the sun, the contrail – elements of an exclamation mark in the sky.
i imagine it is an exclamation-mark for the beginning of PRIDE month – events with themes like “united in pride!” (chicago) and “remember, resist, rejoice!” (milwaukee) and “rise up: pride in protest! (nyc). i imagine it is lifting up the indisputable importance of acceptance of others and pushing back against discrimination and the violence that accompanies it.
we are proudly attending PRIDE – both in milwaukee and chicago. our edm artist son is performing at both festivals. for the last years we have attended both PRIDE events in these cities and i have come away with the big-sky-like feeling of people loving one another. it is a freeing reminder for anyone who has forgotten what it’s like to just care about each other, despite any of the differences that have been politicized into marginalizing people.
i – we – will always be staunch supporters of our son. we will always be staunch supporters of his friends, his extended family. we will always be staunch supporters of the LGBTQ community. we will always question the ugly – people who wish to eliminate LGBTQ freedoms and safety. we will always question those people – who tout their “christian” beliefs, their “jesus-saids” – while their gross bigotry shamefully reveals their empty words. no, jesus did not say anything that would buoy your cruelty. we will always question those people who have voted against the rights and privileges of the LGBTQ community, who have gleefully cheered on the homophobic, patriarchal march into autocracy, who have betrayed their own families.
the exclamation mark in the sky marks the beginning of a month in which we have the opportunity to promote unity, in which we have the chance to truly love one another, in which we might set down the vileness of homophobia and pick up kindness and the embrace of what diversity is.
“you are a child of the universe. no less than the trees and the stars, you have a right to be here.” (desiderata)
i don’t suppose i ever really fit in. i was the youngest in my family – separated by a decade – while most of my friends had siblings their own age. i grew up in a neighborhood where the kids were somehow athletically gifted, while i took organ and piano lessons and sat in my tree writing poetry. an early entrepreneur, i pulled a wagon around our neighborhood selling baby cactus cuttings and candles i had made. i didn’t go to – or get invited to – wild parties or cut class or skip my homework. i took bike-hikes and walked on the beach in the winter while everyone was at the mall or the bowling alley or the movies. i didn’t listen to the stones or grateful dead or led zeppelin (with the exception, of course, of stairway to heaven – everyone’s prom theme). i listened to john denver and gordon lightfoot and the carpenters. i wore off-brand clothing and didn’t keep up with fashion trends. my momma bought me less expensive boy-pants and found the offbeat stores for shoes-that-look-like-trendy-shoes-but-are-not, like my cherished construction boots. my first car was my dad’s vw beetle, nothing fancy but beloved. i had numerous part-time jobs through high school and then in college and knew the joy of serving corn flakes to both me and my dog missi for dinner. i never thought of myself as weird. but i suppose – if one considers the definition “may have unusual habits, interests or ways of thinking that set them apart” it could be true. i don’t see that as negative, though i also suppose that – depending on the way you see yourself fitting into the world – one might consider it such.
so the sticker “stay weird” hung upside down and backwards made me laugh aloud. somehow my laughter summoned mary oliver and she and i enjoyed a good chuckle about the infinite extraordinary of the insignificant and the everyday, the value of seeing the usual through a filter of unusual.
weird took a very long hiatus – it was safer, less vulnerable, and kept me out of trauma i had shelved. i pursued the inevitability of having to make money, to help support a household in a more meaningful way than the way of an artist. for this society – though its love for the arts is profound, its support of the arts is less so.
it was after my children were born, after the imperative was too loud to ignore, after the perils shushed a bit – when it was time to start releasing music. writing, practicing, recording, performing, marketing, booking, hawking – none of this is necessarily standard-work fare – it is unusual, it is tenuous, it requires a bit of courage. it doesn’t have the same parameters as a workday in corporate or structured america. it has no guarantees of reward, no regular paycheck. it is steeped in personal challenges, the need to be scrappy and the sisu to put it out there.
in the time that was the heyday of my recording career i would call absolutely anyone, regardless of their position. as the owner/artist of my label i have talked directly to vice presidents of sales of barnes and noble and borders books and music, owners of publishing houses, the personal managers of ridiculously successful recording/performing artists. i’ve sat in j. peterman’s messy office chatting (of the j.peterman catalog and seinfeld fame) and in the spare chair of radio program directors. i’ve danced across the stage at qvc-tv under a disco ball and played songs live over phone conferences with oncological pharma higher-ups. i’ve stood in the rain on flatbeds playing, embraced boom mics over my piano on theatre stages of all sizes, sang in front of 35000 people in support of cancer survivorship in central park. pushing the boundaries, carrying a little chutzpah along with belief in my own artistry was everyday life – and necessary. and i’d remind myself each time i picked up the phone or stepped into the unknown the very fact that we all breathe in and out the same way. this thing we have in common, i would tell myself – breathing. surely i could connect on that most basic of levels.
as outside the conventional box as it all seems, i didn’t feel weird. i felt in my skin.
and so, apparently, the weird continues. we know we are different than others. we have a certain run-and-jump into vulnerability that others do not. we have a certain pull towards creating, experimenting, learning – all in the public eye. we share because we have to, not because anyone has to receive it.
so, yes, the “stay weird” sticker really spoke to me.
though my life – and our life – is quite a bit different than the traditional lives or retirements of lovely people we know and care about, it is somehow just right for us. i never forget the corn flakes and he never forgets the sleeping bag in his studio space. every everything counts and we are reflexively careful about not being frivolous. for us, weird has granted us a certain appreciation of the littlest things, honoring simplicity and leftover pasta, redundant black thermal shirts and a shared bin of socks, used notebooks and repurposing taken to a new level.
what one does with one’s “wild and precious life”*…
they unfurled from their tiny seahorse stage into real-live ferns in what seemed like moments. all of a sudden, there they were – a whole corner garden of ferns. so incredibly green. lush.
but – even in their zealous and prolific growth – they are fragile. their fronds fall victim to the wind or the dogga’s curiosity, and they are knocked over, with – seemingly – no chance of revival. it seems – perhaps – safer to be in the middle of the bunch of ferns in the garden, rather than on the outskirts.
and i find myself nodding my head, as any artist might nod her head. yes. indeed. safer to be in the middle than on the outskirts, than life as an outlier.
when i finally felt safe enough – when the imperative was too much to ignore any longer – for me to pursue my own artistry – to leave the middle – i knew it was a different route. it would not be the interstate to success. instead, it would be a challenge to stay upright – to keep reaching – when the perils of the outskirts were plentiful.
i knew i should have kept on the road earlier, but there were things that precluded me – that hushed me – and i largely put aside that desperate voice inside of me begging to come back out – the one i had quashed so many years – decades – prior.
but the tiny seahorse fern in me didn’t give up. it kept nagging me until it was finally ok to face the perils.
and i began to write – with the fervency of the ferns in our back garden. my piano was never silent. i kept unfurling, reaching to the sun – an artist coming out of fallow.
and there was music. and more music. the compositions, the songs, the albums populated the garden rapidly – there was much time for which to make up. stages and boom mics and product boxes were the accoutrements of my life. and i could only imagine – and still wonder – what might have happened had it all started earlier, had i fronded in earlier life.
it remains a mystery.
even now – in which the unsuspected and life have mown down some of the outer fronds – there is a core, a center of gravity that holds the fern-muse.
though fragile on the exterior, we are never really broken to the core. there is still time – there is healing, there is a new spring.
we were exhausted after we arrived home. chicago is a lot of stimulus all at once. we had taken the train down to avoid commuter hours on the highway; we took our dear friend to a pre-op appointment.
zooming down and taxiing over to the medical center, taxiing back and zooming back up wasn’t hard. but you can definitely feel the frenetic energy in the city – an energy that is pulsing and alive. as the taxi driver chose the underground roads i marveled at the intensity of traffic – everywhere.
even before our son settled in the city, we made a point to get down there. but we do know there are people who choose to stay away, who don’t necessarily find joy in the pace or textures of a big city. we personally cannot imagine not taking the opportunity to immerse in something different, some place that is different. i don’t see us living in a big city at this point in our lives, but we’re grateful to have cities close by to remind us of the beautiful diversity of people.
there was a volunteer at the entrance to the surgeon’s suite. she was helpful in directing traffic as people arrived. she seemed a bit rote, though welcoming, not warm. until someone sat near and started having a conversation with her – about flowers. she came alive and spirited and it was a reminder of how easy it is for us to close off from others – other people, other customs, other lives, other places. until.
when we had walked in, she asked if we had an appointment. our friend said he did and she turned to look at the two of us – to which i stated, “fan club”.
“everyone needs support,” she replied.
it does one good to leave. staying put makes you complacent. staying put makes everything that is normal just ordinary. it doesn’t give you any sense of awe about how others live, any in-another’s-shoes insight into the complications and complexities of day-to-day life. it doesn’t help you remember – or even try to imagine – the entire population of this nation – how vast, how freckled with differences, the gift of ‘other’.
we sat by the window and gazed outside from our vantage point on the 15th floor. traffic below, the sounds of the city, a building directly opposite us. i imagined the life going on in that building, yet another medical complex. i watched the newcomers as they arrived, brows furrowed with worry or weariness. i imagined the lives of people i would never see again. i watched the suite-greeter, multiplying that one lovely person who i did not know by the 2.7 million others in the city.
and i knew that soon we would board a train and head back up to wisconsin. we’d sit in the kitchen on a cold, rainy late afternoon. we’d eat leftovers. we’d talk about conversations with our taxi drivers and the smooth travel experience of the day. we’d be both grateful for even the briefest of times in the city and grateful for the quiet of our old house. we’d pet on dogga and go to bed early.
and we would be better for it. because we would remember that we are not alone in this world. we are connected to others in the same quest for breathing and thriving. we are enriched, choosing to – even briefly – go somewhere unknown, do something we have to figure out, learn something new, take in the energy of so many, many people – living.
“life is not a spectator sport.” (attributed to jackie robinson)
it goes by fast on the train – almost a blur, but not quite.
“you are beautiful,” painted on the side of an old building.
in the middle of all the ugly going on right now, it is a good reminder: not to lose – or forget about – our own value, our own light, our own beauty.
somehow the most basic gets distorted in the chaos. somehow we put our joy to the side, we drop our view from the kaleidoscope of exquisite, we forget that this one and only moment is ours and we are here for it.
“peace has not broken out,” said marcus noland, executive vp of the peterson institute for international economics.
now there’s an understatement. no. peace has not broken out here in these un-united united states.
now, had they been priced a tad bit lower – ok, quite a bit lower – we might have liked to have added a metalwork alien to our backyard. but our purse strings did not allow for it and our backyard has enough stuff. besides, it’s not really our style. so we kept walking.
but the addition of the peace-loving greenguy would have been a hoot. it was rather tall and a place on our deck would guarantee visual impact for houses – and people – around us. maybe the antique flea market find would have made a positive impact on everyone around. ahh, wishful thinking. maybe not.
peace.
over the weekend we chose one day during which we did nothing. literally, just about nothing. we tended our gardens, adirondack-chair-sat and watched dogga and our birds. it was absolutely necessary. we did not scroll. we did not browse social-media. we did not read articles or newsletters. we did not watch videos or news footage. we deliberately tuned out. instead, we just simply sat.
it was a very quiet day – none of the neighbors were out – it easily became one of my favorite days lately. lots of sun, a very gentle breeze, a good throw pillow behind us, a few snacks.
because peace has not broken out, it is kind of imperative to take some – even manufactured – time of peace. we are all so immersed in the crazy, the chaotic, the mean-spirited – to separate ourselves out for a bit of time is necessary. we simply won”t endure if we walk 24/7 in the maniacal sickness of this administration.
so, with the memory of our greenfriend-of-the-market, we sat. and imagined the rest of the weekend and what all we would do with it. we drank in the stillness, reveled in our hummingbirds. we marveled at our dogga and dreamed dreams about vw minibus campers and backcountry excursions on foot.
peace was in our backyard for a bit. it had broken out with the sun and we were grateful. for just a little bit, all seemed ok.
“we come in peace,” the greenguys insist.
if only that were what they would find here on earth.
last year a black-capped chickadee returned over and over to this old barnwood birdhouse on our tree. each time it balanced on the the hole and pecked at the edges all around the entrance to the house. we wondered if – perhaps – it was not quite big enough for this bird and its intentions to build a nest. it worked at it – diligently – finessing the birdhouse as it could, enlarging the entrance and pecking off the sharp edges. but it did not end up nesting there.
this year two black-capped chickadees return over and over to this birdhouse on our tree. this year they carry in supplies – long strands of ornamental grasses, bits of branches and leaves. we believe that – this year – there is a nest inside this birdhouse. we hope we are right, for the idea of baby birds just off the patio – in this sweet birdhouse – makes us a little bit giddy. together these chickadees have made a home, taking turns with the chores of preparation and standing vigil, keeping it all safe from harm. we stay hopeful that there will be babies and that this sweet bird-family will endure all the hardships of nature and the passing of time.
yesterday was the 43rd anniversary of my (first) wedding.
i think back to the preparations and nesting through the years, as we worked together – successfully and not – as a couple and then as parents of two beloved children. like the chickadees, we had no guarantees – we just worked at it, best we could.
i look back – as we all might do – and see the moments in time we might have done better, might have made different choices, might have pecked at the edges of the entrance to our house instead of other things we did – things that would have finessed our home in lieu of harming it in some way or another. but we are human and our failings are as numerous as our triumphs. it is easier now – years later – to offer generous grace to our best attempts, despite how it all turned out. our two children are good people in the world – making their way in work, in their own passions, in love.
i am grateful for those years. i am grateful to have married a man back then who also tried his best to build a life together. as in any relationship, we brought different baggage with us – some of which was surmountable, some of which made life challenging. we started out pretty young. time has smoothed out the edges – pecking off the sharp parts – and what remains is softer, gentler, accepting. it is with deep affection that i now tell the tales of our thirty years together.
d and i met twelve years ago now – after six months of being daily email penpals. this year will celebrate the 10th anniversary of our wedding on a warm and sunny october day.
we have done our share of edge-pecking. we have finessed our home and stood vigil for each other. we have shared in the hardships of nature and the passing of time – for that – the passing of time – seems exponentially fast starting later in life. we have been fortunate and we work at it, best we can.
i am grateful for these years. i am grateful to have married a man who is also trying his best to build a life together. as in any relationship, we brought different baggage with us – some of which has been surmountable, some of which made or makes life challenging. we started out later in middle age. but time smooths out the edges – pecking off the sharp parts – and what remains is softer, gentler, accepting. it is with deep affection that i tell the tales of our life together. it is with humble and immense gratitude that i look into the future with him.
there is no telling what chickadees may do in life. but they seem to realize the very preciousness of it as they zealously prepare and tend their life together with another chickadee. sometimes they stay with the same mate all their lives. and sometimes they don’t. either way, chickadees have strong pair bonds – which is the very best we can all do for each other.
there are great white trillium all over the woods now. beautiful big blooms lighting up the underbrush, making the forest brilliant. they precede the may apples and have more pizazz than the maroon prairie trillium. they get our attention.
it’s not easy to capture a good photograph of great white trillium. not because they are elusive or shy, but because they reflect back sunlight and the images tend to be somewhat blurry, details burned out into flat white. i felt fortunate with this photograph. even the specks of pollen off the yellow pistils are visible.
and then i noticed it. the shadow. the tiny dandelion next to the trillium was casting a shadow onto the delicate petal.
when i first noticed – further down the trail – i thought that i had missed my shot – that the interrupted petal somehow blemished the photograph.
the more i studied it, the more i realized how very lucky i had been – to capture the very moment in the sun’s angle that this little dandelion made a distinct shadow on its neighboring wildflower.
sometimes we don’t realize how imperfection is simply perfect.
what looks like wreckage is that which welcomes grace, how a broken road reveals the right path, how organic surpasses the staged, how cobbled-together – all the moments of bliss and the moments we think are shadowed with ruin – our lives really are, how imperfection is actually perfect.
what we thought was the wrong shot is – in reality – the right shot.
there are about 200 seeds in a single dandelion fluff. even in the gentlest of breezes, the dandelion field scatters everywhere – seeding, seeding – more dandelions, more dandelion fields.
oh, the mayhem.
88 keys.
the clusters of piano keys that might be in any piece of music. consider just a three-note composition. in the simplest of equations, assuming once the first choice is made you must move on to the second choice and then the third choice, one has 88 keys to choose from x 88 keys to choose from x 88 keys to choose from – merely 681,472 options for any given composer on any given day working to write just the first three notes of a melodic gesture.
oh, the mayhem.
choices.
for the painter and a canvas, a writer and a pad, a dancer and a wood floor, a potter and blocks of clay, a blogger and a computer keyboard.
it – the imperative to mayhem – calls us. to make something out of it all. to birth something out of the raw materials, to use our tools to create, to choose direction, to express artistic vision – what we see or hear or feel – a passion – that might – or might not – touch others.
there is no guarantee, no real proverbial “if you build it, they will come”. it doesn’t just happen that way. it is an imperative nonetheless.
the imperative to show up, to engage in the mayhem.
i’ve done much of my composing in-between other things, stealing time – minutes even – to write something – anything, something that might be universally understood, something that gives air to a thought, an emotion – something in my internal or external world. scraps of melodies, bass line roots, ideas only until i might make them airborne.
mayhem steals my imagination and lifts it past the stuff-of-the-day. it pokes and prods me, not allowing for passivity, foisting ideas and snippets of muse upon me.
it’s a bazillion seeds in a dandelion meadow, a bazillion pianos, a bazillion pencils and pads, a bazillion brushes and a bazillion paint pots.
“and the seasons they go round and round/and the painted ponies go up and down/we’re captive on the carousel of time/we can’t return, we can only look behind/from where we came/and go round and round and round/in the circle game.” (the circle game – joni mitchell)
and then there was spring.
the grasses greened. the trees budded. the birds busied themselves with nests and babies. the lake answered the sky in pastels. and winter was over.
there was no fanfare for the spring, no good riddance for the winter. it just quietly morphed from one to the other.
as we walked along the shoreline of lake michigan, i couldn’t help but recall last spring. it was a different time. a very different time.
i looked back to a time when everything was not in disarray…when our nation was not perched on the precipice, ready to fall into authoritarianism. i breathed easier last year. i was not convinced that evil and cruelty were leading our country, taking it down to the depths of corruption, no compassion in sight. lives were not roiled in rifts; moral compasses were – at least a tad bit – more present.
i feel nostalgic. for last spring. regrets are funny like that. not really appreciating the spring of ’24 until we are in the spring of ’25.
and now, as we go round and round and up and down i wonder what’s in store. it is clear we can never go back – we can’t get there from here – to the same country we had. but we can look behind us and see from where we came. we can do whatever we can do – to resist the total demolition of democracy. we can step off the carousel and stand next to the painted ponies as they circle. we can choose a different pony.
we are captive to time moving on. but we are not captive to the carnival of this regime. we have work to do. like the perils of traveling roadshows, we need to shut it down. mechanical failures, operator error, structural issues, rider misbehavior and health risks are rampant.
reverse threading 