reverse threading

the path back is the path forward


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shabaeawaka. unless. [kerri’s blog on k.s. friday]

“we can disagree and still love each other unless your disagreement is rooted in my oppression and denial of my humanity and right to exist.” (james baldwin)

i would add – or unless your disagreement is rooted in the oppression and denial of the humanity and right to exist of people you purport to care about – people in your beloved family, in your cherished community.

growing up, there were straw placemats in a circle around the perimeter of our kitchen table. each one had inked initials in the bottom corner – to designate whose placemat it was. ba, ea, wa, ka, sha, they read. in some moment, a guest circled around the table, reading them aloud, in order. “sha-ba-ea-wa-ka,” he read. and then, more quickly, “shabaeawaka!”

shabaeawaka became our family’s shortcut of the combination of our names – my mom always lovingly referring to the moniker and telling the story of its origin.

shabaeawaka – in all the ups and downs of a regular family – became a synonym for invincible ties, for family-sticking-together.

my sweet momma, even in the last moments i saw her, believed with her whole heart in the devotion of this family to each other. she believed in kindness and generosity, in acceptance and goodness, in joy and positivity, in love no-matter-what.

my sweet poppo – a mostly quiet man – died three years before my momma. he wasn’t one of those dads who would sit you down and bestow wisdoms upon you. but i could feel his staunch support of me throughout my life…as a child, as a young adult, as i finally made my way into my artistry, as a parent.

my momma stayed in their house in florida on the little lake as long as she physically could. she surrounded herself with the familiar of their lives together, always missing the actual presence of my dad, lonely for him. the empty vase – the one my poppo kept filled with grocery store flowers – stood in the foyer, an acknowledgment of unwelcome change.

but my sweet momma – well – she kept on. and as it became obvious she would need to leave her home and move into assisted living she chose to give away things from her home. the dining room table went to a family of immigrants who didn’t have a table at which to eat. her blue leather sofa went to a family across the street. my momma was not discerning. people in need of something were precisely the people to whom she wanted to give those things. even in her grief of moving, her generosity and love of others prevailed.

i did not feel the need – nor did i have the logistical ability – to fill rooms with items of my parents after my momma’s move or even after she died. but i do have remembrances of them. and i have their dna.

mostly, i have the ideal they taught me – that no matter what, you stick by your family, you uphold each other, you protect each other, you love each other. in no uncertain terms, my mom and my dad would stand tall next to each of us, buoying us and believing in us – the lesson of acceptance – no matter what – of the right to exist, to sustain, to thrive.

i know – without a doubt – they have cheered on my life – in all its phases, in its ups and downs. i know – without a doubt – they have cheered on my daughter’s courageous and adventurous spirit finding home in the mountains, my son and his incredible and cherished LGBTQ community in the city, around the world. i know – without a doubt – they would support them to the mat, thwarting anything that might come between them and their freedoms as americans, as human beings. i know this not only because it was how i was raised, but this is what shabaeawaka is. it is the legacy of shabaeawaka.

and so i wonder what they are thinking now.

i suspect they are on board with james baldwin.

there were times of disagreement, yes. my quiet dad could get rather loud in moments. my sweet momma could push back on inequality, on the crushing of human rights, on evil.

but all was ok if the basics were still in place, if the disagreement – in the words of james baldwin – was not rooted in the oppression of them or their loved one, if it did not deny their humanity or the humanity of their loved one, if it did not undermine their right to exist or their loved one’s right to exist. those were the basics and the basics of any faith i ever learned from them.

I wonder what they are thinking now as they – from a plane of existence far away – watch this election, as they watch the unthinkable, as they watch oppression and the denial of humanity and right to exist on the up-close-and-personal do-we-love-each-other line, as they witness the undermining – the throwing away – of the tenets of their precious shabaeawaka.

i don’t know where the placemats went.

i just know i don’t need the actual placemats to remember what they meant.

*****

LEGACY © 1995 kerri sherwood

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the kitchen counters. [k.s. friday]

there used to be a lot of stuff on the counters. a breadbox, coffeemaker, fruit basket, basket with random mail and school dittos, microwave, paper towels, cookie jar…it makes me shudder now. the counters – back then – were yellow formica – bright yellow circa 1960 or earlier. i suppose the stuff on the counter helped disguise the counters a bit, but the backsplash was the same bright formica and there was plenty of that as well. i tried to think of it as cheery – every kitchen needs to be cheery. but…

the people who owned the house before us – back in the 80s and prior – had applied woodgrain contact paper to the counters and to all the shelves in the pantry and to the inside of the drawers, really anywhere it would stick. when we bought the house they asked us if we wanted a lesson on re-applying contact paper. i was horrified at the thought, and we politely said no. after we moved in i peeled all the contact paper off the counters and backsplash and elbow-grease-scrubbed off the sticky residue. yikes. what a mess. it was bright and it wasn’t without dings, but the kitchen went from peach cabinets and woodgrain to white cabinets and yellow. it seemed freshened, even with the yellow. it was supposed to be temporary.

there were other oddities – there was a door from our kitchen to the sunroom which they had kept on its hinges, blocking space that we filled in with an antique kitchen table that my dad refinished. we still eat around that table now. i suppose anyone touring our home who might consider it as theirs would utter “gut job” entering our kitchen but that’s for some future time. though we will make some updates to it, we love it the way it is. even temporarily.

at some point – a few years back – we decided to see what was under the formica. climbing into the cabinets i looked up and saw really lovely panels of good wood. we assumed that was the counter prior to the yellowness. it wasn’t so, as the first peel revealed. plywood was the countertop material and i literally starting panicking, running to the computer to google how to fix this dreadful mess. a sander, sandpaper, chalkboard paint and food-safe wax was the prescription and it achieved a kind of black soapstone look. black and white. it was supposed to be temporary.

we have pared down what’s on the counter. just the coffeemaker, the microwave and a wooden bowl of fruit – oh, and the roll of paper towels on a wrought iron stand. less busy, it makes it all feel less frenetic, tidier. it feels more orderly and that makes it feel more serene.

the florida national cemetery is the epitome of orderly. it is pristine and it invites you – without words – to wander. it would be easy to spend hours of time just walking among the big oaks and the lines of headstones, to weave in and out of the columbaria. its orderliness lends peacefulness and reassurance, its vastness a reminder of the temporal nature of this life – transitory, fleeting.

we arrived back home after a few days in florida with family, after interring my sweet momma’s ashes, after spending time with the adorable non-stop two-year-old and sat at our kitchen table with 20 who had soup and bread and glasses of wine waiting for us when we got there.

i love traveling and exploring and – simultaneously – always have a little homesickness when we are away, so i gazed around at our old kitchen and all its supposed-to-be-temporary fixings. my heart was full and i could feel all the time spent in there – my dad proudly placing the refinished table, my mom waxing poetic about the happy-yellow, my children in high chairs and suddenly on college breaks and suddenly adults. my kitchen counters and their timeline of transition, their sweet legacy.

one of these days we will update. but, in the meanwhile, i know it’s all temporary anyway.

*****

LEGACY ©️1995 kerri sherwood

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“went to visit mom.” [k.s. friday]

it’s an octave. though it is not obvious to most and though it is difficult to see, it is an octave. well, slightly more than an octave, actually. d to d and then e and f. f# too. there are still 88 keys, even aged. still 88 keys, even devoid of their black and whiteness. still 88 keys, even in their new patina. still 88 keys, even though some may now be missing. it is still a piano. its soul is intact.

my sweet momma has been gone seven years today. seven.

the other day, in a group text with some dear friends, i read one friend’s response to a question from another about whether she was home. “not home yet,” she wrote. “went to visit mom.” it stopped me in my tracks and i stood still for a moment. those words – “went to visit mom” – were powerful moment-freezers. time suspended just for a few seconds as i pondered what it would be like to be able to write those words – “went to visit mom”.

i know that i was fortunate. my sweet momma was almost-94 when she died. and i was 56, so almost six decades of me sharing the same plane of existence. her life was inspiring and i was lucky to have her cheering for me in every success, in every travail. she was steady and a rock who was always there, whether or not, in different phases of my life, i recognized it. it was true for me that there was no one who was a bigger cheerleader for me – she had pompoms out the moment i was born and never hesitated to use them. and, as is true for most of us, i’m quite certain there were times i took that for granted, took her for granted.

“went to visit mom.” wow. what i would give to have minutes, hours, days with her. to seek her wisdom, watch her enthusiasm, see the glint in her eyes and hear her laugh, coffeesit with her, have a giant bowl of pasta fagioli or a big slab of crumbcake or some silly adventure. to feel enormous unconditional love. to hug her. to be hugged by her.

“neither be cynical about love; for in the face of all aridity and disenchantment, it is as perennial as the grass.” (desiderata)

barney will reside in our backyard for a long time to come. this gorgeous instrument will continue to be worn by weather and the elements. its keys will fall off, the wood laminate will peel. it will still be a piano and each octave will still be an octave.

my sweet momma, i know, is the same. she is still there, as perennial as the grass. i know her love supersedes my loss of her.

maybe sometime today i’ll go out by barney. i’ll take a candle and light it. and i’ll text d, upstairs in the office working, “went to visit mom”.

*****

LEGACY

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LEGACY from RELEASED FROM THE HEART ©️ 1995 kerri sherwood