it was close to midnight and we were on a pretty windy and mountainous road (might i mention with no guardrails?!) The Girl was driving and all of a sudden the deer ran out from the side, sprinting across right in front of us. she handled it like a pro; driving these roads can be stressful and dangerous, but she is level-headed and careful, a really good driver. and she kept us all safe. i was grateful it didn’t just stand there staring at the glare of our headlights.
i taught at a school in florida a longgg time ago. it was 1982 and i was in the teachers’ lounge eating a small snack lunch with one of the teachers, my friend lois. there was a group of teachers in there, all gathered around the stove (this alone seemed pretty bizarre to me – a stove in a teachers’ lounge. who has that kind of time??) they were cooking something in a large cast-iron frying pan, an economy size container of crisco on the counter next to the stove. i was new at the school and i was still trying to make friends, so i asked what they were cooking. “possum,” i was told. (possum?? insert grossed-out emoji face.) here’s the part where i slipped up: i -in all sincerity- said that i hadn’t seen possum in the meat counter at publix and asked, “where do you purchase possum?” without blinking (no pun intended) they told me that they go out most nights “shinin'” in the woods, snaring animals to hunt with the use of headlights. “you never know what you’re gonna get!” they added. i never really fit in there.
along with the portable record player we take out on the deck, we have the you-remember-the-case-with-the-handle box of 45’s. with titles like sugar sugar and IOU and julie do you love me and….the side A of these records are the likely hits. but if you turn it over and play side B you can often be surprised by a song you like even more than the touted “side A” song.
when david brought up this canvas to photograph the painting on the front side, i was reminded of what we had seen when 20 so generously gave d a slew of his dad’s canvases. on the side B, his artist dad (richard “duke” kruse) had written, “welcome to the 21st century” on the back of the canvas he had so meticulously stretched. we laughed when we first saw it, but it remains a mystery as to why he wrote it; we can only guess…maybe he was bemoaning the loss of something of the 20th century; maybe he was truly welcoming the next. either way, we get it. we are both 20th century artists.
as a painter, david uses actual brushes to apply actual paint to actual canvas, a process that doesn’t necessarily need explanation, but, in the 21st century art world, isn’t necessarily always the trend. with computer design and sketchpads -aka graphics tablets- the feel of bristles can become foreign to a contemporary artist. what about the smell of the paint? the light from the window on the canvas? the spatter of acrylic matte medium on your clothes? the wooden brush handle in your hand?
as a composer, i use paper and pencils and erasers and a piano. i have a couple of keyboards that have traveled all over with me, but the piano that takes up an entire room in our house is my tool of choice. it is stunning how much time it took me to write a full score way back in college compared to the ease of scoring on the computer. if i made a mistake on the score, i had to -with my pencil and then calligraphy pen- redo the whole page. then i had to write out all the parts individually. the 21st century has advanced the ability to have a computer generate all the individual parts off one score that is online. pretty amazing and time-saving stuff. not to mention the “playing” factor. the computer program will “play” the part you write; you don’t have to. but what about all the pencil eraser dust that falls on the keys of the piano? what about the scraps of paper spread out all over the top? what about the feel of the action below your hands, the response, the whooshing sound of the pedal?
acoustic vs plugged-in, analog vs digital. kind of old-fashioned. that’s probably why i like to sit in one of the rocking chairs in david’s studio and just watch. and why he will come into my studio and just listen. we don’t need a lot of fancy stuff. he just wants to hang his paintings and i just want to sit at a piano on a stage with a single mic. pretty 20th century.
often on sunday mornings, when we get to the offertory slot, jim, the guitar player in the band, and i will look at each other and one of us will make a letter shape with our hands to denote a key…the key of a piece we will improvise on as we go. and then we are off and running. although it is often me (with the piano as my music-making-instrument) either one of us drives the piece. jim loves minor keys – they are so emotional – so he is in his glory if we pick something minor. no matter what, we don’t know where it’s going before we start. but there’s a moment we both feel that it is jelling and we take turns leading and yielding, surprised by the direction and the story, so to speak.
the path forward is like that, i suppose. you don’t quite know until you start. and sometimes, it takes you by surprise. just when you think you have it figured out, the key changes. you lead, you yield, you take a chance not knowing. and sometimes, it comes out alright. especially if it’s in a minor key.
we were canoeing and it was quiet. the only thing you could hear were a few birds, a loon from time to time and the sound of the paddle hitting the water. we went through the channel and above us we saw it.
the young bald eagle was taking its first flight and we had the great fortune of witnessing it. i knew i wanted to write at least a few words about how lucky we were to see it, watch and quietly be a part of it. as this beautiful creature soared over us, it seemed to relish its newfound freedom, its new ability to fly. even as we watched it struggle a bit with the landing, we could see its determination to its flight. we talked about how the eagle was representative of this country we live in. in the late 1700s it was chosen as the emblem of the united states…based on its long life and great strength, it is majestic, bold and faithful, independent and a symbol of freedom. such hopeful words, such a powerful emblem of a nation that has lost its center.
after some time, we continued on. we talked about writing. we talked about why. why do we write each day. why do i compose. why does d paint. what words could you wrap around what we do, why we share what we share, why we fly in this artistic-world, the place we are at home. is it important? why?
we are merely instruments. we can watch and quietly be a part. we can simply start the ripple. that’s all that is really possible. that is our job. to be instruments. like pebbles dropped in water. our emblem would be just that. tightly-starting-ever-widening-circles of ripples, repercussions, the effects moving, ever-moving. what we choose in the center counts. if we choose peace and kindness, then we can start the concentric circles outward of peace and kindness.
when we were designing our website, the dalai lama quote ““Just as ripples spread out when a single pebble is dropped into water, the actions of individuals can have far-reaching effects” needed to be present. the ripples of water on the front page of our site are not graphically brilliant or even singularly creative. but they are an emblem, so to speak, of the reason we do what we do. the meaning behind that emblem is the reason we keep trying. it is the reason we yearn to make it possible to live as two artist-ripples, to make a living and pay the bills and do what we can to be instruments of peace. we hold tight to the center. and like that young eagle, we are determined.
“Lord, make me an instrument of your peace; where there is hatred, let me sow love; where there is injury, pardon; where there is discord, union; where there is doubt, faith; where there is despair, hope; where there is darkness, light; and where there is sadness, joy.
O Divine Master, grant that I may not so much seek to be consoled, as to console; to be understood, as to understand; to be loved, as to love; for it is in giving that we receive, it is in pardoning that we are pardoned, and it is in dying that we are born to eternal life.” (the prayer of st. francis of assissi)
recently, while perusing facebook (which i actually don’t do all that often) i came across a post by My Boy. he had made homemade ravioli for dinner. wait! what?? homemade ravioli??? now, this requires making pasta from scratch as well as stuffing it with a delicious tuscan sausage mix. just sayin! this is the same person who, long ago now, used to be able to live on honey buns and swedish fish. he has amazed me time and again with his creative cooking and the photographs he has sent of yummy meals. one day he grilled shrimp out on his deck for dan and me and d. just as thoughtful as the birthday he made me mac and cheese after a long evening i had spent volunteering, but, i have to admit, much tastier.
the first time My Girl made us dinner we had gnocchi and an excellent sausage sauce. i hadn’t had gnocchi in years – since i had it with the hot chics in montana – and her recipe immediately made it onto our ‘what-should-we-have-for-dinner’ list of possibilities.
these are the same two human beings who would ask, ” what’s for dinner?” now i find myself asking them. funny how cooking creativity blossoms in each next generation.
if you scroll through our phone camera log, you will find sooo many of these…pictures of our feet posing, posing, posing, traveling, traveling, traveling. there are pictures on beaches, in the car, in the woods, in paris, in snow on a-basin, on the train, on the subway, on the gondola, on the pontoon boat, on crab meadow sand, on the trail in telluride and aspen and minturn, in the river in ridgway, in boston, in boca grande, in san francisco, in northport, in columbia, in chicago, in brussels, at the coffeehouse in breckenridge, at the pub in silverton, at the harbor, at the airport, at the waterfront in buffalo, at the park in savannah, at our friends’ houses, at our wedding, at home. we document our traveling – our lives – with lots of other photos as well, but there is always one of our feet…in frye boots, in sandals, in flipflops, in heels (well, i’m in heels, not d), in hiking boots, barefoot. i’m not really sure how that started, but it has become an important tradition for us…saving the moment of our experience.
years ago when i was performing upstate ny, there was a guy who had this foot-thing. he asked after the concert if he could have a photo of my feet (he wanted them either barefooted or socked) on the piano pedals. uh….no. i was pretty weirded out, but not as weirded out as i was when he started sending letters to the label (in very very painstakingly-precise penmanship that resembled type from a typewriter) asking for these pictures. repeatedly. when i got a thanksgiving card that expressed how thankful he was for “all our times together” and how he “looked forward to all the times to come” i called the authorities. some things are just too weird.
sometimes i think about that guy when we take pictures of our feet. yikes. but oh, i love the places we go. and i love documenting the steps we take to get us there – into the heart of each memory.
“congratulations! today is your day. you’re off to great places! you’re off and away! you have brains in your head. you have feet in your shoes. you can steer yourself any direction you choose.” oh, the places you’ll go (dr. seuss)
my poppo would sit in the chair and gaze out at the lake behind their house. in the house before that, he would sit out on the lanai and gaze at the pool. in previous houses, he had chairs or his workbench, where he would sit or stand and gaze, clearly thinking, thinking, thinking.
now, when you’ve gotten to 91, there’s plenty to think about, many memories, many stages of life, many ways the world has changed. my poppo was a POW in world war II, escaping and coming back at a time that PTSD had little to no attention given to it. the atrocities he had experienced were his alone to process, with the help of my sweet momma, if he felt that he could burden her with it. my parents lost a child, a little girl named barbara lynn, who would be my oldest sister – even older than my sister sharyn! – while my dad was still missing in action, a little person, a part of him, he never met. i know that as they established themselves as a family, there were challenges that befell them, joys that they cherished, times of much sorrow, small moments and large moments of laughter and goodness. plenty to think about.
i always wondered what my poppo was thinking about, quietly sitting or puttering. sometimes i would ask, but other times i would respect his quiet-ness. now that i am getting older, i find myself spending time quietly thinking. memories, moments, decisions, good things, sad things, questions, things that make me cringe, things that make me laugh aloud. i think about what’s coming up…what is planned, what will remain a mystery. i wonder. i give thanks. i pray. pondering is a good thing. it’s necessary.
each time now when i sit outside or inside curled in a chair and find myself just staring off into space, i can’t help but think about my daddy. and i kind of feel him right there, quietly staring with me. pondering.
i distinctly remember recording this. i was at yamaha artist services in nyc and it was winter. the word “peace” was on a list of words i wanted to use as titles for pieces. “peace” is a big word for me….i’ve talked about how there are peace signs and the word peace all over our home and it was no different when i wrote this. the trouble with writing and using a big word is that you feel an imperative to make it count. there is a kind of heavy emphasis on this choice to use THIS word as a title – that you write well enough to support such a big word, that you do it justice, that it FEELS what the word feels like. it’s super-charged with self-induced pressure.
but the moments i spent composing this were extraordinarily special and i was wrapped in a cloak of peacefulness and love. it is not a complex piece of music; it has a repeating theme and, like a song with lyrics, returns to that theme again and again. like statement-question-answer-lift-statement-question-answer-lift structure.
“it’s fine” ken, in his infinite wisdom, orchestrated this so my heart weeps with gratitude each time i listen. cello lines and strings and french horn pull the simple melody out of the place of simplicity and reach, for me, a depth of being.
every artist has compositions that are their favorites, the ones that really express who they are. maybe it’s because i can so distinctly remember initially recording this. maybe it’s because i remember being back in the studio in chicago with ken as he tracked the other instrumentation. maybe it’s because it’s THAT word, the piece with THAT title. regardless of the reason, THIS is one of mine.
download PEACE track 5 on AS IT IS on iTunes or on CDBaby
i could hear it in my song-memory-bank as i worked on this painting morsel. “blue, blue, my world is blue…blue is my world when i’m without you….” the song (love is blue – links to hear it below) was playing on a record player in my sister’s yellow-flower-power-hand-painted room and i, next-door in my saddle-brown-burlap-curtained-horse-postered room, was listening.
while i worked on the design i kept thinking about those words…ok, well, kind of those words…instead i was thinking about my new words – “blue, blue, THIS world is blue…blue is this world with so much to undo…” how i feel when we read the paper and the news apps and watch the news and ugh… i feel blue.
but i love the primary colors in this piece. the strength. the yellow of sun and hope and a new day and the red and orange of the fire of people’s passion working to make it a better world. part of the world is in darkness as it rotates, but the scribbles and the royal blue of cool cleansing water give hint to light. maybe this world will not be so blue…one of these days.
i wish. i wish stress brought out my sense of humor. i suppose that sometimes it does. but more consistently would be a good thing. how does worrying help, anyway?
this is not my favorite FLAWED CARTOON. although it does actually make me laugh aloud, it also makes me cringe. (and, to take it further, it makes me want to be vegan.)
in the story i tell myself, she puts down the talking-intervention-chicken and it becomes a free-range fowl, roaming with plenty of fresh vegetation, sunshine and open space for exercise.
reverse threading 