and my heart was full.

it’s why we return time and again to breckenridge – to hike its trails, wander its streets, hang out and talk to the shopkeepers and the bartenders, shop its grocery store.

it’s why – once we have found a place and accommodations that truly speak to us, we will return again – to be a part of the community, to walk its sidewalks, shop its merchants, talk with its people, live – even for the tiniest bit of time – in its midst.

when we think of all the places we have traveled together, we recollect images that are multi-dimensional. we remember how it felt. we may not get everywhere we would like to go – and our checklist may be left with boxes to check – but we will have spent time in places we got to know and that got to know us, at least a little bit.

it is the reason why – in addition to seeking new – we choose to return – time and again – to the same trails we know. they have become part of us and we a part of them, a connection that makes us feel a certain awed responsibility toward their continued existence.

it is in the way that the mountains take my breath away – and make me weep – upon first sight, in the way that the ocean’s tide beckons me and pulls at my toes, in the way red rock makes me reach to run my hand along its sandstone shell.

it is this way i wish to see new places – with enough breath to be enthralled, enough freedom to sit quietly or run free, enough time there to walk and walk, to linger, and enough joie de vivre to forgo getting as many checkmarks in the “done” column as possible and instead embrace the getting-to-know-you – the savoring – of places in our world.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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evanescent. [two artists tuesday]

the eiffel tower stands in our front yard, along with niagara falls and hunter mountain and the atlantic surf and canyonlands national park and the rocky mountains and northport harbor. they are there, even without clear shape. each are shadowy remembrances of time spent, each are mementos of life and time, tiny moments passing, never to be identically repeated, always to be celebrated.

we watch the play of sun on the snow, the shadows of the trees, the clouds drifting across the sky, the night shroud filled with stars. never static. we bring gratitude for every second we have had, though sometimes we forget to appreciate them, sometimes we forget to acknowledge the fleetingness. in those times, we hold, with foolish tenacity, to thoughts of what’s-next instead of lingering in the delicious stew of right now, regardless of essences and elements that may not be to our liking. we wonder if it’s all maybe not enough, if we are maybe not enough.

we don’t realize that our shadow in the snow is perfect. it is also light and dark, interrupted by the brick wall and tree limbs. it stands tall as we learn about standing tall. it moves in grace as we step and change, all part of the never-ending flow, the coming and going of it all, the roll. it bows its head as we bow ours, thanking the universe for this evanescent time in the sun.

our shadow is right next to all we have seen, looking to all we will see. edges, a little less precise, a little less defined, softer, glorious, present. our shadow is right next to the eiffel tower, niagara falls, hunter mountain, the atlantic surf, canyonlands, the rockies and northport harbor.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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discovery. [d.r. thursday]

back in the day crunch and i went to every lighthouse on long island’s shoreline and its peripheral islands off the coast. i was doing a photographic study for a college class and crunch was a happy participant, lugging me around in his big green truck and taking us out in his boat, a few boats before his current beloved ‘elephant ears’. the day i got to go up into the fire island lighthouse was memorable. it wasn’t open to the public but the lighthouse keeper was there and generously offered us a tour. the textures – going up the 182 steps on that spiral staircase to the light tower – were photographically inviting: the iron stairs, the cement walls, the ribbed glass of the light. every so often there was a peek out one of the windows built into the structure in 1826 and rebuilt, more than twice as high, in 1857, its eventual black and white bands of color distinguishing it along the ocean front. my essay is all on slides and, after borrowing one of those kodak carousel slide projectors (you can hear the ca-chunk of the slides changing even in your memory), we watched it a couple years ago. all those lighthouses – some steadfast, tall and proud, some crumbling, some pristine and unmanned, each a source of a study in woven texture and, when you are lucky enough to hear the mournful sound of the foghorn and breathe in thick salty air, a synthesis of senses. discovery.

when we were walking along the seine river in paris the sun was setting. i had never been to the eiffel tower and, though i had seen pictures, kind of expected to be underwhelmed. i’ve never been a really big tourist-attraction kind of person, preferring places of nature. we kept walking toward it, strolling, and i could see it in the distance starting to loom into the sky. the lights turned on as we got close and i caught my breath. it was stunning. gold against the early evening sky, light of day dropping away, it was one of my favorite moments in paris. discovery.

every time we come over the pass and start to drop down – the vista of high mountains before us – i cry. forests of evergreens to our side, snow-caps ahead, towering mountains that make my toes curl. i literally want to pull over every few feet to capture the sheer stunning beauty of it all, to remember the green and the blue, to breathe in the cooler air and the scent of pine. we keep driving and i memorize it for the days i am at sea level, wondering if, were we to live there, i would ever not see the incredible-ness of it. or would it always and always be a discovery?

as we walk around our ‘hood, as we hike familiar and unfamiliar trails, i feel open. open to seeing the textures of life as it goes on around us, as it goes on through us. back in the day, with crunch and my blue jean cap, i took a lot of photos on my old 35mm camera. nothing has really changed. my camera is an iphone these days, i don’t have my old blue jean cap and, missing him, david and i haven’t seen crunch in a few years.

but on the best days, in the best moments, when everything else drops off and we are nowhere but right where we are, i am aware of texture after texture, grain and weave and nap and frequency and harmonics, a composition of smooth and rough, woven and intermingled, softly and intensely waiting to be discovered.

isn’t it grand?

*****

read DAVID’S thoughts this D.R. THURSDAY

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