here at the end of september – heading rapidly into october – elton john’s “your song” lyrics – “how wonderful life is while you’re in the world” – are relevant to me. we soon will celebrate our tenth wedding anniversary and life is truly wonderful for me because david is in it.
so the card at the antique shoppe caught my attention as we passed by it a couple weeks ago.
just as quickly as that charming card caught my attention, so did one hanging on a rack below it: “i tolerate you“.
putting them together – a yin-yang spectrum – they made me laugh aloud and i showed david. because – you know – blissful adoration and barely tolerating someone go hand in hand.
we both had a good laugh then. people in the shoppe stopped and looked at us. we kept laughing.
as we move through the days remaining of our ten married years and into the beginning of our eleventh married year – particularly at this time in our lives – we take heart in this laughter. as victor borge said, “laughter is the closest distance between two people.“
it’s one of the things i love most – laughing together. particularly when i am feeling tolerant of him.
“we are all a little weird and life’s a little weird, and when we find someone whose weirdness is compatible with ours, we join up with them and fall in mutual weirdness and call it love.” (dr. seuss)
supine (adjective) 2. failing to act or protest as a result of moral weakness…
the example given – of this word used in a sentence – was this: “they remained supine in the face of terrible wrongdoing.”
though there are many other adjectives (and nouns) i can think of to describe what is currently happening while this administration attempts to destroy this democracy – the complicity, the evil, the negligence, the capitulating, the out-and-out lawlessness – the word “supine” seems mighty relevant.
when they were little, i was accustomed to watching their growth spurts – these moments when their tiny bodies were overcome by fiery energy of growth……a sudden few inches here or there…a burst in language or fine motor skills. childraising is a continual surprise. just when you thought you knew what you needed to know – at least temporarily – you were stymied by your own tiny child – and you became a little heap of not-knowing uncertainty. oof. it’s all a glorious mystery.
the one – and only one – daylily wasn’t giving up. all around it, blooms had tired and turned into wrinkled brown tissue, stems were drying out, its green frond-y leaves were yellowing.
and then, the growth spurt of this one last blossom – not yet willing to give up the game. it raised its head to the sun, singing.
we are watching the transition to autumn – all around us. fallow is in the offing, just off-stage, waiting for the summer to clear and sweep the wood floor of time it had inhabited. lighting is clearing the way for dark, a slow decrescendo of available daylight. sound is preparing to – soon – shut down the microphones of cicadas and crickets. the props of summer – all the heavenly hot-sun blooms and flowers and produce and herbs and the fantastic tapestry of color – the stagehands of fall are collecting them, quietly putting them to bed.
but the daylily in the front garden is having none of it.
in the middle of the transition to the quietude of fall, it is speaking loudly. it is not remaining silent. it is – in fact – screaming out to us to “remember!” it is reminding us we don’t know it all.
daylily’s transition is not without noise. it is not without color – its flame orange a loud pushback on what seems inevitable – fading fall, falling.
it is having a growth spurt of independent spirit. one lone bloom. glorious.
“instead of silence, she chose fire.” (celeste ng)
“who knows what evil lurks in the hearts of men? the shadow knows.“
in early october 2020 i wrote a blogpost and quoted this same line from this vintage radio show – the shadow. that show – from way back – the late 30s through the early 50s – stated “as you sow evil, so shall you reap evil“. watching our country reeling – in a voting cycle after four years spent in political hell – in the relatively early stages of the covid pandemic, i asked, “what now?“
it’s five years later and the (repeat) administration of this country has traveled further down the road of evil than i ever thought possible back then. and i ask, “what now?“
carlos ruiz zafon said, “some things can only be seen in the shadows.“
the shadow soul of our country – and its inhabitants – is on display.
we didn’t expect this when we planted the sweet potato that had grown hot pink tendrils in the wire basket hanging in the basement stairwell. we actually had no idea what to expect. but we had a couple planters and some good dirt, no expectations and – importantly – curiosity.
we watched this planter – literally – every single day. we noted as the pink shoots stood tall through the dirt and then grew the tiniest leaves. i took photographs as it began to grow; it seemed exponentially enthusiastic. we were enchanted.
we still are.
there are now three – actual potatoes – planted in two different planters just off the deck.
and every day we go out our back door we pass by these sweet potato plants. every day we are greeted with their heart-shaped leaves. every day, hearts.
curiosity is a funny thing. it would have been easier to toss the sweet potatoes that had gone beyond or, if not too far gone, cut off the sprouts and check the rest for spoilage. but we were curious. these little guys had sprouted in what seemed like overnight in our stairwell. with plants having that kind of zealous intention and fortitude, we wondered what might happen if we planted them.
this tiny observance – paying attention to these tiny pink sprouts – brought us on a journey a good deal of the summer. we watched, we researched, we celebrated these sweet potatoes.
most of all, we learned.
it’s not to be underestimated – curiosity.
its energy begets more energy.
there’s no telling what can happen when curious people get together and set no limits on their questioning, their poking and prodding, their research and experimentation, their inquisitiveness.
“the mind that opens to a new idea never returns to its original size.” (Albert Einstein) “the important thing is not to stop questioning. curiosity has its own reason for existing.”
this brings me joy – stepping into this tiny little corner garden. each year it has been a place to wonder, to learn, to dream, to envision bounty. tiny as it is, it is a place of abundance and, even as autumn falls, i cherish its every bit of 28 square feet.
the parsley and the basil are still producing – they graced our homemade tomato soup last night. there are a few jalapeños left, still growing. the dill has dulled; the mint has faded. the cilantro has bolted time and again, despite my best efforts to convince it otherwise. the cherry tomatoes are ripening on the vine and the rosemary is a small tree. i suspect the rosemary will make its way inside for the winter. it all makes me think of next year’s planting – adding sweet potatoes in planters, more tomatoes, maybe a few other vegetables. it’s all been a lesson in embracing something new. it is a tiny space of zen.
we are considering some changes as we look around our house. in the cleaning-out mode, less and less is necessary. clearing away a child’s desk, a lateral file, unused appliances or electronics…it’s all fodder for the space we need – particularly in these times – for cherished quiet, for serenity. i am finding there is a direct connection between the more clear space and the more breath. it will take some time, as it has taken decades to acquire so many things. but we have time and, i believe, we have the wherewithal to go through our house, room by room, and invite in a sagefilled peace.
it’s really all about intention. though we do not live in a vast home and are not surrounded by vast acreage, we bring an intention to our home that is purposeful. as we move from room to room, slowly parsing out the unnecessary from the necessary or the wanteds, slowly replacing items with other items or replacing items with air-and-space, we tend to how it feels. we want to create a space in which we feel comforted, supported, valued. we want to create a space in which others feel comforted, supported, valued. we want a place filled with soul and acceptance of the inbetween moments in all of life.
today we’ll make a batch of pesto. as i look at the basil plants, i figure it will likely be the last batch this season. oh, there will be a bit for our homemade margherita pizzas, but not in real quantity. so we’ll go slow. snipping and rinsing, chopping and grating. we’ll talk about our garden – truly, for the umpteenth time. we’ll relish the pungent aroma of freshly-picked basil in the house.
and we’ll stand in the kitchen – looking at each other – with tears in our eyes – astonished at our good fortune.
sometime last week we noticed it. tucked into one of the trees along the lakefront park was this tiny “wishing palace”. i took a photo but didn’t make a wish. i’m thinking i should have made a wish. and now i’m thinking that every time we walk past this tree, we should stop and make a wish.
it’s the what-would-i-wish-for that’s tough, though.
because right now? there are too many things to wish. where does one start? what one thing might be the umbrella over all i would hope for?
how do i wrap up all the goodness i would wish for this country, this world? how do i wish for kindness to lead the way? how do i wish for equality and fairness, decency and compassion? how do i wish for all to live in peace? what is the wish when one desires everyone – every. one. – to have a fair shake at living well, at healthcare, at having food and shelter and necessities, at feeling valued? how do i wish for people to have opportunities for good work, for making a difference for others, for respect? how do i express a wish to dispel bigotry and racism, xenophobia, homophobia, misogyny, caste ladders of supposed entitlement? how do i wish for a stop to fealty to those who promote utter brutality and unconscionable treatment of others?
i’m gonna wish for everyone to awaken to the basics of humanity, to the golden rule (paraphrasing: do unto others as you would wish them to do unto you), to the elimination of cruelty and ruthless sadism, for evil intentions to be overcome by noble benevolence, for people to support one another.
but, you say, that’s a lot to wish for. what is your one wish? the one thing that embraces all of these, that overarches every virtuous wish?
it is impossible to even know what to say about this.
every day i wake up. the sun has not yet risen, the window is open; i hear the birds singing close by and in the distance. dogga stands and shakes in the adjacent sitting room where he likes to sleep at the end of the night, his collar making that tiny clinking sound from the attached tags. he comes in and jumps on the bed, his wagawag wagging.
and then – somewhere between the delicious unconsciousness of slumber and the first sip of coffee – i remember.
and, in all honesty, i cannot believe where this country is at.
it is beyond any wildly-imagined scope of shameful.
black and white was written in 1954 – the same year of the united states supreme court‘s decision of brown v board of education which outlawed racial segregation in public schools. it was recorded by pete seeger in 1956 and, with much more popularity – charting at number 1 – by three dog night in 1972.
clear messages.
the decision and the song.
at least they were.
the moral clarity of that decision is now clearly muddied in the sickeningly toxic waters – and also supreme court decision – of racial profiling in this administration’s efforts at mass deportation of immigrants.
some things are not black and white – things that fall into the grey of intelligent debate, the grey of historical perspective, the grey of interpretation that evolves with continual research seeking truth and information. memory is a bit grey, love is grey, indecision is grey, certainly apathy is grey.
but some things – in THIS democracy with THIS constitution, THIS bill of rights, THIS set of amendments – these things are black and white. clear. not bigoted. not racist. not xenophobic. not homophobic. not misogynistic.
mama dear repurposed gramps’ old wooden cigar boxes. she’d label them with a magic marker with a big Z or a big B on the front – which stood for zippers and buttons.
i have these old cigar boxes. The Z box now stores nespresso pods in our sunroom. the B box stores harmonicas, kazoos, egg shakers in my studio. the unlabeled corona cigar box is in the office and is loaded with business cards from days when my recording label was flourishing.
the zippers from the Z box are in with my sewing supplies.
and the buttons from the B box? there is a giant collection of buttons. tiny buttons, metal buttons, plastic buttons, wooden buttons, buttons with distinction, whimsical buttons, spare buttons in those tiny plastic bags along with a bit of matching colored thread – that used to come with every blazer, every shirt, every coat.
it is a direct connect to pass by these button-flowers – these fading daisies in the meadow – and think of mama dear, my grandmother, my sweet momma’s mom. she is the person who taught me how to sew and i simply cannot so much as thread a needle without thinking of her.
i found a letter from mama dear the other day. it was from early 1980. i was 20. in it she thanked me for a christmas gift i had given her and a card i had sent from a trip to visit my parents. no one knew at the time it would be her last holiday season. born in 1899, she was a feisty almost-81 with bright red hair and a penchant for gambling slot machines in vegas. in her letter she wrote, “i hope you are happy with your choice” referring to my staying in new york instead of going to florida with my parents as they retired.
at the time it wasn’t really a difficult choice. i was at the beginning stages of a composing/recording/performing career and retirement-central wasn’t the place to grow. so, yes, i was happy with my choice. until one day when that choice became dangerous and i fled all semblance of my budding career, leaving any feisty i had inherited from mama dear behind, devastatingly leaving all artistry buds behind for decades to come.
the button-flowers are charming. they punctuate the masses of goldenrod lighting up the meadows. and they make me think of my button collection.
i have no idea what i will do with all of those buttons. i suppose one day i will list them on marketplace and give them away to a seamstress or crafter who will make creative use of them. maybe i will tell them a little about mama dear, about how many of these buttons are vintage, about how they carry a spirit of feisty red-headed grandma in them.
or maybe i’ll just quietly gift them the collection and hold onto the feisty myself.
and every time i pass a button-daisy on the side of a trail i’ll check in – inside – and make sure it’s still there – the feisty – still growing, still challenging me, still repurposing into profound and important choices for the L box. Life.
reverse threading 