SEPTEMBER 1 – 16
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when i saw aly a few weeks ago she was holding her sweet baby boy landon in her arms and she told me that every night he goes to sleep with this album playing. ian joked that landon doesn’t make it much past the first three pieces, so maybe they should start it in the middle so they would be able to hear more of it. either way, hearing snippets or the whole hour of lullabies, i am touched that this little boy is gently going off to sleep with this music playing him into dreams.
i recorded this album after many others. i had already recorded six original cds, three christmas albums, two retro 60s/70s albums, two hymn albums and several singles by this point. but many of the shops stocking my albums and listeners who had purchased albums asked me about a lullaby album. it was with the picture in my heart of rocking (or walking) my own children to sleep that i researched lullabies, wrote a couple original pieces and spent time in the studio at yamaha artist services in nyc recording this.
some of my most precious memories are of My Girl or My Boy drifting off to sleep as i sat in the rocking chair in the nursery watching the seasons change out the window. i would read goodnight moon and sing quietly to them. then i would tiptoe out of the room, careful to avoid the spots in the old wood floor that would creak under my steps.
and so, it is an amazing thing knowing that there are moms and dads out there in the world, rocking tenderly or softly slipping out of their nursery with my album AND GOODNIGHT playing their cherished baby into sweet sleep.
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AND GOODNIGHT from AND GOODNIGHT-A LULLABY ALBUM ©️ 2005 kerri sherwood

AQUA AGUA MIT ROUGE
the little mermaid music swirls in my head, “under the sea, under the sea…” i can’t help it. the gorgeous brushstrokes of blues and greens and deep reds inspire thoughts of beautiful oceans full of color and hues that are untouchable by dictionaries far and wide. this morsel, from the painting EARTH INTERRUPTED VII, i titled AQUA AGUA MIT ROUGE, a name derived from several languages (english, spanish, german, french), a nod to the inability of words to describe it.
this morsel is somewhere underneath this beautiful painting – within the depths of EARTH INTERRUPTED VII – not visible, but part of the underpainting, a layer of, well, the earth. how much more perfect could that be?
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aqua agua mit rouge/earth interrupted VII ©️ 2018 david robinson & kerri sherwood
well, blackbeard may well be a goob, even the biggest goob ever, but some things are best kept to ourselves, eh? my sweet momma always said, “if you have nothing nice to say, say nothing at all.” there is candor and there is boorish rudeness and there is a very fine line between them.
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one more time…blackbeard is a goob! blackbeard is a goob! ©️ 2016 david robinson & kerri sherwood
every time we get a text from david or molly with a picture of sweet dawson coloring i believe i see an artist-in-the-making. he is intense, all not-even-two-years-old of him. his crayons seem deliberate choices, his drawing coming from a place inside that beckons him to the paper, the cardboard box, the canvas. it’s innate.
charlie is a second grader. he practices batting every day. he has ground down an area of the backyard so much that seth thinks there will never be grass there again. charlie can cite all the players on the kansas city royals and their stats and he will narrate his own one-person ballgame in the backyard, an announcer with great animation and accurate details. such a small person with such a big passion for the game. it’s innate.
khloe, a teeny but mighty seven year old, would come up to the chancel each week and john would let her play the drum set. she didn’t pound, she didn’t arbitrarily hit drums or cymbals. you could see by the combination of joy on her face and an expression of concentration that she was pretty serious. she has the beat. it’s innate.
when my sweet beth and i talked on the phone she said, “i’m not sure how i feel about her going into music.” she was talking about her older daughter, who already has been cast as the lead in three plays this coming school year. i don’t think she has a choice. for emme, it’s innate.
each of us spokes-in-the-giant-wheel come into this world with something. something that is just ours. ours to do. ours to bring. it’s innate. already in us.
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i came into this world with art already in me ©️ 2016 david robinson & kerri sherwood
dogdog drags babycat across the wood floors through the house with babycat’s head in his mouth. at first, when dogdog was new to the family, it really frightened us and we admonished dogga for dragging the cat around. but then we realized that it was a game. if dogdog wasn’t playing, babycat would slap at dogdog with his claw-paw and make the chase start. it mattered not who “won” the match, for there was no obvious winner. (although i must say that it appears that babycat is indeed the alpha in the house.) most important for the two of them was the chase. just having fun.
it’s the same with anticipation. i can clearly remember having great anticipation for something-or-other, relishing that feeling, the adrenalin rush, the quickening of heart, the excitement i could feel. when the actual Thing happened, it wasn’t nearly as delicious as what led up to it – the anticipation, the process, the chase to it. the Thing was almost anti-climactic, a sort of denouement of all the details getting there.
albums are kind of like that. the process of writing, practicing, the anticipation, the work, chasing the perfect recording. and then, the tying up of loose ends, the post-project letdown. as much as i wish i could, there is no way i can control what the ‘catch’ will be, whether or not the music will resonate with listeners, whether or not the album will do well in the market.
as an artist, it is all the magic in the middle that matters to me. the chase.
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it’s not the catch, it’s the chase that matters ©️ 2016 david robinson & kerri sherwood
in pondering what to write about this piece, i took out the jacket for the album RELEASED FROM THE HEART. my first full-length album, released in 1995, an hour of my original solo piano compositions, i dedicated it to my big brother wayne who i had lost a few years prior, but whose presence i could feel as i worked on this project.
in the jacket notes, next to this piece IN TRANSITION, i wrote “many changes for many around me. changes give us time and impetus to sort through (and feel) the stuff of our lives – the transitional time.” that would explain the minor, a key that invokes going inside.
i guess i will have to defer back to that. it’s no different now than it was then. there are still “many changes for many around me”. i would have thought that things would feather out on the change seesaw, maybe leveling out a bit. but now, 23 years later from those moments of recording remotely on stage in an auditorium at northwestern university, i see that life continues to be fluid, change continues to happen, we still have to sort and feel and go with the flow, we are still learning, growing, changing, we are ever on that seesaw. still in transition.
purchase the album RELEASED FROM THE HEART or download IN TRANSITION track 8 on iTUNES or CDBaby
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IN TRANSITION from RELEASED FROM THE HEART ©️ 1995 kerri sherwood
we often walk at the end of the work day. we go inland to a lake trail and walk a couple times around the lake, somewhere around 6 miles or so in total. we mostly hike around the lake clockwise, which means that we are watching the sun come down across the lake at the beginning of our walk, a time when we are still processing the day and haven’t yet gotten immersed in the trail. sometimes we are so engrossed in talking or thinking-silence that we have to remind the other to appreciate…”look at that sunset,” one of us will say.
sometimes we will get up early and, with our coffee mugs, go sit on the rocks and watch the sun come up over lake michigan. every time we are witnesses to the beginning of a new day this way i think we should do that more often.
sunrise. sunset. it makes me think of the song from the musical fiddler on the roof. it’s truly a beautiful song, simple, sung with great heart. the passing of time. so fast. wendy wrote to say it was time to bring logan back to college – for his second year. i could so so feel how that felt, remembering times i had brought My Girl or My Boy back to college.
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sunrise. sunset./a day at the beach ©️ 2018/2017 david robinson, kerri sherwood
whoa. even with the wild adrenalin that comes with the first of anything, you must admit, sometimes it’s better to be second.
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you should probably know that you are my first… ©️ 2016 david robinson & kerri sherwood
we have a new frog in our pond! two actually. this feels like perfect timing for us; we needed the good sign of a frog in our midst. both of these frogs are different than previous pond-frogs we have had in past years; these two are leggier, less body and more frog-legs. we’ve named the bigger one ripple and the little one pebble. neither comes when we call their names, but ripple is not as shy as pebble. we’ve advanced toward the pond and pebble will dive right in before we get close, but ripple sits quietly on one of the rocks and waits. when he (or she) eventually dives in, it’s with a flourish and we get to see the concentric circles that spread outward, which is where it got its name.
it’s where we sit in our belief – as artists, as people – that the concentric circles spread outward from the center. the only place from which we can really make a difference. any difference. it hearkens back to my sweet momma…her very core believing that all should start (and end) with being kind. on her website www.beakysbooks.com is quoted mr. fred rogers, “there are three ways to ultimate success. the first way is to be kind. the second way is to be kind. the third way is to be kind.” it’s how she lived. she would point to her life and asked what she had accomplished. greatness. she accomplished greatness. because she spread kindness. out and out and out it went, the ever-widening rings into the world.
it doesn’t seem that complicated. it doesn’t take wealth or a super pac or any kind of grandeur to accomplish. it is simple. basic. in the words of john wesley, “do all the good you can, by all the means you can, in all the ways you can, in all the places you can, at all the times you can, to all the people you can, as long as ever you can.” or my sweet momma’s favorite verse, ” i shall pass through this world but once. any good therefore that i can do or any kindness that i can show to any human being, let me do it now. let me not defer or neglect it, for i shall not pass this way again.”(stephen grellet) or from the dalai lama, “be kind whenever possible. it is always possible.” right at the center, right where ripple quietly sits before the great hop – right before we move or speak or rebel or undermine or chasten or deflate or insult – is the place where we can choose to be kind.
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be kind ©️ 2018 kerri sherwood & david robinson