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holding light. [kerri’s blog on not-so-flawed wednesday]

the chipping-peeling-paint white cabinet spoke to me. it sat on top of a side table in the booth straight ahead of the walk-through from one building into the other at the antique shoppe. it had some sweet personality and i visited with it, lifting the old clasp handles to open it and peer inside. with shelves ready for stuff to be tucked away, this little cupboard charmed me.

i took a few photographs, noting the price, and we left.

i had an old aquarium stand next to my bed as my nightstand. it held a few photos and framed notes from my kiddos when they were little: “goodnight mom” and “mom” with hearts. it held a jelly jar with pens and pencils, a pair of readers. it held a small clock and a glass nightstand lamp that was my sweet momma’s. it held a box of tissues, babycat’s old “meow” bowl with trinkets and my earbuds. underneath, on the bottom glass shelf, it held a wooden crate that serves as a special box for earlier decades.

you may be getting the picture.

the fishtank stand held too much.

we visited the little white cupboard a second time, measuring it and taking more photographs, pondering.

we moved things around in the bedroom and i emptied the glass and wrought iron metal stand, paring down as i worked. and still pondering.

and then we went back to the antique shoppe – our favorite. i held my breath as we came around the corner to the place where you could see through the passageway into the other big room and into the booth where the little white cupboard still sat, patiently waiting.

and this third time, after a smidge of price negotiating, the little white cupboard came home.

because we do not have a matchy-matchy kind of bedroom suite, it seemed right to add this little cabinet to the old black-painted cedar chest that had been miss peggy’s from next door, the medium-toned wood dresser that had been lois’ before she left for overseas teaching forty years ago, the spring from my dad’s antique bassinet, holding tiny clothes-pinned handmade cards we’ve given each other. the live-life-my-sweet-potato print and the black and white canvas of babycat. the gingham print red and white wingchair lazyboy, the small black jewelry armoire i bought off marketplace, the pine cabinet from the town in the north carolina mountains where we bought property over four decades ago, the quilt a friend made when i broke both my wrists that graces the bed from which we removed the frame so it would be easier for our aging dogga to jump on and off. it is a venerable hodgepodge and we love it. the peeling-paint white cabinet is right at home.

we have always been drawn to items – particularly vintage – that are painted black. but lately, it seems, we are attracted to the things that are painted white, things that show life, things that have had some miles and some stories, some lovin’-on. but lighter, brighter.

and so these pure white flowers that are in our dear westneighbors’ yard are just exquisite to me. these hydrangea seem like the flowers of posies of love, of weddings, of hope. they bring a smile every time i pass by them, backing down or pulling into the driveway. such delicate beauty, these blossoms on shrubs where tiny birds gather.

maybe it’s the balance of light. this room – our house – has great sunlight streaming in many old double-hung windows. in these times, as we find ourselves slightly more insular – again – staying home with our old dogga – we are spending much time in the spaces of our home. the white fuzzy pillows, the white chunks of concrete, the old white door learning against the wall, the white throw, the white iron obelisk trellis…they hold light.

and right now – particularly right now – as we make our way through these times, it would seem important to gather around ourselves things that hold the light for us.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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saved from away. [kerri’s blog on merely-a-thought monday]

almost every time we mosey around an antique shoppe – likely every time – i find myself musing about how no one should buy anything new. at all. ever. we should all just go peruse antique shoppes, flea markets, thrift stores, for – in those places just brimming over with possibility – it is probable that we would find all we need. and more.

we really do love a good antique boutique filled with vintage treasures just waiting to be re-homed.

because i agree with annie leonard (greenpeace), “there is no such thing as ‘away’. when we throw anything away it must go somewhere,” we have not yet disposed of our (decades and decades) old range. we have, instead, cherished it and putzed with it when it was struggling. but it is not in a landfill somewhere and, for that and for its long, long lifeline, i am grateful.

we were on the quest for a single ladder – to add to our deck with a purple sweet potato vine. we wanted a bit of interest over in the corner and found a stack of single ladders outside our favorite antique shoppe. but in the steps between where we parked big red and the ladder stack, there was this little garden table. d instantly stopped and drew it to my attention.

because our backyard is – indeed – our sanctuary, a small peeling paint white garden table could be the perfect addition – over there, on the deck, next to the railing that defines the potting stand garden.

$20.

but there is a sale. 20-40% off.

we buy our chosen ladder (who knew there were so many different widths?) and bring it out to the truck, ready to leave.

but that garden table.

it called us as we walked by. the second time.

so we went back to look at it, to wonder at its story, at where it had been, at its character as evidenced by its patina.

we snapped a photo and went inside – just to ask.

because we have been there many, many times, the gal at the checkout knows us. she asked me what I wanted to pay (though we weren’t yet sure we wanted to purchase it.) i replied $10 and her quick answer was, “sold!” i couldn’t help but wonder what a small garden table with as much joie de vivre would cost in a retail shop, a garden store, a catalog.

we happily loaded up this small sweet table and readily re-homed it on that spot on the deck, placing a soft green petite licorice plant on top.

every day – several times a day – we step outside and are deeply sated by this place of sanctuary. we wander to each plant, each herb, each grass, our aspen tree, and marvel at the growth in this hot-humid-greenhouse-type summer. we express, once again, gratitude for this space and its stuff.

and we plan our next trip – just to stroll about, to tell stories as we see items with which we had grown up, to goof about purchasing items completely out of our taste or – sometimes – completely out of taste at all. it is always an adventure.

to borrow from home goods advertising, we go finding. only our finds are the things people no longer want and wish to sell, the items that may have ended up disposed of, tossed out. our finds are filled with the magic of repurpose. they have stories we don’t know and can only imagine. they have new stories we have created for them. in turn, they create a place of tranquility and easy serenity.

and in some small way, we have saved the earth – even just a little – by saving one more thing from ‘away’.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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classics frenzy. [kerri’s blog on saturday morning smack-dab.]

it could easily put you in a frenzy.

technology – stuff – is like that. and we are surrounded by old technology and old stuff. now, don’t get me wrong. i’m not complaining. it’s just a fact. besides, i heard kamala loud and clear when she said, “don’t complain. dooo something about it!!”

and so, i do the workaround. it’s a bit like the electric shuffle, a mix-up of the hustle and the bump, maybe a little macarena-ish. it’s not a pretty mash, but it moves and shakes and gets it done.

a little over a week ago my laptop died. there is a grey folder with a question mark flashing when i turn it on. this is not good news for a macbook from 2008 – the year my girl graduated high school – and i immediately shut it down, in the hope that the next time i turn it on all will be well and it – personifying it, of course – will have forgotten its troubles and will simply get back to work.

in truth, i haven’t tried that yet.

i’m not anxious or excited about the outcome. well, to be fair, i am anxious, just not excited. i – listing heavily to optimistic – am hoping against hope that it will turn on and remember everything that would otherwise be lost. anxious. yes.

and so, in the meanwhile, i am typing on a mini ipad and trying to find creative ways to do what it is we do. so a little redundancy will have to work.

we have classic stuff.

our three vehicles (littlebabyscion, big red and my vw superbeetle) add up to 97 years old. my iphone is a 6, from the dark ages of 2016. this ipad is a mini2, only five years old but way past retiring. our tv is a non-smart late teen. it is as it is. and we totally make the best of it. not complaining, nope, nope.

i just know – in the middle of these workarounds – that there are those of you out there who get it. i wonder what it would be like to never have to figure things out, to never have to make it work, to never have to stand where you are and just be grateful and not wanting of more.

when i wash my hair today and tip the bottle, slapping the bottom of it over and over to get the last vestiges of shampoo out, i will think of my sweet momma and – apparently – kamala’s as well.

i’m thinking beaky and shyamala are visiting together on some other plane, maybe having sweet tea and, though they know we have plenty to complain about, watching us all dooo something – the best we can. and that, my dear friends, is classic.

*****

read DAVID’s thoughts this SATURDAY MORNING SMACK-DAB

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old knobs. [kerri’s blog on two artists tuesday]

the drawer-pulls on my old dresser clattered. they were a little bit fancy and made of brass and i can still hear them in my mind – a repetitive clack-clack-clack when i closed the drawer. it was one of those big six-drawer dressers, wide and low with a big mirror in the middle. it was maybe mahogany and in my growing-up house this girl’s dresser-hand-me-down from my sister sat on my orange and green shag rug before i moved it to my first apartment. it wasn’t grossly oversized but it had plenty of space…places for delicates and t-shirts, jeans and shorts and – astoundingly – nothing was wrinkly when i extracted things from the drawers. i think i remember moving it to florida and then, somewhere along the line, it went back to my sister…this time for her little girl.

ahhh…the joy of having a big dresser should not be underestimated. i haven’t had a dresser with six drawers since.

i think of lois every time i open the dresser i have now owned for almost forty years. when she took a teaching job overseas, she gave me this dresser. is is solid, standardly narrow and upright and has five drawers with giant big wooden knobs and i share it with david. as you might suspect, he gets one drawer and i get four. i would venture to say that you might be shuddering to think of trying to fit all your dresser-stuff into four drawers. (not to mention his in one, but, hey, he’s a boyyy so he has significantly less dresser-drawer stuff.). before you get all judge-y, keep in mind, too, we have old-house-closets. any accumulation of clothing – is a challenge.

we went to a giant antique flea market at a neighboring county fairgrounds. there were over 500 vendors and it was ridiculously fun to wander around, reminiscing and laughing at some pretty weird old stuff, some stuff we still have, some stuff about which we had great stories to tell. as you know, antiquing is one of our favorite pastimes and being outdoors and antiquing together…well, a fine pairing.

when i came across the big bin of knobs, i could actually feel them in my hand without even touching them. they were smooth with history and the hands of all who tugged on them, the wood worn and any finish gone. as i stood there looking at them, i could not help but think of all the cabinets or dressers they graced in all their years. i thought about all the ways they have been replaced – contemporized – and the possibility that the pieces they came from – the chifferobe, the cupboard, the desk – may have been disposed of.

in all the years that i have had my dear friend’s dresser, i have thought many times about painting it, redoing it, replacing it, at the least, re-knobbing. i never did any of that. it’s still the same old dresser.

i can’t imagine how many stories this old dresser has in it. just like the dresser up in my son’s room – a hand-me-down from miss peggy from next door thirty plus years ago – i wonder how old these dressers are.

mostly i wonder about the hands that have touched this old knobs. like all the old doorknobs in our house, i see these as diligent and sturdy; they have done their jobs year after year, decade after decade.

the history just danced in the box in front of me. so much potential. so many drawers and doors. i thought about who might purchase that box of knobs, where the old knobs would end up.

and i was suddenly glad that I hadn’t changed the ones on our dresser.

*****

read david’s thoughts this two-artists-tuesday

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salvage doublebows. [kerri’s blog on two artists tuesday]

even upside-down i recognized it. a chunk of concrete – architectural salvage – signed and dated 1978 – it sat there, with an assortment of other stuff outside the antique shoppe – and called my name.

my sweet momma wanted to be an architect. she was way before her time, though. born in 1921, she loved applying her love of mathematics, but the world – i guess – wasn’t ready for her. i, too, love math. and i love design, though i haven’t had any formal training in it. but when a chunk of concrete – or any other item – calls my name, i stop and listen – at least for a moment. there is a conversation to be had.

because it was upside-down and weighs a ton, i asked d to turn it over. i made an instant decision…one, unlike most other purchases, that would have no second-guessing, no post-purchase regret. i wasn’t sure yet what we’d do with this concrete, but it was coming home with us (after some new-york-style price-negotiating). 

it’s in our living room now, in case you are wondering. it serves as a side table to a chair and is the right place for our ipod sounddock. it’s perfect. 

i was trying to explain – at the antique shoppe – to a couple people there how i try never to buy things to be used for what they are designed for. it’s my own rule of repurposing. it’s also pretty scrappy. now, now, that doesn’t mean a pillow isn’t used as a pillow or a chair as a chair, but old vintage coffee pots are our tea canisters and suitcases are our special boxes. tin displays photos with magnets. a door is a table. you get it. 

for years, i rented offices at an historic building on the lakefront. a fantastic old building with high ceilings and wood floors, only cold running water on my floor, big old windows facing the lake. when they were doing some reno work on the building, there were piles by the big dumpsters: vintage window frames, rectangles of radiator grates, old signs. it was a salvage dream. i miss those offices, but as i look around our home, the old window frames are comforting and remind me of days spent chasing concerts, wholesale accounts and mice. 

the farm table in our sitting room holds a beloved heart leaf philodendron from my daughter. the old repainted chiffarobe in my studio holds photographs of my parents. ”sisu” is painted on a piece of old wood, created by my son. there are two old rocking chairs in david’s studio: mine and his…both full of stories of long ago.

so the chunk of concrete didn’t really surprise him. i thought for sure – as we pulled in – that he noticed it too. but he hadn’t. so i pulled him over to it, certain he, too, would love it. and he did. most of the time it doesn’t take much to amuse us. 

we stood at the doorway from the hall to the living room, admiring our find. we – truly – couldn’t have liked it more. artifacts from time gone past – things that might sit out by the dumpster or in the weather in the parking lot – reclamation of interesting pieces – even roughhewn – loved in our home. we tie new narrative to these, like the doublebows on the boots we wear…a smidge of warmth, of security, of new use, another layer – this doublebow – the old stories and the new stories. we are certain of their place in our home.

sometimes i wonder why i am so attracted to peeling paint, wobbly-legged tables, old windows and doors.

and sometimes i don’t.

“every day we reconstruct ourselves out of the salvage of our yesterdays…” (james sallis)

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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used to it. [kerri’s blog on d.r. thursday]

and it is time. to put it all away. the christmas trees are piling up in those grind-them-into-mulch places. the new year has arrived and with it the giant plastic bins come back upstairs. i’ll soon – with some reluctance – gently put away all the tiny trees, my mom and dad’s shiny brite ornaments, my children’s framed note to santa, the silver and snow-white of winter, all the gestures and mementos of the holiday season. the living room will look bland for the first few days, until i get used to it again.

it’s always a time to look around and imagine. imagine change of some sort – changing a look, rearranging, culling out, even minimizing. i run around – in my head – with ideas, things i’ve seen in catalogs or magazines, on hgtv or online – pondering, maybe doing a wee bit of rearranging here and there – thinking i’m too used to it to see it all as it is.

and then i stop and look. as if i just walked into our home for the first time. what do i see? what stands out? what gets lost? and, mostly, how does it feel?

we have both many hand-me-downs and many vintage pieces (read: old/re-purposed). they are in every room in our house. i wonder what our home would look like if we had started fresh and chose everything in it for specific purposes. how would it look with a narrow wood and pipe dinner table instead of my treasured sisu music productions’ office oversized teak table? how would it look minus the old desk and chifforobe in my studio? how would it be to change out the old cabinets in the kitchen – like most home-buyers these days? or to replace the cedar chest and old china closet in the dining room with cabinetry more suited for the space? to exchange the dresser i got from lois or the chest i got from miss peggy, the chimney cabinet from hayesville, nc or the ones i got at a wholesale show for my office space? the re-painted wicker set from the lanai in florida or the butterfly chair from one of the kid’s dormrooms? the gingham print reclining wingchair with fabric on the back that our angel babycat – in brattier moments – redesigned? and what about all those branches and rocks, driftwood and aspen and hagstones and miniature boulders, flat top red rock, tiny cairns?

it is a time to clean out – both figuratively and metaphorically. the beginning of the new year pulls at most of us that way. i’m already starting to rise to the culling part of that equation. though it’s never easy. give away, sell, find people who need the excess things we have. 

the rest? 

the replacing? the new purchases? the changing out? the shuffling around, the rearranging? not so much.

it’s home. it feels like home. and we’re used to it.

*****

read DAVID’S thoughts this D.R. THURSDAY

EARTH INTERRUPTED mixed media XI 50.25″ X 41″

hand-me-down from my sweet momma

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the pink backpack. [k.s. friday]

“it’s projection,” he wrote. yes. bill penzey is right. it is projection. we project love onto objects and we “really see these objects as love.” he continues, talking about his desire – were there to be a fire in his house – to grab the six-quart stainless kettle he has popped corn in for every movie night he has had with his wife, and his love of the heavy-duty spatula his father gave him, adding, “and in a world where nobody gets too much love anymore, i want to do all i can to hold onto that love.” he is clearly thready. i’ve never met him, but he is on my list – people with whom i’d love to have dinner.

we have a pink backpack. it’s packed from back in the days our town was on fire, days i can feel and hear and smell and taste – viscerally – but would rather not. we’ve kept it packed, realizing that it’s wise to have one thing to grab and one place to go to find that one thing. it has important stuff in it…papers and such. it doesn’t have the tiny cheese knife we use every day, the one that was my sweet momma’s. it doesn’t have the wedding ring my dad wore or the matching flannel shirt of a pair. it doesn’t have the toddler drawings of my children or the small bowl turned trinket-holder that babycat ate from. it doesn’t have zillions of photographs. it doesn’t have masters of all my albums or a collection of jpgs or pngs or printed photos of all of david’s paintings. it doesn’t have the rock i picked up hiking with my daughter or the cork i saved from the first fancy dinner my son made for me. it can’t hold my piano or the vintage typewriter 20 gave me or the bowls we love from ken and loida or the snuggly scarf jen gave me or the old torchiere lamp from my growing-up. it doesn’t have room for the old quilt or our favorite mountain mugs or our ukuleles or my guitars or our dvd favorite-movies-collection or the cardinal towels from my sister or the ‘i-found-you-you-found-me” painting of early k.dot-d.dot days.

the one thing about antique stores is that they give you perspective. lots of it. so many items in the world. so much stuff. you ponder why someone might have held onto a plastic flower arrangement in a plastic flower pot long enough that it became part of an estate that passed into an antique shoppe or how it is possible that there are so so so many 45 rpm records out there, collections of so many long-playing albums, and, someday, so many cds. even mine.

and then you know. it hits you like a spatula upside the head.

though none of that will fit in the pink backpack, were there to be any sort of emergency – and all we could grab is the backpack – we would not lose it all.

it’s love. all love.

*****

IT’S A LONG STORY ©️1997, 2000 kerri sherwood

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read DAVID’s thoughts this K.S. FRIDAY


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those blue cornflowers! [saturday morning smack-dab.]

corningware is a fact of life. my mom had corningware, my sister had corningware, my sister-in-law had corningware, i have corningware. there’s no getting around it. it just is.

it doesn’t really matter that there are other cooking vessels out there – fancier, more expensive, touting evenly distributed heat and cast-iron goodness. i was – from growing up with aluminum stock pots and the blue cornflower pattern – predestined for my “spice-o-life” corningware set. in a nod to bougie, i also have a couple pieces of the “french white” oven-to-table elegance. one of these days i may break out of this. the la creuset people are patiently waiting.

we go to antique shoppes often. someone asked me if we buy things. tilting my head to think about that question, i realized that we don’t buy things all that often, though we have a pension for repurposing old stuff so there are definitely exceptions to that. we have a merry old time, though, wandering around, telling stories and laughing. why is it that we tell stories, you ask? well, it’s because so much of the stuff we c.u.r.r.e.n.t.l.y. have (or, ok, have had) is also stocked in the antique stores. it’s not limited to the corningware and our pyrex mushroom-pattern mixing bowls. it’s the books we read, the albums we listened to, the games we played, the clothing styles we had, the leather tooled purses, the belt buckles we recognize, the peanuts mugs, the sylvester and tweety glassware, the woolen mill spools and the rug beaters i collected in the early 90s. it’s the vases passed down, etched glass platters, the linens from finland, the beer steins from europe, the flour sifters, the handmade yoyo quilts, the happy face wastebasket. i have bins of ebay-worthy treasures. vintage. wink-wink.

one of these days – hopefully in the far, far away future, his paintings and my cds will find their way into an antique store somewhere. people will pass by and they’ll say, “oh geeez. remember when we had a cd player? what year was that again?”

in the meanwhile, we will relish becoming antiques ourselves.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2022 kerrianddavid.com


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old roller skates and skateboards. [not-so-flawed wednesday]

there are presents and, then, there are presents.

20 knew what my response would be – ahead of time – when i opened his smartly-wrapped gift, fancy homemade ribbon coordinated with the wrappings. but the absolutely delectable time – inbetween giggling over a really wonderfully simple-yet-perfect bow while guessing what was in the box and moving aside the inner paper – was full of anticipation. conversely, i could see it in him too. it is life-enhancing. both ways. those moments you wait as someone – who you know well and for whom you have found something exquisitely perfect – begins to open your gift. it matters not how big or small, free or expensive; you just know you paid attention to little details and you cannot-wait-to-watch-them-open-it.

i pulled out the brown paper in its role as tissue wrap and there was an old-old pair of sidewalk roller skates with a set of keys. circa 1950/1960 heavy metal with rugged metal wheels. vintage.

instantly transported back-in-time to the feeling of rollerskating on abby drive, i could remember strapping on the skates up at the front stoop, following the sidewalk down as it turned and then turned again into the driveway, struggling to stay on the concrete driveway ribbon – as we had one of those driveways with a ribbon of grass inbetween the ribbons of cement and skating into that was a sure way to fall. the end of the driveway had a little bump too; you’d have to stop there (stopping was always an issue) and step over the end of the apron. and then, the street. and freedom.

at some point, my big brother took the metal wheels off of a pair of skates and made a skateboard. i can still feel that board under my feet – the rough ride of metal against cement-aggregate mixture. we sought out asphalt, though, back then, it was in shorter supply. over by the long island lighting company on the sound there was a really long curving road downhill all made of asphalt. it was a little bit terrifying. and required either driving there or toting your skateboard on your bike a few miles. so – in our everyday world – rough rides on steel skate wheels was our destiny.

my brother made the next skateboard with rubber wheels and a bigger deck and, though it was slower, you didn’t feel as imperiled on it. he mostly used that one and the blue painted one with the red hang-loose was relegated to me. there is much to learn from a rough-ridin’ skateboard, a ribbon driveway and an apron-bump.

i wish i knew where those two skateboards were.

but finding them is unlikely, as i’m sure they are long-gone. about as unlikely as 20 stumbling into a pair of old roller skates and knowing they would be perfect.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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bubbles, lace, crystal and tulle. [d.r. thursday]

on hangers festooning the basement laundry room, ballerina tutus of leotard and tulle challenge my drive to go through, sort, clean out, organize. tiny costumes and pink slippers that held fifth position and twirled pirouettes taunt me. i stand and gaze. and stare, lost in thought. they are the stuff of dearest memories, of watching my daughter dance, of sitting on the wood floor in the back hallway of the ballet studio, of heartbreakingly sweet recitals and pink roses and light smudges of blushy rouge on softest four-year-old smiling cheeks. how, then, do i sort these, i wonder. how, then, do i clean them out, i wonder.

though i am mostly not a fancy-schmancy, the bubbles and the bits of lace and tiny crystals will get me along with the art and the twinkling lights. there is that piece of lace of my wedding gown from 39 years ago held in an embroidery hoop. there is that first bubble nightlight that my son loved when he was little-little. there is that delicate crystal bracelet my sweet momma wore. there are those handkerchiefs my grandmother crocheted, colorful scalloped edges on tiny cloths of linen. and artwork circa 1990s: glittery tissue-paper poofed trees of construction paper, crayon and pencil drawings of me, of family, of flowers, of cars and trucks. stories on pa-pads-paper cut with kindergarten scissors and stapled, stories in notebooks, stories on looseleaf. the cursive script of my mom’s handwritten letters. sugary white ornaments i can still see on our long island christmas trees. the signed fine crystal stemware of my grandparents. the tiniest-tiny graceful bud vase with a handwritten scrap-of-paper note my mom wrote indicating it had been her grandmother’s. the 1943 floral-etched bell my parents got as a wedding gift. what does one do, i wonder.

on rare days i didn’t feel well – you may skip this part if you wish, dear gentlemen – when i had horribly yucky cramps, my sweet momma would pour the tiniest amount of manischewitz into the tiniest green beautifully etched vaseline glass. we’d sit and talk on the couch by the front window and the tiny bubbles of elderberry, a blanket and momma’s care would soothe me. there are six of these vintage glasses and a tray to match. i have no doubt what one does.

one keeps the bubbles and the lace and the crystal and the tulle and art-in-all-its-forms. isn’t that what basements and attics, treasure chests and the old corner cabinet in the dining room are for?

there’s plenty of other stuff that can go.

*****

read DAVID’S thoughts this D.R. THURSDAY

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