i was heating up black bean burgers for lunch and had taken out the salsa and the avocado and the lime. i took out the white corn tortillas and commented that the tortilla would likely fall apart once the bbburger, the salsa, the avocado and the splash of lime were placed upon it. i asked her if she wanted a fork and a knife. she said – wait for it – “use two tortillas.”
two tortillas.
like seriously?
who knew?
“yep,” she continued, “warm up the tortillas and place it all on top of two, not one. it won’t fall apart.”
deferred maintenance is never really a good thing. but i’m pretty sure that we’ve all had good reasons to defer that-which-ought-be-done, not the least of which is affordability.
over the last few years, we accumulated a list…somewhat prioritized…water always comes to the top, soaking up our attention…but we knew, well, we hoped, we would eventually be able to address the things that homeowners pay for but which have little to no public viewing. even though you want to, it’s not like you are going to drag someone into your basement to see your new copper water pipes from one of the mains to your laundry tub and washer. or the new water main turn-off handle. or the piping under the sink. or the gasket on the pvc that you can see opening the little access door inside the sitting room closet.
mike came to solve the faucet puzzle…we had the faucet and i had repeatedly gone to the ace to purchase supplies for under the sink, new pvc, new fittings. i was in the process of getting a graduated rubber coupler – to go from the pvc under-the-sink to the cast iron pipe coming out of the wall. dan had told us – oh, so long ago – to get that coupler, but the day that i went to the ace, they were out of the proper size. when we couldn’t get the valve handle to budge, we suspected it was time to call someone else in. we do know our limitations…and with plumbing and, especially, electricity, the bar comes fast.
and so, mike entered the picture. even he didn’t have an easy time as he retrofitted all the new plumbing for under-the-sink, but the faucet was gleaming (ok, matte black doesn’t really gleam) when he was done and we couldn’t really believe we could actually remove the bucket from under the sink. remember, it has been a time of water for us. he came back to redo the lines to the laundry and those (copper) pipes did gleam. we can now turn off the water there, should another water emergency arise (knock wood).
according to feng shui, water means emotional turmoil and overflowing water symbolizes being overwhelmed (probably by the water, i’d guess). there is also a warning that leaky faucets “symbolize prosperity, wealth, and abundance dripping down the drain.” (feng shui quick guide for home and office– carol olmstead) yes, dan was right. we should have gotten a new rubber coupler a ways back.
but it’s a ways later and the cold water line gasket, the storm drains, the fireplace wall, the storm drains on repeat, the bathroom sink, the water main – well, they should have cleansed us for sure – leaving only rainbows and unicorns and bubbles, opportunities for replenishing prosperity, wealth and abundance behind.
it is also said that a leak in a home releases any negative energy. in this house we really love, i cannot think of anything better than this exchange – a release and a gathering of “healthy vital life force energy” (laura cerrano).
in stop-motion moments, we stood by the fountains and shot photos. the dancing waters mesmerized us, light waning in the sky under the canopy of big trees. it was peaceful, serene. there was no place we needed to be in those minutes, except right there.
the water danced too quickly for us to discern contours of form. the camera made it possible to see those gorgeous images of momentary pause, water suspended. looking at the photographs – enchanting.
“…as water takes whatever shape it is in, so free may you be about who you become…”
(john o’donohue)
we, in this ever-flowing river, babbling gently like the backyard pond, the mountain stream, or raging like the yellowstone river hurtling through the national park at this time, a part of the continuous-motion movie. our bliss, our concerns, our grievances, the things that distress us, the things over which we ruminate…though they feel to be screeching-to-a-halt, a visual-stop-place where the horizon ends – they continue on and on and life dances around us and through us. life invites us to waltz with it, to two-step, to sing along.
perspective, looking back, it’s all a tiny bit clearer in retrospect. my sweet momma’s words “this, too, shall pass” visit and revisit me. the dance steps we missed along the way are no longer worthy of our dedicated brooding, no longer stop-motion.
dancing water has brought grace of movement – forward. we keep on keeping on in the hazy-lazy-bubbling-frothy-waltzing river.
“…i’ll be there in singing skies and dancing waters laughing children, growing old and in the heart and in the spirit and in the truth when it is told…”
it would seem a giant compliment to be called a “glue person”.
glue people are those “who pull teams together to make them greater than the sum of their parts” (linkedin.com). like the tabs and pockets of an interlocking jigsaw puzzle, glue people are the ones who quietly and efficiently make it all happen. they are not front-of-stage necessarily. they are not leadership-paid necessarily. they are not lauded or recognized necessarily. but they are absolutely and without-a-doubt essential; they are the actual anchors.
in my own life and work experience, the glue people are those people who hold up the pillars that hold up the organization. they work at making the goals, the mission, come to fruition. they take a back seat to those in charge but actually are at the crux, shoring up, growing, bringing life and light to the place, lifting others, magic-wanding the whims of the leaders, building community among the members of the institution. they are simply the glue that holds it all together.
i suppose there are those people who are wary of glue people. they feel threatened by the glue-success; they suffer insecurity. instead of rallying behind gluepeople, these types will undermine them, speak hostility toward them, diminish their role in the organization, get rid of them.
and the walls will come a’tumblin’ down.
because, like this simple wooden trainset that my little boy loved playing with – that is now in the possession of the cutest little boy in florida – our little great-nephew – the interlocking of all is what holds it together.
without the glue all hell can break loose, and often does.
and sadly, it’s because someone could not recognize a glue person when they had one. someone did not value their glue.
if i were to get a tattoo (not to mention the “sisu” tattoo i would love to share with my daughter) i think it might be a simple tattoo depicting the japanese practice of kintsugi: the golden repair and honoring of flaws, beauty in human brokenness. there’s no telling if i will do that. there’s also no telling if i won’t. i’m not averse to ink. i know that ink is an expression of where you are in your life, of what you believe in, of what you seek.
“age and stage,” 20 often says when we talk about the stuff of life. tight bud to full bloom to blossoms falling, petal by petal, to the dirt. all the iterations in the middle.
everything is like that, i suppose.
the first time my boots hit the wood as i crossed from backstage to the apron was memorable. i won’t forget it. each time i’ve walked to the piano, adjusted the boom mic, took a breath and started…memorable. i won’t forget. i remember being in the middle of one of my concerts, in the middle of one of the pieces…i forgot where the piece went…i was lost. i made it up. it was a solo piece; no one else had to share in my lapse of memory. i followed the theme and noodled my way through to an end no one would ever hear again. my producer hugged me and laughed later, “nice coverup.”
the pace of my walk is slower now than it used to be…steadier. now i know that no matter what, no matter the mistakes, no matter the braindrops, no matter the missed lyrics, the thinking notes…the story will get told, the bud will open and, like any artist, i will give of myself, despite of whatever i get or don’t get in return. age teaches you that it is not the return that matters. age teaches you it is in the giving.
we talked in the kitchen this morning about the work we have done in our lives. david’s paintings, hung and not hung, my music, recorded and not recorded. we talked about our youthful desire to have everything seen, everything heard…and not in a little way. we talked about how age has brought us to this place – a place where seen and heard doesn’t really matter. painted and played matters. drawn and written matters. expressed matters. received en masse doesn’t.
it really is “age and stage”. it’s not just the moments of our children, tiny beings not sleeping through the night, toddlers in terrible-two-tantrums – people reassuring us “age and stage”. it’s not just the trials of parents letting go of those adored humans who are now adults in the world, a little less access, a lot less time – people encouraging us “age and stage”. it’s not just our aging moms and dads, significant changes in ability, in perspective, in health – people comforting us “age and stage”.
it’s us. it’s our age and our stage, we are reminded. we try to fix what is broken, try to start something new, try to perfect the blossom. and we realize that it was a bloom all along. it was beautiful. it counted.
were we to be able to see – from the beginning – all the stages – the tight bud, the slightly opened petals – the bloom – the blossom falling to the ground – we might take it all more lightly, we might not cling to ideals of success and how we receive it. we might know there would be mistakes and dropped notes, lyrics mixed up and words not spoken. we might know there would be vulnerabilities and painful angsting, gorgeous improvised melodies, pictures without everything we desired, without everything coming to fruition, vamped decisions, regrets and, yes, bows. we might know that we would join with the rest of the human race on broken roads.
and we might know that the stages of our ages were all wrapped in gold.
and maybe ink.
“and the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.” (anais nin)
it was the rip in the petal that attracted me. this stunning white bloom in the woods, surrounded by underbrush, green leaves and many seemingly-perfect flowers, this was the one that stood out.
kintsugi is a japanese art. it is the practice of putting broken pottery pieces back together again with gold. it is metaphoric self-care. it is the celebration of that which is difficult making you stronger. it is the holding most gently and most admiringly that which is not perfect. it is creating something more beautiful, more unique and more resilient from something broken.
this bloom in the woods needs no gold. its purity and absolute allure are natural. it does not suffer illusions of self-conscious expectations nor does it pine over flaws nor does it wallow in the not-good-enoughs. it simply and silently leans toward the sun in all its glory.
and it wins my vote as the most-beautiful, dazzling the forest floor, reminding me, once again, to have gratitude for all the imperfections that make me me.
“the quilts seem silent, a ‘silence like thunder.'” (sue bender – plain and simple)
they are not quilts. they are hand-crocheted, hand-knitted blankets, every one of them with a story. for hours on end, people who loved me sat and crocheted, put time aside and knitted. they chose patterns and stitches and yarn colors. they held the thought of a new baby in their hearts as they generously prepared their gifts. and with great anticipation, they wrapped these beautiful soft blankets in baby shower wrap, probably not truly anticipating that thirty-two years later i’d be holding them in my hands, all teary-like, struggling to decide what to do. do i keep them all? do i place them gently back into a plastic bin in the basement, carefully stored? or do i find a way – ala my sweet momma – for someone else who may need a soft blanket to have one of these?
cleaning out is like that. over and over and over again. the choices – like these blankets – are silent and thunderous. potent.
in the moments of holding these blankets close, i was holding my daughter, just born, wrapped in pastel-variegated-yarn. in the moments of holding these blankets close, i was tucking in my son, a soft white and blue blanket to keep him warm in a cold winter night of his birth. in the moments of holding these blankets close, i was decades removed from my life at the moment. i was holding tender memories, swirling in babyhood times, feeling the rocking chair seasons, wistful.
and i was unclear. unclear about what to do.
so i freshened each one. on the delicate cycle i washed each blanket, carefully checking for any marks or stains. they came out of the dryer perfect, even softer, if that is possible.
and i decided. i decided that they didn’t belong in a bin or in a closet, waiting.
we took them to the hospice facility in our town. a most delightful young woman greeted us there and thanked us. on the phone she had told me that these would be perfect lap blankets or shawls and that they always needed such donations. she asked me to fill out a form so that they could write me a thank-you.
funny, on the contrary, i wanted to thank them. for in the moment i placed the large bag on the chair and i was no longer holding the blankets i knew that i was passing on their nurture.
and i know that every time i might stop and think about knitted and crocheted blankets i will have pieces of times with my newborn babies wrap around me.
“each time i looked at the quilts, my busyness stopped. the fragments of my life became still.” (sue bender)
we didn’t order our dogga with stripes, but, had we ordered our dogga, we would have ordered exactly him. he is an aussie full of aussie-quirks and amber eye-contact, a furball of vacuum-stalling potential, a lifesaver in every way our pets save us from ourselves and the world around us.
he is – most definitely – not perfect.
though he knows he must sit-on-the-rug before going out – and wait for one of us to utter “ok” – he first must jump up and down, seemingly effortlessly, like an nba star looking for a basket. then, with a sheepish i-couldn’t-help-it look on his face, he sits.
though he knows he is not supposed to run along the back fence barking at the neighbordog, he must first run along the back fence and bark. then, with a wink at the neighbordog, he returns diligently to the patio or the deck, fully expecting a treat for his “restrained” behavior.
though he knows he is not supposed to pull on the leash during walks, the first few minutes are like taking a giant bungee cord for a walk – out and back, out and back – although recent days and the new use of the “wonder walker” have yielded a magical change, sans bungee-dog.
though he does not sing, he has several songs – the dogga-dogga song, the dad song, the mom song. no other songs count on his chart, except the babycat song, which we sing for him when he is – or we are – missing his babycat.
though we cannot guess what he is thinking, his beautiful eyes give us eye contact that tell us everything we need to know.
our dear friends have a puppy. he is full of puppy-smell and puppy-teeth and sweet wriggly antics and is the variety of dog that doesn’t shed. they are being very intentional about his training, which makes us think about the books we read, the videos we watched and the way dogdog turned out. we weren’t as intentional in that phase of our lives nine years ago. at least not about puppy-training. maybe there’s still hope. sigh.
we visited together and caught up outside around the firepit the evening we met him, puppy in a fenced playpen off to the side, learning how to calm-himself-down-when-new-people-arrive. we clearly need to start that part over with dogga.
we drove home talking about that darling puppy. our friends would love us to get a puppy now too. that makes us laugh. we are – oh so clearly – not ready for a puppy.
we pulled into the driveway and, judging by his quick walk, david was as anxious to hug our dog as i was. though dogdog was skeptical about the attention, especially since he could smell “puppy” all over us, he gave in to the lavish display.
because, though we didn’t order our dogga with stripes, though he sheds like dandelion fluff in the spring wind, though he sometimes tries our patience and is a bit doggedly stubborn about barking, though he has us wrapped around his little wagawag tail, he is exactly the dogga we need.
i do not remember my sweet momma ever peeling and mincing a garlic. i suppose it’s possible that she did – and i missed it – but i would venture a guess that she didn’t. garlic powder and garlic salt were in our spice cabinet growing up and i think they were the substitutes for the real thing.
they were depression babies, so my parents were not lavish spenders, fine-dining diners, exquisite kitchen-keepers. we had aluminum pots (it was a very big deal when they one day, at long last, purchased revere ware) and the infamous formerly-featured corningware. the cookware mattered not. family and friends gathered around the table together regardless. which, of course, is the point.
my dad was pretty proud the day he purchased my mom a portable dishwasher. they kept it in the laundry room right off the kitchen behind the accordion door that looked like it was made of woven straw. on special days they would roll it out and attach the hose to the kitchen sink spout, load it up and turn it on. when they moved to florida after they retired, a dishwasher-that-was-already-installed-in-the-kitchen was on my momma’s list. my poppo was in charge of loading and unloading, practically entirely washing the plates beforehand. my mom never tired of this amazing appliance.
i purchased a used dishwasher – not full-size, for our kitchen layout would not accommodate that – about a decade back and had it installed in the spot where the formerly-known-as-a-dishwasher dishwasher sat. sadly, it did not work for long. i should have purchased a new one, but that was not in the budget. the dishwasher-that-took-the-place-of-the-dishwasher is now also formerly-known-as-a-dishwasher. sigh. one of these days…
but friends and family have gathered around the table together – regardless of our dishwasher or cookware status – and we have happily prepared food to take to other gathering tables. which, of course, is the point.
when we lived on island, we had the same size dishwasher and i have to admit to being in love with it. it IS amazing – yes, momma! – you load it up and turn it on and voila! i know you know the rest. any time we are in airbnb’s and vrbo’s we embrace the dishwasher – well, not like hugging it…more like using it. it’s so twenty-first century! but i digress.
yesterday, when i was making rice, we got to talking about rice. (we are exciting people, folks.)
neither of us remember growing up with anything other than minute rice (and, of course, the exotic rice-a-roni array of rices.) with absolutely no judgement, we dove into the finer details of the cooking of minute rice vs raw rice that you boil and steep. it goes along with not peeling and mincing garlic, a collection of ragu and prego in the cabinet, canned and frozen vegetables. people’s habits and budgetary concerns are deeply ingrained and are hard to break.
from time to time we get pictures of what our grown kids are eating. they have prepared some fabulous meal or are dining out at a restaurant with incredible food and exquisite platings and presentation. often they are eating something we have never heard of; often my response is “wow!! that looks fantastic!” they have upped the notch on food from where we are and we glom onto what they send, asking for or looking up recipes, jaunting over to the restaurant website to ponder a meal there.
it’s funny how this happens. though i suppose it is not unexpected.
we have moved from garlic powder to real garlic in a generation. from the portable dishwasher to the installed dishwasher-formerly-known-as-a-dishwasher.
the next generation is taking it to the next level. dinners in instant pots, dinners with smashburger presses, dinners sous vide, dinners in air fryers, dinners with ethnic spices, sauces, harder-to-find ingredients, et al.
we are beginning to see more of this: the basement floor. more clear space.
as you know, it is a slow process, tedious, actually. and it is not something he can do with me. this is mine to do. for most of what is down there – in the recesses and the corners, tucked into old built-in cupboards and in, yes, bins and boxes and even bags, precedes him. he is happy to help, but it is somewhat a moot point, as the decisions are mine and he respects that.
it’s not just a little bit of pressure, not just a little bit of work. black and white decisions that aren’t really black and white.
you are weary of reading about this, i suspect. skip today, i would suggest. the basement clean-out is not a short story – it’s an epic tale, really – and, if you find any form of redundancy abhorrent, you will be tallymarking-in-your-mind the number of times i am talking about this. this will be a tallymark mess, cross-hash upon cross-hash, the slashes accumulate.
a few days ago i turned the inner cardboard tube of a roll of wrapping paper upside down. more birdseed than i am comfortable with fell out. i suppose you are wondering how much birdseed-saved-in-the-wrapping-paper-roll i find acceptable. well…really…none…as we are not the ones saving birdseed in that manner and it brings to mind the question of a city of dwellers below us about whom we know nothing. they live in the barn-red-grey zone in silence and anonymity, leaving tiny clues behind in their stash. i wonder what they think of the rest of the stash down there, most of which they are not likely to be able to get to – the bins of barbies and matchbox cars, the mementos and art projects my children created in elementary school, every story they ever wrote or note they penned me or the overalls that were ever-so-adorable on my son, the pink dress so sweet on my daughter. maybe they are intrigued with the antiques, the tools, the not-oft-used kitchen appliances. they are hoping to be invited to the next cornhole bags game, the next bocci ball tournament, the next badminton skirmish, the next time the pingpong table is set up and ready-to-go. they are gazing at the collection of pingpong balls, golf balls, tennis balls, baseballs, soccer balls, thinking the upstairs-dwellers have a pension for round things. surely they are impressed with the stacks of boxes of shrink-wrapped cds, though they are more likely mp3 critters and, being 2022-born, roll their beady little eyes at the mere mention of cds and cassettes. i’m guessing our tiny visitors actually have no opinions about all this and clearly no interest whatsoever in the 8-track player or the record albums. they are not thready nor are they sentimental. they were simply seeking places to stash their seed-findings.
yes, i will need a new broom…one of those angle ones that gets into the corners. there is much to be swept.
in time, there will be more floor. barn-red and grey. i have to get past the black-and-white of it all first.
reverse threading 