“not like my mom at all,” she said, talking about decorating in an exquisitely joyful conversation. she described her template, “the colors of a desert sunset.” i was instantly in a different place, watching the sun go down over canyonlands and high desert. i can sooo understand surrounding yourself with the divine colors of these moments; i can sooo relate to taking them with you.
as a person who has surrounded herself with rocks and sandstone and sticks and branches and feathers and pinecones of the high mountains, i get the connection to these places and the desire to live within them, even if you are not there. she went on to describe the colors, a template that made me want to immerse in them, like a favorite quilt. i lingered in every word she spoke, this beautiful, creative daughter of mine, trying to remember each one just as she described it, store them away in the kaleidoscope of treasured bits of knowledge.
i walked around our house after that. black and white. a little bit of flour-tortilla. green plants. old clay pots. old wood floors. there’s a certain ochre in our sitting room and in the stairwell going upstairs. and there’s some barn red in the bathroom. it’s kind of a cross between the extremes of ansel adams’ color palette or sheet music tablature, golden sunrise moments, a new england farm, deep woods in the mountains, canyonland red rock.
the photographs i take everyday and everywhere vary. but lately, i have found myself drawn to these small canvasses of almost monochromatic still-life outdoor paintings, just waiting on the side of the trail, waiting in flower gardens, waiting in the woods. nuances of shade, a tiny pop of color … nature’s natural inclination to visual cohesion. i’ve been especially seeing the greens in the greens, really delicious shadings, no competition for spotlighting, just color intertwined and inclusive. i’ve noticed even more distinctly the genius of a single bloom, petite berries, nestled in all the verdant green.
i came home from such a hike one day recently and took out the 1940s opalescent aqua blue hobnail glass vase that was my sweet momma’s. it reminds me of sky and water; it reminds me of grocery store flowers my dad always bought my momma. it doesn’t go with our house, i had thought, going through bins and boxes. and then, i placed it in the window seat of our black and white and flour-tortilla living room, a gentle nod to days spent in the grass drawing with clouds and on long island beaches with coppertone floating in the air. a “yes” to my daughter.
she is right. the colors in our home aren’t the incredible desert pastel spectrum, the intensity of sage peacefulness our girl described – the sunsets she holds close to her soul. but it is as particular to the desire to surround oneself with that which is meaningful, to what resonates inside, to what gives you serenity, keeps you still in all the whirling world, brings you contentment, is part of the nirvana of tranquility, is your sanctuary. it’s decorating with true heart.
not so different after all. ❤️
*****
read DAVID’S thoughts this TWO ARTISTS TUESDAY
we watch hgtv. yep. at the end of a long day after rehearsals or writing or computer work, there is nothing like sitting down to watch chip and jojo and their fixer-upper show. as they say, they take the worst house in the best neighborhood and make it a lovely place for people to live. what’s not to like? jojo’s sensibility is much the same as mine – i have found and re-purposed items all over our house. in fact, i love that they are now called “re-purposed”….it makes me feel like the scavenging and saving i do is chic and in style. (even though i know there are people who would roll their eyes at my driftwood, rocks, dry weeds, pieces of desks and old frames, screen doors with mini lights, shutters, and old peeling-paint window frames gracing our walls, not to mention the smallest sneakers and toddler stride-rites from the girl and the boy hanging on doorknobs.) regardless, jojo makes all that stuff cool. so that’s a win for me.
when the wood floors were re-done many years ago, when asked if we wanted the cracks filled between the boards, i looked with horror at the workman asking that question. the irregular cracks are the best part of the floor. (which makes me think of the cracks around my eyes….i’m hoping the same rule applies…)
reverse threading 