i just asked david if he would illustrate a children’s book i wrote a long, long (did i mention long?) time ago. naturally, he said yes, because, uhh, what else is he going to say? so maybe one of these days you’ll see my snowflake-is-as-raindrop-does story in book form. in the meanwhile, i’ll tell you the story…hopefully succinctly.
once upon a time (because all great stories start like that) there was a little raindrop. after it had fallen out of the sky with a gajillion other raindrops it had a choice. whether to drop-and-roll quickly down the street and be transported through evaporation back up into the sky to reform and do it all over again or – and yes, i am definitely personifying this raindrop – it could choose to roll over to a small plant or tree or blade of grass that needed sustenance. the raindrop believed (had been taught by others?) that this sacrifice would end its journey…there would be no more going-up-into-the-sky-coming-down-as-a-raindrop-all-over-again if it made this choice. but the little raindrop rolled over to a little flower anyway, curled up beside its stem and sighed. what it didn’t realize would happen was this – that it still evaporated. it still went back up into the sky. it still reformed. but this time it was chosen to reform into a beautiful, unique snowflake, an honor bestowed only on those raindrops who had made a difference, who had yielded to a different choice.
so you’re thinking, ok, what does this have to do with snowflakes and snowmen? well, we just never know how our choices will impact our possibility or how we might be surprised by something different than what we perceive to be our intended possibility. you have to admit, being a snowflake in a snowman with a scarf and goofy hat that makes people smile and children dance would seem way more satisfying than being a snowflake in a dirty pile of snow in a parking lot. we learn to go with the flow. sometimes the unanswered prayers -loss of the UNlimited possibilities- turn out to be the best.
may 15, 1990. the day my life took an unchangeable turn. the girl was born. i became a mother. nothing would ever be the same. and i am beyond infinitely grateful. love became more than a noun and a verb – it became a person in my arms. every fibre of me was in love with this little wonder. i still am.
nothing can really prepare you for this feeling that is undeniably the most intense thing i have ever felt. i had my first taste of this when my niece wendy was born…the first of my niece-nephew-niece trio. i was young then – just eleven (sorry, ben…that really dates you ;)) i fell in love with each of them and, to this day, i’m quite sure they have no idea how much they are loved. but motherhood was different. it took my heart to a different plane entirely. i wondered how it would be -how i could love any more- when i was expecting my second child. when the boy was born i felt as if i had grown a whole second heart, as bottomless as the first one.
i am so very fortunate to be the mother of these two amazing people-in-this-world. my daughter ‘the girl’ is beautiful and fiercely independent and talented and smart and funny and -will always be- one of the reasons i breathe. my son ‘the boy’ is beautiful and fiercely independent and talented and smart and funny and -will always be- one of the reasons i breathe. i have been moved by their presence in the world. i have learned in countless ways. i have struggled with the balance of wanting-them-near and having-them-far-away. i know that there is not anything else i have done that is more important. they are the first thoughts in my mind in the morningtime and the last at night. i have been changed. i will never be the same.
this past week, like too many times in recent years, has cut to the core of my heart. i have felt overwhelming empathy for mothers (and, of course, fathers) who have lost their child to violence. i am not protected so much that i believe the events of the past week are the only children being lost to violence. i am no less appalled by the loss of a child to famine or war or domestic brutality. i just can’t imagine it. the raw brokenness-of-heart is unfathomable for me.
our children, like anything else that really counts in life, do not come with a manual in which you can look up ‘how’. we can read and study and research and google, but every situation is different and caring for and raising children is – and, by sheer importance, absolutely SHOULD be – the toughest thing you have ever done. and, if you have chosen it, the most momentous. it counts. it is the shepherding of life. it is life begetting life. children are the breath of the (what-kind-of-world-do-we-want?) world that continues. not just for their parents. but for all of us. because it doesn’t just take a village; it takes a world to raise a child, to raise children. they ARE the best thing.
every summer i break one of my two little baby toes. every single summer. last summer alone i logged tons of miles on my $2 old navy flipflops as a result. i even talked about it on this blog. what did i learn? in particular, what did i learn THIS time as opposed to all the other times? i learned to either 1. slow down a little 2. watch where i’m going a tad bit more 3. never go barefoot. the thing is, i’m pretty sure it will happen again. i’m still learning.
i haven’t fallen off my bike in quite some time (and hope not to cause these days it will hurt much more than it used to) but i can relate in countless ways to our chicken marsala monday in the melange this week. i can distinctly remember taking off the training wheels and teaching the children to ride their two-wheelers, running down the sidewalk next to them. for that matter, i can totally -and (yougetthis) viscerally- remember teaching them how to drive.
we’ve been watching the olympics. athletes of inordinate ability who had to start somewhere – and, for sure, who fell in the process. not afraid of failing, but keeping on keeping on. being an ace anything is far off. do any of us ever really get there?
as an adult (ugh, i guess 58 qualifies me if for no other reason than sheer number) there are a lot of things i still want to learn. a few years ago i wanted to throw pots. i spent more than i bargained on for clay and lessons and studio time and more clay and ended up with the most wonderful tea light holder. (ok, i also threw a cereal-size-bowl and a few other assorted incredibly-shrinking-bowls as i struggled to center them and not have the clay collapse on the wheel.) let’s just say i was not gifted at this. but it did (and still does) make me laugh. and i know that i will someday try it again and i will add to my assortment of teenytinyclayobjects in which i can store paperclips.
when we see my amazing son and his boyfriend, we seem to be developing this tradition of bowling together. now, even though i live in wisconsin – and it is practically a law to be a good bowler here – i am pretty bad at bowling. every now and then i do something (like pick up a spare or get a strike) and am shocked, but most of the time i am aghast at how the ball creates splits in the pins and i find myself leaning while watching it careen (generous term) down the alley. the thing i must say, though, is that each time i do a little better. and the reallybadscores will, if i dedicate any time at all to practice, perhaps improve. mostly, i laugh. and i wish i could bring that to ANY thing i am learning – be it a new sport, an artform, a study of some philosophy or political issue, or – a big one – relationship. we fall. we get up, brush ourselves off, ask for grace and try again.
even though there are so many venues of crashing, the recording studio is a prime place to watch yourself fall down. you’ve written music, lyrics. you’ve practiced and practiced – there’s muscle memory in each measure. you’re ready, water and coffee by your side. (for me, not so much water once in the studio as it ….toomuchinformationalert…makes throat noises i can’t avoid.) and then you start. there’s so much riding on the line. and some days? some days you can’t get through a track. something is amiss; something is wrong. the first track of my first album was recorded in a studio in evanston. ken, my producer, was a stranger to me and i drove down with a posse of friends. i felt a little nervous, but mostly felt confident i was prepared. hours later, i had recorded the solo piano track for galena (the album released from the heart) and ken gave me a cassette tape (how funny is that?!) to listen to. i put it in the cassette deck of my old chrysler blue minivan and turned it on. and was appalled. rigid playing met my ears. it sounded nothing like me or my playing, or my piece of music, for that matter. all that confidence translated to a coldness, an unemotional-ness instead of a good track. i called ken (who i barely knew then, but now the same brilliant producer who has produced 14 of my 15 albums) and he suggested that, “maybe you should just write the music and have someone else play it on the recording FOR you.” what???!!! uhhh, i didn’t even know what to answer that would sound in the least bit polite.
and so i painfully listened to the recording again and sat back down at home on my bench. and i realized i needed to be ready -at any moment- to fall. THAT is what would make the piece sound like me and sound like, well, music. the rawness, the every-moment-ness, the vulnerability to mistakes and moving beyond them. that is what would make it shine as a learning. preparation is wise, flexibility is a must, a sense of humor is required, confidence is irrelevant, perseverance is utmost.
one of the first things i told david when we spoke was that “i don’t do nutshells.” he had asked me a question and framed it with, “in a nutshell….?” i laughed. it is not in my dna to do nutshells. none of my family is good at nutshells. my big brother always told a long long story, filled with minute details. he was brilliant and it was always truly fascinating to listen to him. my poppo was the same way, when you got him started. my sweet momma, well, she was a practiced tangent-story-queen. and my sister? suffice it to say she is much like me in story-telling. 😉
i love a good story. i WANT to hear the details. i WANT to see ALL the pictures, not just a few. i WANT to know what-happened-next. it’s the same way i will tell a story, winding all the peripheral stuff right into the very crux of the point, as if it all mattered and carried the same weight, which, of course, isn’t always true. there have been people in my life who have said, “get to the point!” (which i have to say is not a fun thing to be told; it deflates the storyballoon inside one’s heart and makes you lose track of what it was you were trying to say in the first place.)
i blame growing up on long island as well as dna. people tawwwwwk there. they will go on and on. and interrupt each other. and go on and on. it’s great fun following a conversation that way – you are never bored. perhaps a little blurry on the story-point-edges, but never bored.
it’s a long story is the first piece on the album this part of the journey. it starts off with a lift and has a cello line i wish i had the ability to perform. the amazingly “fine” ken produced an album for me that has withstood time. originally recorded in 1998 on a CFIIIS, this is still my best-selling original instrumental album. we were in the studio for long hours, sometimes as long as 23 hours at a time. but we were moved by our studio musicians and their performances on each track and it was easy to summon the energy for this emotional album.
it snowed a lot here in the last week or so. d tried to make our broken-ancient-snowblower into happy news of “getting exercise.” the piles-of-snow-in-parking-lots are really high and they are at that stage where they look like yesterday’s news – they are dirty and a little tired. today and tomorrow it’s supposed to rain which might clear some of that out. our little xb (aka “little baby scion”) is filthy. i look at the weather apps on my phone often, looking for sunny days and temperatures that linger above 50 degrees (maybe.)
we were out on the east coast last summer and went down to the cape to enjoy some beach time. it was heaven. (yes, i know the proper use is “heavenLY” but trust me, it was heaven.) a warm day, ocean waves, full of lobster and amazing seafood we had eaten from wood’s seafood and fish market, we laid out our blanket. we talked, we drew in the sand, we walked on the water’s edge, we collected rocks and shells, we napped. the nap wasn’t intentional. but it was delicious. if i close my eyes, i can almost (almost) touch it.
right about now, i am yearning for a nap on the beach. so this stunning painting-by-my-sweet-husband on this dr thursday (david robinson thursday) in the melange speaks to me. i’d imagine there are a few of you out there in the middle-of-winter who might be with me on that.
every time the girl texts me and says “dude!” i laugh aloud. i have to say i prefer “mom” or “mommommommommom” to “dude” but i’m just happy to hear ANYthing at ANY time from the girl and the boy that ANY name goes. i’m guessing AllMomsEverywhere get that.
there is a sweet bistro in town called wine knot that we love to go to. our favorite spot is at the bar at the end in the corner, where we can people-watch or chat with andy or jeremy, awesome bartenders who, for the longest time, knew to order – wait for it – brian’s amazing meatloaf split and two glasses of merlot – the instant we walked in. there is something smalltownish and heartwarming to be said about this. kind of like one of the things we all loved about watching the show cheers with a cast of ted danson & shelley long, kirstie alley and woody harrelson, kelsey grammar and george wendt and other regulars who became a part of our living rooms and lives. given our new dietary restrictions (gluten free/dairy free -more whole30 compliant and feeling good!) we haven’t been to wine knot as much lately; we are cooking more with glasses of wine on our counter. but sometimes it is nice to just go and sit and visit on a stool in the corner.
this past saturday we were at the cedarburg winter fest, an annual trip for the up-north-gang, an unparalleled and beloved cast of characters. we walk around town, in and out of fun boutiques and shops, laughing at merch together. we watch the parade of firetrucks and snow plows and scurry to the frozen river to cheer for the bed races. it snowed a bit and was very “winter-festival-ish” (as dubbed by dan) this year, as opposed to last year when it was, oddly, almost 70 degrees and forced the bed races to be on the street. we – without fail – end our day together at the crowded pub the silver creek brewing company. dark beers, gluten free ciders, wine and kettle corn are our fare of choice. it’s a total blast. everyone talks at once; the topics are all over the place.
this flawed cartoon wednesday in the melange makes me laugh. the “duuuude”, the (oh-so-wisconsin) “cow-eyes” pun, the bovines at the bar. every opportunity to laugh. it’s a good thing. happy wednesday.
my sweet momma had a favorite quote. it reads, “i shall pass through this world but once. any good, therefore, that i can do or any kindness that i can show to any fellow creature, let me do it now. let me not defer or neglect it for i shall not pass this way again.” (this is generally credited to stephen grellet.) the thing about favorite quotes and humanness is that sometimes we tout them, but fail to live by them. momma really truly lived by this one. she chose kindness, even over her own comfort, even over how she might humanly default in a given moment. a little card with this quote hangs on a piece of tin in our kitchen. being thready and all that means i love to gather things around me that remind of, well, things and people and places and ideals and moments. mmm…you know what i mean.
ptom recently spoke about what it means to be in community…what building a sense of community boils down to. he answered his own question, “radical kindness.” can you imagine a world – everywhere – that was radically kind? KIND. sheesh. what on earth would happen? if kindness was everyone’s first response. if everyone led with kindness. if kindness superceded competition and agenda and reactionary anger and brazen cruelty.
when i drew this image i have to say i had never before noticed that the word “kin” is IN the word “kind”. somehow it hadn’t occurred to me. but after i drew all the stick people in a field of hopeful yellow scribbles (representing sun and warmth and generous days) i saw the word KIN.
be kind. be kin. yes. we-are-all-in-this-together. in the whole wide world. should be simple, eh? this week’s melangetwo artist tuesday.
my sister and i were toodling around milwaukee on one of her visits here, years ago now. we went to this great little coffeehouse on the lake and there was a stand of cards. one read “begin anywhere” a quote from john cage. procrastinators/a.d.d. twins, it jolted both of us and we laughed. it launched a really honest and vulnerable conversation between us over our coffee mugs. we bought two of the cards. hers sits inside a glass frame on her counter in her kitchen. mine is inside an old window frame on the wall in the bedroom.
starting is the hardest thing. so often we don’t know how. and we dread the not-knowing, fearing that we will fail or fall short or never “finish”. finish what? we are never “done,” i believe. we just keep moving. toward who knows what sometimes, but we keep moving. life is fluid and fluxes and we try to be flexible. and sometimes, after we force ourselves to JUST START, we find that the task wasn’t as difficult or involved as we thought, or we were better at “it” than we thought, or there really weren’t the demons we imagined.
i love this CHICKEN MARSALA. in honor of my beautiful daughter-of-the-snowy-mountains, in honor of all the athletes competing in the olympics who started their sports long ago, in honor of artists of every medium everywhere standing in front of a notebook, a piano, an easel, a barre, a microphone, in honor of THE ROADTRIP – a second start for david and me (starting AGAIN is sometimes a beautiful thing) we offer this CHICKEN NUGGET in the studio melange this week.
you’re at the gate. poised. fearful. anticipatory. excited. your imagination is going wild.
i just updated my “about” page on this blogsite. i wrote the words “15 albums and a bunch of singles and i’m still wondering what i’m doing in this industry.” truer words were never spoken. our current world, in all its fantastic technology, has changed everything for recording artists everywhere. music is not hard to create. sales are. i have ranted many a time (and even on this blogsite) about this very thing – vastly minimized earnings with the challenge of streaming and burning and grabbing. but i am a musician. and, if you are an artist of any sort, you know that you are what you are and that’s the story.
our studio melange (paintings, music, cartoons, books, children’s books, plays) introduces friday as ks kerri sherwood friday…an opportunity to say a few words about a song or piece of music, maybe acquaint you with an album or a track you haven’t yet heard. something that might resonate with you. something i recorded in a rainy auditorium 23 years ago (a few people will understand that…carol and the-amazingly-“fine”-ken included.) something i flew to nashville to record. something i recorded after twenty-three hours in the studio. something i recorded at yamaha artist services in nyc. something i recorded five days before my wedding. or maybe something new.
so – in keeping with valentine’s day (and every day) – not to be all geeky-mushy and everything, when IS the last time you slow danced? this song, SLOW DANCE, when it was released as a single from the album AS SURE AS THE SUN climbed a secondary adult contemporary radio chart up to #13.
for a recording artist, there is nothing like hearing your song on the radio. except for maybe slow dancing with the love of your life. yup. no comparison.
slow dance. the song. it seems to speak to people. and THAT is my work. what more can i ask for?
it took my breath away when he painted it. it takes my breath away now.
sharing studio space with my artist husband has many benefits. we can interrupt each other with questions or comments or what-the-heck-is-thats or sometimes tears. i am a great interrupter. i am from long island; interrupting is an art form there. ask crunch or sue or marc AU.
two rocking chairs in the studio means we can mutually sip coffee (or wine) together while pondering what’s next. or brainstorm. or discuss current politics (ugh). or argue. or concoct new ideas. my C5 is upstairs in a different studio, away from paint and acrylic and gesso and scissors and my sewing-machine-induced-scraps and power tools and a sound system that is sometimes cranked up. a melange. welcome to DR davidrobinson thursday.
i won’t forget the day i walked downstairs and saw this painting in progress. the raw emotion is striking and -at once- comforting.
as you head into the weekend and, maybe, your celebration of valentine’s day, i wish for you – in whatever is your own cherished relationship – this feeling. loved. encircled. embraced. held in grace indeed.
i just asked david if he would illustrate a children’s book i wrote a long, long (did i mention long?) time ago. naturally, he said yes, because, uhh, what else is he going to say? so maybe one of these days you’ll see my snowflake-is-as-raindrop-does story in book form. in the meanwhile, i’ll tell you the story…hopefully succinctly.
one of the first things i told david when we spoke was that “i don’t do nutshells.” he had asked me a question and framed it with, “in a nutshell….?” i laughed. it is not in my 
my sister and i were toodling around milwaukee on one of her visits here, years ago now. we went to this great little 
reverse threading 