reverse threading

the path back is the path forward

Category Archives: yamaha


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where holy is. [kerri’s blog on k.s. friday]

i’m not sure that i can point to the moment when i realized – with every fibre – that the truly holiest moments were not the ones in buildings called churches.

it is a moment for which i am grateful, perspective-arranging and a welcome addition to my secular vocabulary – the word “holy”.

i spent many decades creating the atmosphere in churches where people might tune in to the emotional of faith – that which they could not palpably touch but which they could feel, they could intuit, they could impart to others. through music that i specifically chose – after research, after studying the narrative to be used, and after much listening and evaluating if a piece might touch hearts – open or closed – i shaped the music of services – the everyday and the special holidays, the celebrations of joining together and the inevitable release of people to the next dimension – to freely acknowledge spirit as it flowed and to try to gently grace others with it through music. to try and encourage an openness to the spirit that breathed into the place and maybe into them, into a place inside them where they needed the sweet assurance. whether i was aware if it did or not was not my only measure of success. providing the tenor of possibility and holding space for holy and their experience of holy was my job. there were moments when the last strains of a song or piece of music lingered in the air over the congregation, moments when a choir of singers, paused in a rest between notes sung with dedication and commitment to each other that you could almost see holy in the hush – the sun shining through, its rays touching each person. but over the course of these decades of time spent in these buildings, i was inordinately disappointed – even stunningly – time and again – by the hypocrisy to which i was privy. true faith is as true faith does, holy is as holy does, i was reminded, over and over. disillusionment was – and still is – a repeating theme.

out on the trail, as the clouded sun shined through the winter landscape and reflected onto the river, i could see – once again – how holy turns up in the purest of moments, the simplest, the least contrived. we have been gifted by the universe – and whatever deity we each individually feel or – perhaps – in which we might believe – with the extraordinary: a world full of beautiful.

beautiful is a descriptive word – easily understood as describing something of beauty. and that is all around us. the reaching of people to people in times of abundance and in times of need, kindness to and embracing of our neighbors despite differences, the love between any and all, regardless of anything, nature and its astonishments. our holy is all around us.

for those of you who are invoking your – supposed – religiosity to validate your vote – and your support – for the cruelest chaos that is this new administration, those of you who are spouting righteous religious drivel to prop up your bigotry, i would venture to say you may have missed the point. sheer hypocrisy has taken over your holy.

holy has not only left the building, but it has clearly left your soul.

*****

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in the same palm. [kerri’s blog on k.s. friday]

“our forever work is to learn to hold the brutal and beautiful in the same palm.” (suleika jaouad)

i am trying to learn to list to the beautiful. lean into it. curve that way. take that path. abruptly turn, if need be.

in these fraught times, these times of brutal, we are finding how we wake – how we start our day – is crucial. we are fragile, maybe just like you.

and so we watch through the mini blinds, through the screen and storm window, as – out across the deck, reflecting on the sunroom windows, just past the awning over the back door – the sun – rising over the lake – climbs to a place where its rays sneak around houses and gardens and reach out and out, brushing our windows.

and we can see it.

we watch as it intensifies and moves up, up. a tiny gift for us to hold.

and then – as we sip coffee – one of us quietly comments on how truly beautiful it is. and our day is officially started.

*****

taking stock © 2010 kerri sherwood

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still. [kerri’s blog on k.s. friday]

it is the last.

the last piece of white key.

barney – through wind and rain and snow and ice and blistering sun – has shed all the clothing of its keys – both black and white. this is the very last of it.

and, even stripped of so much, of the things that make barney look like a piano, barney is still a piano…barney’s soul is tenacious – still a smith-barnes upright – and we can feel evidence of scales and arpeggios and glissandos, of etudes and ballads, of pieces ethereal and bombastic. barney is changed and yet unchanged.

we will each face the storms of the future. we will surf waves and, sometimes, despite heroic tenacity, succumb to the inability to surf. but we will endure and persevere. we will look different and we will feel the same: changed-unchanged.

and, in the center of all of it, while we are on the way to later, stripped and naked of all that is superficial, smack in the middle of our souls, we will still be able to touch the black and white of our lives. just like barney.

“meaning is what’s left when everything else is stripped away.” (suleika jaouad)

*****

TRANSIENCE © 2010 kerri sherwood

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the grace dance. [kerri’s blog on k.s. friday]

even laden with new snow, the grasses spring up, ever resilient. they show fortitude in predicament and circumstance – a teachable moment for those of us humans who are not impervious to such things.

maybe it’s their golden glow in sun low on the horizon. maybe it’s that there are small critters taking refuge under the umbrella of stalky stems. maybe it’s the reverent bow of the fronds, the balance in the arch of growth and weight, a toppling over. maybe it is simply grace.

“i do not at all understand the mystery of grace – only that it meets us where we are but does not leave us where it found us.” (anne lamott)

in moments of this past year i have found myself in the presence of grace. i have watched grace heal physical injuries. i have watched grace blanket people, restoring relationship. i have experienced grace reaching out its arms to envelop. i have received grace – the support of others. i have been surprised – even shocked – by grace and i have been surprised – even shocked – by a lack of grace.

for if the presence of grace – such an intangible mystery – does not leave us unchanged, then so does the absence of grace.

were the grasses to succumb, to be lying down, flat upon the earth, their glow of beauty and their cozy shelter wouldn’t be. their place in the world and its workings would be different, perhaps. their resilience seems to be the key.

“I know nothing, except what everyone knows – if there when grace dances, i should dance.” (anne lamott)

in the mystery that is beauty, that is grace, that is the intertwining of both – for surely they are hand in hand – there is an invitation for us to dance, upright upon a floor of dirt on earth under the sun, able to both receive and extend grace – like feathery fronds on an ornamental grass, ever resilient though the elements are threatening.

we carry that dance – tucked in – with us as we make our way. it is present, beckoning us. we can see it in the falling snow and the driving rain, thick fog and dark nights. it is there, ready to leave us different.

*****

GRACE © 2010 kerri sherwood

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in the overlook. [kerri’s blog on k.s. friday]

i pulled off quickly – into a small lot overlooking the lake – because i knew that it would soon cease to be there – this striping of snowy beach, lake, storm, clouds and sky. soon it would disappear – maybe in moments – this differentiation of color – this horizon – soon it would become mostly gray. soon the textures would blend and it would become flat.

i am – we are – in the middle – once again – of a big attempt to clean out. thirty-five plus years of accumulation is a lot to go through and re-organize, donate, discard. every single thing takes longer than you might think. and, frankly, i am not anxious to go through it faster, to flatten it all out into neat-and-tidy in as short a time as possible.

i actually want to see all the textures of all this time. i am – figuratively – pulling off into the overlook so that i might gaze and reflect, remember and feel.

already, i’ve come upon surprises. already, i’ve been given a chance to remember tiny details i had forgotten. already, i’ve danced through children’s books and old vcr tapes, cassettes from the 70s and scraps of lyrics tucked deep in desk drawers. there is much to be done, but i’m in no rush. our focus will mostly be right here – in this era of national upheaval – and we will take our sweet time.

“everything takes so much longer than you think,” stating the obvious, i looked over at d, immersed in his own tasks of our cleaning-out.

“that’s ok,” he replied.

“yeah,” i sighed. “no need to rush,” a promise to go slow.

there’s plenty of time for neat and tidy, organized and pared down.

in the meanwhile, the textures of decades are on the horizon. in closets. in the basement. in the attic.

and i am in the overlook.

*****

THE WAY HOME © 1997, 2000 kerri sherwood

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we share the mirror. [kerri’s blog on k.s. friday]

when i was younger – a teenager – i used to sit in the tree outside my window and write. shy – at first – of using the word “poetry” to describe what I was writing, my sweet momma suggested the word “reflections”. so back then i adopted that word for a bit. i consider now how much time in my life i have spent writing reflections, writing lyrics, writing poetry…how much time i have spent – even figuratively – in that tree.

for obvious reasons – the gift of the early days of a new year – i am gazing back on the year we just exited, reflecting on the river we traveled. it’s why i keep a pencil-written calendar – i want to remember. all of it. the tough moments and the moments that seemed divine, the hilarious moments and the times I couldn’t stop crying. all of it.

as i look back on all the spindly memories i can muster, i wonder about the year’s journey. was i compassionate enough? was i courageous enough? was i stalwart enough? was i stubborn enough? was i flexible enough? was i unconditional? did i keep my mouth shut at the right times? did i speak up at the right times? did i shout at the right times? did i choose wisely – based on knowledge and truth and values? did i comfort? did i stand in love, act from love, embrace love – enough?

it’s snowing as i write this – under a delicious quilt looking out the window. if i turn my head just right, the happy lights are reflected in the six-pane window. if i cock my head to the side, i can source the mind-bank of reminiscing, albeit a bit helter-skelter and most definitely incomplete. if i close my eyes i can hear the silence of the morning; i can intend quiet. i can wade in the river.

i suppose that in the rearview mirror of our lives, we all have much to ponder. we each take up a tiny bit of space here and it matters. we flaw and we flounder and we – sometimes – maybe not as much as we would wish – sometimes we flourish.

i think that as i take spindly-sapling steps into this new year i am hoping to reveal as much as possible in the reflection in the river. it’s time to look that reflection in the eye. it’s time to be the same we are. it’s time to change.

if i wish to be a strong oak, resilient and leafy, then i must live as a strong oak, resilient and leafy. or an aspen. or a maple. or a lodgepole pine. or a willow. no matter.

grounded, supporting other life forms, part of a bigger picture – a bigger ecosystem – mindful that we are simply a grove of humans in a giant universe. perhaps we all need be mindful of what we are reflecting back. we are rooted together – with branches that reach for each other, for spirit. interconnected, we share this earth. we share responsibility. we share the mirror.

my eyes struggle to make the reflection clear. but rivers are like that. they are never entirely static. they keep moving. and things are a bit blurry.

*****

RIVERSTONE © 2004 kerri sherwood

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the infinite infinite. [kerri’s blog on k.s. friday]

somewhere – in the infinite infinite – i suppose that my sweet momma and poppo might be with my big brother, nibbling on crumbcake and coffee ice cream. maybe they are having a chat about christmas eve norwegian fish pudding and rum cake. or maybe about burning your fingertips making krumkake. maybe they are reminiscing about singing carols in the living room – gathered around the organ or the piano, my brother with his guitar, my uncle with his beautiful tenor.

i suppose that the party might be bigger…with their baby daughter i never met, with my grandparents, with their siblings, with friends they treasured. they may pop open the martini & rossi asti or blend some eggnog, assuming there is electricity. maybe they are swinging on stars and peering through the clouds at us here; maybe they are missing us.

in the way that things are in this place right now, i am glad that my sweetest mom and dad are not physical witnesses to what is happening, for their hearts would be broken by the ugliness of these times. i am grateful – in an odd way – that they do not have to experience what will be in the next for this country, for our world. even with everything they saw and endured in their lives – which is plenty considering they were born in 1921 and 1920 – i know that what’s happening and what’s coming would challenge and disappoint their beliefs and values to the core.

and so, in the meanwhile – between now and the infinite infinite – i will miss them. the axis has never returned to balance since they’ve been gone and this time of year brings that home even more.

i do believe, though, that if my momma – ever the letterwriter – could write in the sky – out there by the moon – she would. she’d likely draw words with the help of clouds and contrails. and she’d spell out something like, “daddy says ‘hello brat!‘” and “don’t forget to live life, my sweet potato!”.

when i look up – or inside – i can hear them both.

merry christmas mom and dad.

*****

bonus track (god be with you till we meet again) © 1996 kerri sherwood

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a season of light. [kerri’s blog on k.s. friday]

it did my heart good to wander slowly through milaegers garden center. like the line “it’s much more than a box” from the department store gift-wrapping scene in love actually, milaegers is much more than a garden center. and day before yesterday it was a holiday wonderland.

it was just what i needed. we strolled slowly, each of us raying out to what invited our eye. everything was decorated and the displays were glowing. we were searching for just the right thing and lingered around each tree – perfectly laden with ornaments and gleaming tchotchkes.

we finished our holiday shopping for the day and happily used a gift card we had held onto for well over a year – a local bistro where we loved sitting at the bar sipping a glass of wine and sharing a most-delicious burger. it was truly a day that put spirit into our spirits.

last night we sat in our living room under a furry white throw and looked around at our decorations, satisfied that we not only paid homage to a festive season but were true to our own sensibilities, a mashup of organic and glimmer. there is a shimmery incandescence in there we can both feel – particularly full of grace at a time of seasonal and out-in-the-world darkness.

the tiny trees we’ve collected are scattered about, both happy-lit and simply green. even the very plainest of these have their place.

the big branch in our living room – from the old tree out front – has now stood there for four holiday seasons. though it is wrapped in year-round white lights, each christmastime we have added something. two years ago it was silver bulbs. last year it was vintage shiny brites of my mom and dad’s. this year we added crystal prism ornaments. there is a lone metal star. it is – to us – really beautiful.

eileen’s tree – “e.e.” as it will always be known – has the place of honor, standing sweetly in the doorway from the living room to the dining room. a nod to the traditional, it has become, now, one of our own traditions. it all feels peaceful, which is our intention.

in the day the crystals on the branches in the living room throw beams of sunlight across the floor. with the room lights off, the happy lights of the trees on, the crystals on the branches in the living room glitter, anticipating the season of the return of light.

it is not milaegers but it is home and, in a world of frenetic and fraught, this luminous place is truly our sanctuary.

*****

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a squall of light. [kerri’s blog on two artists tuesday]

it will surely get worse before it gets better.

it was while i was waiting for the person to arrive to pick up the desk that i started. it wasn’t really on purpose. it was simply a way to keep an eye out the window at the front of the house. i opened the small chifforobe cabinet and began to pull things out and stack them on the floor of the studio. then i went over to the small desk and did the same thing. before i knew it, it was chaos on the floor of the studio, piles on the padded artist bench, even small piles on top of my piano.

in the unearthing of space, i am finding notebooks of lyrics, slices of songs, chord progressions jotted on scraps of paper. there are piles of process cds – from demos of songs to recording studio takes, edits, production in all its phases, final products of albums released into the world. there are radio charts and encouraging cards, pencils and erasers and staff paper.

i think of my son – at the other end of the journey – the closer-to-beginning part of his artistry. though he is waaay past just-beginning, his heartbeat is quickened by his own growth in his music and by the outer reaction to and support of his EDM. i remember those days and i celebrate for him and with him. they are the days that feed artists when we are depleted, when we are in the midst of hunger, when we are pondering our place in our art form, when – if we are feeling disoriented – we are trying to see where it was – discern how it was – we got lost so that we might find our way, when it’s a little bit agonizing, when we are a lot a bit tender, when we are wondering.

later on – much after the computer desk was gone – after the frenzied muse had left the building – i groaned looking at the mess.

but there is no going back now. it’s time to keep going, to keep going through, eliminating, filing, re-designing the spaces and space in my studio. time to bring in new light, time to give it a chance.

in more than a bit of vulnerability, i must say that i don’t really know if that will change anything. i know that the studio will look more spacious, it will be slightly less muddled in there, more austere, more piano-focused. i feel like that could definitely be a good thing…a tiny step toward actually playing, actually composing. cleaning out will remove some of the tangible tokens of feeling remote, or of hurtful, harmful things that have undermined my artistry, that have waylaid me. it might remove some of the visible and invisible layers between me and my music. i guess that’s all to be seen. as overwhelmed as i am – thinking about all the work in front of me – i do see some magical bits of light in the dark, even amid the squall of chaos.

when my grand first arrived – over 25 years ago – it was the only thing in the room. just a big C5 on bare wood floors with high ceilings and freshly painted white walls of plaster and beadboard. it was pure and glorious.

since then – for various reasons – i added a chifforobe, a writing/reading chair, a desk, music stands and mic stands, other instruments.

maybe sorting through, reorganizing, removing the desk, minimalizing stuff, clearing the space will surface the essential reason for this studio, will distill the paralyzing fog that has settled over the space and in my heart, give light to a dimmed imperative. maybe a tiny bit of balance will return. maybe it’s all still relevant.

i stand in the doorway and acknowledge that i don’t know.

*****

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stars in the cold. [kerri’s blog on two artists tuesday]

“your hand opens and closes, opens and closes…your deepest presence is in every small contracting and expanding.” (rumi)

brave thistle plant – even in the bitter cold – open. this star in the meadow reminds me to stay open…fluid in breath…in and out.

i sometimes wonder about my music. my grand sits in my studio, waiting. it is patient, although i can sometimes hear it in hushed tones, calling me. there has been much between the last time and now, much that has left me closed to it.

i’ve touched it a few times in a few years. i don’t want it – or anyone, including me – to overreact to that. it is beautiful and full-stick and keys-open and – like the thistle – it bravely stays starlit even in the fallow times. and so, it is – every now and then – inviting. but it is complex – complicated – and it’s obvious I haven’t sorted through all the layers yet.

it is an artist’s imperative to create. but there are no rules that state the medium must remain the same. and so…in these inbetween times…i write. to be open to something different is to dance with that imperative.

the heavy old mic stand tucks right outside the doorway to the studio. it’s holding a vessel for candlelight right now but – at the end of our hallway – it reminds me of microphones and wood stages, simple lighting and boom stands. and then i wonder again – about all that.

the real answer is that i don’t know. i don’t know what will happen in these nexts. i don’t know if i’ll compose more, record more, perform more. there are a lot of ifs between here and there, a lot of details, a lot of stars that must align.

but the little thistle plant in the meadow reminded me that even with all that – all in the galaxy that must cluster – constellations in the cold are possible.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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