foresty forest is our new nighttime-video obsession. from the vantage point of our pillows, under a cozy comforter and handmade quilt, with dogga at our feet, the window cracked – all seasons – we watch the youtube life of foresty.
foresty lives in a van that – with a toolbag of skills – he built out into his home. he hails from canada – his accent giving that away – even if his pride in the immense beauty of his native country didn’t. rocko, his jack russell terrier, is his constant and truly incredibly intrepid companion. well, rocko and his ninja aircooker (ever since his treasured crockpot died). foresty’s travels take him high into mountainous areas – both in canada and the states – and he keeps a log of the summits he (and rocko) have successfully completed. he is totally someone you could invite over for dinner – with a sense of humor and a world of stories accompanying him. he has an immense and supportive patreon community and it’s no wonder why. he has simplified his life, focused his intentions, and he brings home everywhere he goes.
one thing – among many things – i have learned from my children is the ability to make home. both of them have moved more times in the last decade than i have moved in my entire life. and yet, each time, they have made it home – any dorm, apartment, condo, house, shared space – roomy, tiny and tinier, all. they have found community and forged friendships; they have created routines and sought out those activities which are important to them. they have created home. in any tree hollow.
“don’t limit yourself to living in your shell. the possibilities are endless.” (a post by susan – with a photograph of snails)
no limits. out of shell. flexibility of spirit. transformation.
dark into light. reflection. the sun rests, stands still. it is the solstice. and then…
in the middle of the hustle and bustle and festivity going on around us, i stand still in the living room. i’m gazing at the shiny brites i grew up with. i turn and see the note that my daughter and son wrote to santa. i turn and see branches from the front yard, from long island, from colorado. i turn and see the pinecones we collected while hiking on our trail a few weeks ago. i turn and see wrapped presents on the table, ready to be shipped or delivered. a timeline of life – the dots pinpointing moments.
we are home at this beloved old house. we are fortunate.
and it is winter solstice. a turning point.
and i know – that sometime out there – the snailshell that has wrapped itself around me will break open. and i will crawl out, stunned by the rays of light and grateful that i can grasp onto their filaments of fiery energy. whatever was dormant will rise with the sun. whatever was painful will ease. whatever was without conclusion will have justice. whatever was dark will be light. whatever is possible will be possible.
and – wherever i go – i will take home with me. i will be home. in any tree hollow.
mid-december. we are hiking. our favorite local trail that we know so well. carols are playing in my head as i sort through the christmas tasks yet to do, a little shopping left to finish. we round the bend and there – stretching in long shadows from a low sun across amazingly-green-green grass – is a music staff of lines.
if there is any season that is closely associated with music, it is this. the shadow-staff pushes my focus into memories as we walk.
i am deep into advent preparations back there in the recesses of thought. it’s been a bit since i have allowed myself to really think about it. in my last position as a minister of music i brought three decades of experience, the wisdom absorbed from many congregations, intuition gleaned as a stage artist and performer, and a heart full of dedication to the community. though it may not seem apparent to a churchgoer (or any religious institution attendee) the research and time that a music director will undertake for the music in that venue is immense. when it is well done, there is more to it than assigning a few songs to a few slots in a service.
the other day we had old-fashioneds with our dear friends. we stood at their kitchen counter and jen brought out a new recipe along with a very nice bottle of bourbon and deluxe cherries and an orange, complete with pre-cut curly peels for the side of the glasses and swizzle sticks. it was lovely – an experience in itself – we celebrated our time together in this season. as we each took sips following her cocktail-making, she looked up and said, “wow. this is really bourbon-forward!”. it was too much, too strong, too bourbon-ego, too solo. yowza! to continue to sip on a bourbon-forward old-fashioned can leave you cold to old-fashioneds in the future; it may even kill your yen for an old-fashioned. it will definitely undermine your bartending je ne sais quoi and the bar you are serving may suffer from your mixology. we all laughed and added some squirt to tone it down, swizzle-sticking to perfection. and suddenly – with jen’s good instincts – an exquisite old-fashioned, all ingredients integrated!
this morning we listened to the song that i am attaching to this post. it’s called “you’re here” and i wrote it while i was rehearsing the choir for the christmas cantata i arranged in 2019. it was recorded on an iphone sans proper mics with an out-of-tune church piano, so it’s pretty raw tape (so to speak). the thing it reminded me was of my approach as a minister of music.
for me, any notes on a music staff in a church need be about resonance. how might i help the people there connect with their faith, that which cannot be seen, that which is fragile and strong, that which elicits love and joy and many questions, and that which tethers us to each other in the community? any worthy minister of music knows that is fluid and knows that each year in their work will bring more answers. this is not something you start out knowing. it is a practice and one must be humble enough to be learning from those around you, honing as you go. one must bring one’s game – professionalism, collaboration and service-oriented, stellar learned gut on-the-fly flexibility, tenderness and sensitivity in delivery, the innate ability to shape a worship service and its emotional journey, the buoying of others, joy-joy-joy of creating music and emotion together, the integration of every musical gift you have been given. and love. it’s what you put forward.
because i had never experienced it – ever- before – in any position i held, there are days i still wonder about being fired – particularly in the middle of a global pandemic – particularly after eight years tenure there. wondering, even now – three years later. especially at christmastime. because in every way i knew how – in the music programming of any church in which i was involved or employed – i was the squirt in the old-fashioned.
oh well. in the words of john o’donohue, “upheavals in life are often times when the soul has become too smothered; it needs to push through the layers of surface under which it is buried….it reminds us that we are children of the eternal and our time on earth is meant to be a pilgrimage of growth and creativity.”
i get these specific emails – practically every day. they are from some church-administrative-oriented website. the latest emails address church staff and salaries. oh my! what a can of worms that is. though i don’t usually open them, i was forced to one day – the devil made me do it. the email was called “why fair compensation matters” and the first lines in the email read, “we believe when those employed to service in the church are paid adequately and fairly, they’re free to focus on their ministry work. the result? freedom from financial burdens and a flourishing ministry.” flourishing. it makes me think of green grass on the trail – even in december – despite all odds.
yes. yes. just as in choice of bourbon – or, for that matter, bartenders – you will get what you pay for, what you value. remember – you are about your customers and their experience – the community in your seats and on your barstools. skimp at the bar and the reputation for your old-fashioneds will get you in the end. likewise, the thing you don’t want in your place of worship? the bourbon-forward director. it’s too much, too strong, too bourbon-ego, too solo. not enough squirt.
it is truly about what you put forward – in your life, in your work, in love – and how you smush it all around, integrating it, with a swizzle stick.
merry advent from my place off the bench, sans baton.
we had long front yards in our growing-up neighborhood. it was noisy with the sound of children’s voices playing outside, especially around dusk. red-light-green-light, red rover, spud, mother-may-i….all those vintage outdoor games! it’s many-many seasons ago but somehow i can still feel the rush of those games.
i lived next door to a family of athletes. there were eight children and every one of them had amazing gymnastic or athletic ability. me? not so much. so any game or competition that involved athleticism – kickball, kick the can, climbing trees, running – i was never the surefire winner, but that never really mattered. it was simply all about the play.
so, the thing about red-light-green-light is that you have to know when to move and when to stop. the person who is “it” turns around, facing the other direction. the rest of the players line up horizontally. as “it” recites “red-light-green-light-one-two-three” everyone who is not “it” starts to run forward, always aware that you must stop suddenly at the end and you must be absolutely still – no matter your stance. as soon as “it” finishes the word “three” they turn back and if they catch anyone moving at all, that person is out. the first person to get to “it” safely is the winner. ”it” can vary the speed at which they recite the words – going in slow motion or super-fast like the fedex guy on the commercials. you just have to be aware of when to gooo and when to stop.
sounds like life. you have to be aware of when to gooo and when to stop. the trick is being able to discern the thin thread between too soon and too late. on both ends.
in the way of synchronicity, sometimes these are obvious. in the best of times, things just sort of drop in and line up. in the most – well – challenging of times, it all feels like a battle. you are forcing things to start and then you are reluctant to stop, reticent to give it up. and there’s no one standing in front of you reciting red-light-green-light so you’re on your own.
but there are those moments in life – those moments of intuition – when you just know. things seem to align and you know it’s time to move. it has arrived – whatever it is that you have waited for, thought would never happen, couldn’t imagine in a million years, have attempted to conjure up to no avail. suddenly, you know that it’s time to run forward – fullsteamahead – full tilt.
no matter what it is – any initiative you are undertaking, any practice you are trying to make habit, any new learning, any unraveling, any new exploration – of any sort – you give it the best you can.
i guess going is kind of more important than stopping. i mean, who has time for stopping?
because just like when you were a child and red-light-green-light was a rush of adrenaline, so it is now.
yes, yes. we are the height of fashion, the apex of vogue, the pinnacle of couture, trend-setters and latest-style-forward leaders. uh-huh.
in this new world – where i’m applying for medicare (what?!!!) – we are quite possibly – maybe probably – an eensy-weensy bit definitely – lagging behind. we are jeans-wearing, boots-flaunting, blackshirt-donning … and not so much … ok, not at all … runway-following.
were we sooo consumed with the intimate-wear choices of the riche, we would only consider silk or satin, rayon or charmeuse in nightwear lingerie. but, ohmygosh, give me a break!
we are over that.
truthfully – if people were truthful – most are over that.
and so, we are here to reassure you.
at least about pjs.
now that it is cold out it is completely apropos to pull out the flannel. because flannel – a style unto itself – is cozy and warm, snuggly and forgiving. a classic. it is love in a fabric.
and the buffalo plaid?? THE most popular.
yes. yes. we will rest easier now. we are most definitely the cat’s meow.
“all i can do is be me. whoever that is.”” (bob dylan)
it’s an imperative. composing, songwriting, producing, performing – they aren’t really choices. they are inherent – something inside that begs you to feel it. it is an ancient call for an answer that tugs and prods and taunts until you comply, baring your soul. it makes you vulnerable and demands courage and fortitude, sacrifice and a stalwart sense of purpose. it is not a straight path. It is fluid. it is failure and a phenom. it is devastation and ecstasy. it is necessary.
standing backstage – our son and the board clearly in view – i am whisked away to the place parents are taken when they see their children doing something they wildly love to do.
i have stood on a giant mountain – one of the highest skiable terrains in the united states – and felt this feeling as our daughter flew past on a snowboard, everything in her aligned in the freedom of expression that single piece of wood opened in her.
and now i have stood on a wood floor in a crowded nightclub – way past my bedtime – and felt the exhilaration of my son’s music – truly moving him, bringing forth who he is from a place deep in his heart.
and in both circumstances, i have been in awe. and in both circumstances, i have celebrated.
because though they have both been scrappy and deliberate, non-traditional, intentionally creating the ability to have the room to express – with any combination of full-time work, layered jobs, skimping and saving, lack of resources – in an ever-changing river, they have led with who they are. what is important to them – deep down – is their truth. their heartbeat. figuring it out as they go.
our son is an EDM artist – electronic dance music. his music is powerful and pulsing, driving you to dance. it is layered and complex and technical and, as a composer – even understanding a slice of the process – i stand back in wonder. we are both creating music and, even in its difference, it has the same goal.
“some people feel the rain. others just get wet.” (bob dylan)
he is feeling the rain. and his music invites everyone else to feel it as well. that’s the imperative. it’s what has compelled me to compose. it’s what compels me to write. it’s what compels david to paint. it’s what compels the potter to sculpt, the dancer to dance, the climber to climb, the actor to act, the skier to ski, the athlete to push, the chef to craft, the aerobatic pilot to soar on bluesky days, the creator to create. it takes some guts. but it’s necessary. for the world.
“dear artists. don’t hold back. that’s it…” (okuntakinte)
there is no way to maneuver the depth of field on my old iphone. it is all about coming in closer and backing up – eyeing what is framed in the aperture and moving to adjust what i want the photograph to look like. i know that the newer iphones have some access to depth of field options but – at the moment – i don’t have access to a newer iphone option. so. i adjust.
i almost rejected this photograph as a melange post. with the closest red dogwood branch a bit out-of-focus it didn’t really meet my parameters for a post. and then i stopped to reconsider it. it’s a great visual reminder of how distorted things can look from up close.
clarity is something that comes when you put a little space between you and the issue or object of your attention. 20 always says, “you’re too close!” and it’s impossible to not hear his voice in my head now in the throes of any decision. and so i try to remember to back up a little, to have some distance as i consider – an overview.
when d was working for a new software startup (before the business was unfortunately closed) their product was the perfect tool for clarity. after i understood even the most basic functions of this remarkable software – as they were looking for names – i kept blurting out suggestions like “pinnacle” or “eagle eye” or “lookout” or “apex”. it seemed obvious to me that having this incredible overview – a step back – was the perfect new software for people struggling to make sense of too much up close and personal…a pragmatic way to sort and prioritize…a realistic way to have perspective. it’s beyond my wildest imagination that they did not continue on their merry way into software stardom. but alas, such is life, eh?
anyway, that lookout tower approach has its wisdom. it’s like pulling into the overlook in the appalachia region on route 25e in tennessee. up until that moment – in the middle of them – you were aware that there were mountains but you were seeing them from too close to really appreciate the grandeur. you drive into the overlook, step out of your vehicle, walk to the retaining wall and you are stunned by the magnificence of how the whole world drops off beyond your feet, stretching on and on and on. and you can see – there are mountains and lakes and a river – things you could not discern from up close.
in the middle of the middle stepping back is one of the ridiculously hardest things to do. it feels counter-productive when you are trying to come to some sort of conclusion or have some kind of perspective about a specific thing. but up close and personal, the red dogwood is blurry and i can’t appreciate its stunning beauty. from a little distance away, i can see how it plays against the warm beige of the grasses and cattails, how it enhances the fallow of this meadow.
in this crazy-busy time of year – with people rushing around trying to make the holidays perfect for themselves and others – i’m thinking that maybe we are all a little too close. i’m reminded again and again of what is most important. i’m taking in serenity as i can. we are trying to go slow – to appreciate the big picture – to not be clouded by that which is hard to sort or discern or, for that matter, even clearly see.
yes, the red dogwood is blurry up close. but from a little distance it stands out in a field barren of much color. the dissonance fades. the chord resolves. there is clarity.
it would appear that nature is decorating for the holiday season. even in the browns and tans and greys of the fallow, color bursts out at us. it’s stunning. the honeysuckle is unmoved though – it is standard fare in the winter to be berried. we, however, stop to appreciate it.
we decorated early this year. right around thanksgiving we put up our eileen-tree (which we named “e.e.”), pulled out the mini-trees i love to place everywhere, added twinkling white lights and silver ornaments. there are snowflakes and pinecones from the forest floor and heartfilled nods to my children-in-younger-days and my scandinavian heritage. we unearthed the boxes of vintage glass ornaments and shiny brites from my sweet momma and poppo and placed those ever-so-gently on the happy-light-lit big branches we now have year-round in the living room. it looks like christmas.
each day goes by faster now it seems. and then it’s friday again. i’m not sure where the time goes. as we make our holiday cards and a few handmade gifts to send out, george winston’s december is on repeat – the quiet of this album is speaking to us this season. bombastic christmas or vocal-gymnastic-laden carols seem like too much noise. restraint seems more in line with our spirits. more serenity.
there are many festivities to choose from – out there. we thought about a concert or two and lingered back. we thought about a holiday festival or two and lingered back. we thought about stores and crowds and lingered back. we will finish making our cards and creations and do a bit of boutique shopping. we may make a cookie or two. the krumkake of ages past nudges us and sip and feast taunts us with a long island italian almond cookie (gluten-free). we sit under blankets in a darkened living room – lit only by happylights. we savor the sparkle. we sit in content silence, we tell stories of past holidays – wistful, tearing up, laughing, lost in memories and hopes for future holidays.
and there is the woods.
whenever we can, we take time out there. the forest reminds us of both the everpresence and the evanescence of it all. it reminds us of the passing of time, the changing of seasons, adjusting to harsh circumstances and it reminds us of the rejuvenation and renewal of spring. we know that beyond the cold and frozen, there will be warmth. it’s all fluid and some things – like transition – are certain. there is silent wisdom – of the ages – you can feel as you place your feet – emanating from the dirt of the trail.
it is no wonder that nature has already decorated – with quiet fervor and vivid color – for the holidays.
in most rehearsals, i would remind the choir that their smile could be heard. there is a major difference to the timbre of voice brought forward with or sans smile. the same is true with speaking; even when you are not seen, the difference in tone is distinguishable.
it’s the season of the christmas cantata – a major work of multiple pieces with various voicings, instrumental lines, accompaniment and narration – closer to an hour in length. i’m writing this on the sunday morning that was usually chosen as the day of performance – the second sunday in december. i can’t even begin to remember how many cantatas i’ve directed – and written and arranged – through my decades as a minister of music. just recently a facebook memory came up – it was my post thanking the choir and worship band at a church where we had just performed such a work. the creation of narrative and song is exhilarating – for both director and participants – and everything drives to the downbeat. there is a glow that emanates from such a group – these people who have diligently prepared a musical piece of larger extent – and the camaraderie that weaves its way through – it is joy.
it’s been a few years now since i have directed a cantata. i’m guessing it’s a few years since many of the people who participated have sung or played a cantata. not every minister of music or choir director is up to it and some choose other programming. while you are preparing weekly anthems for sharing in service you are concurrently rehearsing this large work, so it takes time and energy, a compositional spirit, an innate ability to discern cantatas of value, ingenuity, the ability to rearrange on the fly, the belief in showcasing your choir – as a choir – accommodating any ability level, the recognition that simplicity is potent, much flexibility and humor, meticulous planning and true dedication. it is knowing as a conductor – in the moment after the downbeat – that you will merely guide this integrated group of singers and musicians through this visceral experience of purity. yours is a backseat to the magic – this is not your microphone. it is an undertaking not for the meek.
to say that i miss cantata-day would be understating. the gift of music is to make resonant that which is hard to see, that which is not tangible. the gift of music is to evoke powerful imagery and to open emotions tucked away. the gift of music is to bring forward beauty and the magnificence of producing something together. the gift of music is to offer just that – the gift of music. impactful, moving, music has the ability to change souls.
we pass the leaf on the trail – so very obviously lips curled in a smile. i think about all the times i have urged a singer to smile, all the times i have listened to the difference between smiling and not smiling – like the difference between the keys of d minor and e minor. vast.
and right now – as i write this – i wonder how many choirs are gathered on chancels, singing their hearts out, smiling inside and out.
he loves his theme song. it has a specific melody, but can be sung to many different tunes, in many different styles. what he knows is that it is his.
i suppose that theme songs go beyond the scope of exaggerated prosody – those patterns of rhythm, intonation and stress of the voice you use – most like that of talking to infants – with which dogs so easily identify. i’m not sure how it’s so easy to revert to this higher-pitched baby-talk but it gets his attention and seems to maintain it. there have been studies…whether dogs’ neural sensitivity is attuned more to this higher modulated speech pattern – a pattern that is directed to a listener with limited linguistic competence. as the more longer-vowel-sound-higher-pitched-sing-song speaker in the house, i’d say it’s true.
dogga responds to sooo many words and it does seem obvious: he is more sensitive to dog and/or infant type directed speech than if we were to just speak to him in adult-directed voices. his wagawag starts up as soon as he hears our “e.p.”, er, babytalk. i would guess he might roll his eyes and yawn were we to start holding adult conversation with him, particularly on topics of conversation during which he has retreated to the bathroom for escape. though i have had many a chat with him – he’s a good listener – he has not had the same level of response as he does with the prosody of adoring dogmom. “sleepyniiightniiight”, “loooooveyou”, “withmahhhhmma”….
“babycat. you are the cutest little babycat. you are the cutest little babycat, babycat, wah wah wah wah wah-wah-wah-wah-wah-wah-wah-wah…” (babycat)
“i’m a chopper-whopper-dinkus-baby and you are not; chopper-whopper, dinkus-bayyybee…” (chopper)
yes, yes. the theme songs go way back – decades. and i suppose so does the tone of voice. in a world that can be pretty harsh, there can’t be much wrong with a little exaggerated prosody here and there.
certainly, there is no limit to it when it comes to our beloved pets. so much unconditional love.
it’s hard to contain the excitement of returning to a favorite haunt for dinner out. we rarely go out for dinner so any time we find ourselves being a littlebit indulgent it’s cause for celebration.
but – just as it isn’t smart to go to the grocery store hungry, it also isn’t smart to go out for dinner the day after your metabolic and lipid panel bloodwork results are posted on your mychart.
and so you read – wondering why anything marked “high” or “low” hasn’t made your solicitous physician call you at home, concern and suggestions – with an appropriate amount of reassurance – in her voice. but this is 2023 and there is no time for that and you need be happy enough with the office staff call. my recent physical with a brand new doctor-to-me – which took seven months from the time i called to book it – wasn’t even completed (thus i have to go back for the girly stuff) because i dared give a little context history and asked a few questions about things that were concerning me – and we ran out of my “allotted time”. she did inform me – on her way out the door while telling me to make a follow-up appointment to finish the (might i say – important?) girly stuff – that physicals are merely bloodwork and cancer screenings. they are not meant for body, mind and spirit check-ins to be sure you are – uhhh – “physically” ok. to say that i don’t understand would be an understatement. (let me just mention here that our healthcare totals in excess of $28,000 and that i haven’t once used it this year prior to this “physical” which makes me very fortunate – in addition to mathematically making this “physical” mighty expensive.)
but i digress.
so, on our own, we study the new results, compare them to former test results, look for trends, research what creatinine and various other tests really mean, note any “high” and “low” indicators, look up dietary choices to aid in lowering or raising these, discover (again) that proper hydration is of extreme import, seek answers to lower stress levels (which contribute to many of these results). we power through the mayo clinic, the cleveland clinic, the nih, webmd, medline, healthline, even wikipedia – trying to find information we can digest and the answers to what we can order off the menu.
today i read the doctor’s comments. with one exception – even though i had concerns with any red and green markings on my results – she wrote that it was all “wnl”. i looked that up. “within normal limits” in med-talk.
we are still going to make some changes. we want to do the best we can as we “gracefully” age – between diet and exercise and maintaining a zen-like existence. uh-huh. it’s always good to evaluate and re-evaluate our health choices.
but for now, i’m gonna skip the chia seeds this time.
reverse threading 