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Tag Archives: antique shoppes


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my lampshade. [kerri’s blog on k.s. friday]

“when she stopped conforming to the conventional picture of femininity she finally began to enjoy being a woman.” (betty friedan – national organization for women co-founder)

ripped jeans and boots are – most often – my dress of choice. i add a black thermal shirt or a long (black) tunic and feel like me. it’s my dopamine dressing, regardless of the colors, textures, ensembles on the dopamine charts.

my studio is not large. it’s one of the bedrooms on the main floor – in the front of the house. there are three double-hung windows – two of which face south – so nice light. there’s a chiffarobe holding a big old black-framed window, pictures of my parents displayed. there’s tin on the wall with photos of my children. there’s a painting by david and two framed collages with my first two albums. there’s a photo of me as a little girl, a rocking chair, music stands and mic stands. and there’s my piano. it’s a 6’5″ yamaha grand so it’s a presence. 

and now – over in the corner opposite my bench – hangs this lampshade. i suppose it could be used as an actual on-a-lamp lampshade, but ever since i saw fabric-repurposed lampshades hanging in that iowa farmhouse we stayed at, i have been intrigued by the simple hanging of a lampshade. and so, a couple days after the new year, while out antiquing, we came upon this shade. it was hanging in the middle of a vendor’s booth, with no price tag. it wasn’t for sale. but – like the chunk of concrete – this spoke to me. 

its femininity was appealing. torn strips of silk and organdy, a feathered hairclip, i was smitten by it. i could imagine it in my studio – softening the straight lines of plaster walls and crown molding. it felt – forgive me for this generalization – girly. in every good way.

i asked at the front checkout about it and the sales associate and i took a walk back to it. she double-checked, looking for a tag. it looked like it was there to dress up the booth. and, indeed, it did. it was charming.

we left without it, but the associate said she would contact the vendor and let me know the lampshade’s status: available/notforsale. my concern was that even if were available – or if the vendor made it available based upon my desire for it – the demand-cost equation might enter in and it would be out of my range (which, frankly, most things are). 

the next day i got a text. $15. i re-read the text. $15. i wrote back, double-checking. surely it wouldn’t be only $15 for me to bring home this piece of softness – this very cool boho shade that reminded me of all the layers of who i am.

i wore – as usual – my ripped jeans and boots, a vest over my black thermal shirt. we walked in and the lampshade – the lampshade waiting for me – was on the counter. 

there was a group of women standing near the checkout counter, all talking at once. they glanced over at the lampshade, admiring it, asking me what i was going to do with it. we all laughed together, visiting and having those amazing moments you can sometimes have with a group of women (or people, but in this case it was women) who don’t know each other at all but who all-of-a-sudden have a common interest. the lampshade. 

this is a good time in my life for this, for the ripped ribbons of silk and shreds of organdy that flow gently from its structure, for the skeleton of a for-a-lamp shade to have new out-of-the-box purpose, for a reminder of femininity and of who i am.

on the way out, carrying my lampshade as i passed by one of the older women standing nearby, she turned to me and said, “it looks like you.”

i can’t think of a nicer compliment.

*****

A SHRED OF HOPE ©️ 2020 kerri sherwood – on an iphone and a piano that needs to be tuned….

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me and nancy drew. [kerri’s blog on merely-a-thought monday]

rainy weekends and antique shoppes go hand in hand. we love a slow browse through the stuffofthepast. curling up on the couch under a sherpa blanket with a good book is also an option. cleaning out the basement, dusting, vacuuming, mopping floors – eh, not so much.

i won’t forget how much time i spent as a kid with nancy drew. she and i sat on my orange and green shag rug floor with hot cocoa for long spans of time, figuring out her mysteries and strategizing next moves. i knew girlfriends who had every single volume, but i didn’t. i had some but i also had a library card and that was like having a ticket to anything.

sometime in elementary school i remember chomping at the bit to go to the library as soon as i got into my school. i used to volunteer there at lunchtime in later elementary years, but early on it was just a place of wonder.

i was the youngest of three and my sister and brother were eleven and nine years older than me – thus they were in prime teasing positions and never failed to take advantage of a moment, particularly my big brother. my sister was more in charge of doing my hair, torturing me with a hairbrush and a teasing comb, rubber bands and sponge curlers.

for some reason – sometime in those early elementary years – we were all together in the living room and they were talking about “natural-born americans”. one of them – and i can’t remember who – looked at me and told me that i wasn’t a natural-born american. i stared in horror, not understanding. they added, “you’re caesarean!” to which i burst into tears. i had no idea where on earth caesarea was and i didn’t want to admit it.

the next morning i made a beeline to the library before going to my classroom. i went directly to the globe and then to an atlas, looking desperately for caesarea.

later, back at home reviewing my day with my mom, i told her about what i had found and i said that as a caesarean i hoped they were still my family, since they were all american.

i don’t think my sister and brother got into much trouble but i’m pretty sure they got a talking-to for terrorizing me. it didn’t stick because it wasn’t long before my brother told me he had flushed my favorite slippers down the toilet. ahhhh. beloved siblings.

i’ve decided that nancy and i would have been good partners. two sleuths, not afraid to look for clues, researching and studying endless details, we could have ruled the third-grade world. nancy drew and kerri.

and all those volumes would have ended up in the antique shoppe too.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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the pink backpack. [k.s. friday]

“it’s projection,” he wrote. yes. bill penzey is right. it is projection. we project love onto objects and we “really see these objects as love.” he continues, talking about his desire – were there to be a fire in his house – to grab the six-quart stainless kettle he has popped corn in for every movie night he has had with his wife, and his love of the heavy-duty spatula his father gave him, adding, “and in a world where nobody gets too much love anymore, i want to do all i can to hold onto that love.” he is clearly thready. i’ve never met him, but he is on my list – people with whom i’d love to have dinner.

we have a pink backpack. it’s packed from back in the days our town was on fire, days i can feel and hear and smell and taste – viscerally – but would rather not. we’ve kept it packed, realizing that it’s wise to have one thing to grab and one place to go to find that one thing. it has important stuff in it…papers and such. it doesn’t have the tiny cheese knife we use every day, the one that was my sweet momma’s. it doesn’t have the wedding ring my dad wore or the matching flannel shirt of a pair. it doesn’t have the toddler drawings of my children or the small bowl turned trinket-holder that babycat ate from. it doesn’t have zillions of photographs. it doesn’t have masters of all my albums or a collection of jpgs or pngs or printed photos of all of david’s paintings. it doesn’t have the rock i picked up hiking with my daughter or the cork i saved from the first fancy dinner my son made for me. it can’t hold my piano or the vintage typewriter 20 gave me or the bowls we love from ken and loida or the snuggly scarf jen gave me or the old torchiere lamp from my growing-up. it doesn’t have room for the old quilt or our favorite mountain mugs or our ukuleles or my guitars or our dvd favorite-movies-collection or the cardinal towels from my sister or the ‘i-found-you-you-found-me” painting of early k.dot-d.dot days.

the one thing about antique stores is that they give you perspective. lots of it. so many items in the world. so much stuff. you ponder why someone might have held onto a plastic flower arrangement in a plastic flower pot long enough that it became part of an estate that passed into an antique shoppe or how it is possible that there are so so so many 45 rpm records out there, collections of so many long-playing albums, and, someday, so many cds. even mine.

and then you know. it hits you like a spatula upside the head.

though none of that will fit in the pink backpack, were there to be any sort of emergency – and all we could grab is the backpack – we would not lose it all.

it’s love. all love.

*****

IT’S A LONG STORY ©️1997, 2000 kerri sherwood

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those blue cornflowers! [saturday morning smack-dab.]

corningware is a fact of life. my mom had corningware, my sister had corningware, my sister-in-law had corningware, i have corningware. there’s no getting around it. it just is.

it doesn’t really matter that there are other cooking vessels out there – fancier, more expensive, touting evenly distributed heat and cast-iron goodness. i was – from growing up with aluminum stock pots and the blue cornflower pattern – predestined for my “spice-o-life” corningware set. in a nod to bougie, i also have a couple pieces of the “french white” oven-to-table elegance. one of these days i may break out of this. the la creuset people are patiently waiting.

we go to antique shoppes often. someone asked me if we buy things. tilting my head to think about that question, i realized that we don’t buy things all that often, though we have a pension for repurposing old stuff so there are definitely exceptions to that. we have a merry old time, though, wandering around, telling stories and laughing. why is it that we tell stories, you ask? well, it’s because so much of the stuff we c.u.r.r.e.n.t.l.y. have (or, ok, have had) is also stocked in the antique stores. it’s not limited to the corningware and our pyrex mushroom-pattern mixing bowls. it’s the books we read, the albums we listened to, the games we played, the clothing styles we had, the leather tooled purses, the belt buckles we recognize, the peanuts mugs, the sylvester and tweety glassware, the woolen mill spools and the rug beaters i collected in the early 90s. it’s the vases passed down, etched glass platters, the linens from finland, the beer steins from europe, the flour sifters, the handmade yoyo quilts, the happy face wastebasket. i have bins of ebay-worthy treasures. vintage. wink-wink.

one of these days – hopefully in the far, far away future, his paintings and my cds will find their way into an antique store somewhere. people will pass by and they’ll say, “oh geeez. remember when we had a cd player? what year was that again?”

in the meanwhile, we will relish becoming antiques ourselves.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2022 kerrianddavid.com


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around the barriers. [not-so-flawed wednesday]

so someone went around our rickety old adirondack chairs with the signs that said “sidewalk closed” in order to walk across the newly-poured sidewalk. clearly, this person wants to be remembered. judging by the print, this person is male, relatively long-legged, dons footwear sans brand markings on the sole and leans a bit heavier on his right foot than his left. since that is not much to go on, there is not much to be remembered. just that he wanted to make some sort of statement that day and marched right around the barriers and right through our new cement.

on the trail through the woods hiking on sunday we went along a train track for a ways. a new-looking black locomotive of a long freight train blew its whistle and we peered through the trees to watch. the train was really long and every car was the same, which seemed unusual. freight trains in these parts usually have all kinds of boxcars, flatcars, hoppers, tanktainers, double-stacked container cars. the only differing aspect of these silver hoppers was the graffiti on the side of the cars. most looked newer – or newly scrubbed – but some had lots of added color…the meaning-making marks of spray paint artists who somehow are able to find ways to paint, despite whatever barriers might exist in the rail yard.

i suppose we all have an imperative to leave a mark. to say “i was here” in one way or another. we visit antique shoppes and tease that my cds and his paintings will someday be piled in tiny booths with 20%-off-sale signs and no curator or record-spinning-dj to “explain” our work. one of these days it will be difficult to find a way to actually physically play cds – so for that, i guess i’m happy a lot of it is digitalized, mp3s, like jpegs and tiffs of david’s paintings that are floating about the internet. marks.

this is our 201st consecutive week of writing these blogs for our melange. 201 weeks, five days a week (and more recently six). rapidly approaching four years of writing in this context, together. if each post is about 500 words – or so – that is over 500,000 words. each. together – in just these last 201 weeks – it’s well over a million words. lotsa marks. blogsites can be cumbersome. they can be barriers to leaving-a-mark because of the technology. but not insurmountable. social media can barrierize one’s efforts, particularly social media that indiscriminately shuts down profiles for community standards that have not actually been violated. but one walks around the old adirondack chairs and figures it out. because marks take a little effort sometimes.

i’m hoping that person-x is feeling more acknowledged by the time the utilities come back out in the spring to pour a permanent cement sidewalk out front. as someone who put tiny initials in a zoo sidewalk thirty years ago, i can’t say i don’t understand. i just hope that if we put up better barriers, the only marks in the new sidewalk will be ours.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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the cameras. [not-so-flawed wednesday]

cameras

1977.  graduation.  yashica fx-2.  my most-prized possession and my constant companion was the 35mm single lens reflex camera my momma and dad gave me when i graduated from high school.  it went everywhere with me and i made every reason to be out and about with it, capturing sunrises, sunsets, beaches, state parks, roadtrips, lighthouses, birds and other wildlife, my nieces and nephew.  i loved this camera and still have it, although i haven’t used it in years.  i learned about f-stops and aperture openings, film speed and depth of field – all with this camera.

somewhere along the way, automatic cameras began to reign supreme and i joined the ranks with a minolta that made taking pictures of My Girl and My Boy easier, faster, somewhat brainless.  as they were little and moments passed in lightning speed, this camera made moment-seizing more possible, although one still had to wait till the film was developed to see if you were successful.  sometimes it was the blurry photo, the funny face, the i-wasn’t-trying-to-get-that-picture photograph that are the prizes.  they are the ones we couldn’t erase, delete, photoshop, filter.  they were what they were.

i remember roll after roll, walking in to rode’s camera shop and taking advantage of their double-print deal, always sending photographs to grandparents, family and friends who were afar.  having sorted through every one of the prints in recent years, i can honestly say that i have literally thousands of photographs of my children when they were growing up.  perhaps this is the reason they roll their eyes at me now when i want to take pictures of them?

i can’t help but think of what i might have captured on film had digital cameras or cellphones with the exquisite-cameras-of-today been around back then.  video without having a gigantic vcr camcorder on your shoulder or even a smaller, still cumbersome 8mm camera, instant photos that you can preview and take over, every photo or image or video ‘fixable’, ‘changeable’, ‘alterable’.

i have to say i am a little envious of the ability of parents today who are able to document their children, their travels, their, well, every move, not to even begin to mention selfies, and instantly facebook-post it, email it, text it, snapchat it, instagram it, tweet it, snapfish or shutterfly-book-it, sharing it with the world.  it’s so simple.  their documentation will be so much more complete, the phone-camera a constant companion with no real added burden of weight or case or extra lenses or film or a flash.  the rise and ease of amazing technology.

it was with a sense of uh-oh-we-really-are-getting-olderrrrr that we happened upon the display of cameras and movie cameras in the antique shoppe.  i wanted to pick each one up, look through the viewfinder, compose a photo or two.  i was instantly transported back to crabmeadow beach with susan, climbing the fence to snag a few sunrise pictures.  i was in the boat with crunch, cruising long island sound lighthouse to lighthouse.  i was on the floor with my babies, catching their moments.

there was something magical about waiting for that old film to develop.  something that made it sometimes easier to put the camera, the device, away.  something that made it paramount to memorize -for your very own mind’s eye- the most precious of events, the most intimate details, the agonizingly briefest purity of a perfect moment in time.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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