the galvanized metal coneflower tucked into the little garden with the ornamental grasses has rusted. we brought it home in july when it was silver and shiny. but the elements of weather have already gotten to it and have erased the shiny and smooth, turning it to a rougher texture, a warm brown color, like the center of a sunflower or the color of freshly ground coffee.
i still love it though, this coneflower.
its shape has been inspiring out back there in its little garden – the same garden that protects baby bunnies and tucks in our aspen tree. in the snow it has collected flakes until barely any of the metal is visible – like a tall snow-mushroom umbrella-ing anything below.
i stop in front of the mirror before i facetime or zoom. i wonder how i am seen from the other side of the camera. i am no longer shiny or silver. the elements have taken their toll and age has begun to catch up.
but as i gaze at other beloved faces across the technology of a phone or computer, across a table or on a trail, next to me on the pillow – i know that nothing – no amount of rust or erasure of smooth – can change the fact that they are still coneflowers, nonetheless. still beautiful. still loved.
i’m not sure that i can point to the moment when i realized – with every fibre – that the truly holiest moments were not the ones in buildings called churches.
it is a moment for which i am grateful, perspective-arranging and a welcome addition to my secular vocabulary – the word “holy”.
i spent many decades creating the atmosphere in churches where people might tune in to the emotional of faith – that which they could not palpably touch but which they could feel, they could intuit, they could impart to others. through music that i specifically chose – after research, after studying the narrative to be used, and after much listening and evaluating if a piece might touch hearts – open or closed – i shaped the music of services – the everyday and the special holidays, the celebrations of joining together and the inevitable release of people to the next dimension – to freely acknowledge spirit as it flowed and to try to gently grace others with it through music. to try and encourage an openness to the spirit that breathed into the place and maybe into them, into a place inside them where they needed the sweet assurance. whether i was aware if it did or not was not my only measure of success. providing the tenor of possibility and holding space for holy and their experience of holy was my job. there were moments when the last strains of a song or piece of music lingered in the air over the congregation, moments when a choir of singers, paused in a rest between notes sung with dedication and commitment to each other that you could almost see holy in the hush – the sun shining through, its rays touching each person. but over the course of these decades of time spent in these buildings, i was inordinately disappointed – even stunningly – time and again – by the hypocrisy to which i was privy. true faith is as true faith does, holy is as holy does, i was reminded, over and over. disillusionment was – and still is – a repeating theme.
out on the trail, as the clouded sun shined through the winter landscape and reflected onto the river, i could see – once again – how holy turns up in the purest of moments, the simplest, the least contrived. we have been gifted by the universe – and whatever deity we each individually feel or – perhaps – in which we might believe – with the extraordinary: a world full of beautiful.
beautiful is a descriptive word – easily understood as describing something of beauty. and that is all around us. the reaching of people to people in times of abundance and in times of need, kindness to and embracing of our neighbors despite differences, the love between any and all, regardless of anything, nature and its astonishments. our holy is all around us.
for those of you who are invoking your – supposed – religiosity to validate your vote – and your support – for the cruelest chaos that is this new administration, those of you who are spouting righteous religious drivel to prop up your bigotry, i would venture to say you may have missed the point. sheer hypocrisy has taken over your holy.
holy has not only left the building, but it has clearly left your soul.
“our forever work is to learn to hold the brutal and beautiful in the same palm.” (suleika jaouad)
i am trying to learn to list to the beautiful. lean into it. curve that way. take that path. abruptly turn, if need be.
in these fraught times, these times of brutal, we are finding how we wake – how we start our day – is crucial. we are fragile, maybe just like you.
and so we watch through the mini blinds, through the screen and storm window, as – out across the deck, reflecting on the sunroom windows, just past the awning over the back door – the sun – rising over the lake – climbs to a place where its rays sneak around houses and gardens and reach out and out, brushing our windows.
and we can see it.
we watch as it intensifies and moves up, up. a tiny gift for us to hold.
and then – as we sip coffee – one of us quietly comments on how truly beautiful it is. and our day is officially started.
barney – through wind and rain and snow and ice and blistering sun – has shed all the clothing of its keys – both black and white. this is the very last of it.
and, even stripped of so much, of the things that make barney look like a piano, barney is still a piano…barney’s soul is tenacious – still a smith-barnes upright – and we can feel evidence of scales and arpeggios and glissandos, of etudes and ballads, of pieces ethereal and bombastic. barney is changed and yet unchanged.
we will each face the storms of the future. we will surf waves and, sometimes, despite heroic tenacity, succumb to the inability to surf. but we will endure and persevere. we will look different and we will feel the same: changed-unchanged.
and, in the center of all of it, while we are on the way to later, stripped and naked of all that is superficial, smack in the middle of our souls, we will still be able to touch the black and white of our lives. just like barney.
“meaning is what’s left when everything else is stripped away.” (suleika jaouad)
even laden with new snow, the grasses spring up, ever resilient. they show fortitude in predicament and circumstance – a teachable moment for those of us humans who are not impervious to such things.
maybe it’s their golden glow in sun low on the horizon. maybe it’s that there are small critters taking refuge under the umbrella of stalky stems. maybe it’s the reverent bow of the fronds, the balance in the arch of growth and weight, a toppling over. maybe it is simply grace.
“i do not at all understand the mystery of grace – only that it meets us where we are but does not leave us where it found us.” (anne lamott)
in moments of this past year i have found myself in the presence of grace. i have watched grace heal physical injuries. i have watched grace blanket people, restoring relationship. i have experienced grace reaching out its arms to envelop. i have received grace – the support of others. i have been surprised – even shocked – by grace and i have been surprised – even shocked – by a lack of grace.
for if the presence of grace – such an intangible mystery – does not leave us unchanged, then so does the absence of grace.
were the grasses to succumb, to be lying down, flat upon the earth, their glow of beauty and their cozy shelter wouldn’t be. their place in the world and its workings would be different, perhaps. their resilience seems to be the key.
“I know nothing, except what everyone knows – if there when grace dances, i should dance.” (anne lamott)
in the mystery that is beauty, that is grace, that is the intertwining of both – for surely they are hand in hand – there is an invitation for us to dance, upright upon a floor of dirt on earth under the sun, able to both receive and extend grace – like feathery fronds on an ornamental grass, ever resilient though the elements are threatening.
we carry that dance – tucked in – with us as we make our way. it is present, beckoning us. we can see it in the falling snow and the driving rain, thick fog and dark nights. it is there, ready to leave us different.
i pulled off quickly – into a small lot overlooking the lake – because i knew that it would soon cease to be there – this striping of snowy beach, lake, storm, clouds and sky. soon it would disappear – maybe in moments – this differentiation of color – this horizon – soon it would become mostly gray. soon the textures would blend and it would become flat.
i am – we are – in the middle – once again – of a big attempt to clean out. thirty-five plus years of accumulation is a lot to go through and re-organize, donate, discard. every single thing takes longer than you might think. and, frankly, i am not anxious to go through it faster, to flatten it all out into neat-and-tidy in as short a time as possible.
i actually want to see all the textures of all this time. i am – figuratively – pulling off into the overlook so that i might gaze and reflect, remember and feel.
already, i’ve come upon surprises. already, i’ve been given a chance to remember tiny details i had forgotten. already, i’ve danced through children’s books and old vcr tapes, cassettes from the 70s and scraps of lyrics tucked deep in desk drawers. there is much to be done, but i’m in no rush. our focus will mostly be right here – in this era of national upheaval – and we will take our sweet time.
“everything takes so much longer than you think,” stating the obvious, i looked over at d, immersed in his own tasks of our cleaning-out.
“that’s ok,” he replied.
“yeah,” i sighed. “no need to rush,” a promise to go slow.
there’s plenty of time for neat and tidy, organized and pared down.
in the meanwhile, the textures of decades are on the horizon. in closets. in the basement. in the attic.
when i was younger – a teenager – i used to sit in the tree outside my window and write. shy – at first – of using the word “poetry” to describe what I was writing, my sweet momma suggested the word “reflections”. so back then i adopted that word for a bit. i consider now how much time in my life i have spent writing reflections, writing lyrics, writing poetry…how much time i have spent – even figuratively – in that tree.
for obvious reasons – the gift of the early days of a new year – i am gazing back on the year we just exited, reflecting on the river we traveled. it’s why i keep a pencil-written calendar – i want to remember. all of it. the tough moments and the moments that seemed divine, the hilarious moments and the times I couldn’t stop crying. all of it.
as i look back on all the spindly memories i can muster, i wonder about the year’s journey. was i compassionate enough? was i courageous enough? was i stalwart enough? was i stubborn enough? was i flexible enough? was i unconditional? did i keep my mouth shut at the right times? did i speak up at the right times? did i shout at the right times? did i choose wisely – based on knowledge and truth and values? did i comfort? did i stand in love, act from love, embrace love – enough?
it’s snowing as i write this – under a delicious quilt looking out the window. if i turn my head just right, the happy lights are reflected in the six-pane window. if i cock my head to the side, i can source the mind-bank of reminiscing, albeit a bit helter-skelter and most definitely incomplete. if i close my eyes i can hear the silence of the morning; i can intend quiet. i can wade in the river.
i suppose that in the rearview mirror of our lives, we all have much to ponder. we each take up a tiny bit of space here and it matters. we flaw and we flounder and we – sometimes – maybe not as much as we would wish – sometimes we flourish.
i think that as i take spindly-sapling steps into this new year i am hoping to reveal as much as possible in the reflection in the river. it’s time to look that reflection in the eye. it’s time to be the same we are. it’s time to change.
if i wish to be a strong oak, resilient and leafy, then i must live as a strong oak, resilient and leafy. or an aspen. or a maple. or a lodgepole pine. or a willow. no matter.
grounded, supporting other life forms, part of a bigger picture – a bigger ecosystem – mindful that we are simply a grove of humans in a giant universe. perhaps we all need be mindful of what we are reflecting back. we are rooted together – with branches that reach for each other, for spirit. interconnected, we share this earth. we share responsibility. we share the mirror.
my eyes struggle to make the reflection clear. but rivers are like that. they are never entirely static. they keep moving. and things are a bit blurry.
my sweet poppo and i would go out to get a “real” tree every year – sometimes as late as just a couple days before christmas. together we would pick out the one that seemed the most right. they’d wrap it in netting and he’d strap it to the top of the car with rope. decorating it meant also watching him meticulously place each strand of tinsel – individually – on the tree. because we placed the shinybrites on together after he first wrapped the tree with lights, it seemed like we needed to be a part of the tinseling too.
now, tinsel – real tinsel (and, well, even the newfangled plasticized tinsel) requires a special skill set of patience. one piece at a time, stepping back, looking at the balance of tinsel, placing another, repeat. but, when my dad wasn’t looking – thinking many of you might admit to this as well – i would back up with several strands in my hand and launch them high into the air so that they would fall on the tree, scattered and perfectly placed. eh. not so much. they would land in clumps, impossible to disguise as meticulously-placed.
tinseling was not my forte. and, once christmas trees were my own, they ceased to have tinsel.
but tinsel has always had a warm place in my heart and always-always makes me think of my sweet dad. i didn’t realize it back then but later it became obvious that placing each of these strands – one by one – was both a generosity of his for others – to lift them into festive – and perhaps a way for him to immerse into the heart of the holiday as well, to arrive. when it was time to take down the tree back then, my dad would – again – ever so slowly and carefully – remove each piece of tinsel, protecting and preserving as much as possible to be used again the next year.
and so i have a bit of tinsel in the box of decorations – just to simply look at it brings my dad here.
many years ago i added this tinsel tree to my tiny-tree collection. each year, i place it where it is seen and this year, well, it got top billing placement, seen as soon as you walk in the front door.
the holiday itself has passed and the frenetic has somewhat slowed down. it’s time to look ahead – there is a new year arriving.
this new year will have many challenges…it’s already presenting itself that way. i am hoping to meet them with presence of mind and fortitude and meticulous patience – like my dad tinseling the christmas tree – slow and steady, one day at a time, one challenge at a time.
the shinybrites remained tucked away and silver and crystal ornaments took over this holiday. soon – in a week or two – these will also be packed away, ready for next year, save for a few to keep light in the living room even on the darkest winter days. the tiny trees will go into the bin, though i can see one or two staying on for a bit, also lingering to bring light into the darker months. i’ll place the tinseltree in the bin with the other decorations – happy to have had its company, happy that it places my dad in our living room.
and we’ll gear up and turn toward the new year. much as i’d like to avoid it, i know the only way to the other side is through.
and so it’s time to tinsel the new year – to find as much light as we can and to carefully place it around us so that it might be something others can see. to carry love and generosity past these holidays and into next, a reminder to participate in that which lifts others, to protect, to preserve, to be meticulous.
i’m thinking – in the way people hang signs or posters with messages or have daily calendars full of positivity – that i will place a piece or two of tinsel on the frame we have in our room. maybe that way – each morning when i wake and sip coffee under the quilt, david and dogga by my side – i will be reminded of light and reflection and every one of my dad’s silent tinsel lessons.
maybe tinsel – like sprinkles – will make me a better-equipped person in these fraught times than i would be without it.
somewhere – in the infinite infinite – i suppose that my sweet momma and poppo might be with my big brother, nibbling on crumbcake and coffee ice cream. maybe they are having a chat about christmas eve norwegian fish pudding and rum cake. or maybe about burning your fingertips making krumkake. maybe they are reminiscing about singing carols in the living room – gathered around the organ or the piano, my brother with his guitar, my uncle with his beautiful tenor.
i suppose that the party might be bigger…with their baby daughter i never met, with my grandparents, with their siblings, with friends they treasured. they may pop open the martini & rossi asti or blend some eggnog, assuming there is electricity. maybe they are swinging on stars and peering through the clouds at us here; maybe they are missing us.
in the way that things are in this place right now, i am glad that my sweetest mom and dad are not physical witnesses to what is happening, for their hearts would be broken by the ugliness of these times. i am grateful – in an odd way – that they do not have to experience what will be in the next for this country, for our world. even with everything they saw and endured in their lives – which is plenty considering they were born in 1921 and 1920 – i know that what’s happening and what’s coming would challenge and disappoint their beliefs and values to the core.
and so, in the meanwhile – between now and the infinite infinite – i will miss them. the axis has never returned to balance since they’ve been gone and this time of year brings that home even more.
i do believe, though, that if my momma – ever the letterwriter – could write in the sky – out there by the moon – she would. she’d likely draw words with the help of clouds and contrails. and she’d spell out something like, “daddy says ‘hello brat!‘” and “don’t forget to live life, my sweet potato!”.
when i look up – or inside – i can hear them both.
it did my heart good to wander slowly through milaegers garden center. like the line “it’s much more than a box” from the department store gift-wrapping scene in love actually, milaegers is much more than a garden center. and day before yesterday it was a holiday wonderland.
it was just what i needed. we strolled slowly, each of us raying out to what invited our eye. everything was decorated and the displays were glowing. we were searching for just the right thing and lingered around each tree – perfectly laden with ornaments and gleaming tchotchkes.
we finished our holiday shopping for the day and happily used a gift card we had held onto for well over a year – a local bistro where we loved sitting at the bar sipping a glass of wine and sharing a most-delicious burger. it was truly a day that put spirit into our spirits.
last night we sat in our living room under a furry white throw and looked around at our decorations, satisfied that we not only paid homage to a festive season but were true to our own sensibilities, a mashup of organic and glimmer. there is a shimmery incandescence in there we can both feel – particularly full of grace at a time of seasonal and out-in-the-world darkness.
the tiny trees we’ve collected are scattered about, both happy-lit and simply green. even the very plainest of these have their place.
the big branch in our living room – from the old tree out front – has now stood there for four holiday seasons. though it is wrapped in year-round white lights, each christmastime we have added something. two years ago it was silver bulbs. last year it was vintage shiny brites of my mom and dad’s. this year we added crystal prism ornaments. there is a lone metal star. it is – to us – really beautiful.
eileen’s tree – “e.e.” as it will always be known – has the place of honor, standing sweetly in the doorway from the living room to the dining room. a nod to the traditional, it has become, now, one of our own traditions. it all feels peaceful, which is our intention.
in the day the crystals on the branches in the living room throw beams of sunlight across the floor. with the room lights off, the happy lights of the trees on, the crystals on the branches in the living room glitter, anticipating the season of the return of light.
it is not milaegers but it is home and, in a world of frenetic and fraught, this luminous place is truly our sanctuary.
reverse threading 