divine intervention. from whence it all comes…
right at 2:08 in this recording is an ambient sound. it is a sound that my producer and i deliberately decided to leave in the recording, an audible sound of divine, a tiny punctuation in our project from across the barriers of physical being-ness.
we were recording remotely on one of the northwestern university stages, ken (my amazing “it’s fine” producer) having built a small studio off in the green room, separate from the stage space where the piano was. everything was moved or padded so as to avoid interruptions or rattling or vibrations or overtones, anything we didn’t want included in this solo piano album. it was a tedious process and we recorded straight through a twenty-three hour stretch. with me were items – totems of a sort – to keep me company as i recorded this first album. one was a stuffed animal i had given my beloved big brother during his chemo treatments, three short missing-him-years prior.
divine intervention was the last piece up. the last piece of the very first album i was recording, released 23 years ago november 11 on my sisu music productions label. teetering on that balance point, no idea of where i was to go next or what would become of this album, i was emotional and exhausted, determined and vulnerable. i spoke words of prayer and began the next take of this piece.
at 2:08 i heard a sound. it sounded like an old wooden screen door closing, but i didn’t really know what it was. i was sure, however, it would be on the recording since i could hear it on-stage. i kept going anyway, thinking we’d go back and re-record the piece. when i finished playing, tired tears in my eyes, i walked into the green room to find ken standing in astonishment. there was an empty can of pepsi in that little studio, one i had put in there and secured by towels deep onto a shelf. at 2:08, the can somehow moved out of the spot it was nestled in and clattered onto the floor. the sound. even without listening to the cd i can hear this sound in my head every time i play this piece.
we listened back to the raw recording. sure enough, it was there. and so was something else. a feeling that somehow, some way, the divine interrupted. intervened with a small nod. perhaps it was my big brother, in jest, stopping by in the middle of the last take of the very last piece of my very first album, to make a little noise. perhaps it was something else. either way, we knew. and we left it in.
i still have the can.
15. divine intervention (3:16): the feeling i have about this whole project. there really isn’t any such thing as chance. those who are just on the other side sometimes help us to sort and place the clues of our life’s story. (words from released from the heart jacket)
purchase the CD RELEASED FROM THE HEART or download on iTUNES or CDBaby
read DAVID’S thoughts on this K.S. FRIDAY
DIVINE INTERVENTION from RELEASED FROM THE HEART ©️ 1995 kerri sherwood
they had me thinking about the songs coming from my sister’s room and the songs my big brother would play on his guitar. so it wasn’t a stretch to write a piece that was all about longing and reminiscing and memories, stories that were deeply set in my heart, times that had gone by. later on we orchestrated this piece for the album AS IT IS. i still associate it with the twin retro albums; the cello line gets me every time. it makes me want to take out all my photo albums and set up a white sheet in the living room to watch the carousels of 35mm slides my poppo called “film funnies”. longing. indeed.
reverse threading 