reverse threading

the path back is the path forward

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stars-on-a-blue-field. [kerri’s blog on k.s. friday]

we ordered small plate tapas. later, they brought birthday churros to our table. there was a candle – lit – and though the server was a bit shy – he seemed really happy to sing to me. it was totally delightful. we dipped our churros into the melted chocolate and sweet powdered sugar, sipped our homemade sangria.

there was just one thing.

i found myself grimacing at the blue candle with the stars. it felt a bit too reminiscent of the stars and stripes of this country’s flag. right now i, like many others, have a complicated relationship with that flag and what it supposedly stands for.

because birthdays are like that, my mind zoomed backwards to standing in elementary school classrooms reciting the pledge of allegiance.

“i pledge allegiance to the flag of the united states of america. and to the republic for which it stands, one nation, under god, with liberty and justice for all.”

and here we were. in the walker point neighborhood of milwaukee – a wonderfully diverse community – diverse in race, in gender identification, in economics. i was welcomed and, just as every other time we have spent in this community, we felt at home. one nation, under god.

sometimes, in our elementary music class, we would sing the patriotic ballad:

“my country ’tis of thee / sweet land of liberty / of thee i sing/ land where my fathers died / land of the pilgrims’ pride / from every mountainside / let freedom ring.” (samuel francis smith)

sweet land of liberty. with lyrics written 195 years ago, a children’s choir first performed this song. what would those children be thinking now?

trying to slough away any negativity, i tried to think of the stars on the candle like stars-as-in-stardust. but the blue of the candle got in my way and as much as i loved having a birthday candle with my churros, i couldn’t help not being able to push back against the other realities right now – the realities that this country – at this time – is not a sweet land of liberty and freedom is not ringing from every mountainside.

as i am writing this – ahead of when you are reading it – i just now read that the supreme court has ruled against a ban on conversion therapy aimed at lgbtq youth in colorado. read that again: against a ban on conversion therapy.

and as i am writing this – ahead of when you are reading it – the “god squad” panel of the cabinet has voted to disregard decades-old laws about endangered species in the gulf in order to make.more.money drilling, the GOD squad?! ewww.

and as i am writing this – ahead of when you are reading it – the administration has decided to dismantle the united states forest service.

and as i am writing this – ahead of when you are reading it – the epstein files continue to languish in secrecy and the administration is doing everything in its power to keep it that way – including even more blatantly personalizing the efforts of the justice department.

and as i am writing this – ahead of when you are reading it – the supreme court has taken up considering the continuance of the 14th amendment of birthright citizenship. “…granting citizenship to all persons born or naturalized in the United States…” ” no state shall make or enforce any law which shall abridge the privileges or immunities of citizens of the United States; nor shall any state deprive any person of life, liberty or property, without due process of law; nor deny to any person within its jurisdiction the equal protection of the laws.”

and as i am writing this – ahead of when you are reading it – this country – without permission of the congress or support of the populace – is destroying another – using bracing descriptor words like “decimating” and “decapitating” and “lethality” and “back to the stone ages“.

but, well, i guess when you are cavalier and righteous – and corrupt – you do what you want to whomever and whatever you wish. no questions asked. no answers given.

that doesn’t seem to be the right answer for a republic with liberty and justice for all.

i sometimes save birthday candles. to remember. but i need – and wish for – a new relationship with the flag – a revival of the celebration of diversity and majesty of this place on the globe – so this particular stars-on-a-blue-field candle i chose to remember with a couple photographs.

one lit – with light.

one after i made a wish and blew it out.

we ate several churros and our server gave us a box for the rest.

we brought them home and – having our leftover tapas the next day – celebrated this little bistro in our very big land, longing for its healing.

“light of the world / shine on me / love is the answer / shine on us all / set us free / love is the answer…” (john wilcox/roger powell/kasim sulton/todd rundgren)

*****

LONGING © 2004 kerri sherwood

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my jeans’ genes. [kerri’s blog on k.s. friday]

these aren’t my favorite. i don’t regularly wear my favorite jeans, wanting to keep them “for good”.

but this pair is the runner-up. pretty distressed, these ripped jeans aren’t just a bit frayed. they are downright holey.

ai says that “ripped jeans are best for people with slim or skinny body types”. goodness gracious! i mean, who asked you? i would venture to say that if one wants to wear ripped jeans, one should just wear ripped jeans – without a pretty-little-head thought to whether ai thinks it’s appropriate or not.

i’ve been wearing these for years. decades, actually. some of the time it has been by accident. my jeans just got old and worn. some of the time it has been by design. i’ll never forget – and always cherish – the days at abercrombie with my then-teenage daughter, ferreting out the best ripped jeans on the sale rack.

i have worn ripped jeans to unimportant events and important events, to beautiful places and grocery stores. i have worn ripped jeans on high mountain tops, in midwest meadows, in paris, in the canyonlands. i have worn ripped jeans in recording studios and i wore ripped jeans at my wedding. i have performed on the smallest and biggest of stages wearing ripped jeans.

so, here we are, on my 67th birthday and it is likely i will be wearing my fave ripped jeans to go and do whatever it is we will go and do – unless it is hiking – because, as you know, i have to save my fave jeans “for good”. some other destructed denim will have to do.

there have been moments when i have looked in the mirror and pondered my jeans. (and yes, also, my genes, particularly as they are aging.)

i’ve wondered if mid-sixties was ‘getting there’ – there being a place where ripped, distressed, fraying, holey jeans might be better retired.

and – after some wondering, some pondering and a little bit of googling with downright obnoxious results – like this video narrated by a twenty-something guy – guy! – informing me that “women after 40 should not emphasize imperfections” – i have decided.

just like the amish leave a slipped stitch here and there in their quilts – to allow spirit in – and maybe for the same reason – i will continue to subscribe to the jeans i love to wear. perfection doesn’t exist and each quilt is an expression of beauty-in-that-moment, of artistry, of someone’s very soul, of the chutzpah of spirit. ditto my jeans.

so…if you don’t like my ripped jeans, don’t look at them. they are me and i’m just out here trying to emphasize my imperfections – especially now.

*****

IN A SPLIT SECOND © 2002 kerri sherwood

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pieces of driftwood. pieces of my life. [kerri’s blog on k.s. friday]

i’m having a chance to renew my relationship with the harbor town. a tiny spurt of time here, a tiny spurt of time there. one of my favorite places on earth – the dock, at night, clanking masts, the sound of small fishing boats and soft troll motors – it is a good thing for me to revisit all this at a new time.

i didn’t know how much i needed to re-create this tie, to heal it. i didn’t know how much i needed to walk the pebbled beach, to scout for rocks and shells and driftwood, to sit and stare at the waves coming in.

when we left the last time we brought home this driftwood garland. we hung it in the place in our sunroom that seemed to be waiting for it. we sit next to it every day. and in the night that was draped in darkness from the storm, we sat next to it in candlelight.

we’ll go back. we’ll maybe pick up some more rocks for our rock garden. we may find a shell or two. we may bring home a piece of driftwood or other sea treasure. we’ll see.

the thing i do know is that each of these times i find another piece of me there. i rejuvenate another memory, process another bit of it all, feel affirmation.

somewhere on that beach, on that dock, in that town are pieces of my 19 year old self. the girl with the dog who climbed on the jetties and danced on the sand, who ran on the boardwalks and soaked in the sun on big old beach towels. there are pieces of me to reclaim, to go pick up in the corners of my memories, to re-empower. there are truths to release into the air of the world – finally. there are notes poised, floating in the air to compose, words in peripheral vision biding time to be written. i can feel the vibration of it all – that flutter in my chest.

and, though it is now a fancier bistro, the next time we’ll go – this place that was a pub where i’d fill up on baked clams and salty air. we didn’t go the last time because we knew it would be expensive and we are careful about our budget.

but the next time – yes – we will go.

because there is no price that you can put on the restoration of power, the retrieving of juju, the butterfly-net-capture-and-healing-release of muse that had been muted, stalled from trauma. to sit on those stools – even if they are different stools – is to sit on the sacred ground of yesterdays ago. it is something to celebrate.

the driftwood next to me in the sunroom taps my shoulder and my heart. it tells the story of ebb and flow, of survival and resilience, of transformative renewal and of a metamorphosis into something that has ridden the waves of the sound and – ultimately – emerged stronger.

*****

HOLDING ON, LETTING GO © 2010 kerri sherwood

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the dazzle. [kerri’s blog on k.s. friday]

“still, what i want in my life is to be willing to be dazzled – to cast aside the weight of facts and maybe even to float a little above this difficult world.” (mary oliver)

we check on the world right before sleep these days. we feel like it is a citizen’s duty to know what is happening in our own country, what is happening because of our own country, to be aware of the chaos, to be somewhat versed in the goings-on, to try – without success – to understand where it’s all headed and to – somehow – grok why. it’s all nearly impossible. and it is overwhelming.

we check on the world when we wake these days. we feel like it is a citizen’s duty to know what is happening in our own country, what is happening because of our own country, to be aware of the chaos, to be somewhat versed in the goings-on, to try – without success – to understand where it’s all headed and to – somehow – grok why. it’s all nearly impossible. and it is overwhelming.

and we know that there is less and less probability of it all making sense. for this must be intended-chaos and the world is ever more difficult because of it.

we sat at the bistro table in our sunroom with a glass of wine. dusk had fallen, the happy lights were on, dogga was on the rug at our feet.

we talked about the unsteadiness of these days.

and we talked about our own steadiness. we talked about the sweet phase.

we talked about sitting on the rocks in the middle of the stream way up in the mountains on a cool, quiet afternoon.

we talked about the change in our own chase of success – what that word even now means to us.

in spite of the world outside our sitting room – even with all that in mind – we could feel a sense of amazement.

we listed little things – the happy lights, the chiminea in the corner, the muddy hike, the score of finding an eight dollar glass candlestick lamp, the celebration of homemade pizza.

we listed bigger things – things more personal, more close-in, adulting things, things of quiet but profound accomplishment.

we acknowledged that – despite the broken road meander of our lives – even in the weight of all the cruel, mind-bogglingly destructive actions of this planet – we can see the dazzle around us.

and that’s the thing. the dazzle.

we need to recognize its presence. we need to keep seeking it. we need to keep reaching for it. we need to wrap our freaking arms around it – for dear life.

“i don’t want to end up simply having visited this world.” (mary oliver)

*****

MEANDER © 2004 kerri sherwood

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like a good moisturizer. [kerri’s blog on k.s. friday]

we are not much into the glorifying of products to shape our waist, pump us up, give us clarity, thicken our hair, raise our status, change our libido, make us sexy in the first place et al. we do, however, each use one product that makes us feel like we are taking some kind of interest in how we might age. we each use moisturizer. facial moisturizer to “limit” the – ahem – aging of our faces. body moisturizer to, well, make our skin “dewy” and “resilient”. hand moisturizer to avoid the dreaded wisconsin thumbcracks. yep. we trust that these products are working and they have become a part of our careful budgeting.

barney did not subscribe to any of these products and, thus, is aging without the benefit of peptides or collagen or retinol or blue algae extract or sea parsley. i hardly think that barney cares as i truly cannot point to an aging piano more beautiful.

as each layer succumbs to the weather, we see a tiny bit more of the heartandsoul of our barney. as each layer peels back, falls off, there is evidence of yet another layer, the simple insides of an acoustic instrument whose voice box is the space within.

there is only truth in there – only pure pianovoice, only echos of the rich resonance of hammers hitting strings, only breathy harmonics.

there are few days that i don’t gaze at barney and feel grateful for its presence in our backyard. there are times i think about my growing-up-piano in our basement maybe having the same life arc. it would be difficult to get that piano up the stairs of our old house, as the enclosed staircase (enclosed since the piano was delivered downstairs) with its angles, makes two ninety degree turns, making a complete about-face…all difficult maneuvers for a hulking piano up on end. i guess we’ll see. i’m not sure that there is room for two pianos in our backyard.

in the meanwhile, barney steals the show. every little creature that makes its way into or through our yard knows this old piano. and vice-versa. this old piano knows every creature as well. including us.

just at the moment we need a smidge of something beautiful, the touch of something other-worldly, barney beckons at us from the garden and settles its serenity on our skin. like a good moisturizer.

*****

PEACE © 2004 kerri sherwood

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i-was-here. [kerri’s blog on k.s. friday]

it is a sweet i-was-here.

i walked into my studio and there was snowman. sometime – in some moment – dogga had picked up his treasured snowman, walked into my studio and left snowman there.

he will often just walk into my studio, kind of tool about, walk under the piano in a sweeping circle of the room and then walk back out. sometimes he – clearly – brings a toy with him.

the thing is – in no uncertain terms – for neither d nor i carry snowman around nor move him to and fro – i immediately knew dogga had been there.

in this world of chaos we are now living in, it’s a pretty good question to ask ourselves – what do we wish our i-was-here evidence to be?

it’s not as simple as a plastic squeaky toy left on an old wood floor.

but whatever it is – whatever our tracks or affirmation-of-existence, whatever snowman we leave behind – it is vital to consider, something to reckon with, legacy to bear in mind.

*****

LEGACY © 1995 kerri sherwood

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so. to sew. [kerri’s blog on k.s. friday]

i used the old singer when i sewed the shutter-curtains for the nursery. i placed it on a piano bench and sat on the loveseat to sew. it was mama dear’s no-bells-no-whistles machine – the kind that is stored in a black case – and i was hoping that her seamstress skills would transfer to me as i stitched. i didn’t quite finish the curtains before our daughter arrived – a week earlier than expected.

i have another machine – a sears kenmore – from when i was about ten or twelve, i guess. it’s in a sewing cabinet – the machine stores down under the lid – and one can sit right at it to sew. i’ve sewn innumerable things on this machine. it doesn’t have bells and whistles either, so it’s a workhorse.

because i was dedicated to the art of sewing – at least back in the day – i’ve accumulated many patterns through the years, storing them carefully in a bin so that they would keep their tissue-pattern-integrity.

i just opened the bin and took them all out, laying them on the dining room table, organizing them to move them along. there are about 75 of them, many toddler patterns and craft patterns. the 80s and the 90s were craft-heavy times and i was right in there sewing bunnies and dolls, quilting pillows and piecing sweatshirt appliqués. the fabric store was an inspiring adventure limited only to your imagination. attending art and craft shows was glorious fun, a place to get new ideas and marvel at others’ craftiness.

it was quite late in the 90s when it occurred to me to show at these art and craft fairs as a musician. way different than concerts or even wholesale show marketing, i’d set up a booth with a keyboard and displays and play all day while simultaneously selling cds. the being-a-mom skill of talking while playing transferred easily from mom-ing to entrepreneur. providing music for the background of people – most notably, women – to shop with friends and linger over beautiful homemade objects was a joy and i sold thousands upon thousands of cds at these shows over the course of some years.

until, of course, the advent of writeable cds.

being able to rip a cd from another cd enabled the buying market to do-it-themselves and severely shrunk cd sales from independent artists.

and then came streaming, a death-blow to these same independent artists.

but i digress.

i wonder how many people sew now. i wonder if moms still make matching jumpers for their baby girls and themselves. i wonder if people are still sewing bunnies and dolls and pillows. with the bankruptcy of joann fabrics – a legend for those of us who devotedly bought fabric there – i wonder if imagination is sparked as brightly in small fabric departments of other craft-type stores; joann’s was packed with fabrics and knowledgeable store personnel who could answer most any question from aspiring seamstresses.

sewing is kind of like riding a bike. you think you’ve forgotten how to thread the machine – until you sit down in front of it and your hands automatically weave the thread in and out of tiny sprockets and around dials. you think you’ve forgotten the little tidbits of wisdom you’ve gleaned along the way as you lay out a pattern or cut or piece a few patterns together to craft your own iteration of something – and then it all comes rushing back as you touch the ever-familiar manila-colored tissue paper.

i thought i would just move all the patterns along. and then a few caught my eye. “i could make those overalls,” i thought, and “what an easy pj pattern” – and i was hooked.

maybe half a dozen patterns made the cut – to stay with my sewing supplies. the toddler patterns moved on – for other moms or for grandmas to joyfully create. the craft patterns will move on as well. i already have a yo-yo quilt in my future and who knows what i’ll do with all the sports t-shirts left behind by the girl and the boy. we’ll see.

the coolest part of it all – revisiting all these patterns – was remembering the fun challenge of a sewing project and the excitement of a newly-purchased bag of fabric, feeling my grandmother’s legacy surge through me, the expansive way creating creates more ideas for creating.

*****

LEGACY © 1995 kerri sherwood

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what endures. [kerri’s blog on k.s. friday]

when it fell from the tree, i doubt that this small branch envisioned any impression its fall might make. i doubt that it held any thought of impact, for it was suddenly a singular, solitary branch, away from other like branches, away from its tree. i doubt it held any real future in its mind’s eye. it just fell.

but the snow was soft and fluffy and the branch, falling from higher on the tree, fell with just enough oomph to sink into that snow, to carve out its shape, to lay still in a casting of itself.

and even if the wind had blown and lifted up the browned leaves of the tiny branch, which – in turn – lifted and blew the tiny branch out of its molded-snow-home and it ended up no longer right there – on the trail – in front of me, it would still have left its mark.

i passed by it. and in my passing by, i saw it.

i don’t know how many others passed by this branch lodged into the snow. i don’t know if anyone else noticed it, looked at it, photographed it.

but i do know that it made an impression on me. and i remember it.

and oh, that ever-percolating ancient question of legacy, of what endures.

it would do us each good – particularly in these times and in this place – to keep that in mind. the dimmest impression – though maybe even vague, even amorphous or indistinguishable – is still an impression. it may still be remembered. it still counts. it was there. it remains there in the continuum of time.

what impression do we want to cast?

*****

BLUEPRINT FOR MY SOUL © 1996 kerri sherwood

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countless stars. [kerri’s blog on k.s. friday]

the way back north – though we would have lingered on and on save for our sweet older dogga at home waiting – was beautiful. we knew it would be; we have taken these back roads every single time we drive to chicago. following the lakefront, through little towns and along ravines, the holiday lights on our way home – in the dark with full hearts – are always magical.

to sit and spend any time with your grown children and their partners is always a gift. some people are privy to that all the time – fortunate to live in the same town or very close by, fortunate to have time together often. others of us have less time together; proximity can be challenging, so the time together with them is treasured and exponentially valued. we are always grateful to have that time.

earlier this week we had a chance to be with our son and his boyfriend. we brought all the makings for a thai chicken soup, our son’s requested “christmas lunch”. we gathered for photographs by the christmas tree and visited in the kitchen while we cooked. hearing their recent adventures, their thoughts, their latest dreams, hugging them in real life – it’s truly the stuff that this holiday is made of.

i remember the day after christmas from growing-up times. it was a day that was kind of the denouement of the season. it was a slow day, a reflection of what all had transpired, a review of it all.

we kept all the decorations up for a while back then. i don’t remember taking them down as a child. this year i think we will keep them up a bit as well…keep the light going. the trees add warmth to the cold of this season, particularly at this corrosive time in our nation.

he said that he hadn’t had his chance to put the star on the tree before he was no longer welcome. but this year it was HIS home, HIS tree, HIS star. and he owned the very-important-moment of placing his own star on his own tree, undeterred by disrespect of him or biased bigotry. it made me cry.

no longer welcome. holding a ‘welcome’ ransom is as absurd and cruel as holding the star ransom. in the christmas story, the star represents the celestial guide to the manger. but, more so, it represents light in the darkness, hope, the arrival of love. love…that which should level the field for all, that which grants grace, reminds us of compassion and inclusion, of unity, of hand-in-hand support of one another.

on the way home we talked about the lights on people’s houses, in their yards, inside their open front windows. we talked about multi-colored lights vs white lights and our own interpretation of these.

although we both grew up with multi-colored-light-families, we both always choose white lights. for me, that simplicity is part of the season. for me, it’s like a thousand stars, constellations of beacons in the darkness, of hope, of love. white lights bring the galaxies of the universe inside.

this day-after-christmas will be slow. it will be a day of reflection and rest.

and it will be time to continue to keep the happy lights lit, countless stars surrounding us.

*****

TIME TOGETHER © 1997, 2000 kerri sherwood

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galaxy-size snowflakes. [kerri’s blog on k.s. friday]

“you keep worrying you’re taking up too much space. i wish you’d let yourself be the milky way.” (andrea gibson)

i don’t believe that snowflakes worry as they fall from the sky. i don’t believe that they have any concern for whether they will fit or whether they will fit in.i don’t believe that they are self-conscious or self-doubting or – even – self-aware. they just are.

they form, they float, they land where they may. and then, they just are.

it is clear to me that we do not occupy such a singularly thin space of reality or consciousness. but were we to, it would simplify matters. we would form and float and land and be.

and perhaps that would mean that we would each bring all of us to the space into which we landed. we wouldn’t bring limited or limiting notions of mattering. we wouldn’t bring devices or attitudes measuring importance or gauging hierarchal places of belonging. we wouldn’t bring open hatred or cruelty. we would just land…into a community of other snowflakes, gathered and scattered, all beautiful, and unique.

maybe it would mean that no one of us would feel compelled to rule the space, to take over the place where the snowflakes gathered. maybe it would mean that no one of us would feel like they were more a snowflake than the next snowflake. maybe it would mean that each of us would feel that we count. maybe it would mean that each of us would feel like we are important – galaxy-size-important – even in the middle of all the other snowflakes. each one of us. maybe that kind of valuing could save the world.

every snowflake. they accumulated on the adirondack chairs we left outside in the just-in-case there might be another warm enough day to sit outside or to be by the firepit. i didn’t brush them off. there was something compelling about seeing them – this tiny community of snowflakes – something that drove me to study it, really look at how they scattered onto the surface.

it would seem that – indeed – these snowflakes let themselves fly. unconcerned, undeterred by anything else, i imagine they each – in all their glory – made like they were as big as the milky way and – in all their grand single-snowflake-power – floated and twirled their way down to the very important space that would be theirs. and no one stopped them.

and then, there they were.

tiny individual flakes. taking up all the space.

and they stayed there. waiting for the next snowfall – when they would hear the laughter and joy of the next batch of flakes as they fell, glistening and swirling like diamonds from clouds.

perhaps we are too noisy to hear such glee, to believe in such magic.

*****

BLUEPRINT FOR MY SOUL © 1996 kerri sherwood

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