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the path back is the path forward


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every breath. [k.s. friday]

every breath song box

we drove the kettle moraine scenic drive yesterday…it was the celebration of our anniversary and we had arranged to take off…everything was lined up…dogdog care by 20…snacks…everything work-related done ahead of time.  on the travel wisconsin website we found this beautiful tour through back roads and areas of fall color that looked like calendars that you buy in stationery stores.  once we got out of the endless whitewater loop we seemed to be hilariously stuck in, we ambled our way north, catching our breath around curves and topping hills formed long ago by geological earth movement.  fall color was everywhere, especially the further we drove.  we missed the selfie stands that were sporadically placed along the way.  but we didn’t miss traffic.  or highways.  or towns.  or strip malls.  it was a breath out of regular life.  a chance to just be together, without work or worries or tasks or errands.  to talk or be silent.  to sing to john denver on baby scion’s cd player.  to gorge on snacks and sip an espresso at a little coffeehouse.  it was the cello line of our day, this drive.  the lift of every breath.

download EVERY BREATH track 1 on AS IT IS on iTUNES or CDBaby

read DAVID’S thoughts about this K.S. FRIDAY

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wedding boots. [not-so-flawed wednesday]

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we knew before we really started planning that we would be married in jeans and boots. and anyone who knows us could tell you that we would definitely be wearing black tops, in david’s case – a shirt and jacket, in my case – a long tunic.  it’s just us.

we went to the frye boot store in chicago long before our wedding day, combining a visit with The Boy with our errand.  the girl-boots i tried on weren’t right…although i love all the high frye boots, we had a vision for these, the one item we each splurged on in our apparel for The Day.  the boots needed to be totally dance-worthy, kind of worn-looking, lower-ankle boots.  i ended up buying boy-boots; it helps when you have big feet, lol, because you can find boy-sizes that fit.  we wore them inside the house dancing many times to break them in.  but never put them on to go anywhere.  we were saving them.

three years ago today, we donned our boots, our new ripped jeans and our black tops.  we individually walked down the aisle to the front of the church and a new life commitment.  The Girl, The Boy, 20, arnie and ptom stood in front with us and then we skipped back down the aisle, past pews filled with pieces of our hearts, to the ukulele band playing what a wonderful world.  we drove our little baby scion to the historic beachhouse where we had a food truck, a dj playing music people danced to for hours and hours, hula hoops and crayons, wine and daisy cupcakes, spotted cow and quinoa tabouli, brownies and a bonfire on the beach.  our family and friends – our community- brought us across the bridge from single to married; it was in a key of celebration, of support.

never did we once think that life would just be like that from there on out.  for life is life and challenges arise.  we are not exempt from that.  but our community stands with us, silently reminding us that they were there, they witnessed the moment.  their belief and our love forge together.  it takes a village to be married.  we are grateful for that village, for anyone who has nudged us to see Us.

and any time we forget that very important day, we pull our wedding boots out of the front of our closets, put them on and remember.

happy anniversary d.dot.  i love you.

wedding pic with website

read DAVID’S thoughts on this wedding-boots-day

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ukulele sip ‘n strum! [two artists tuesday]

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about six years ago i was in the sweet downtown of nashville, indiana browsing with linda and bill.  we stopped at a music store and i fell in love with a little black ukulele.  i bought it and played around with this tiny instrument, a lot lighter to tote around than a piano.

a little over five years ago i decided to offer a ukulele band at trinity, where i am the minister of music.  thinking that perhaps four or six people would sign up, over the years we have sold 50-60 ukes!  we have a consistent band that rehearses year round and plays at least once a month in the service.  it’s a blast!  and it’s a way for people who maybe have had no prior musical experience to play an instrument.  i read that “the ukulele is a portal through which only happy people can pass.” (uke muster)  personal experience makes me add that there is no way to play the ukulele and not smile.  they go hand in hand.  what’s not idyllic about that?

under the umbrella of two-artists-making-stuff-for-humans (which includes doing stuff with or for humans), recently we decided to move this glee out further into the world.  we held our first UKULELE SIP ‘N STRUM last friday night at a local winery.  in the same vein as a ‘paint and sip’, people registered for a lesson and a glass of fine wine; they ordered their ukulele in their favorite color and, with the help of pacetti’s – our favorite downtown music store –  we delivered them that night.  it was a blast!

we are booking the next dates and are taking the SIP ‘N STRUM out – all over – into different venues, people’s homes, even corporate events.  the chance for people to learn and smile and play music and sip wine and sing is what we offer.  as virtuoso ukulele player jake shimabukuro says, “if everyone played the ukulele, the world would be a better place.”  we couldn’t agree more!

so let us know if you want to book a UKULELE SIP ‘N STRUM.  we’re ready!  pick in hand!  and we promise – it’ll be a blast! 🙂

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click here to learn more about the UKULELE SIP ‘N STRUM and check back for dates

read DAVID’S thoughts on the SIP ‘N STRUM!

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the field in early october. [d.r. thursday]

Morsel

the field in early october

in the bins in the basement (and scattered in places around the house) are child-drawings and paintings, ornaments made of paper and glue and sparkly glitter, painted rocks of various sizes,  necklaces of beads and shells, framed little scraps of paper with things like “goodnight mom” written in pencil and surrounded by hearts.  The Girl and The Boy have marked time through their artwork (and also through their writings) and i cherish each saved piece.  this morsel – the field in early october – makes me think of such pieces.

in the corner of a new piece on david’s easel i found this morsel.  extracted from the painting it is so childlike in feel.  such simplicity and innocence.  it immediately brought me to open fields we have walked…where sunflowers gaze for just a bit longer and grass is still verdant and lush and there are wild red berries on the bushes along the trail.  the sun is in our eyes and everything takes on a muted hue.  i can smell the leaves burning from the farmer’s field far off to our west.

what is more heavenly than remembering an early october day from a reality-fantasy visual perspective?  what is more treasured than the artwork of a child?  what a delicious combination.  just ask picasso.

read DAVID’S thoughts on this D.R. THURSDAY

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the field in early october ©️ 2018 david robinson & kerri sherwood

 


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memories you can touch. [two artists tuesday]

TV Trays This One copy

he stopped.  walking in the top floor room of a nearby antique mall we love to visit, david was struck suddenly by – of all things – tv trays.  “we had these!” he exclaimed. “growing up, we had these exact trays!” i immediately took pictures.  i knew i would send them to his sister later.  for a few moments, he was back in colorado, clipping the tv tray into place, surrounded by his sister, his brothers, his mom and dad.

when we have free time, we peruse antique stores.  sometimes we are lucky to amble with our dearest friends.  it takes time to walk through antiques – old stuff that connects us to a galore of stories.  we stop and tell tales, sharing, laughing, amazed at how long ago are the moments we are speaking of.  pole lamps that reach floor-to-ceiling, games, figurines, wooden crates, orange and turquoise vinyl furniture, dolls and toys, china, record albums, ancient suitcases with no wheels, teapots and patterns of corelle-ware, mixing bowls and corningware…everything is part of some moment we have passed through, maybe forgotten, but now surfacing with the touch of some item.

i am really thready, without physical reminders.  but with them i can literally touch yesterdays…full of emotion, sometimes pining for times-gone-by.  i relish the stories, the re-visiting.  i can almost, just almost remember our tv trays.  but not quite.  i can’t quite put my mind’s-eye-finger on them.   maybe we will stumble across them one of these days.  and i will stop short.

in the meanwhile, just wondering…what did your tv trays look like?

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read DAVID’S thoughts on this TWO ARTISTS TUESDAY

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the things we do. [two artists tuesday]

Rogue Snowboard Test copy

it was the ultimate test.

we stopped at the snowboard store and asked the guy there if he could bring a snowboard outside.  he happily complied with our request and the last test – making sure a snowboard…The Girl’s livelihood…fit in the vehicle that could potentially become hers.  this was right after we picked the vehicle up from our amazing mechanic who happily checked it over for her.  this was with the cheering-on and support of dear dear generous friends as we searched for the right snowy-high-elevation-roads-with-no-guardrails-appropriate AWD/4WD SUV.

we had help in the quest for this reliable, affordable vehicle for our daughter who needs something worthy of a momma’s trust in the middle of the mountains.  we have been steeped in research, in car-shopping, in internet searches, in spreading the word about this need for safe new wheels.  one of these days all that knowledge will drop into the moat in my brain and i will forget it all.  until then, we name every SUV as it passes us by…forester, outback, rogue, rav4, crv, patriot, crosstrek.  we are grateful to have found this one.  grateful for the help.

and this morning, in between tears as she drove away, i said a small prayer and whispered to IVY, her newly-named-new-used-car, to keep her safe.

read DAVID’S thoughts on this TWO ARTISTS TUESDAY

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dogga-chip-head [two artists tuesday]

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what you can’t see in this picture of dogdog, his gaze intent on me taking his picture, is that he has a chip on his head.  a tortilla chip.  a mission tortilla chip, to be specific.  gluten free.  dogga loves chips.  he loves to have chips on his head, staying perfectly still with the “leave it” command issued.  even more, he loves when “leave it” is released and he can bend his head down and eat his treasured chip.  he prefers it sans salsa.  good thing, because his aussie hair would be a total mess WITH salsa.  and i hardly think salsa is on his doggadiet (for that matter, neither are chips.)

i have to say, dogdog and babycat pretty much run the show here.  not just merely sponsors, they are producers, directors, screenwriters, actors and extras.  we laugh every time we wake up after a fitful night sleep because babycat has taken up 2/3 of the bed, snoring his way through his peaceful slumber.  we could move him, wake him up, nudge him, anything…but instead he just rules over his two-thirds and we deal with it, yawning and complaining about cramped legs all the next day.

dogdog, on the other hand, sleeps in his crate next to the bed.  he loves loves loves sleepnightnight (his word) time and makes sure that everything happens in the “correct” order.   he goes out.  he runs back in.  jumps on the bed.  and listens.  he waits to hear the water-in-the-fridge spigot filling the coffeepot.  waits to hear the coffee grinder.  waits to hear d put a small amount of nighttime kibble in babycat’s bowl.  waits to hear the container on top of the fridge opened from which d gets his cookie.  waits for his bellybelly (also his word) on the bed and kisses on his sweet head, chipcrumbs mixed in with his messy fur.   day’s end for a dogdog.

i don’t know about you, but i don’t know what i’d do without them.   our sponsors.

read DAVID’S thoughts about this TWO ARTISTS TUESDAY

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reach. [two artists tuesday]

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“..but i look up high to see only the light, and never look down to see my shadow. this is a wisdom which man must learn.” (song of the flower by kahlil gibran)

in these times…times of division…times of marginalizing…times of anger perpetuating anger…times of disrespect…times of hopelessness…we implore each other, our universe, our God – for answers, for fairness, for unity, for peace among all persons.

as the flower, we look up and see the light.  knowing the shadows are there, but believing that the light overcomes them. for as the sun moves, so do the shadows change. as the day dawns, the night fades.

the light.  reach for it.

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reach. ©️ kerri sherwood & david robinson

 


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inspiration. a gathering storm. [chicken marsala monday]

inspirationisa WITH EYES jpeg copy 2

a few years ago, after my tealight-vessel-throwing-on-the-wheel experience, i felt like i still needed to express myself in another medium (other than music).  as much as i adored the idea of throwing pots, the cost of the clay and studio time was not in direct proportion to my level of ability; it was time to put that aside till the budget was flush and i could return to the pottery studio without counting pennies.  a tealight vessel (ok, there were a couple tealight vessels if you must know) and one lonely bowl were a total joy but it was clearly going to take some good-long-time to get better on that wheel.  demi moore (in ghost) made it look easy.  it is not.

and so i went to the art supply store and bought a huge canvas.  the biggest one they had in stock.  the kind with a deep side (1.5″).  i brought it downstairs to the workroom and searched around for paint.  since i am not well-versed in this area (to say the least) i selected a can of black paint and a can of white paint.  both household paints. latex.  semi-gloss.  i searched around for one of the old brushes i had been using to paint furniture and i set up my “studio”.

day after day i would go downstairs to look at this spot in the basement.  i could feel my excitement gathering.  i had no idea what i was going to do with this canvas, but it was ready for me.  until one day, indeed, i was ready.

i stood before the canvas and began to paint.  i brushed on paint.  i threw paint.  i spattered paint.  i painted over paint.  time fell away and i kept painting.  i’d walk away and let it dry and then return (this doesn’t take very long with household latex…long enough to pour another cup of coffee or glass of wine) and i’d paint some more.  i’d stand back and i could see what it needed (at least what my eye said it needed.)

and then, i knew.  it was time to stop.  i didn’t know where it was going, but i did know when it was time to stop.

now, i can’t say if the cost of the canvas and studio time were in direct proportion to my level of ability, but i can say they were way less than what my heart felt.  these moments, gathered together, a storm of inspiration, fed me.

this painting hangs in the hall in our house. when i sent a photo of it to a friend of mine right after i was done, scordskiii wrote back to ask whose work it was.  i told him it was mine, laughing and apologizing for it.  he was appalled by my apology and made me promise not to apologize again. so now there are a few more in the living room.  arriving after these paintings all had their dedicated spots on the walls of what-is-now-our-home, david, the real painter in our house, said he loves them.  i’m always invested in real art made by real people, regardless of the genre, so i love them too.  not necessarily because of what they look like.  but because of what they made (and make) me feel.

my first painting

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inspiration is a gathering storm ©️ 2016 david robinson & kerri sherwood

 

 

 


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autumn hillside night. [d.r.thursday]

Autumn Hillside Night

i can feel the sun over my shoulder, low to the horizon, warming the back of my head.  in front of me the field of cut-grain takes on the color of the sunset and the sky darkens in answer to the summoning of nightfall.  the color is intense; the darkness is perforated by the suggestion of clouds, maybe stars…maybe it’s too early for that, i wonder.  i want to walk up the hill to see what color might lay there, what color might be beyond that which i can see right now.  but i stay still.  and listen to the crickets in the grass, the cicadas in the small stand of trees behind me, the sigh of day’s end.

extracted from david’s painting WE WATCH THE SETTING SUN and then a time-of-day change from the morsel AUTUMN HILLSIDE, this is AUTUMN HILLSIDE NIGHT.

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autumn hillside/autumn hillside night/we watch the setting sun ©️ 2018 david robinson & kerri sherwood