we have been – knock wood – quite lucky lately – knock wood – during a period of time that tornado watches have proliferated weather apps across the country, including here. the words “tornado watch” make me uneasy. ok, truth be told, i find them slightly terrifying. i am not one to take these watches and warnings lightly. i plan ahead…important papers, phone and laptop cords, keys, wallets, purse, dogga leash…all in a safe place. and then i listen – intently – to the wind.
i didn’t use to have this kind of reaction to storms, but since the flat-line-windstorm of 2011, i have turned into a wuss. yes, wuss. period. somewhere around 750-800 trees were felled in that storm in our neighborhood, pulling roots from the ground, heaving sidewalks, falling wherever they fell. all in a matter of minutes. it was scary. and yet, i know it was not the destruction that a tornado can leave behind.
we have read each article about the tornadoes across the country, our hearts sinking for the loss of life and home and property. the weather is more extreme than i ever remember it. and it is not getting better. climate change is here – not a amorphous thing of the future. and, with the ocean temperatures rising, i suspect that this will not ease up. these storms are here to stay.
and so i wonder the best things we can do to pay attention to this good earth, the best practices, things to avoid. we are all in this together – despite the warring of peoples on big fronts and little. there will be nothing to celebrate – or fight over – should we ignore these signs. we’ve been relatively lucky as a world so far – knock wood.
we aren’t really “double” people. but we are let’s-have-a-glass-of-wine people. and, at the end of the day, these days, it sometimes seems like a lovely time to escape a tiny bit and sip a glass of wine.
our happy-hour-snack-time started during covid. isolated from others, we hung lots of white twinkling happy lights, surrounded ourselves in our sunroom with succulents and growing-things-every-one-of-which-we-named, planted ourselves at an old vintage table in front of the window, turned on a little music, and sipped wine. dogdog at our feet, we’d munch on chips and hummus or crackers and aged cheddar. the end-of-day ritual stuck and now even dogdog anticipates our sit-down, watching us for cues and ready to be with us wherever the happy hour takes us: sunroom, patio, deck, kitchen or in littlebabyscion on the hottest of days.
for the longest time, and then longer still, we sipped our wine out of jelly jars. smuckers simply fruit jars, to be specific. i even considered contacting smuckers – at the time with a base in ripon, wisconsin – to purchase enough jelly jars for everyone at our wedding to get one for their wine toast. because people are generally not as thready as i am, i figured they could move on from wine-glass-use and repurpose the jars for small bundles of wildflowers or as tealight candle holders out in the wind. momentarily, i thought smuckers might want to get in on sponsoring a couple of artists dedicated to their jelly jars.
make it a double, our son’s bar mat read. celebrating his new condo – without the benefit of all his glass and kitchenware moved in – we poured bubbly into plastic cups and toasted. in the midst of the city, we walked to pick up thai food and a bottle of wine. though we are not make-it-a-double people in the way of cocktails, we are definitely make-it-a-double in the way of making memories and i, like most moms i suppose, wrap myself in cherished doubles-triples-innumerable memories with my children.
her card read, “age and glasses of wine should never be counted.” i laughed as i opened it. time is flying by. it’s short.
we no longer use jelly jars for our wine. we decided, instead, to use the good wine glasses. instead of worrying whether the riedels or the family passed-down-crystal might break, we use them, enjoying the wine in them and the remembrance of them as treasured gifts. a double.
now i think that the apothic people should sponsor us.
i went to school for nineteen years. when i finished my master’s degree my sweet momma asked if i would – one day – work on a doctorate. i emphatically replied, “not a chance!”. i felt that i had reached my terminal degree, so to speak, and that all the rest – all that education, work experience, talent and intuition and tenacity and wisdom gained along the way – would serve me well.
i am 64 today. sixty-four. six decades plus four.
and i am a woman. woman. she/her/hers.
and this is the 21st century. the 2000’s.
yet, sitting on the couch the other day, watching new amsterdam – cast with actors in many female physicians’ and specialists’ roles – i stood up and cheered for the female character who firmly stated, “i didn’t go to school for twelve years [med school] to learn how to smile more.”
what – exactly – is the propensity for people to tell – specifically – women to “smile” or “smile more” or “just smile” or some similar iteration in answer to conflict, to agenda, to management riddled with prejudice? the question i ask – would you tell a man to “smile” or “smile more” or “just smile” or – truly – any iteration as such?
the continued thwarting, silencing, harassing of women is insidious. and forever. as in – forever.
“there is a pull, a fiercely ingrained pull, to mute a woman’s voice until it coos. to press it down until it is as small and sweet as a pastel after-dinner mint. to control it. to silence it.”
“and still, she speaks. she tries to be heard. but very—too often—her voice is ignored … or belittled, mocked, critiqued, or shouted down.”
“if a woman utilizes her voice in a powerful way, or shakes up systems that are firmly in place, she will be subject to an abysmal, hack, silencing-method known as punishment.”(fiona landers – we have always silenced women – damemagazine.com)
“learn how to smile more…” i put new amsterdam on pause and rolled my eyes.
smiling more and keeping silent…when is that appropriate action in one’s workplace? is it appropriate – palatable – with a minimal salary and no benefits? is it substantially more appropriate – indeed more palatable – with a substantial salary, full benefits and retirement? do leaps and bounds of higher financial reward translate to keeping-one’s-mouth-shut even in the face of maltreatment? is a silent smiler in the upwardly-mobile ranks helping those on the lower ladder rungs? where is the line (or is it a ladder rung?) between generative transparency and closed-lipped acquiescence? where is the respect?
my sweet momma – who died at almost 94, a woman before her time – was a smiler. i – like most people – love to smile. i can see her smile in mine, the thinning curve as she grins, the crinkling of her eyes and the crease just above her top lip. she was a promoter of joy and kindness and – as the basic tenets of all the work i do in the world – i would like to think i have brought those forward, from her.
i found a small pocket calendar she sent me. i had saved it in a drawer in my studio for fifteen years. there is a handwritten sticky note on the back in which she directs me to “read the motivations through these pages” and to “start with the cover”.
the cover quote reads, “you must be the change you wish to see in the world.” (mahatma gandhi)
smiling-on-demand – even being a “sweet pastel after-dinner mint” – does not get one anywhere. conversely, not smiling-on-demand, not being a “sweet pastel after-dinner mint” can get one destroyed. but, in fact, smiling-not-for-a-real-smile’s-sake and the act of being a “sweet pastel after-dinner mint” and staying quiet about any prejudicial wrongdoing or malfeasance is an abhorrent manipulation, a coercion, shutting down strong, smart, valuable women – employees – time after time. and for what purpose? is this not perpetuating the oppression? just what responsibility do we have to each other, to the next? are we the change or aren’t we?
we are binge-watching new amsterdam. we hadn’t ever seen any episodes, so now, on the binge-couch, we are up to season 3, episode 2. we just watched episode 1 of that season – where they very respectfully nodded to the pandemic. it took our breath away.
instantly we were back there. the early season of covid. pcr tests, cdc numbers, masking arguments and people feverishly sewing masks and then masking everywhere, washing our groceries, leaving our mail on the table in the foyer for two days before opening it, zoom-work. lonely isolation and social distancing. a million questions. uncertainty. boosters. a divided nation. the dreadful images on our tvs and in the news of overwhelmed medical staff everywhere, the lack of supplies and semi-trailers serving as morgues and the common use of the word “ventilator” and a shortage of isopropyl alcohol, toilet paper, sanitizer. it was stunning to feel it all up-close-and-personal again, having had a bit of space and time since the absolute peak of the crisis. wow. we felt sickened to the core.
in those moments of watching we realized that there is likely no one who experienced this profound time of global pandemic who does not have some PTSD associated with it. how – on this good earth – could you escape that? the virus devastated people’s lives and livelihoods and isolation and worry tore apart the sense of community so important to all of us. we will all never be the same.
feelings have a way of finding their way. yes.
i am trying to establish a practice of mindfulness, a time of quieting my mind and body. in life – fraught with busy thoughts and lists and angsts of all sorts – this is not easy. there is a symphony going on in my mind at all times – many plates spinning in the air.
but i started listening to some guided imagery. quiet non-thematic music. a quiet voice.
the first time i listened, i wept. i thought it would be the exception. it wasn’t.
because, well, feelings are gonna find a home and, on the days you allow them, the days you grant space, the days meditation creates a safe haven, they peek out.
and, like a lazy river in the marsh, you can follow them or get out of the raft, disembarking for now.
either way, those feelings have all found a home. the gossamer-tied memories are all right there, somewhere. so is the grace.
maybe we all need be a little softer on ourselves.
it was easy to lose ourselves on the beach. it was cold, but the sun was out and we were all dressed for it. our hike had brought us through the preserve and then – a little jaunt through the woods – to the shore. deserted, it was sandy, punctuated by driftwood and thick stripes of rocks. the further south we walked, the more rocks. the shoreline curved and must have been the place where the stones were captured as lake michigan rogue waves carried them in. so much to pick up, with smooth edges to run our fingers over, ponder. so easy to lose ourselves.
we walked – heads down – looking, looking. the treasures were abundant, all right there. we found the first hag stone. there is something about hag stones. these rocks – with a hole straight through them – mysterious and beautiful, hag stones are thought to have special powers that represent protection and luck. sandstone, limestone, flint…we found another. and then another. we walked and walked on the beach, looking, looking – because it becomes addictive – finding treasures just waiting to be found. easy to lose ourselves.
it got colder and, with the wind picking up, it was time to leave. we ended up bringing home a few rocks, some magical hag stones, and some sea pottery, gorgeous sherds of earthenware with green glaze, worn down for years perhaps by the powerful great lake. despite no knowledge of the origins of any of these, the connection to the day and to the water made them alluring.
“luck will show itself when it’s there.” (ricko dewilde – life below zero) on challenging days, luck is certainly hard to see. the grass-is-always-greener mindset takes over and it’s easy to succumb, the we’re-never-lucky-like-that defeatist, unmoored. easy to lose ourselves.
but the grass-is-greener-anywhere-else moment yields. and after a pause, a deep breath, mind-quieting, a good lookaround tells us something else.
a walk on the beach with dearest friends. talking and laughing and quiet treasure-hunting. finding sea pottery and sea glass and heart-shaped rocks and smoothed-to-ivory driftwood and hag stones – there all along, just waiting to be seen.
and luck starts to show itself. even in ice cubes.
it’s 925 miles from the corner of sixth avenue and west 55th street, but it displaced me in an instant. there i was – back sometime in the 70’s, in new york city, seeing robert indiana’s love sculpture for the first time. i loved love then. i love love now. (could that be any more redundant?!)
a part of sculpture milwaukee in 2018, this sculpture has returned and was permanently installed at the milwaukee art museum in 2019. we saw it for the first time last week. life and covid interrupted our visits to mam. we were really happy to be back. seeing love out the window facing lake michigan’s lakefront was the icing on the cake.
there are nearly fifty of these sculptures around the world. people travel far and wide to have their photographs taken next to the iconic stacked word. it became a u.s. postal stamp in 1973. it has big history. its artist has big history.
the success of this giant – yet simple – sculpture begs questions for me: what musical gesture might be equivalent to this sculpture? what rhythmic or melodic motif has this kind of powerful impact? googling these questions produces a plethora of suggested lists – everything from classical to motown to the beatles and beyond. i suppose it’s a truly personal thing.
any listener of albinoni’s adagio in g minor or j.s. bach’s air on the g string or arvo pärt’s spiegel im spiegel or ennio morricone’s gabriel’s oboe or john denver’s annie song or leonard cohen’s hallelujah or carole king’s you’ve got a friend or aretha’s r-e-s-p-e-c-t or the beatles’ here comes the sun or, for that matter, eldar kedem’s you and i or any piece composed and played or sung by giant artists or tiny independent artists …. any listener of anything arrives at the place of listening – the dropped-down-out-of-the-universe of their own world – individually. we tote along with us our lives-at-the-moment, our busy schedules, our worries, our longings, color and breath and heart, a distinctively different set of ears. we hear and we listen and we are transported by music to worlds away, places and times stored up, a chorus of commentators in us telling silent stories in viewmaster snippets, our hearts grasping the filmy tails of memories. impact. giant impact.
the love sculpture means something different to everyone who poses in front of it; every person’s story has different details, a different emotional spectrum. how we connect to this emotive piece depends largely on where we are when we visit with it, what we bring to it, how open we are to its energy.
the love sculpture stands outside the museum and i know that each time we now visit, it will demand our time as well. we will stand and gaze and visit with it. and we’ll keep loving it. it’s simple. it’s that kind of piece.
that babycat would be 14 today. it’s an unofficial birthday because he just showed up and no one was there to tell us all about his birth, about the litter of kittens he was from, about his momma or his papa. february 28 was the day chosen for him and we celebrated it – and him – each year.
it’s been almost two years since he became an angel-cat. and, in the way that our sweet pets profoundly impact us, we miss him every day. our babycat had a big presence in our home and lives. he still does.
i just read an article about love written by neuroscientist Stephanie Cacioppo in which she reminded the reader that it indeed is “better to have loved and lost than to never have loved at all”. all love. including our amazing animals, i’d insist.
though his own life was not nearly as long as i wished it to be, babycat saved mine. his tiny heart in the universe changed me.
i touch a single key on the piano. depressing it, i reach for the next and then the next. i build a melody, i build the cello line for arvo, i build a blueprint upon which to put lyrics. i touch a single key on the piano. slowly depressing it, i make no sound. instead, it is silent – to our ears. yet i wonder if some tiny bit of frequency escapes and travels away, bouncing off particles in the air, absorbed into light. “the vibrations of the strings are transmitted to the soundboard through the bridges, and a sound resonates as a result of the soundboard vibrating the air.“ (yamaha)
“a sound wave is the pattern of disturbance caused by the movement of energy traveling through a medium (such as air, water or any other liquid or solid matter) as it propagates away from the source of the sound.”
it would seem apparent that we are all patterns of disturbance. every molecule, every atom within, constantly moving, disturbing all other matter.
in the way of the feathering of sound as it travels away, away, from the source, our impact upon another tends the same – energy as it gets further away and there is more surface area. a decrescendo of sorts, our notes turn pianissimo, our voices to whispers. though a quieter din, the nearly silent cacophony is out there, traveling in air. more than we realize. until it is not.
our notes and words and colors and textures dance around the others in our lives, sometimes landing, sometimes repelled by mysterious opposite magnetic forces. they are absorbed, turn into heat and may warm those upon whom they land.
the world will adjust, yes, to our patterns of disturbance. we are all pianos, concurrent notes, synchronous string vibrations, noise ever-traveling.
the universe glances down at us – from its ever-silent timelessness. space, sans air, doesn’t entertain sound. there are no pianos, no notes, no cellos, no voices that can be heard.
so, we must be who we are here – now – doing the best we can to avoid absolute discordance and strident disharmony, timbres of aggression, anger, division. instead, i would hope we would recognize the responsibility of every sound wave we make.
we were sitting on the couch, talking. there’s much to ponder, to talk over, to talk about.
“anything’s possible,” he repeated.
even before lipton suggested it for american heart month*, my sweet momma and i had #liptonteatalks. at the end of the day – after i’d get home from school – we’d sit on the couch in front of the big bay window, a hot mug of lipton tea in our hands, chips ahoy cookies on a plate – and we’d talk. #teatalks. i would give a lot for another #liptonteatalk with my mom. there was so much to talk about back then too. the world was at my fingertips – out there – waiting for me to decide where to go, what to do, how to move into it. it feels so long ago.
there’s been a lot of life since those #liptonteatalks with my momma. i have been fortunate to have had #teatalks and #coffeetalks and #winetalks with dear people, connections that value real talktalk, hard questions as well as the simple ones, introspective musings as well as anecdotal tale-telling.
we’ve been together ten years now – our connection is really relatively fresh. we still have stories to tell each other – things we never thought about before – things we need to talk through with a loving ear – things we’ve wondered about the days to come, quietly in some space in our hearts and minds. we tell stories to each other on the couch, on trails, in the car on long drives, under the quilts at the end of a long day. we take turns being the bottom rock of the cairn; we take turns being the kite in the wind, ribbons loosely – but safely – wrapped to the other’s wrist, grounded in flight.
in one of my favorite scenes of one of our favorite holiday movies – a season for miracles – the little girl is on a clue-filled treasure hunt. she ends up at the library, finding the treasure – the book the secret garden. tucked inside the book is the last note: “anything is possible.” it’s a heartwarming moment, a foreshadowing of one of the last lines of the movie, narrated at the end by the same little girl. “anything’s possible,” she reminds us.
sometimes it takes an other in our lives to remind us of this – to embrace the possibilities. sometimes with a cup of tea in our hands. always with big heart.
*****
*”a tea talk is a great time to have a meaningful conversation about your heart health, plan healthy meals for the week, pause and take time to meditate with a cup of tea, map out your weekly schedule to ensure you are including physical activity and even schedule doctor’s appointments to get your heart health checked.”… “time for women to prioritize their heart health by engaging with family, friends, and doctors in open conversations about their needs, concerns, and goals, helping them embrace healthy habits, especially those that are good for their heart.” (Lipton)
there are likely few decisions that a squirrel must make. certainly, one of those would not be whether or not to save something for a special occasion. what would they save? there are no accoutrements, no accessories, no cute or practical boots, no fancy necklaces or earrings. no new tunics or jeans or jackets or, well, anything that i, on the other hand, am likely to “save for good”. life must be easier as a squirrel – in some ways. sometimes i think about these things.
my sweet momma was a paradox this way. she, along with mary engelbreit – who indeed would have been her friend – surely believed that being alive was a special occasion. at the same time, she saved things for “special occasions” though she believed those were every day. in the way that things are passed down, i inherited this trait – to save things for “good” – and i am striving to eliminate my resistance to using the special stuff on ordinary days. paradox-baggage-laden from my momma, i, too, believe that the ordinary is really quite extraordinary, yet using new or special stuff has remained tough for me. philosophy-at-heart vs practicality-in-action. sheesh.
we had dinner together a few evenings ago – the up-north gang. we glanced into the dining room from the kitchen – where we were loading up our plates with happy hour snacks – and exclaimed, “china! you are using your china!”. it made us all smile. it wasn’t an ordinary day.
we dined on momma’s-china-now-passed-down in florida one evening. all the holidays of younger life came rushing forward and the soft pink rose on white set a tone of celebration. for moments, i was back in my growing-up dining room. and then i returned, sitting at the table, the china generation-passed-through with everyone a little bit older. it wasn’t an ordinary day.
and as i sat at these tables, with fine settings of beautiful china, surrounded by dear people telling stories and laughing, i was struck – once again – by how really extraordinary it all is. no ordinary days.
i thought about the squirrel, whose sweet prints i had photographed, who dashed here and there, never looking crabby or like things were just ordinary. the squirrel just set about to living, each and every day of its shorter-than-our life, instinctively happily doing squirrel things.
right now i can think of a tunic and a canvas crossbody purse – both of which are brand new (and have been brand new for quite some time). i truly like both of them and purchased them in towns we love, so they are practical souvenirs, remnants of experiences in those places. but i haven’t used either one. yet. i’m not sure what i am waiting for; it’s just that inherent thing that makes me wait. my sister did not inherit that; she has no propensity for saving new stuff. she is clearly more happy-go-lucky-in-the-moment-squirrel than i am in my squirreling-it-away-squirrel. she and my poppo – he’d get new shoes (something he loved) and he’d wear them right away. another paradox. this from the man who would turn boxes inside-out to re-use them. but, in the category of new stuff, my sister has poppo-use-it-now-tendency.
and then i think about squirrels a little more and how those squirrels gather, gather, gather and store away all they have gathered. happy little savers, they have a cache of food, untouched, waiting. perhaps there are tunics and boots and purses and flipflops and new jeans, new notebooks and pristine journals in there as well. all waiting for “good”.
i guess – in actuality – i am more squirrel than my sister. me and my momma. but i’m working on it. wear the crystals. use the good china.
because both my momma and i know it’s all a special occasion.
reverse threading 