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Category Archives: two artists tuesday


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bins and boxes. [kerri’s blog on two artists tuesday]

the list keeps getting longer. more items to offer to others, more to sell, more to simply dispose of.

i have been the recipient of many hand-me-downs. now, mind you, we use – or repurpose – many of these hand-me-downs….remember, we are the people with the almond 1970s sears kenmore range in our kitchen. still.

because i love numbers, i recently realized that when you add the ages of our three vehicles up right now – this year – in the year 2025 – they add up to 100 years. now, that’s pretty doggone amazing. granted, our little vw bug is included, but if you take that one out, the other two still add up to a whopping 46 years. eh. i digress.

i keep referring back to my sentimental-people-trying-to-divest-of-their-stufffff book. it’s essential self-help material, particularly at a time when we are truly paring down. it helps to read that you don’t have to keep a gift forever – you are not indebted to the gifter in a forever way. and, even if you give some gift away, the sentiment remains. common sense stuff, but not when you are lost in the memories and angst of what to do with the antique relics in a bin or a box.

and so – the box with decorator hanging plates.

i am most definitely not a hanging-plate girl. though they are beautiful, their self-actualization of hanging-on-the-wall will never occur because of me.

we photographed them all the other day, carefully placing them on a black cloth on the table, taking care to avoid glare, turning them over for markings on the back, photographing any written certificates of authenticity that accompany them.

we got through the marketed plates and i have no reticence about listing those for sale – granted, at a low selling price, for the time of hanging-plate-popularity is well past. then we got to the family-handed-down ones. the ones with initials on the back or years (like 1917 or 1930). the ones with sticky notes that my sweet momma wrote, describing the origin of the plate or how it had been passed down. ugh. these are the ones that invoke guilt.

there is one that i will keep. it’s hand-painted, floral, dated 1930, with a hand-threaded wire for hanging, leaving the delicious mystery of who initially placed it there. other plates, however, would only be stored – and that is what i am trying to avoid: long-term storage. and so, i suspect i will offer them to others, perhaps sell the ones that are not family-member-painted or have distinct family connections. it’s a bit stressful. but i keep reminding myself…they are plates, for goodness sake. it isn’t actual DNA strands i am giving away or selling. sheesh. (back to the book!!!! stat!!!)

and then i’ll be moving on to the punchbowl and the old spinning wheel, a plethora of milk glass vases, too many hobnail pieces to ever use, 1970s-1990s sewing patterns.

the thing about all this going-through that is helpful? the fact that i don’t think much about the state of THINGS while i open bins and boxes and sort and photograph and ponder what to do.

the history of these objects – such treasured items in their day and even now – is forefront in my mind.

it is often the handwritten note by my mom that is more difficult than the object itself. everyone has their own line – i’ll never forget when a sibling threw away years and years of my momma’s calendars. as a calendar-girl, i was devastated to hear this. i would so prefer to read my sweet mom’s calendars and notes she jotted on them than have any piece of furniture or jewelry or painted plate. like i said, we all have different value sets.

and so i puzzle how to properly respect these artifacts i am unearthing – particularly some more obviously family-connected – but dates like 1917 on the back of a plate – a scalloped limoges porcelain plate handpainted in soft blue and green hues – forget-me-nots – in the same year as the united states entered the First World War – in order that the world would be made safe for democracy – these dates, the history of such pieces fast-forwards my thinking to today, catapults me back into what is happening now. i cannot help but travel through the history of this country as i unwrap that which is in the plastic bin.

THE BOOK reminds me that no longer having an object does not disconnect one from its meaning, its emotional value, its gifter or pass-it-down-er. all of that – the true worth – is still valid, still present. nevertheless, i take my time and consider carefully the options of parting with something.

which makes me think: what if this country would stand by its values, its rights and freedoms, its constitution with the same level of respectful restraint? what if this country – and its leaders – would consider carefully the options of parting with the very somethings that have made it a republic, a democracy? what if this country would value handing down to our children and their children and so forth the best of what we can all be?

what will the trinkets and artifacts of this very era conjure up in future generations as they open the bins and boxes left for them?

*****

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a tree again. [kerri’s blog on two artists tuesday]

the day I looked out the sunroom window and saw two black-capped chickadees perched on the-branch-we-brought-out-of-our-living-room was the day i realized all was well. this beautiful branch – from the big old tree in our front yard – was having a renaissance. back in the great outdoors, it was experiencing life – all over again, in a new way.

we missed the branch as soon as we removed it from the living room. it had been there for four years – ever since the water main in our yard burst and the ultra-supersized equipment brought in knocked this big branch off our beloved tree. we pulled it aside and then brought it in, putting it in a big clay pot and right next to the front window, bedazzled with happy lights and in a place of honor.

it was our christmas tree that year and has had a variety of ornaments on it each holiday season since – old vintage shiny brites, silver and glitter silver round balls, crystals. it has held a metal star and a peace sign throughout the year and it has been a tad bit difficult to maneuver around the entire time. regardless, we kept it there – in spite of the difficulty to open or close the mini blinds and open or close the windows. to sit in the recliner next to the tree, one had to be mindful of the little branches blocking the way, waiting to poke one’s eye out. nevertheless, we were dedicated to this tree in our living room, even though it truly took up a lot of space.

this year – as we started our zealous clearing-out, we decided it was time for the tree to move outside and take up a new place on the deck, where we could see it out the sunroom windows. d secured it to the deckboards and the railing and we placed new happy lights on it, along with an outdoor timer so it would greet us at every dusk.

i had a few moments – staring at the blank spot in the living room where the tree had taken up soooo much space – missing it. we will fill the spot temporarily with a little wrought iron table and a curly corkscrew rush plant — which will hopefully last through the winter. but in the long run? i’m not sure. it is kind of nice to be able to open and close the miniblinds without ducking or trying to avoid breaking smaller branches.

my temporary sorrow – at change – eased when i looked out the sunroom window and saw these two chickadees sitting on our old broken branch. one flew away and another landed. i could practically hear the branch sighing, its soul happy. and why not? it was a tree again.

life, change, renewal.

there are many ways to learn lessons.

*****

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at home. with dogga. [kerri’s blog on two artists tuesday]

bundled up in down vests and gloves, we were finished the cleaning-up of the backyard, readying it for winter. though we are reluctant to face the winter, it feels good to tuck away the adirondacks and the gravity chairs, the rugs made of recycled plastic straws, the firepit and the little wrought iron glass table. as i cleared leaves off the deck to make it easier for my wonderful husband to shovel future snows, i stumbled across this bit of evergreen. fallen from our spruce tree, it reminded me immediately of the little tree we – years ago – had brought home from aspen: “ditch”, named after our favorite trail there, a profoundly emotional place for us.

i brought it inside.

it now has a place of regal importance on the bistro table – the place we tend to sit for happy hour, for dinner. with windows overlooking the backyard, we can watch the waning light and review our day, dogga at our feet, for he loves the cool floor of the sunroom.

we won’t be traveling this holiday season. our old dogga is now a senior dog and as we watch him – in his slowingdown – we are dedicated to being witness to these days with him. it’s not like we wouldn’t like to drive – or maybe, even fly – to visit relatives or friends or go on an adventure, but it is definitely that we don’t want to leave him.

dogga’s presence has been a constant for us in the entirety of our living-together. his steady amber gaze, his unbridled enthusiasm, his quirks – they are all a distinct element of our life. he steadfastly helped us through all the – interesting – transitions in this decade plus. and so, we are committed to being by his side, honoring him in his aging, in his challenges and his ever-growing list of quirks. we want to hold space with him.

and so things like a bit of evergreen, like a strand of happy lights tucked inside the chiminea in the corner of the sunroom, like fluffy pillows on the glider in the living room – they are tiny ways to really enjoy our home during a time we will spend most of it not away, most of it at home.

like babycat, dogga has many theme songs, which we sing for him. “dogga-dogga, you’re the one. do-do-do-do. dogga-dogga, so much fun. do-do-do-do. dogga-dogga, in the sun. do-do-do-do. dogga-dogga, number one.”

he doesn’t require brilliant lyricism nor originality. his joy is pretty simple. kind of like a bit of spruce in a little glass vase.

“dogga-dogga, puddin’ and pie, mom and dad love you as big as the sky.”

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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the delicate things. [kerri’s blog on two artists tuesday]

and there are things – here and there – as i continue to muster what i need to go through everything – things i find – things that must be considered delicate, things that must be held gently.

they are not the delicate things that one would label fragile, nor the delicate things that one would think of as valuable. they are the unexpected, the morsels of real life, of real moments, moments felt, moments lived.

there was the torn piece of paper – torn from a decades-old church bulletin – with the first notes of the first piece recorded on my first album.

there was the last physical mother’s day card i received from my girl, before everything went text and digital.

there was the note in little-boy pencil-writing from my boy, filled with hearts.

there’s a small green ceramic compass – just a trinket – i put on my piano.

there is a tiny stick person my big brother made of electrical wire.

there is the (very) ripped sweatshirt jacket i wore driving thousands of miles, criss-crossing the country in busy performing days.

there are the old notebooks. when the kiddos were here, it was my son who first spotted the spiral notebook. it was in a stack of spirals on a shelf in the office upstairs. but this one was sticking out enough he could see his handwritten name on the front cover. he immediately pulled it out to look at it, wondering aloud, “what’s this??” the notebook was empty – all the pages were blank and he asked why we had it in this stack, just as my daughter pulled one out with her name on it. “because we repurpose and there’s still paper in these, so we like to use them so we aren’t wasteful. plus they were yours…it connects me back,” i answered. i would never think of just throwing these out, without using up the paper still in them. it’s a total joy for me to use a notebook that has one of my children’s handwriting on it.

now, there are other things too. there are decorative plates and leaded crystal vessels, vases and wooden carvings, pieces of silverware, scandinavian artifacts, vintage ornaments. i’m guessing some of these items have a little bit of value, maybe – though i don’t imagine a lot. and that’s really ok.

for the things i am finding i hold most gently – the most delicately – are the realest things i come across: the list of homemade candles and tiny cacti i sold door to door when growing up, pulling a wagon behind me around the neighborhood, an early entrepreneur at ten or so. the handwritten notes from my mom or dad, pompom-ing me. the drawings and writings of the girl and the boy. the rocks – so many rocks – i come across, knowing that i chose each one for a reason, for a place, for certain minutes i spent. the earliest lyrics i wrote, the poems from my tree, the bits and pieces of me from a very long time ago, on a different trajectory, giddy and cells-vibrating, in a world i wholeheartedly trusted.

there are many, many things in our house – just like in your house. we try to surround ourselves with the stuff that makes us feel comfort, that makes us happy, that brings us a bit of peace.

in this part of our lives, we are finding that those things are not valuable antiques, newly-purchased tchotchkes or expensive collectibles, top-of-the-line anything. they are the things with story, the things we can carry without burdensome weight, the things that connect us – our dots – back and forward. they are the things that distinguish us from all the rest – our morsels – these relics. they are the delicate things, for without them, we would not be who we were or who we are.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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snowdog. [kerri’s blog on two artists tuesday]

dogga must have known. he woke us up well before the sun: it was time for his breakfast, for our coffee, for him to go out and about in the backyard. but it was still dark and the sun still had some coming-up to do.

he must have known, though. somehow, in his dogga-dogga heart, he knew it had snowed. not a lot of snow, really, truly, just a little, a dusting. but snow, nonetheless. and snow is one of his absolute favorite things in the whole wide world. snow is his favorite season. snow is his glory.

so he must have known.

it is a bitterly cold morning as i write this over the weekend. i jump up to go push the heat up over the frost-zone mark. i am a frugal thermostat-monger. more layers, i think, more layers.

last night – after a long day of painting some vintage furniture and walls (yes, also technically vintage) we snuggled under a blanket with our (yeeesh – matching) red-and-black buffalo plaids and some thick socks to watch other people pick out homes on hgtv. dogga – rejecting the bit of heat generated by laying on the area rug in the living room – stayed on the sunroom’s tile floor. he could feel the cold building outside, i guess. temperatures dropping and his spirits soaring.

and he must have known, somehow, about the imminent snow. (which, by the way, turned out to be about 12″ (!!) here on the lakefront.)

he is truly our wonder-dog. in every way.

and he knows it.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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on dirt. [kerri’s blog on two artists tuesday]

this is the best place to think. it’s the best place to ponder, to wonder, to sort, or to just – simply – take one step after another. it’s the best place to be quiet and the best place to have conversation. we link arms. we walk. and walk. and walk. we can see why pct hikers keep on going. it is cleansing and powerful. and your body feels the world, your tactile connection with the universe, your feet on dirt.

in a moment i won’t easily forget, i recently had a chance to be forehead to forehead with a horse. we stood that way together for several minutes and i could feel his breath on my face. with both of us – boots and hooves on dirt – connected by touch, i could feel the rest of the universe gently holding space, woven in tapestry with us, close by. powerful moments.

particularly in these times, for more reasons than you will imagine, i am finding the reminder of this connection to the universe to be of comfort. particularly in these times, when there is little to comfort us here in this country, i am finding the reminder of this connection to the universe to be bigger than any story of our land – it overarches the evil intention of stories personal and of the populace. particularly in these times, with so little promise of goodness, so little accountability, so little compassion, so little attention to truth-telling, i am finding the reminder of this connection to the universe to be steadying.

i will keep my feet on the dusty dirt of the trail. i will take any chance to share forehead space with another living creature. i will remember how connected – interconnected – i am with this universe. i will draw hope from that.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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comfort in the kaiser rolls. [kerri’s blog on two artists tuesday]

i hadn’t had manhattan clam chowder in forever. but it was on the menu and the day in the village was sunny. with the scent of fresh bread baking wafting around us, we ordered a couple bowls and a couple kaiser rolls. we took it all outside to a tiny bistro table on the street next to the harbor. if we could, we would go back today.

when it was time to head out of town, we walked there early in the morning. a few blocks from the little apartment we were renting, we just wanted one more bakery visit. so in early sunlight, with a brisk breeze off the water, we walked over and placed our order for breakfast sandwiches – on the traditional kaiser roll. they wrapped them up for us to take.

there is comfort in the kaiser roll. it is most definitely a new york thing and, for me, even more specifically, a long island thing. growing up, my dad used to make breakfast sandwiches after church on sundays. he and my mom continued the tradition when they moved to florida, seeking out the best kaiser rolls they could find in bakeries run by people who had also retired from up north.

the bakery became our favorite place – in the several times we went there. witness to the ever-present crowd of patrons, you could feel there was a generous spirit there – of community and well-loved staff – diverse and embracing. because we aren’t really fancy-restaurant-types, in close second was the bar that had baked clams. the rest of the time we cooked.

somewhere down the highway on the way back, i realized we should have purchased a dozen or so kaisers to take with us. or one of the amazing loaves of bread stacked warm on metal pans or neatly in the display. because, then, we could have carried this community’s comfort with us.

back at home, i am feeling wistful for that small harbor town. not because it is beautiful. not because it is totally charming. not because it feels like a place straight out of a hallmark movie. but because – despite a feeling of sad, complicated, emotional disconnect when we arrived there – i left having been nurtured by that town. i left having reconnected with a place i have always cherished but had lost to trauma. i left feeling again the part of me that always loved it, that always felt it was a part of me, that always felt like it “fit”.

there was comfort in the kaiser rolls, comfort in my rocky beach, comfort in my old harbor town.

and, now, there is comfort in – truly – missing it.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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that place. [kerri’s blog on two artists tuesday]

i couldn’t begin to guess how many times i have sat on that beach. i couldn’t begin to describe all the life i have navigated there, all the pondering i have pondered, all the sun and the snow and the rain, the early dawns, the inky skies i have shared with that place. in the mystery that connects you to certain places, it was always my go-to.

and the mystery continues.

we shared time with that beach again. profound time. time wherein i stood by the water’s edge talking to the universe. once again, feet in that sand, touching that water, eyes to that sky.

some of the benches just off the boardwalk have been there forever. the curve of the metal arm, the weather-worn wooden seat – familiar touchstones that date back and back. the seagulls diving, riding the waves, rising in air currents and dropping crabshells to the ground – their caws lodged in memory.

this is not the island’s finest. there are many beaches with less rocks, fewer shells, more shoreline, softer sand, less seaweed, stronger surf. but this is the one.

i left a piece of me – a free-to-be–crazy-with-potential–wildflower-growing piece – behind on this island.

and so i thought that maybe – just maybe – i could go put my feet on this very sand, touch this very water, drink in this very salt air to both reclaim that piece and set it free.

there was no drumroll, no hoopla, no folderol. there were no fireworks or lightning bolts.

as the wind became gusty and it got colder, i merely turned reluctantly away from the water’s edge.

he was waiting for me about halfway up the beach and he held me as i stood in that very sand under that very sun, taking it all in, grateful.

we walked arm in arm to the benches and sat on the oldest one.

it was a long time before we left.

but not before i wrote my name in the sand.

and not before i held her hand – that wildflower.

“i got you,” i told her.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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grasshopper, grasshopper. [kerri’s blog on two artists tuesday]

jeffie used to use the term “grasshopper” a lot. not really understanding any reference, i always took it to be a term of affection.

in the middle of the middle of stuff we are in the middle of, we took a hike. we always see tiny grasshoppers on the dusty trail – hopping in just the last second and flying away – like small moths zipping past us.

but this day – in the middle of the middle of stuff we are in the middle of – there were Grasshoppers – capital G. never had we seen hoppers this big on any part of this lengthy trail. they didn’t just hop away upon feeling the vibrations of our feet on dirt. they stood their ground.

i bent down to share a few moments with this one. after communing with it, i urged it to jump off the beaten path, trying to save its life from zealous bikers also on trail.

for the first time, i looked up what jeffie’s “grasshopper” reference might be. and it all made sense, reading that kung fu (from the 70s tv series i never watched) used it – yes, affectionately – to convey to his students etc “a message of growth and learning”.

this differential grasshopper grinned at me as i bent down, posing for the camera. he turned and looked down the dusty gravel trail. and then he turned back to me for a few moments before i urged him on, away from potential danger.

“you got this,” he whispered. “keep going. you may feel small and it may feel bigger, but we both have abundant power. i can only go forward. you can jump with me.”

i heard him as he took off with a giant hop for the underbrush, “remember! leap!.”

today is a good day for grasshoppers.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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attentively attentive. [kerri’s blog on two artists tuesday]

the headline on the catalog page read: don’t just go somewhere. be somewhere.

i lounged in the gravity chair on our deck and looked up. just beyond the peaked roof of our house, inbetween the pine tree and our westneighbor’s tv antenna, with the wire that stretches across our driveway stretched right through it, there it was:

the clouds had drawn the sun. exactly like i would have done it had i had big fat sidewalk chalk in my hand and i was drawing on the breezy jet-streamed canvas of the sky: an arc for the sun, rays coming from the hot center. it was obvious, clear, pretty doggone cool.

i grabbed the phone to take a picture and, before it disappeared as if someone had lifted the cellophane on a magic slate, drew it to d’s attention. we were both a tiny bit giddy at this small gift in the sky.

and that’s how i want to live. being somewhere. in each moment.

with all the horrific going on, it is not hard to wonder about time limits on presence.

so – in addition to paying attention, to drawing attention, to downright attentiveness attention to all of that horrific – i’m going to pay attention, draw attention, be downright attentively attentive to being here.

wherever here is at the moment.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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