reverse threading

the path back is the path forward

Tag Archives: the big picture


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clarity. [kerri’s blog on d.r. thursday]

there is no way to maneuver the depth of field on my old iphone. it is all about coming in closer and backing up – eyeing what is framed in the aperture and moving to adjust what i want the photograph to look like. i know that the newer iphones have some access to depth of field options but – at the moment – i don’t have access to a newer iphone option. so. i adjust.

i almost rejected this photograph as a melange post. with the closest red dogwood branch a bit out-of-focus it didn’t really meet my parameters for a post. and then i stopped to reconsider it. it’s a great visual reminder of how distorted things can look from up close.

clarity is something that comes when you put a little space between you and the issue or object of your attention. 20 always says, “you’re too close!” and it’s impossible to not hear his voice in my head now in the throes of any decision. and so i try to remember to back up a little, to have some distance as i consider – an overview. 

when d was working for a new software startup (before the business was unfortunately closed) their product was the perfect tool for clarity. after i understood even the most basic functions of this remarkable software – as they were looking for names – i kept blurting out suggestions like “pinnacle” or “eagle eye” or “lookout” or “apex”. it seemed obvious to me that having this incredible overview – a step back – was the perfect new software for people struggling to make sense of too much up close and personal…a pragmatic way to sort and prioritize…a realistic way to have perspective. it’s beyond my wildest imagination that they did not continue on their merry way into software stardom. but alas, such is life, eh?

anyway, that lookout tower approach has its wisdom. it’s like pulling into the overlook in the appalachia region on route 25e in tennessee. up until that moment – in the middle of them – you were aware that there were mountains but you were seeing them from too close to really appreciate the grandeur. you drive into the overlook, step out of your vehicle, walk to the retaining wall and you are stunned by the magnificence of how the whole world drops off beyond your feet, stretching on and on and on. and you can see – there are mountains and lakes and a river – things you could not discern from up close. 

in the middle of the middle stepping back is one of the ridiculously hardest things to do. it feels counter-productive when you are trying to come to some sort of conclusion or have some kind of perspective about a specific thing. but up close and personal, the red dogwood is blurry and i can’t appreciate its stunning beauty. from a little distance away, i can see how it plays against the warm beige of the grasses and cattails, how it enhances the fallow of this meadow.

in this crazy-busy time of year – with people rushing around trying to make the holidays perfect for themselves and others – i’m thinking that maybe we are all a little too close. i’m reminded again and again of what is most important. i’m taking in serenity as i can. we are trying to go slow – to appreciate the big picture – to not be clouded by that which is hard to sort or discern or, for that matter, even clearly see. 

yes, the red dogwood is blurry up close. but from a little distance it stands out in a field barren of much color. the dissonance fades. the chord resolves. there is clarity. 

*****

read DAVID’S thoughts this D.R. THURSDAY

INSTRUMENT OF PEACE acrylic 48″x91″

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clover fluff. [two artists tuesday]

the tiny fluff of clover lives at the edge of the stone step. sweet one-half-inch beauties, they grant wishes to passing chipmunks and chickadees lingering at the birdfeeder. beauty at the edges, innocent, simple, unnoticed mostly.

the big picture often doesn’t validate the tiny edge fluff. it’s too big-picture-ish. lofty goals, high aspirations, gigantic expectations, unreasonable accomplishment demands – all take the focus off the soft sides, the padding between imposing idealism and reality. the shallow depth of field captures the up-close and blurs the rest, giving pause to some of what is overwhelming.

i suppose beauty is meant to be like that. the curl of your baby’s tendril of hair, the new leaf bud on the tree, the wisp of pink cloud in the sun-setting sky, the quiet birdcall at dawn – nothing enormous, just simple and life-giving.

so how is it that we get ourselves mixed up in so much measuring, so much set-up for disappointment. we live our minutes as if they are infinity itself. we compare and contrast and yearn and regret. we are striding, striding. even while the clover waits.

and then, sitting on the step of the deck, pondering for a few minutes, we look down and see this magical sight. the tiny world of the tiny clover beckons our attention. it will not be there forever, and, likely with the drought, will disappear before too long. but in the meanwhile it is there and verdant and growing and it counts.

once again, i am reminded, in a wondrous way, of my own tiny-ness. though i know the mark i make on the world is ephemeral, fleeting, and i sometimes, anyway, get lost in the demands and the challenges and the ups and downs of the accompanying emotional seesaw, i hope that there is something up-close about me that gives pause, that offers kindness, that is love.

my-big-picture is actually very tiny and at the edge of the step of the universe. hopefully it is like clover fluff.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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in the may apple village. [two artists tuesday]

once upon a time in the middle of the forest there was a may apple village. canopies of verdant green umbrella-ed a world of little tiny beings living little tiny lives. the village went on and on, deep into the trees. if you got right down on the ground and looked underneath all those canopies you would be amazed at what you saw, er, imagined. the village doesn’t last long. it appears and then disappears, showcasing short-lived flowers blooming and then going dormant in the summer. and the little tiny beings move on.

it is in my nature to try and make people laugh. i want to hear them giggle, guffaw, snort. i want to see cheer on their faces and to know they are amused by some self-deprecating thing i said or some story i told or some weird-action-that-would-instantly-embarrass-my-kids thing i did. i am not afraid to talk for my dog, skip in the airport, talk to strangers in elevators or subways or grocery lines, or make up loud songs-with-his-name i would sing to my cat. the reason i adore rehearsals is the chance to see people, in community, laughing. it’s never about perfection. it’s always about joy.

and so it was pretty darn weird to be on an interview call recently during which … no one laughed. i was stunned by this. i could not elicit one snicker, not even a draw-breath-in-breathe-out-a-soft-‘haha’. it concerned me. after six decades on the planet, i understand seriousness, job dedication, commitment to work. after six decades on the planet, i also understand the best way to get things done is in joy. the big picture. short-lived flowers.

the little tiny may apple village was bustling the other day in the woods. i could see tiny bistro tables and chairs, tiny beings milling about laughing and getting things done. the community was aware of all the work it had to do in the short period of time the encampment – and they – would be there. they were not overwhelmed; they were not undone. they realized that they were each spokes in relationship in the big-picture-wheel.

and they – these tiny beings under their awning-of-green – realized that their mirth was the thing that held the leaf-canopies open and kept things in motion, that kept them sharing and working with each other, through the burdens and the successes, that kept them from being divided and, instead, made them a community of inclusion, exuberant and productive, making their tiny mark.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY