reverse threading

the path back is the path forward


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quietly listening. [ kerri’s blog on k.s. friday]

the harmonic overtones ring, free in the wind. they are a voice of purity, peaceful in the day and night. they drift into our window and i lay still, quietly listening.

for years as we walked our lakefront, we would stand on the sidewalk at a certain house and listen to the tenor windchimes hanging on one of their trees. the pentatonic scale sang from the backyard all the way to where we were standing, swirling around us. we would just stand there, quietly listening.

we had looked at chimes in garden shops and boutiques, but they were out of reach and we just agreed on “someday”. so we wrote about them – such a thing of beauty and meditation. and one day, guy wrote to us to inquire if we would like to adopt their set of chimes as they moved on to a home where there would be no place for them. and “someday” arrived.

the windchimes hang on a blue spruce in our backyard, back by the birdbath and bird/chippie/squirrel feeder. they are nestled next to the grasses and are stunning against the white fence. because they are not out in wide open space, they don’t ring with every breeze. instead, they seem discerning, choosing only breezes from a certain direction, a certain velocity. sometimes, it is merely a prolonged single note we can hear, floating. other times, when the wind picks up a bit, several notes will ring out, immediately bringing us pause, a moment of peace, a moment to reflect and root and center.

in much the same way that experiencing intentionally-played crystal singing bowls can rejuvenate, the frequencies of these windchimes resonate with the place in my heart that is hungry for sublime sound. translucent pitches that wrap around us – in gratitude, we are quietly listening.

*****

PEACE from AS IT IS ÂŠī¸ 2004 kerri sherwood

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fly. [k.s. friday]

the seagull looked at me furtively, side-eyed. he acted like i just wasn’t there, stepping along the harbor channel wall at his own pace, seemingly not too nervous about my presence.

writing, i’m holding my weathered copy of jonathan livingston seagull in my hand. jonathan thrived. he left the traditional flock of gulls so that he could fly, soaring higher than he had ever soared. he was an outlier but was kind and loving, generous with the skills he learned.

i’m thinking he was as much an artist as those of us who are artists.

ever since, well, forever, i have had a thing about seagulls. i have a seagull collection in a box in the basement. in the 70s, it was a popular tchotchke – a plaster or wood base that looked like a piling or rocks or shoreline with a thin metal piece atop which was a seagull. sold in every beachfront town, i was – back then – a willing buyer. i had seagulls everywhere in my room. they represented the beach for me – my winter/spring/summer/fall sanctuary. and then i read richard bach’s book. and i was hooked. it resonated with me back then, this story of breaking away, hopefulness, dreaming, accomplishing. i was 18 and i was a jonathan-livingston-seagull.

my soaring seagull days ended abruptly at 19.

but in these days now – as i walk the lake michigan beach or hear the gulls as they fly overhead our house – i am reminded. the caw of the gull is reassuring and, as i gaze up watching them swoop and soar, i feel vestiges of the surf – the sound and the ocean from long ago. tide out. tide in.

i walked along the channel and, in parallel lines, the gull started to step along the wall. and then he stopped, put both feet firmly on the cement.

and, still looking at me sideways, whispered, “don’t forget you know how to fly.”

*****

TAKE FLIGHT ÂŠī¸ 1997 & 2000 kerri sherwood

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happy endings. [k.s. friday]

i am a fan of happy endings. i would guess that’s something on which we likely agree. i mean, who doesn’t love any sort of happy ending – quiet or gushy – any part of the happy spectrum.

and so, in the past couple of weeks – with people we love close-in struggling with serious issues – i want to linger in the happy ending. perspective has slapped us upside the head a few times over these weeks and, teetering a little on shaky ground, we are holding firmly to happy conclusions.

on days when hikes generate deep pondering or the dinner table yields questions about uncertainty, googling about things we know little, we tend to list to an evening of a little couch-sitting and a movie of choice that will – most definitely – have a happy ending.

this could be a hallmark movie. or it could be my big fat greek wedding, which makes us laugh every single time, dozens of times later. it could be about time or love actually or the proposal. it could be sweet home alabama or ps i love you or the family stone. the fuzzy purple zippy dvd holder is the keeper of our cherished movies and we can pick pretty much anything from it and sink into the couch cushions, sighing.

we don’t feel like we are sticking our heads into the sand. we don’t feel like we are fancying escapism (though who doesn’t?!). we don’t feel like we are pollyanna-ing our way into the lull of sleep. we are painfully aware of the precariousness of it all.

instead, we feel like we are reminding ourselves of the possibility. we are immersing in the potential of goodness. we are restoring that place inside from which we draw strength that we might pass on to others, the place from which we can hold others close, lift them up, ask the universe for grace and their healing.

we are taking a deep breath and seeking the happy ending. remembering that they do exist.

*****

FREEFALLIN’ IN LOVE ÂŠī¸ 2002 kerri sherwood, sisu music productions inc. (Note: this is not jazz, nor does rumblefish own any copyright or publishing rights to this song.)

download music from my little corner of iTUNES

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